Artrage Product Comparison
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2017 Xarisma Catalog-White Label
DIRECTORY CONTENT DIRECTORY 2 - 3 Welcome & Content Directory 4 Premium Blade Flag 5 Premium Teardrop Flag 6 Premium 90 Flag 7 Premium Shark Fin Flag 8 - 9 Premium Ad Flag Accessories 10 - 11 Traditional Ad Flags 12 - 13 Custom Flag 14 - 15 Euro Flag 16 Attention and Message Traditional Ad Flag 17 Attention and Message Blade Flag 18 - 19 Attention and Message Flags 20 - 21 Teardrop Specialty Flags 22 - 23 Golf and Stick Flags 24 - 25 Run Through Banner and Spirit Flag 26 Car Flag and Tailgating Flag Pole 27 5M Flag and Promo Flag 28 - 29 Garden Flags and House Pole Kits 30 - 31 Lollipop Sign and Drive-Thru Display 32 - 33 Taut N Tight Spike, Door Frame Display and Trek Retractor 34 - 35 Realty Signs and A-Frames 36 - 37 Yard Signs and Rigid Sign Material 38 - 39 Deluxe Signicade® and Roll N’ Go Sign 40 - 41 Textile Aframes, Human Directionals and Sidewalk Display 42 - 43 Sky Dancer and Infatable Displays 44 - 45 Infatable X-Gloo Tent 46 - 47 Infatable Display and Furniture 48 - 49 Custom Banner Materials 50 - 51 Pennant Strings and Step and Repeat Banner Rolls 52 - 53 Window Clings and Floor Adhesives 54 - 55 Custom Wallpaper and Wall Adhesives 56 - 57 Custom Canvas and Free Floating Frames 58 - 59 Silicone Edge Graphic Frames 60 - 61 SEG Tradeshow Kits 62 - 63 Harmony Stretch Stand and Flat Wall Display 64 - 65 Standard and Curved Expandable Pop Ups 66 - 67 Arrow Tip Sign and Promotional Counters 68 - 69 Mini Table Top Displays 70 - 71 Superior and Select Retractable 72 - 73 Basic, Jumbo and SwitchBlade Retractable 74 - 75 X-Stand and Versatile Display 76 - 77 Drape and Box Fitted Table Covers 78 - 79 Stretch Table Cover and Table Runner/Throw 80 - 81 Convertible Table Cover and The Halo Display 82 - 83 Avenue Banners 84 - 85 The Commercial 86 - 87 The PRO Tent 88 - 89 Promo Tent 90 - 91 Tent Accessories and Walls 92 - 93 Patio Umbrellas 94 - 95 Premium Patio Umbrellas PAGE 2 G7 CERTIFIED The G7 Sytem Certifcation Program is a program that evaluates the merits of printing software applications to meet the G7 grayscale defnition. -
Lesson Guide Princess Bodice Draping: Beginner Module 1 – Prepare the Dress Form
Lesson Guide Princess Bodice Draping: Beginner Module 1 – Prepare the Dress Form Step 1 Apply style tape to your dress form to establish the bust level. Tape from the left apex to the side seam on the right side of the dress form. 1 Module 1 – Prepare the Dress Form Step 2 Place style tape along the front princess line from shoulder line to waistline. 2 Module 1 – Prepare the Dress Form Step 3A On the back, measure the neck to the waist and divide that by 4. The top fourth is the shoulder blade level. 3 Module 1 – Prepare the Dress Form Step 3B Style tape the shoulder blade level from center back to the armhole ridge. Be sure that your guidelines lines are parallel to the floor. 4 Module 1 – Prepare the Dress Form Step 4 Place style tape along the back princess line from shoulder to waist. 5 Lesson Guide Princess Bodice Draping: Beginner Module 2 – Extract Measurements Step 1 To find the width of your center front block, measure the widest part of the cross chest, from princess line to centerfront and add 4”. Record that measurement. 6 Module 2 – Extract Measurements Step 2 For your side front block, measure the widest part from apex to side seam and add 4”. 7 Module 2 – Extract Measurements Step 3 For the length of both blocks, measure from the neckband to the middle of the waist tape and add 4”. 8 Module 2 – Extract Measurements Step 4 On the back, measure at the widest part of the center back to princess style line and add 4”. -
Placket Construction Options
Placket Construction Options 1 Type1: Two Separate Bound Edges on a rectangular stitching box The key to this structure is that the bindings are initially stitched only to the seam allowances on each side, and NOT stitched across the end, of the clipped box, which means that they, and the clipped triangle at the bottom, remain loose and can be arranged before the nal nishing to go on either side of the fabric, as well as either over or under the other, after joining them at the sides. The widths and lengths of the bindings and the space between the sides of the clipped box determine all the other options available in this most exible of all the placket types I know of. Variation 1: Both bindings t inside the stitching box If you cut the bindings so the nished, folded widths of both are equal to or smaller than the space between the initial stitching lines, as shown above, you can arrange both ends at the clipped corners to all go on one side of the fabric (right or wrong side), along with the clipped triangle on the garment. You’ll get the best results if the underlapping binding is slightly smaller than the overlapping one. This can be man- aged by taking slightly deeper seam allowances when you join this piece, so they can initially be cut from the same strip. Or, you can place one end on each side with the Both ends on RS One end on RS, Both ends on WS triangle sandwiched in between. -
Info/How to Examine an Antique Painting.Pdf
How to Examine an Antique Painting by Peter Kostoulakos Before we can talk about the examination process, an overview of how to handle an oil painting is necessary to prevent damage to the work and liability for the appraiser. The checklist below is essential for beginning appraisers to form a methodical approach to examining art in the field without heavy, expensive equipment. Although the information may seem elementary for seasoned appraisers, it can be considered a review with a few tips to organize your observational skills. When inspecting an antique painting, as with any antique, a detailed on the spot, examination should take place. A small checklist covering composition, support, paint layers, varnish, and frame is necessary. Also, a few tools such as a UV lamp, magnifiers, camera, soft brush, cotton swabs, and tape measure are needed. A "behind the scenes" investigation can tell you a great deal about the painting. The name of the artist, title of the painting, canvas maker, date of canvas and stretcher, exhibitions and former owners are some of the things that may be revealed upon close examination. Document your examination with notes and plenty of photographs. Handling Art Older paintings should be thought of as delicate babies. We need to think about the consequences before we pick one up. To prevent acidic oil from our skin to be transferred to paintings and frames, we must cover our hands with gloves. Museum workers have told me that they feel insecure using white, cotton gloves because their grip becomes slippery. I tried the ceremonial gloves used in the military to grip rifles while performing. -
SENATE March 12 Repair, Or Construction; to the Committee on by Mr.AVERY: - by Mr
3824 CONGRESSIONAL RECORD-- SENATE March 12 repair, or construction; to the Committee on By Mr.AVERY: - By Mr. McDONOUGH: Banking and Currency. H.R. 10670. A bill to declare that certain H.R.10673. A bill for the relief-of Eng (Ng) By Mr. WILLIAMS: land of the United States is held by the Yook Gee; to the Committee on the Judi H.R. 10654. A bill to support the price of United States in trust for the Prairie Band ciary. soybeans; to the Committee on Agriculture. of Pottawatomie Indians In Kansas; to the H.R. 10674. A bill for the relief of Toshi H.R. 10655. A bill to amend section 402 of Conunittee on Interior and· Insular Affairs. nori Kondo; to the Committee on the Judi the Federal Aviation Act of 1958 to require By Mr. ARENDS: ciary. approval by the Civil Aeronautics Board of H.J. Res. 656. Joint resolution authoriz H.R. 10675. A bill for the relief of Mrs. certain schedules of foreign air carriers; ing the Secretary of the Navy to receive for Umeno Taga; to the Committee on the Judi to the Committee on Interstate and Foreign instruction at the U.S. Naval\ Academy at ciary. Commerce. Annapolis two citizens and subjects of the By Mr. MACGREGOR: H.R. 10656. A bill to prescribe the oath of Kingdom of Belgium; to the Committee on H.R. 10676. A bill for the relief of Dr. office of justices and judges of the United Armed Services. Shaoul G. S. Shashoua; to the Committee States; to the Committee on the Judicia~y. -
Graded-In Textiles
Graded-In Textiles For a list of each of our partner commpany’s patterns with Boss • Indicate GRADED-IN TEXTILE on your order and Boss Design Design Grades visit www.bossdesign.com. To order memo will order the fabric and produce the specified furniture. samples visit the websites or call the numbers listed below. • Boss Design reserves the right to adjust grades to accommodate price changes received from our suppliers. • Refer to our website www.bossdesign.com for complete pattern memo samples: www.arc-com.com or 800-223-5466 lists with corresponding Boss Design grades. Fabrics priced above our grade levels and those with exceptionally large repeats are indicated with “CALL”. Please contact Customer Service for pricing. • Orders are subject to availability of the fabric from the supplier . • Furniture specified using multi-fabric applications or contrasting welts be up charged. memo samples: www.architex-ljh.com or 800-621-0827 may • Textiles offered in the Graded-in Textiles program are non- standard materials and are considered Customer’s Own Materials (COM). Because COMs are selected by and used at the request of a user, they are not warranted. It is the responsibility of the purchaser to determine the suitability of a fabric for its end use. memos: www.paulbraytondesigns.com or 800-882-4720 • In the absence of specific application instructions, Boss Design will apply the fabric as it is sampled by the source and as it is displayed on their website. memo samples: www.camirafabrics.com or 616 288 0655 • MEMO SAMPLES MUST BE ORDERED DIRECTLY FROM THE FABRIC SUPPLIER. -
HEG88-237 Sewing with Stripes
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Historical Materials from University of Nebraska-Lincoln Extension Extension 1988 HEG88-237 Sewing With Stripes Rose Marie Tondl University of Nebraska - Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/extensionhist Part of the Agriculture Commons, and the Curriculum and Instruction Commons Tondl, Rose Marie, "HEG88-237 Sewing With Stripes" (1988). Historical Materials from University of Nebraska-Lincoln Extension. 1401. https://digitalcommons.unl.edu/extensionhist/1401 This Article is brought to you for free and open access by the Extension at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Historical Materials from University of Nebraska-Lincoln Extension by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. HEG88-237 Sewing With Stripes Sewing with stripes is easier when you know what pitfalls to avoid. This Guide covers pattern selection, yardage requirements, stripe strategies and more. Rose Marie Tondl -- Extension Clothing Specialist z Pattern Selection z Yardage Requirements z Stripe Strategy z The Match Game with Crosswise Stripes z The Match Game with Lengthwise Stripes z Diagonally Striped Fabric z Pleating a Stripe z Sewing Techniques Any way you line them up, stripes make a striking fashion statement. You can be as bold or as subtle as you like with stripes. Nothing gives a garment less appeal than stripes that do not meet and match at seams. Simply defined, a stripe is a band or line which may be wide, narrow or in-between. Stripes can be horizontal vertical or diagonal, even or uneven, and one color, two color or multicolor. -
WRAP DRESS a DIY Pattern for Use with Alabama Stitch Book, Alabama Studio Style, Alabama Studio Sewing + Design, and Alabama Studio Sewing Patterns
WRAP DRESS A DIY pattern for use with Alabama Stitch Book, Alabama Studio Style, Alabama Studio Sewing + Design, and Alabama Studio Sewing Patterns theschoolofmaking.alabamachanin.com © Alabama Chanin™ 2017 Wrap Dress Instructions 1. Baste Neckline and Armholes To ensure that the neckline and armholes don’t stretch while you’re constructing your garment, use a single strand of all-purpose thread to baste around the neckline and curved edges of each piece. 2. Add Embroidery If you choose to stencil and/or embroider your project, add this to the right side of the cut Wrap Dress top-layer pieces, and let stenciled images dry thoroughly before proceeding. Add embellishment as desired. Use one of our Alabama Studio Series books for inspiration. If you’re adding beading, avoid beading in the 1/4” seam allowance. 3. Prepare for Construction After completing embellishment, choose Inside or Outside Floating or Felled Seams (see our Alabama Studio Book Series) for your garment. You will pin with fabric’s wrong sides together for seams visible on the outside of the garment or with fabric’s right sides together for seams that are finished on the inside of the garment. When pinning knit seams for construction, it is important to follow a method we call “pinning the middle.” With right sides together for inside seams and wrong sides together for outside seams, start by pinning the top of your seam, and follow by pinning the bottom of your seam. After pinning both top and bottom, place one pin in the middle, between the two initial pins. -
Taking Shape DARTS ADD SHAPE TURNING a FLAT PIECE of FABRIC INTO a THREE-DIMENSIONAL FORM to MATCH the CONTOURS of the BODY LINDA TURNER GRIEPENTROG
Techniques Taking Shape DARTS ADD SHAPE TURNING A FLAT PIECE OF FABRIC INTO A THREE-DIMENSIONAL FORM TO MATCH THE CONTOURS OF THE BODY LINDA TURNER GRIEPENTROG ustline, hip, waistline to tummy, elbow and shoulder. Darts can be horizontal, vertical or anywhere in between, straight or curved, but the stitching principles are the same. BThe goal of quality dart stitching is smooth, pucker-free points that don’t call attention to themselves. SHAPING A single-point dart is shaped like a triangle, and when stitched it takes a wedge of fabric out of the garment allowing for controlled fullness at the point. A single dart may be on the lengthwise fabric grain, angled or slightly curved. (1) A double-point or contour dart is diamond or rugby ball shaped, and is used to shape the waistline, leaving fullness at both ends for the bust and hip. (2) A French dart is a curved shape from the garment side seam to the bustline. This dart has cut edges joined like a seam. (3) V9082 Vintage Vogue, 1960. Misses’ A5(6-8-10-12-14) E5(14-16-18-20-22). Sew Rating: Average. Price code Orange. Illustrations: Theresa O’Connell Theresa Illustrations: 1 2 3 26 SEW TODAY May/June 2019 MARKING to anchor the stitches. Stitch (7) and stitch toward the point, Darts are indicated on the along the line, removing the A third technique for dart then repeat for the other pattern tissue by either solid pins as you get to them. Taper point, slightly overlapping or dashed lines and a dot the stitching to the point the beginning stitching lines at the point. -
Bonded Fabrics
L-897 BONDED FABRICS Graham Hard Kay Elmore Hazel Roberts • Fannie Brown Eaton • Joanne Thurber* • Woven wool interlining bonded to fabric for thermal qualities, body and stability. • Non-woven fabric bonded to woven face fab ric to add bulk and warmth. • Cotton knit backing bonded to face fabric to improve absorbency, bulk and drape. • Nylon net backing bonded to face fabrics such as lace to add stability and retain ap pearance of face fabric. Standards of Performance for Bonded Fabrics Manufacturers of bonded fabrics and trade as sociations are now setting standards for perform ance in bond and wear as well as performance in laundering and dry cleaning. There is a general agreement to produce qual ity bonded fabrics which: • Withstand a reasonable number of washings and drycleanings. What Are Bonded Fabrics? • Have shrinkage within a certain acceptable Bonded fabrics are made of two or more amount. already-constructed fabrics held together by wet adhesives or thin polyurethane foam. Wet bond • Do not peel, pucker, crack or bubble. ing adhesives aid in preserving the original hand • Maintain drape and ability to breathe. and drape of fabrics. Foam bonding adds body, • Do not become stiff. shape retention and thermal qualities where needed in fabrics. • Do not absorb odor. • Will resist discoloration. Types of Bonded Fabrics • Will have no surface evidence of adhesive. The original bonded fabrics combined a woven f ce fabric with an acetate knit liner. There are What Bonded Fabrics Offer the Consumer v riou bonded fabrics on the consumer market today. These include polyurethane foam, bonded • More styling and design ideas are made to face fabric or between two fabrics, and wet possible. -
BERNINA Virtuosa 150 / 160 Manual
BERNIN¡[ lnstruction Manual & Sewing Manual -:f=f olo c"" f- al q: ta vtrl!,osa r50 CLC te! BEBNII{II o\c e1c 1 tr!Lt6 .l 9(.{È #,t ,' o':: o't' a": : ¡'i, ¿'il O''_ a'i c,"I ryi'l c"ü€" 1 ,r=-l . .,8 "0., " "o t T ''1,:: t{Ë -{=f o\c !* a* vtrtuoså 160 o Lo Gttu'ltt ACßNINA ¡c o o sõ'a- rr' rt a i.o :â¡ o o\ a', a i o:i o'l o a'il s"[ c"i s'{ 6"1 6rf 'll ',I $ ',t \¡ tø'ø..3"ø*, ry'øm a, %'{* ,øør%mryruøz 'øryrfu QUILTER'S BERNIN¡f EDITION BERNIN'f Made in Switzerland Made ¡n Sw¡tzerland Safegr instructíons 'ì I IVH PORTANT SAFETY I I\¡ STRI,J CTilON I 5 When using an electrical machine, basic safety 8. Do not pull or push fabric while stitching. lt may ì precautions should always be followed, including the deflect the needle causing it to break. f ollowing. 9. Turn power switch to <0> when making any adjust- Read all instructions before using this sewing machine. ments in the needle area, such as threading or chang- ing the needle, threading the bobbin or changing When the machine is not in use, it should be disconnected the presser foot. from the electricity supply by removing the plug from the outlet. 10. Always unplug the sewing machine from the electri- cal outlet when removing covers, lubricating or when making any other user servicing adjustments men- ÐANGEM tioned in this instruction manual. -
4-H Textile Science Textile Arts Projects. INSTITUTION Pennsylvania State Univ., Univeriity Park
DOCUMENT RESUME ED.379 510 CE 068 348 AUTHOR Scholl, Jan TITLE 4-H Textile Science Textile Arts Projects. INSTITUTION Pennsylvania State Univ., Univeriity Park. Cooperative Extension Service. PUB DATE 94 NOTE 24p.; For related documents, see CE 068 343-347. PUB TYPE Guides Classroom Use Instructional Materials (For Learner) (051) EDRS PRICE MF01/PC01 Plus Postage. DESCRIPTORS Clothing; Clothing Design; *Clothing Instruction; *Design Crafts; Elementary Secondary Education; Extracurricular Activities; Home Economics; *Home Management; *Learning Activities; *Student Organizations; Student Projects; *Textiles Instruction IDENTIFIERS *4 H Programs; Crocheting; Knitting; Weaving ABSTRACT This packet contains three 4-H textile arts projects for students in the textile sciences area. The projects cover weaving, knitting, and crocheting. Each project provides an overview of what the student will learn, what materials are needed, and suggested projects for the area. Projects can be adapted for beginning, intermediate, or advanced levels of skills. A step-by-step plan for doing the project, with instruction sheets and line drawings is included. Also included are a project record, ideas for sharing the project with others, and suggestions for additional projects. (KC) *********************************************************************** Reproductions supplied by EDRS are the best that can be made * from the original document. *********************************************************************** 4-H Textile Science Textile Arts Projects U S. DEPARTMENT OF EDUCATION Ofj Ice of Educational Research and Improvemont E r.1 CATIONAL RESOURCES INFORMATION "PERMISSION TO REPRODUCE THIS CENTER (ERIC) This document has been reproduced as MATERIAL HAS BEEN GRANTED BY received from the person or organization originating it. Minor changes have been made to improve reproduction quality. Points of view or opinions stated in this document do not necessarily represent official OERI position or policy.