DOCSLIB.ORG

Film Package

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

3TKARMA www.tina3t.com FEATURE FILM In pre-production and will be shooting on location in Vietnam and Canada. Feature Film Synopsis 3TKarma tells the miraculous story of Tina Tran, a strong-willed Vietnamese immigrant to Toronto with a hard past. It is a portrayal of her struggles and successes as she tries to support her family and live righteously in a new country. Being raised in a family with a Buddhist & spiritual background, her soul is known to be the same as Snow White, not the Disney masterpiece, but an ancient Vietnamese commander from the past. It is also believed that her late brother, who died when he and Tina were children back in Vietnam, had also been her one and only soul mate. Being lost without his spiritual guidance, Tina finds herself entangled in the fast life of sex, drugs, and To- ronto’s underground rave culture. Soon finding herself as a high roller in the nightlife scene, she is pushed to a point at which she knows she is in over her head. Through the effects of law enforcement and violence, her organi- zation starts to crumble until it is she who is in legal trouble. Tina’s arrest led her to discover her love 3TKarma through a Vietnamese lawyer, Anthony. With the help of Tina’s sister, Minh, Anthony is realized to be the carrier of her long lost soul mate’s spirit. However, the disparity be- tween the spiritual world and the physical reality we know brings upon peri- ods of denial and conflict that occur within the family. Tina, now accepting her 3TKarma, is challenged to balance her spiritual duty in the present and as it translates back in time; all the while, she is being subconsciously guided by her soul mate’s spirit through dreams and her sister’s prayers. Depicting a real life story of hardship, struggle, love, and success, 3TKarma demon- strates the strength of a family’s generations, the ever undeniability of hope, and the timism that exists in the world if you just choose to see it. This drama filled story is meant to inspire. FEATURE FILM PROFILES Tina Tran Producer/Director/Screenwriter (Canada/Vietnam) Tina Tran, was born in the Ha Long Bay, North Vietnam to a very poor, large family. After years of starvation and war, she escaped Vietnam and lived in a Hong Kong refugee camp eventually emigrating to Canada. In order to save one sister from the death sentence, and the other from life in prison back home, she started living a life of crime in Canada to make quick money. Finding herself in over her head, her organization began to crumble. Tina lost two younger brothers to drug overdose however her sister has helped her become spiritual, and now she remains strong. Tina has transformed herself and her sisters, and now all of them live as Buddhist and teach others to say no to drugs. She has built a temple with her sister Minh Tran in her parents’ home town Hai Duong, giving food to two orphan- ages and to those who are home- less. The former bad girl is now a cool mother to five boys and living a life with purpose as a proud mother, filmmaker, actor, and gifted role model who lives to teach and help transform people’s lives. She has performed in numerous productions as an actress, the producer of feature film Tough Love (SuperChannel) and cur- rently, is in preproduction of the Vietnam/Canada documentary and feature film 3TKarma com- menced in February 2016. Tina resides in Toronto and Vietnam. Karim Mirshahi Executive Producer/Producer (Canada) Mr. Mirshahi, carries with him over 25 years of goodwill in the busi- ness, finance, real estate, marketing, advertising and publishing industry, proves invaluable to the success of any venture. The breadth of Mr. Mirshahi’s business experience extends across several industries. In the 1980’s he co-founded and oper- ated Optical Data Corporation, a computer data storage company launching publicly in 1987 with the TSX. The 1990’s he was a co- founder of Touch Toronto, a network of interactive kiosks for tour- ists in Toronto, with kiosks located in such iconic destinations in- cluding The CN Tower, Skydome, the Park Plaza Hotel as well as major shopping centres. Lending his marketing and finance exper- tise as a real estate broker and a finance advisor, he was the founding partner of the Omni Business Group since 1995 offering business planning, finance, real estate and general consulting ser- vices. He founded the Toronto Waterfront Magazine (www.waterfront-magazine.com); a lifestyle maga- zine designed for the Waterfront Community. He was also the president of the Central Waterfront Neighbourhood Association serving Toronto’s waterfront community estimated at over 25 thou- sand residents. He is currently a partner of the advertising agency; Waterfront Agency (www.wa- terfront-agency.com). Waterfront Agency’s international clients’ work has received hundreds of awards around the world in virtually every medium including television, radio, outdoor, print and direct mail, including in New York, Chicago, Los Angeles and more. Mr. Mirshahi attended the University of Guelph and Waterloo from 1980 to 1986 studying Bio- Engineering and Electrical Engineering and is a member of Al Gore’s The Alliance for Climate Protection as well as founder of Friends of Syria – Child Refugee Education Fund charity. This will be the second film Karim has worked on starring Tina Tran. Jack Lenz Producer and Music Composer (Canada) Jack has produced over twelve television series and docu- mentaries. He is most renowned for his children’s TV series, nanalan, Mr. Meaty and Weird Years, all of which had heavy rotation on Canadian and international television. He pro- duced two reality series, Big Voice and Mansions for television in the US and Canada. Some of Jack’s most notable feature film projects include composing for Mel Gibson’s Passion Of The Christ, feature film, The Last Door, starring Andy Garcia and Angela Bassett, and the documentary Prom Night in Mississippi featuring Morgan Freeman. Recently, Jack produced two feature music documentaries. Who the Bleep is Arthur Fogel? and The Poet of Havana for HBO currently receiving audience success on their festival tours. Throughout his prolific career he has composed music for motion pictures, television, documen- taries, Canadian news programs and award shows. He has also been the musical director of numerous live to broadcast events, and has directed studio sessions in countries around the world including Canada, the U.S.A., Great Britain, Russia and Slovakia. Jack Lenz has also scored music for some of Canada’s most watched television shows including Due South, Holmes On Homes, DOC, The Designer Guys, Sue Thomas F.B. Eye, and Little Mosque on the Prairie. He has also scored live events including the Oratorio For The United Nations’ Special Session On Children. Lenz has also served as Musical Director for such high profile award shows including the Canadian award for feature films, The Genies, national televi- sion award, the Gemini’s, the Canadian Country Music Awards, YTV’s Youth Achievement Awards and for the past 13 years, has served in the same capacity for CTV’s Sick Children’s Telethon. He is a dedicated songwriter and artists and has produced over a hundred CDs for various artists, including his own music and has written and produced songs for artists such as Grammy award winning opera singer Andrea Bocelli, Juno award winning, The Canadian Tenors and Grammy, Academy, Juno, BAFTA and Golden Globe awards winner Buffy Sainte-Marie. Jack Lenz is a passionate humanitarian dedicated to inspiring children. He co-founded the Ca- nadian chapter of Hilary Duff’s “Kids with a Cause”, a charity that supports local children’s based charities. He is also involved with KidsFest Canada, Rainbows Canada and is currently working with Dr. Carter Snead on achieving success for the new Brain and Behaviour Center at the Hos- pital for Sick Children. Jack is a member of SOCAN, The Toronto Musicians’ Association, ACTRA and the Screen Composer’s Guild of Canada. Jack Lenz resides in Toronto with his wife Debrah and their four children. Please refer to his website, lenzent.com, his Wikipedia page and Imdb. Tommy Chang Co-Director / Stunt Director (Canada) Master Tommy Chang has worked extensively in the film and television industry for over 29 years in several capacities as an actor, stunt performer, fight & stunt coordinator and pro- ducer. He is also the founder, manager and team leader of Reel Stunts Film & Television Action Stunt Team. Some of the noteworthy accomplishments of this team include having worked with Charlie Hunnam, Steven Segal, Chow Yun Fat, David Carradine, Vin Diesel, and Jackie Chan. His talents in fight/stunt coordination have had him choreograph action scenes for movies such as Master of Champions, Behind En- emy Lines 2, The Pacifier, Bulletproof Monk, Tuxedo, and Christmas Rush. He also produced Matrix for Real, The Pro- posal, Hacker, Yakusa and Fuku (Happiness is Blowfish). Fuku went on to win two Best Film awards. Some of his acting roles include the principal in Lars and the Real Girl, Corner Gas, Behind Enemy Lines 2, Hotel Metropolitan, Get Rich or Die Trying, Redemption, The Agency, The Interview. He also played the lead in Black Belt Ancient Ways, Christmas Rush, D.Q., and Dynamite. Master Chang roots remain firmly entrenched in Tae Kwon Do as he works as the owner and Grandmaster of two flourishing Tae Kwon Do schools, respectively located in downtown Toronto and Scarborough. He is the past 1st Vice-President of the Ontario Tae Kwon Do Association and Taekwondo Canada.
Recommended publications
  • Alternative Digital Movies As Malaysian National Cinema A

    Alternative Digital Movies As Malaysian National Cinema A

    Unfolding Time to Configure a Collective Entity: Alternative Digital Movies as Malaysian National Cinema A dissertation presented to the faculty of the College of Fine Arts of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Hsin-ning Chang April 2017 © 2017 Hsin-ning Chang. All Rights Reserved. 2 This dissertation titled Unfolding Time to Configure a Collective Entity: Alternative Digital Movies as Malaysian National Cinema by HSIN-NING CHANG has been approved for Interdisciplinary Arts and the College of Fine Arts by Erin Schlumpf Visiting Assistant Professor of Film Studies Elizabeth Sayrs Interim Dean, College of Fine Arts 3 ABSTRACT CHANG, HSIN-NING, Ph.D., April 2017, Interdisciplinary Arts Unfolding Time to Configure a Collective Entity: Alternative Digital Movies as Malaysian National Cinema Director of dissertation: Erin Schlumpf This dissertation argues that the alternative digital movies that emerged in the early 21st century Malaysia have become a part of the Malaysian national cinema. This group of movies includes independent feature-length films, documentaries, short and experimental films and videos. They closely engage with the unique conditions of Malaysia’s economic development, ethnic relationships, and cultural practices, which together comprise significant understandings of the nationhood of Malaysia. The analyses and discussions of the content and practices of these films allow us not only to recognize the economic, social, and historical circumstances of Malaysia, but we also find how these movies reread and rework the existed imagination of the nation, and then actively contribute in configuring the collective entity of Malaysia. 4 DEDICATION To parents, family, friends, and cats in my life 5 ACKNOWLEDGMENTS I would like to express my sincere gratitude to my advisor, Prof.
  • IW Ancient Ways in Worship

    IW Ancient Ways in Worship

    VOLUME 55 ™ A DEEPER LOOK Ancient Ways In Worship ...INSIDE WORSHIP: YESTERDAY, TODAY AND FOREVER TOWARD A POSTMODERN LITURGY MAKING THE MUSIC OF THE PASSION VIOLINSPIRATION THE WORD IN WORSHIP PLUS: PRAYERS OF THE PAST FOR THE PRESENT Building On The Past Through all the movements of history, we worship a living God who is not a mute idol. He is alive, and He does move in the midst of your history and mine. He does new things in fresh ways, and thus we cannot remain still in our to worship Him. Though His nature is unchanging, He does unique things in every generation. Therefore, we must worship God in re- sponse to His immanent presence, His present nearness to us, in our day and according to our common languages of expres- sion. Whether we worship God in a Latin vesper or we worship Him in a modern day rap song, God is always to be worshiped in a living and non-static way. Today, the hearts of worshipers around the world are hunger- ing to reclaim connection with the worshipers of the Church through the ages. As you consider the challenges raised by TM drawing together our current worship expressions with those Volume 55 | February 2005 of the past, let’s remember three things: Publisher Firstly, we are all part of the redeemed, the great cloud of wit- Vineyard Music Global nesses, and so we stand inextricably linked with the saints of old, Editor actively waiting for the return of Christ and the establishment of Dan Wilt a new heaven and earth.
  • Draft PROGRAMME October 16

    Draft PROGRAMME October 16

    “Media and Entertainment Business Conclave” Draft PROGRAMME October 16 -17, 2012 As on October 8th, 2012 Time Theme Day – I : 16 October 2012 9am – 10am Registration 10 -11 am Inaugural Lighting of Lamp Welcome Address : Dr. Kamal Haasan, Chairman, Media & Entertainment Business Conclave, FICCI Release of FICCI –Deloitte Knowledge Report Keynote Address : Barrie Osborne, Oscar-winning Director-Producer, Hollywood Inaugural Address: Shri Uday K Varma, Secretary, Ministry of Information & Broadcasting, Government of India Vote of Thanks: P. Murari, Advisor to President, FICCI 1 Session chaired by Kamal Haasan, Chairman, FICCI MEBC 11:15 – MEBC Broadcast Industry Knowledge Series: Opportunities in the digitized era. 12:30 pm Policy-makers and industry stakeholders share their vision and knowledge on the scope and opportunities for the sector during the progress of digitization. N Parameshwaran, Principal Advisor, TRAI* K Madhavan, MD, Asianet Rahul Johri , Senior Vice President & General Manager- South Asia, Discovery Networks Asia-Pacific Narayan Rao, Executive Vice Chairman, NDTV Group Supriya Sahu, Joint Secretary, Ministry of Information & Broadcasting * Ashok Mansukhani, President, MSO Alliance Moderated by : Bhupendra Chaubey, National Bureau Chief, CNN IBN* 11:15 – Redefining Digital Production 12:30 pm The concept of what's 'eye candy' in feature films has evolved over time - films are about people, feelings, ideas, circumstances and relationships and the 'emotional quotient' is provided essentially by an able director through screenplay, actors, music, cinematography. However, one element has changed every aspect of this mix and that is "visual effects" which is now a source of inspiration from the "pre- production" stage itself. This session will look at making cutting-edge visual effects come alive with an energizing dialogue with experts from Hollywood and India.
  • Convention Program

    Convention Program

    AAEESS 112244tthh CCOONNVVEENNTTIIOONN PPRROOGGRRAAMM May 17 – 20, 2008 RAI International Exhibition & Congress Centre, Amsterdam The AES has launched a new opportunity to recognize 1University of Salford, Salford, Greater student members who author technical papers. The Stu- Manchester, UK dent Paper Award Competition is based on the preprint 2ICW, Ltd., Wrexham, Wales, UK manuscripts accepted for the AES convention. Forty-two student-authored papers were nominated. This paper gives an account of work carried out The excellent quality of the submissions has made the to assess the effects of metallized film selection process both challenging and exhilarating. polypropylene crossover capacitors on key sonic The award-winning student paper will be honored dur- attributes of reproduced sound. The capacitors ing the convention, and the student-authored manuscript under investigation were found to be mechani- will be published in a timely manner in the Journal of the cally resonant within the audio frequency band, Audio Engineering Society. and results obtained from subjective listening Nominees for the Student Paper Award were required tests have shown this to have a measurable to meet the following qualifications: effect on audio delivery. The listening test methodology employed in this study evolved (a) The paper was accepted for presentation at the from initial ABX type tests with set program AES 124th Convention. material to the final A/B tests where trained test (b) The first author was a student when the work was subjects used program material that they were conducted and the manuscript prepared. familiar with. The main findings were that (c) The student author’s affiliation listed in the manu- capacitors used in crossover circuitry can exhibit script is an accredited educational institution.
  • Productions in Ontario 2006

    Productions in Ontario 2006

    2006 PRODUCTION IN ONTARIO with assistance from Ontario Media Development Corporation www.omdc.on.ca You belong here FEATURE FILMS – THEATRICAL ANIMAL 2 AWAY FROM HER Company: DGP Animal Productions Inc. Company: Pulling Focus Pictures ALL HAT Producers: Lewin Webb, Kate Harrison, Producer: Danny Iron, Simone Urdl, Company: No Cattle Productions Inc./ Wayne Thompson, Jennifer Weiss New Real Films David Mitchell, Erin Berry Director: Sarah Polley Producer: Jennifer Jonas Director: Ryan Combs Writers: Sarah Polley, Alice Munro Director: Leonard Farlinger Writer: Jacob Adams Production Manager: Ted Miller Writer: Brad Smith Production Manager: Dallas Dyer Production Designer: Kathleen Climie Line Producer/Production Manager: Production Designer: Andrew Berry Director of Photography: Luc Montpellier Avi Federgreen Director of Photography: Brendan Steacy Key Cast: Gordon Pinsent, Julie Christie, Production Designer: Matthew Davies Key Cast: Ving Rhames, K.C. Collins Olympia Dukakis Director of Photography: Paul Sarossy Shooting Dates: November – December 2006 Shooting Dates: February – April 2006 Key Cast: Luke Kirby, Rachael Leigh Cook, Lisa Ray A RAISIN IN THE SUN BLAZE Shooting Dates: October – November 2006 Company: ABC Television/Cliffwood Company: Barefoot Films GMBH Productions Producers: Til Schweiger, Shannon Mildon AMERICAN PIE PRESENTS: Producer: John Eckert Executive Producer: Tom Zickler THE NAKED MILE Executive Producers: Craig Zadan, Neil Meron Director: Reto Salimbeni Company: Universal Pictures Director: Kenny Leon Writer: Reto Salimbeni Producer: W.K. Border Writers: Lorraine Hansberry, Paris Qualles Line Producer/Production Manager: Director: Joe Nussbaum Production Manager: John Eckert Lena Cordina Writers: Adam Herz, Erik Lindsay Production Designer: Karen Bromley Production Designer: Matthew Davies Line Producer/Production Manager: Director of Photography: Ivan Strasburg Director of Photography: Paul Sarossy Byron Martin Key Cast: Sean Patrick Thomas, Key Cast: Til Schweiger Production Designer: Gordon Barnes Sean ‘P.
  • World Cinema Amsterd Am 2

    World Cinema Amsterd Am 2

    WORLD CINEMA AMSTERDAM 2011 3 FOREWORD RAYMOND WALRAVENS 6 WORLD CINEMA AMSTERDAM JURY AWARD 7 OPENING AND CLOSING CEREMONY / AWARDS 8 WORLD CINEMA AMSTERDAM COMPETITION 18 INDIAN CINEMA: COOLLY TAKING ON HOLLYWOOD 20 THE INDIA STORY: WHY WE ARE POISED FOR TAKE-OFF 24 SOUL OF INDIA FEATURES 36 SOUL OF INDIA SHORTS 40 SPECIAL SCREENINGS (OUT OF COMPETITION) 47 WORLD CINEMA AMSTERDAM OPEN AIR 54 PREVIEW, FILM ROUTES AND HET PAROOL FILM DAY 55 PARTIES AND DJS 56 WORLD CINEMA AMSTERDAM ON TOUR 58 THANK YOU 62 INDEX FILMMAKERS A – Z 63 INDEX FILMS A – Z 64 SPONSORS AND PARTNERS WELCOME World Cinema Amsterdam 2011, which takes place WORLD CINEMA AMSTERDAM COMPETITION from 10 to 21 August, will present the best world The 2011 World Cinema Amsterdam competition cinema currently has to offer, with independently program features nine truly exceptional films, taking produced films from Latin America, Asia and Africa. us on a grandiose journey around the world with stops World Cinema Amsterdam is an initiative of in Iran, Kyrgyzstan, India, Congo, Columbia, Argentina independent art cinema Rialto, which has been (twice), Brazil and Turkey and presenting work by promoting the presentation of films and filmmakers established filmmakers as well as directorial debuts by from Africa, Asia and Latin America for many years. new, young talents. In 2006, Rialto started working towards the realization Award winners from renowned international festivals of a long-cherished dream: a self-organized festival such as Cannes and Berlin, but also other films that featuring the many pearls of world cinema. Argentine have captured our attention, will have their Dutch or cinema took center stage at the successful Nuevo Cine European premieres during the festival.
  • Distribution Agreement in Presenting This

    Distribution Agreement in Presenting This

    Distribution Agreement In presenting this thesis or dissertation as a partial fulfillment of the requirements for an advanced degree from Emory University, I hereby grant to Emory University and its agents the non-exclusive license to archive, make accessible, and display my thesis or dissertation in whole or in part in all forms of media, now or hereafter known, including display on the world wide web. I understand that I may select some access restrictions as part of the online submission of this thesis or dissertation. I retain all ownership rights to the copyright of the thesis or dissertation. I also retain the right to use in future works (such as articles or books) all or part of this thesis or dissertation. Signature: _____________________________ ______________ Tianyi Yao Date Crime and History Intersect: Films of Murder in Contemporary Chinese Wenyi Cinema By Tianyi Yao Master of Arts Film and Media Studies _________________________________________ Matthew Bernstein Advisor _________________________________________ Tanine Allison Committee Member _________________________________________ Timothy Holland Committee Member _________________________________________ Michele Schreiber Committee Member Accepted: _________________________________________ Lisa A. Tedesco, Ph.D. Dean of the James T. Laney School of Graduate Studies ___________________ Date Crime and History Intersect: Films of Murder in Contemporary Chinese Wenyi Cinema By Tianyi Yao B.A., Trinity College, 2015 Advisor: Matthew Bernstein, M.F.A., Ph.D. An abstract of
  • FOX Highlights 2017 10.Pdf

    FOX Highlights 2017 10.Pdf

    Top 3 Highlights Oktober 2017 Staffel 8A, 8 Episoden TV-PREMIERE: ab 23. Oktober montags, 21:00 Uhr The Walking Dead Die achte Staffel der weltweit erfolgreichen Serie „The Seit der ersten Staffel werden die deutschsprachigen Walking Dead“ startet direkt mit einer besonderen Epi- Premieren der „The Walking Dead“-Folgen auf Fox sode: mit der 100! Basierend auf der erfolgreichen Co- gezeigt. Die ebenso packende wie episch angelegte micreihe von Robert Kirkman, wurde sie von Regisseur Geschichte rund um die Überlebenden einer und „The Walking Dead“- Mastermind Greg Nicotero Zombie-Apokalypse beschert dem Sender regelmäßig inszeniert, der u.a. auch als Maskenbildner arbeitet. Fox hohe Einschaltquoten mit wöchentlich bis zu 450.000 zeigt die ersten acht Episoden der neuen Staffel wie ge- Zuschauern. wohnt weniger als 24 Stunden nach US-Ausstrahlung als USA 2017; Zweikanalton; OT: The Walking Dead; D: deutsche TV-Premiere im Zweikanalton. Andrew Lincoln, Chandler Riggs, Norman Reedus Hauptdarsteller Andrew Lincoln bezeichnete Folge 100 der Endzeit-Saga als eine der besten Episoden überhaupt. Außerdem verriet er, dass sie mit einem Krieg starten wer- de – und zwar zwischen dem von ihm verkörperten Rick und dessen Gegenspieler Negan (Jeffrey Dean Morgan). Im Rahmen eines Interviews mit dem Portal „TVLine“ äu- ßerte sich außerdem Showrunner Scott Gimple. Demnach werde Rick im Kampf gegen Negan aufs Ganze gehen. Er werde „jeden Verlust in Kauf nehmen, auch den seines eigenen Lebens“. Sein Ziel sei es, „seinen Leuten und anderen das Leben zu ermöglichen, das sie verdienen und bei dem die Welt ihnen allen gehört und nicht bloß einem Einzelnen“. FÜR WEITERE INFOS: FOX NETWORKS GROUP GERMANY GmbH · Felicia Ruf · PR & Kommunikation · Tel: 089-20 30 49 121 · [email protected] facebook.com/foxchannel.de twitter.com/ FOXNetworksDE www.foxchannel.de mediashare.foxchannel.de Top 3 Highlights Oktober 2017 Staffel 1, 6 Episoden Staffel 5, 9 Episoden TV-PREMIERE: ab 20.
  • Festival Schedule

    Festival Schedule

    T H E n OR T HWEST FILM CE n TER / p ORTL a n D a R T M US E U M p RESE n TS 3 3 R D p ortl a n D I n ter n a tio n a L film festi v a L S p O n SORED BY: THE OREGO n I a n / R E G a L C I n EM a S F E BR U a R Y 1 1 – 2 7 , 2 0 1 0 WELCOME Welcome to the Northwest Film Center’s 33rd annual showcase of new world cinema. Like our Northwest Film & Video Festival, which celebrates the unique visions of artists in our community, PIFF seeks to engage, educate, entertain and challenge. We invite you to explore and celebrate not only the art of film, but also the world around you. It is said that film is a universal language—able to transcend geographic, political and cultural boundaries in a singular fashion. In the spirit of Robert Louis Stevenson’s famous observation, “There are no foreign lands. It is the traveler who is foreign,” this year’s films allow us to discover what unites rather than what divides. The Festival also unites our community, bringing together culturally diverse audiences, a remarkable cross-section of cinematic voices, public and private funders of the arts, corporate sponsors and global film industry members. This fabulous ecology makes the event possible, and we wish our credits at the back of the program could better convey our deep appreci- ation of all who help make the Festival happen.
  • Mother Tongue Film Festival

    Mother Tongue Film Festival

    2016–2020 Mother Tongue Film Festival Five-Year Report RECOVERING VOICES 1 2 3 Introduction 5 By the Numbers 7 2016 Festival 15 2017 Festival 25 2018 Festival 35 2019 Festival 53 2020 Festival 67 Looking Ahead 69 Appendices Table of Contents View of the audience at the Last Whispers screening, Terrace Theater, Kennedy Center. Photo courtesy of Lena Herzog 3 4 The Mother Tongue Film Festival is a core to the Festival’s success; over chance to meet with guest artists and collaborative venture at the Smithso- time, our partnerships have grown, directors in informal sessions. We nian and a public program of Recov- involving more Smithsonian units and have opened the festival with drum ering Voices, a pan-institutional pro- various consular and academic part- and song and presented live cultural gram that partners with communities ners. When launched, it was the only performances as part of our festival around the world to revitalize and festival of its kind, and it has since events. sustain endangered languages and formed part of a small group of local knowledge. The Recovering Voices and international festivals dedicated We developed a dedicated, bilingual partners are the National Museum of to films in Indigenous languages. (English and Spanish) website for Natural History, the National Museum the festival in 2019, where we stream of the American Indian, and the Cen- Over its five editions, the festival has several works in full after the festival. ter for Folklife and Cultural Heritage. grown, embracing a wide range of And, given the changing reality of our Through interdisciplinary research, audiovisual genres and experiences, world, we are exploring how to pres- community collaboration, and pub- drawing audiences to enjoy screen- ent the festival in a hybrid live/on- lic outreach, we strive to develop ef- ings often at capacity at various ven- line model, or completely virtually, in fective responses to language and ues around Washington, DC.
  • Conflict and Controversy in Small Cinemas

    Conflict and Controversy in Small Cinemas

    Part 3: Stereotypes and Social Polarities Janina Falkowska and Krzysztof Loska - 9783631755174 Downloaded from PubFactory at 09/25/2021 09:49:45PM via free access Janina Falkowska and Krzysztof Loska - 9783631755174 Downloaded from PubFactory at 09/25/2021 09:49:45PM via free access Jadwiga Hučková Instytut Sztuk Audiowizualnych, Uniwersytet Jagielloński, Poland 11. Exposed and concealed Roma conflict: Representation of contemporary Roma conflicts in Czech Republic, Slovakia, Poland and Hungary Abstract: Roma conflict is one of the dominant issues that societies and cinemas of Eastern Europe should face. Recently, a variety of deeply touching films have been created such as Just the Wind (dir. Benedek Fliegauf) and Judgement in Hungary (dir. Eszter Hajdú). While the films show disgruntlement or even large-scale protests and riots, the films’ plots rarely present the causes of such events. Documentary film projects with sociological ambitions, however, stand out above these films, they are knowledgeable and insightful but their range is only local. There are some exceptional cases that overthrow this rule, such as Moving a Settlement or The Roma King (dir. Viliam Poltikovič). On the other hand, the superproductions such as Koza (dir. Ivan Ostrochovský) or The Queen of Silence (dir. Agnieszka Zwiefka) mainly concentrate on the formal side at the expense of the simplification of the film’s content. My purpose is to present various variants of the representation of Roma conflict in these films. Keywords: Roma, Central Europe, film, politics “Roma Issue” has progressed to become one of the most serious areas related to Central Europe since the beginning of 1990s. The time of political transformation has created a new context for the issue present in the collective consciousness for many decades.
  • For Immediate Release Tribeca Film Festival® Announces

    For Immediate Release Tribeca Film Festival® Announces

    FOR IMMEDIATE RELEASE TRIBECA FILM FESTIVAL® ANNOUNCES FEATURE FILM LINE UP FOR THE COMPETITION, SPOTLIGHT, VIEWPOINTS AND MIDNIGHT SECTIONS OF THE 16TH ANNUAL FESTIVAL APRIL 19-30 ProgrAm Includes Artistic Gems, Comedies, Complex Artistic PortrAits, And PoliticAl And Social Action Films that will Engage, Inspire and Entertain New York, NY [MArch 2, 2017] – An exciting slate of films that showcases the breadth of contemporary filmmaking across a range of styles will premiere at the 2017 Tribeca Film Festival, presented by AT&T. The Festival today announced the feature films across the following programs: Competition, including U.S. Narrative, Documentary, and International Narrative categories; Spotlight, supported by The Lincoln Motor Company, a selection of anticipated premieres from major talent; Viewpoints, which recognizes distinct voices in international and American independent filmmaking; and the popular Midnight Section, supported by EFFEN® Vodka, featuring the best in psychological thriller, horror, sci-fi, and cult cinema. After receiving a record number of entries, the Festival’s seasoned team of programmers, led by Cara Cusumano in her new role as Director of Programming and Artistic Director Frédéric Boyer, carefully curated an edgy, entertaining and provocative program. The 16th Annual Tribeca Film Festival takes place April 19 – 30. Today’s announcement includes 82 of the 98 feature-length titles in the Festival. In a year of record high submissions, the Festival’s curators chose to reduce the size of the overall program by 20%, making this the most selective and focused festival slate yet. The Competition section features 32 films: 12 documentaries, 10 U.S. narratives and 10 international narratives.