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Landsmän I Ryska Marinen
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Helsingin yliopiston digitaalinen arkisto SUOMEN SUKUTUTKIMUSSEURAN JULKAISUJA XIV GENEALOGISKA SAMFUNDETS I FINLAND SKRIFTER XIV LANDSMÄN I RYSKA MARINEN 1808—1918 AV E. PIKOFF HELSINKI—HELSINGFORS 1 938 HELSINGFORS 1938 FRENCKELLSKA TRYCKERI AKTIEBOLAGET Företal. Föreliggande arbete avser att erinra om den lilla grupp lands- män, som tjänat i ryska flottan. De flesta av dem hava redan läm- nat livets vädjobana, ännu flere äro redan totalt glömda. Och dock hava många av dem utfört ett dagsverke, som vore värt att ihågkommas. Genom sitt intresse för yrket, skicklighet, plikttro- het hava de bidragit till att göra sitt fosterland känt och aktat där borta i kejsardömet i långt större utsträckning än man vore böjd att förmoda, om man blott dömer efter antalet. Härpå ty- der också i sin mån den vackra karriär många av dem kunnat göra där. Arbetet grundar sig förnämligast på ryska marinens officiella månadstidskrift Morskoj Sbornik, däri samtliga dagorder från och med 1848 ända till världskrigets utbrott publicerats. Jämsides därmed har flottans officiella rangrulla (Obstschij Morskoj Spisok) anlitats. Denna går tillbaka till 1700-talets början, men slutar sedan en ringa del av officerskåren under Alexander II:s regerings- tid förtecknats (bokstäverna A, B, V och G). Betecknande nog äro dessa två källor, ehuru båda officiella, långt ifrån samstäm- miga; skiljaktigheterna äro både talrika och stora. Då sålunda primärmaterialet varit varken absolut tillförlitligt eller fullständigt, hava icke heller efterföljande biografiska uppgifter kunnat göras så noggranna och felfria som det varit önskligt. Så vitt möjligt hava dock kompletterande uppgifter sökts på annat håll. -
Distribution Agreement in Presenting This
Distribution Agreement In presenting this thesis or dissertation as a partial fulfillment of the requirements for an advanced degree from Emory University, I hereby grant to Emory University and its agents the non-exclusive license to archive, make accessible, and display my thesis or dissertation in whole or in part in all forms of media, now or hereafter known, including display on the world wide web. I understand that I may select some access restrictions as part of the online submission of this thesis or dissertation. I retain all ownership rights to the copyright of the thesis or dissertation. I also retain the right to use in future works (such as articles or books) all or part of this thesis or dissertation. Signature: _____________________________ ______________ Tianyi Yao Date Crime and History Intersect: Films of Murder in Contemporary Chinese Wenyi Cinema By Tianyi Yao Master of Arts Film and Media Studies _________________________________________ Matthew Bernstein Advisor _________________________________________ Tanine Allison Committee Member _________________________________________ Timothy Holland Committee Member _________________________________________ Michele Schreiber Committee Member Accepted: _________________________________________ Lisa A. Tedesco, Ph.D. Dean of the James T. Laney School of Graduate Studies ___________________ Date Crime and History Intersect: Films of Murder in Contemporary Chinese Wenyi Cinema By Tianyi Yao B.A., Trinity College, 2015 Advisor: Matthew Bernstein, M.F.A., Ph.D. An abstract of -
On the Origin of Hops: Genetic Variability, Phylogenetic Relationships, and Ecological Plasticity of Humulus (Cannabaceae)
ON THE ORIGIN OF HOPS: GENETIC VARIABILITY, PHYLOGENETIC RELATIONSHIPS, AND ECOLOGICAL PLASTICITY OF HUMULUS (CANNABACEAE) A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN BOTANY MAY 2014 By Jeffrey R. Boutain DISSERTATION COMMITTEE: Will C. McClatchey, Chairperson Mark D. Merlin Sterling C. Keeley Clifford W. Morden Stacy Jørgensen Copyright © 2014 by Jeffrey R. Boutain ii This dissertation is dedicated to my family tree. iii ACKNOWLEDGEMENTS There are a number of individuals to whom I am indebted in many customs. First and foremost, I thank my committee members for their contribution, patience, persistence, and motivation that helped me complete this dissertation. Specifically, thank you Dr. Will McClatchey for the opportunity to study in a botany program with you as my advisor and especially the encouragement to surf plant genomes. Also with great gratitude, thank you Dr. Sterling Keeley for the opportunity to work on much of this dissertation in your molecular phylogenetics and systematics lab. In addition, thank you Dr. Mark Merlin for numerous brainstorming sessions as well as your guidance and expert perspective on the Cannabaceae. Also, thank you Dr. Cliff Morden for the opportunity to work in your lab where the beginnings of this molecular research took place. Thank you Dr. Jianchu Xu for welcoming me into your lab group at the Kunming Institute of Botany, Chinese Academy of Sciences (CAS) and the opportunity to study the Yunnan hop. In many ways, major contributions towards the completion of this dissertation have come from my family, and I thank you for your unconditional encouragement, love, and support. -
Festival Schedule
T H E n OR T HWEST FILM CE n TER / p ORTL a n D a R T M US E U M p RESE n TS 3 3 R D p ortl a n D I n ter n a tio n a L film festi v a L S p O n SORED BY: THE OREGO n I a n / R E G a L C I n EM a S F E BR U a R Y 1 1 – 2 7 , 2 0 1 0 WELCOME Welcome to the Northwest Film Center’s 33rd annual showcase of new world cinema. Like our Northwest Film & Video Festival, which celebrates the unique visions of artists in our community, PIFF seeks to engage, educate, entertain and challenge. We invite you to explore and celebrate not only the art of film, but also the world around you. It is said that film is a universal language—able to transcend geographic, political and cultural boundaries in a singular fashion. In the spirit of Robert Louis Stevenson’s famous observation, “There are no foreign lands. It is the traveler who is foreign,” this year’s films allow us to discover what unites rather than what divides. The Festival also unites our community, bringing together culturally diverse audiences, a remarkable cross-section of cinematic voices, public and private funders of the arts, corporate sponsors and global film industry members. This fabulous ecology makes the event possible, and we wish our credits at the back of the program could better convey our deep appreci- ation of all who help make the Festival happen. -
Transnational Finnish Mobilities: Proceedings of Finnforum XI
Johanna Leinonen and Auvo Kostiainen (Eds.) Johanna Leinonen and Auvo Kostiainen This volume is based on a selection of papers presented at Johanna Leinonen and Auvo Kostiainen (Eds.) the conference FinnForum XI: Transnational Finnish Mobili- ties, held in Turku, Finland, in 2016. The twelve chapters dis- cuss two key issues of our time, mobility and transnational- ism, from the perspective of Finnish migration. The volume is divided into four sections. Part I, Mobile Pasts, Finland and Beyond, brings forth how Finland’s past – often imagined TRANSNATIONAL as more sedentary than today’s mobile world – was molded by various short and long-distance mobilities that occurred FINNISH MOBILITIES: both voluntarily and involuntarily. In Part II, Transnational Influences across the Atlantic, the focus is on sociocultural PROCEEDINGS OF transnationalism of Finnish migrants in the early 20th cen- tury United States. Taken together, Parts I and II show how FINNFORUM XI mobility and transnationalism are not unique features of our FINNISH MOBILITIES TRANSNATIONAL time, as scholars tend to portray them. Even before modern communication technologies and modes of transportation, migrants moved back and forth and nurtured transnational ties in various ways. Part III, Making of Contemporary Finn- ish America, examines how Finnishness is understood and maintained in North America today, focusing on the con- cepts of symbolic ethnicity and virtual villages. Part IV, Con- temporary Finnish Mobilities, centers on Finns’ present-day emigration patterns, repatriation experiences, and citizen- ship practices, illustrating how, globally speaking, Finns are privileged in their ability to be mobile and exercise transna- tionalism. Not only is the ability to move spread very uneven- ly, so is the capability to upkeep transnational connections, be they sociocultural, economic, political, or purely symbol- ic. -
Chinese Feelings: Notes on a Ritual Theory of Emotion
The Wenshan Review of Literature and Culture.Vol 9.2.June 2016.1-37. Chinese Feelings: Notes on a Ritual Theory of Emotion Haiyan Lee* ABSTRACT Be true to yourself. So urges the ancient maxim. In contemporary Western societies, this usually translates into the imperative of being in touch with your feelings. But sincerity and emotional authenticity have not always been first principles, and East Asian societies have traditionally subordinated emotion to ritual propriety. In this article, I propose a ritual theory of emotion that acknowledges the importance of codified rules of conduct, stylized modes of expression, and a shared subjunctive world as constitutive of a ritual social order that nonetheless admits of emotional plenitude. Beginning with a recent film about the renowned Peking Opera performer Mei Lanfang, I argue that we moderns have lost the art of presentation epitomized by classical theater and that the representational aesthetic, exemplified by film, has become hegemonic in modern life, from the intimate sphere of the family to the public arena of civic and political engagement. I draw on an emerging body of interdisciplinary scholarship on emotion and cognition as well as the continued, albeit misrecognized, role of ritual and its dialectic with sincerity. I then turn to a 19th-century memoir, Six Records of a Floating Life by Shen Fu, to sketch the outlines of an experimental aesthetic and lifestyle poised precariously yet playfully between presentation and representation, ritual and sincerity. KEYWORDS: emotion, presentation, representation, ritual, sincerity * Received: December 3, 2015; Accepted: March 25, 2016 Haiyan Lee, Associate Professor, Departments of East Asian Languages and Cultures and of Comparative Literature, Stanford University, USA ([email protected]). -
China's Nationalism and Its Quest for Soft Power Through Cinema
Doctoral Thesis for PhD in International Studies China’s Nationalism and Its Quest for Soft Power through Cinema Frances (Xiao-Feng) Guo University of Technology, Sydney 2013 Acknowledgement To begin, I wish to express my great appreciation to my PhD supervisor Associate Professor Yingjie Guo. Yingjie has been instrumental in helping me shape the theoretical framework, sharpen the focus, and improve the structure and the flow of the thesis. He has spent a considerable amount of time reading many drafts and providing insightful comments. I wish to thank him for his confidence in this project, and for his invaluable support, guidance, and patience throughout my PhD program. I also wish to thank Professor Wanning Sun and Professor Louise Edwards for their valued support and advice. I am grateful for the Australian Postgraduate Award that I received via UTS over the three-and-half years during my candidature. The scholarship has afforded me the opportunity to take the time to fully concentrate on my PhD study. I am indebted to Yingjie Guo and Louise Edwards for their help with my scholarship application. I should also thank UTS China Research Centre, the Research Office of the Faculty of Arts and Social Sciences at UTS, and UTS Graduate Research School for their financial support for my fieldwork in China and the opportunities to present papers at national and international conferences during my doctoral candidature. Finally, my gratitude goes to my family, in particular my parents. Their unconditional love and their respect for education have inspired me to embark on this challenging and fulfilling journey. -
Folklife Center News, Volume 7 Number 4
October-December 1984 The American Folklije Center at the Library oj Congress, Washington, D . C. Volume VII, Number 4 Square Dance To Be National Folk Dance? The Kalevala: 150th Anniversary Publications novels ofpioneer and ethnic romance, and that moral commitment. Further, my FOLKLIFE CENTER NEWS with fi'nding quaint people. I havefound correspondent is certainly right that that people who romance about the past the wider public cultivation of nostal a quarterly publication of tbe and about "old times" often do not really gia is sometimes attended by exploita American Folklife Center care about the people they are romanticiz tion of old-fashioned traditions in a ing about. They have no desire to help condescending or self-centered way. at tbe these people but are more interested in ad But the letter also hints at a difference Library of Congress vancing a personal ideal-a patronizing between folklorists and much of our ideal. Simply, tradition-bearers are used society in their fundamental view of Alan Jabbour, Director to fuel a personal fantasy. The truth of what is past, what is present, and how the tradition is lost in the shuffle and the they are related. Ray Dockstader, Deputy Director tradition-bearer eventually realizes he is Discussion of how folklorists deal Elena Bradunas being used by someone he thought was with past and present is complicated, Carl Fleischhauer a friend. curiously, by consensus within our Mary Hufford I'm a romantic at heart - I spentyears field. I am reminded, in a season of Folklife Specialists working in western North Carolina and political campaigns, of the commen Peter T. -
THUS Booklet 148X210 Film
The rst edition of Thus Have I Seen (THIS) CONTENTS Buddhist Film Festival was successfully organised by Dharma In Action Limited (DIA) Schedule 4 in 2009. Playing on the oft-cited verse “Thus Director’s message 6 have I heard” recited by Venerable Ananda at Festival programmers’ message 7 the start of many Buddhist sutras, THIS The Outrage (U-Mong Pha Meung) 8 Souls of Zen 10 Buddhist Film Festival hopes to encourage the Crazy Wisdom 12 audience to mull upon the good questions The Gatekeeper of Enmyoin 14 posed in the lms screened. A total of 11 lms Headshot (Fon Tok Kuen Fah) 16 Dhamma Dana 18 (including a Singaporean short lm – Little Wandering Mind 20 Note) was screened during THIS 2009. Bamiyan 22 Schooling The World 24 Themed “Open your mind”, THIS Buddhist Film Yellow Robe (Ran Salu) 26 Festival 2012 will present specially selected The Coming of Tulku (化城再来人) 28 lms that reect the cultural, social and An Essence Of Wind (Angin) 30 Your Mind Is Bigger Than All religious aspects of Buddhism, told through The Supermarkets In The World 32 16 original, thought-provoking lms by Dandelion Dharma 34 Tulku 36 lmmakers from 11 countries, including China, One Mile Above (转山) 38 Sri Lanka, France, Indonesia, Japan, Sweden, Special Thanks 40 Thailand, and the U.S. About the Organiser 46 Ticketing 47 All lms will be screening for the rst time in Singapore. DIRECTOR’S MESSAGE FESTIVAL PROGRAMMERS’ MESSAGE We are deeply excited to bring the second edition of Thus Have I The Buddha had always encouraged his followers to put his teachings into practice only Seen (THIS) Buddhist Film Festival back this year. -
Subject of the Russian Federation)
How to use the Atlas The Atlas has two map sections The Main Section shows the location of Russia’s intact forest landscapes. The Thematic Section shows their tree species composition in two different ways. The legend is placed at the beginning of each set of maps. If you are looking for an area near a town or village Go to the Index on page 153 and find the alphabetical list of settlements by English name. The Cyrillic name is also given along with the map page number and coordinates (latitude and longitude) where it can be found. Capitals of regions and districts (raiony) are listed along with many other settlements, but only in the vicinity of intact forest landscapes. The reader should not expect to see a city like Moscow listed. Villages that are insufficiently known or very small are not listed and appear on the map only as nameless dots. If you are looking for an administrative region Go to the Index on page 185 and find the list of administrative regions. The numbers refer to the map on the inside back cover. Having found the region on this map, the reader will know which index map to use to search further. If you are looking for the big picture Go to the overview map on page 35. This map shows all of Russia’s Intact Forest Landscapes, along with the borders and Roman numerals of the five index maps. If you are looking for a certain part of Russia Find the appropriate index map. These show the borders of the detailed maps for different parts of the country. -
Landsmän I Ryska Marinen
SUOMEN SUKUTUTKIMUSSEURAN JULKAISUJA XIV GENEALOGISKA SAMFUNDETS I FINLAND SKRIFTER XIV LANDSMÄN I RYSKA MARINEN 1808—1918 AV E. PIKOFF HELSINKI—HELSINGFORS 1 938 HELSINGFORS 1938 FRENCKELLSKA TRYCKERI AKTIEBOLAGET Företal. Föreliggande arbete avser att erinra om den lilla grupp lands- män, som tjänat i ryska flottan. De flesta av dem hava redan läm- nat livets vädjobana, ännu flere äro redan totalt glömda. Och dock hava många av dem utfört ett dagsverke, som vore värt att ihågkommas. Genom sitt intresse för yrket, skicklighet, plikttro- het hava de bidragit till att göra sitt fosterland känt och aktat där borta i kejsardömet i långt större utsträckning än man vore böjd att förmoda, om man blott dömer efter antalet. Härpå ty- der också i sin mån den vackra karriär många av dem kunnat göra där. Arbetet grundar sig förnämligast på ryska marinens officiella månadstidskrift Morskoj Sbornik, däri samtliga dagorder från och med 1848 ända till världskrigets utbrott publicerats. Jämsides därmed har flottans officiella rangrulla (Obstschij Morskoj Spisok) anlitats. Denna går tillbaka till 1700-talets början, men slutar sedan en ringa del av officerskåren under Alexander II:s regerings- tid förtecknats (bokstäverna A, B, V och G). Betecknande nog äro dessa två källor, ehuru båda officiella, långt ifrån samstäm- miga; skiljaktigheterna äro både talrika och stora. Då sålunda primärmaterialet varit varken absolut tillförlitligt eller fullständigt, hava icke heller efterföljande biografiska uppgifter kunnat göras så noggranna och felfria som det varit önskligt. Så vitt möjligt hava dock kompletterande uppgifter sökts på annat håll. Var gränsen mellan landsmän och icke-landsmän borde dragas kunna ju såsom naturligt är olika åsikter göra sig gällande. -
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Studies in Linguistics and Literature ISSN 2573-6434 (Print) ISSN 2573-6426 (Online) Vol. 4, No. 2, 2020 www.scholink.org/ojs/index.php/sll Original Paper Cinematic Equivalence in Subtitling: A Case Study of the Biographical Drama Forever Enthralled Kenny Wang1* & Chong Han1 1 Western Sydney University, Sydney, Australia * Kenny Wang, Western Sydney University, Sydney, Australia Received: February 28, 2020 Accepted: March 9, 2020 Online Published: March 16, 2020 doi:10.22158/sll.v 4n2p1 URL: http://dx.doi.org/10.22158/sll.v 4n2p1 Abstract We propose in this paper a conceptual model of how equivalence may be achieved in subtitling to allow the target language viewers the opportunity to enjoy a comparable cinematic experience as that enjoyed by the source language viewers. We follow Brock’s (2015) adaptation of Goffman’s (1981) participation framework in communication and take Nida’s (1964) Dynamic Equivalence as the point of departure to propose Cinematic Equivalence as the conceptual model as well as the aim of film subtitling. This model is illustrated by examining the English subtitles of a Chinese biographical film called Forever Enthralled (《梅兰芳》). Based on our conceptual model, we make suggestions for subtitling training and practice. Keywords subtitling, cinematic equivalence, biographical dramas 1. Introduction Equivalence is a controversial and elusive concept in translation studies. Theorists have proposed numerous typologies of equivalence. For example, Baker (2012) discusses equivalence on different levels of language structure. Newmark (1990) talks about “communicative translation” as a contrast to “semantic translation”, where he focused on equivalence in terms of the communicative goal of the message in question.