3TKARMA www.tina3t.com

FEATURE FILM In pre-production and will be shooting on location in Vietnam and Canada.

Feature Film Synopsis

3TKarma tells the miraculous story of Tina Tran, a strong-willed Vietnamese immigrant to Toronto with a hard past. It is a portrayal of her struggles and successes as she tries to support her family and live righteously in a new country. Being raised in a family with a Buddhist & spiritual background, her soul is known to be the same as Snow White, not the Disney masterpiece, but an ancient Vietnamese commander from the past. It is also believed that her late brother, who died when he and Tina were children back in Vietnam, had also been her one and only soul mate. Being lost without his spiritual guidance, Tina finds herself entangled in the fast life of sex, drugs, and To- ronto’s underground rave culture. Soon finding herself as a high roller in the nightlife scene, she is pushed to a point at which she knows she is in over her head. Through the effects of law enforcement and violence, her organi- zation starts to crumble until it is she who is in legal trouble.

Tina’s arrest led her to discover her love 3TKarma through a Vietnamese lawyer, Anthony. With the help of Tina’s sister, Minh, Anthony is realized to be the carrier of her long lost soul mate’s spirit. However, the disparity be- tween the spiritual world and the physical reality we know brings upon peri- ods of denial and conflict that occur within the family. Tina, now accepting her 3TKarma, is challenged to balance her spiritual duty in the present and as it translates back in time; all the while, she is being subconsciously guided by her soul mate’s spirit through dreams and her sister’s prayers. Depicting a real life story of hardship, struggle, love, and success, 3TKarma demon- strates the strength of a family’s generations, the ever undeniability of hope, and the timism that exists in the world if you just choose to see it. This drama filled story is meant to inspire.

FEATURE FILM PROFILES

Tina Tran Producer/Director/Screenwriter (Canada/Vietnam)

Tina Tran, was born in the Ha Long Bay, North Vietnam to a very poor, large family. After years of starvation and war, she escaped Vietnam and lived in a Hong Kong refugee camp eventually emigrating to Canada. In order to save one sister from the death sentence, and the other from life in prison back home, she started living a life of crime in Canada to make quick money. Finding herself in over her head, her organization began to crumble.

Tina lost two younger brothers to drug overdose however her sister has helped her become spiritual, and now she remains strong. Tina has transformed herself and her sisters, and now all of them live as Buddhist and teach others to say no to drugs. She has built a temple with her sister Minh Tran in her parents’ home town Hai Duong, giving food to two orphan- ages and to those who are home- less.

The former bad girl is now a cool mother to five boys and living a life with purpose as a proud mother, filmmaker, actor, and gifted role model who lives to teach and help transform people’s lives.

She has performed in numerous productions as an actress, the producer of feature film Tough Love (SuperChannel) and cur- rently, is in preproduction of the Vietnam/Canada documentary and feature film 3TKarma com- menced in February 2016. Tina resides in Toronto and Vietnam.

Karim Mirshahi Executive Producer/Producer (Canada)

Mr. Mirshahi, carries with him over 25 years of goodwill in the busi- ness, finance, real estate, marketing, advertising and publishing industry, proves invaluable to the success of any venture.

The breadth of Mr. Mirshahi’s business experience extends across several industries. In the 1980’s he co-founded and oper- ated Optical Data Corporation, a computer data storage company launching publicly in 1987 with the TSX. The 1990’s he was a co- founder of Touch Toronto, a network of interactive kiosks for tour- ists in Toronto, with kiosks located in such iconic destinations in- cluding The CN Tower, Skydome, the Park Plaza Hotel as well as major shopping centres. Lending his marketing and finance exper- tise as a real estate broker and a finance advisor, he was the founding partner of the Omni Business Group since 1995 offering business planning, finance, real estate and general consulting ser- vices.

He founded the Toronto Waterfront Magazine (www.waterfront-magazine.com); a lifestyle maga- zine designed for the Waterfront Community. He was also the president of the Central Waterfront Neighbourhood Association serving Toronto’s waterfront community estimated at over 25 thou- sand residents. He is currently a partner of the advertising agency; Waterfront Agency (www.wa- terfront-agency.com). Waterfront Agency’s international clients’ work has received hundreds of awards around the world in virtually every medium including television, radio, outdoor, print and direct mail, including in New York, Chicago, Los Angeles and more.

Mr. Mirshahi attended the University of Guelph and Waterloo from 1980 to 1986 studying Bio- Engineering and Electrical Engineering and is a member of Al Gore’s The Alliance for Climate Protection as well as founder of Friends of Syria – Child Refugee Education Fund charity. This will be the second film Karim has worked on starring Tina Tran.

Jack Lenz Producer and Music Composer (Canada)

Jack has produced over twelve television series and docu- mentaries. He is most renowned for his children’s TV series, nanalan, Mr. Meaty and Weird Years, all of which had heavy rotation on Canadian and international television. He pro- duced two reality series, Big Voice and Mansions for television in the US and Canada. Some of Jack’s most notable feature film projects include composing for Mel Gibson’s Passion Of The Christ, feature film, The Last Door, starring Andy Garcia and Angela Bassett, and the documentary Prom Night in Mississippi featuring Morgan Freeman. Recently, Jack produced two feature music documentaries. Who the Bleep is Arthur Fogel? and The Poet of Havana for HBO currently receiving audience success on their festival tours.

Throughout his prolific career he has composed music for motion pictures, television, documen- taries, Canadian news programs and award shows. He has also been the musical director of numerous live to broadcast events, and has directed studio sessions in countries around the world including Canada, the U.S.A., Great Britain, Russia and Slovakia.

Jack Lenz has also scored music for some of Canada’s most watched television shows including Due South, Holmes On Homes, DOC, The Designer Guys, Sue Thomas F.B. Eye, and Little Mosque on the Prairie. He has also scored live events including the Oratorio For The United Nations’ Special Session On Children. Lenz has also served as Musical Director for such high profile award shows including the Canadian award for feature films, The Genies, national televi- sion award, the Gemini’s, the Canadian Country Music Awards, YTV’s Youth Achievement Awards and for the past 13 years, has served in the same capacity for CTV’s Sick Children’s Telethon.

He is a dedicated songwriter and artists and has produced over a hundred CDs for various artists, including his own music and has written and produced songs for artists such as Grammy award winning opera singer Andrea Bocelli, Juno award winning, The Canadian Tenors and Grammy, Academy, Juno, BAFTA and Golden Globe awards winner Buffy Sainte-Marie.

Jack Lenz is a passionate humanitarian dedicated to inspiring children. He co-founded the Ca- nadian chapter of Hilary Duff’s “Kids with a Cause”, a charity that supports local children’s based charities. He is also involved with KidsFest Canada, Rainbows Canada and is currently working with Dr. Carter Snead on achieving success for the new Brain and Behaviour Center at the Hos- pital for Sick Children. Jack is a member of SOCAN, The Toronto Musicians’ Association, ACTRA and the Screen Composer’s Guild of Canada. Jack Lenz resides in Toronto with his wife Debrah and their four children. Please refer to his website, lenzent.com, his Wikipedia page and Imdb.

Tommy Chang Co-Director / Stunt Director (Canada)

Master Tommy Chang has worked extensively in the film and television industry for over 29 years in several capacities as an actor, stunt performer, fight & stunt coordinator and pro- ducer. He is also the founder, manager and team leader of Reel Stunts Film & Television Action Stunt Team. Some of the noteworthy accomplishments of this team include having worked with Charlie Hunnam, Steven Segal, Chow Yun Fat, David Carradine, Vin Diesel, and Jackie Chan. His talents in fight/stunt coordination have had him choreograph action scenes for movies such as Master of Champions, Behind En- emy Lines 2, The Pacifier, Bulletproof Monk, Tuxedo, and Christmas Rush. He also produced Matrix for Real, The Pro- posal, Hacker, Yakusa and Fuku (Happiness is Blowfish). Fuku went on to win two Best Film awards. Some of his acting roles include the principal in Lars and the Real Girl, Corner Gas, Behind Enemy Lines 2, Hotel Metropolitan, Get Rich or Die Trying, Redemption, The Agency, The Interview. He also played the lead in Black Belt Ancient Ways, Christmas Rush, D.Q., and Dynamite.

Master Chang roots remain firmly entrenched in Tae Kwon Do as he works as the owner and Grandmaster of two flourishing Tae Kwon Do schools, respectively located in downtown Toronto and Scarborough. He is the past 1st Vice-President of the Ontario Tae Kwon Do Association and Taekwondo Canada. In addition, he is a WTF-certified Master Instructor of Tae Kwon Do and certified 8th Dan Master of Hapkido. Despite his hectic schedule, Master Chang makes time for both his three young sons and his students. For leisure, he enjoys watching movies, dining out, power boating, and fishing.

Sanzhar Sultan Co-Producer (Canada/US)

Sanzhar Sultan is a director, writer, producer, based in Los Angeles and Toronto. Sultan studied in England at Downside School; in Toronto, at Upper Canada College; and trained at the Lee Strasberg Theatre and Film Institute for writing and directing. While in Toronto, he was also a conservatory member of the Toronto Youth Theatre. Sultan began his career with his award-winning short film MAKES THE WHOLE WORLD KIN, starring Paul Calderon (Pulp Fiction, Four Rooms, Bad Lieutenant). At age 21, he directed, wrote and produced his first feature film BURNING DAYLIGHT, a 1920s crime drama, starring Robert Knepper, which went on to a successful theatrical release. He continued writing and producing with films such as the thriller RIVER, a TIFF-winning film set in Laos; crime drama HACKER, shot in Toronto, Hong Kong, New York and Bangkok, and is set to be theatrically released on December 2nd, 2016; and is currently in production on the dark comedy BUSINESS ETHICS, starring Larenz Tate, Lance Reddick, Kurtwood Smith, Sarah Carter and Angus Macfadyen. He has also directed a 16-episode TV series in Kazakhstan; two documentaries, LOVE STRINGS and ZOU SHIMING, which played on BBC and Fight Network, respectively; and has produced many hours of sports television. Along with his company, SKYLIGHT PICTURE WORKS, Sultan is represented by Brillstein En- tertainment Partners, in Los Angeles. Abdullah Hashwani Co-Executive Producer (Canada/Bollywood)

Mr. Abdullah Hashwani is the chairman and CEO of Hashwani & Son Inc. and the co-founder of MacDonald/Richards Canada Model & Talent Agency (Affiliated with MacDonald/Richards USA), Focus International Canada Model Agency, Rahims Ltd (Advertising Agency) Hong Kong, Pearl Productions (TV Com- mercials and Productions), Pearl Publications Hong Kong and Gem-Star Productions. Also Mr. Hashwani was the director of marketing and advertising for Beatle Magazine.

Abdullah Hashwani has over 45 years of extensive experience in the private and public sector as a consultant, lobbyist, exec- utive producer, advisor, and offers consulting and management services in: advertising, entertainment, film production & fi- nancing, education, manufacturing, international marketing & joint ventures, feasibility studies, international project development and trade financing, etc. This experience covers Asia, East Africa, Europe and North America.

In recent years, activities have focused on joint venture and financing opportunities in film and television industry with an international outlook.

Lars Bjorck Co-Executive Producer / Film Distribution Manager (Hollywood / Vietnam)

Lars Bjorck, is a third generation film business executive who is well-respected and experienced in the areas of feature film sales and acquisition & distribution in the domestic and international in- dependent movie sector. After several years working in the inde- pendent film business, Lars brings with him many meaningful per- sonal relationships in the distribution and production arenas. As an acquisitions executive (completed films and pre-sales), he has worked on many blockbuster films, including such films as: DANCES WITH WOLVES, AMADEUS, RAMBO, EVIL DEAD, FOUR WEDDINGS AND A FUNERAL, THE SHAWSHANK RE- DEMPTION, RETURN TO THE NIGHT OF THE LIVING DEAD, ATANARJUAT and THE LORD OF THE RINGS, just to mention a few feature films. On the television side, Lars has sold TV distribu- tion rights internationally to series including, TALES FROM THE NEVER ENDING STORY.

In 2005 Lars found the funding and co-produced HAVOC, a fea- ture film, starring Anne Hathaway, Bijou Phillips, Freddy Rodriguez, Joseph Gordon-Levitt and Channing Tatum. HAVOC was released & distributed by New Line in the US & Canada. Most recently Lars continues to offer his consulting services in film sales and also collaborates with producers, distributors and investors in worldwide sales, film funding and production matters. Lars is a respected film sales and distribution executive in the international independent movie business with over 29 years of experience. He brings with him many great and meaningful per- sonal relationships in the distribution and production arenas.

He also continues to license and distribute completed independent feature films and documen- taries to global distributors and does pre-sales for international distribution rights of feature film projects in development and pre-production for production financing purposes.

During the period of 2015-2016, Lars’ main focus in film production matters is in development, production services and producing. He has projects currently in active development that in- clude: feature films, an episodic tv/cable action drama and a documentary feature film – all to be filmed in Vietnam, Cambodia and Thailand. As Lars continues developing features and TV net- work, cable and internet series to be produced in South East Asia (Vietnam, Thailand & Cambo- dia) he is also actively developing and seeking productions to be filmed in Colombia, Latin Amer- ica, through his partnership with Ivan McAllister and Mirror Productions, his production-services company based in Bogota, Colombia. He seeks to build on his expertise and relationships by establishing new and long-lasting associations whilst creating alliances with likewise minded pro- fessionals.

Rodger Edralin Co-Producer (Canada)

Rodger Edralin is a Producer, Writer, Direc- tor, Editor and Cinematographer known for Carmelita (2011), The Hands That Rolls the Wheel (2015) and An Audition (2014).

Rodger Edralin was born in the Philippines and migrated to Canada at a young age. He attended Ryerson University for Certificate in Architecture and Photography & New Me- dia Study. As a big fan of film, he explored other area of interest in acting and became a full union member of ACTRA in under a year. In the summer of 2008, he slowly added another career of interest, he pur- sued the art of filmmaking to be able to tell a story visually. With his background in New Media as prerequisite and attending as many classes for directing, producing and writing has helped him direct and coproduced his first feature film “Grace” and a number of short films. For Rodger’s follow up feature, he decided to return to the country where he was born to explore the possibility of making a Filipino language film. THE HANDS THAT ROLLS THE WHEEL was shot on location in the Philippines and it is currently under post production and due for film festival circuit submissions in 2016.

Kainaaz Pervez Co-Producer (Bollywood)

Kainaaz Pervez (aka. Firoozeh Khoshkhoo) was born in Tehran, Iran. Left Iran at the age of 4, raised in the West and spent her childhood, adolescence and adulthood in different parts of the world. Since travelling has always been a hobby she made it a part of her business as well. She has travelled to Various parts of the world as an Actor / Producer, namely United Kingdom, United States, Thailand, Malaysia, Mal- dives, India, Pakistan, Schengen, South Africa, Turkey etc.

Worked in the most critical situations therefore called the cri- sis manager. Have worked with various cultures, ages, reli- gions and sects. She became a Producer, Writer, Editor & opened a Production Company in the name of Diva Enter- tainment where she produced Music Videos, Drama Series & Documentaries for which she has been the writer & editor of the same.

Work Experience: Been an artist for over 12 years in the In- dian Film Industry & a few projects in Lollywood (Pakistani drama series, both small & big screen & music videos.

Related Abilities: Pre & Post Production, Editing on Adobe Premiere Pro C6, Script Writing, Cast- ing, Auditioning, Choreography & dance Instructor.

Sandra Creighton Development Producer /Transmedia Producer (Canada)

Award nominated Sandra Creighton is a Creative Director and Pro- ducer and been involved in the media industry for over twenty years and has been instrumental in the development, production, market- ing and distribution of feature film, television, music, and digital pro- jects.

She has extensive experience in executive administration and de- partment coordination for marketing, sales and distribution as well as effective liaison for internal legal, finance, and production depart- ments. She has overseen and executed international events includ- ing talent tours, radio and print press, television, and promotions as well as supervised post production for feature films and television series.

Sandra has hired and supervised studios, production personnel and manufacturers for production and packaging as well as coordinated film tours of film elements and attached artistic talent for successful promotions and sales results. She was nominated for two Canadian Aboriginal Music Awards (music production and video production (Bravo!) and has been a juror for the Canada Council of Arts and panel participation and moderation for WOMEX world music conference and the Durban Film Festival.

As V.P. Distribution and Sales Manager for Favored Nations, in Los Angeles, she was involved in all aspects of international marketing and distribution of feature film titles and television prod- ucts. This included participation at international festivals and markets, launching film titles, event planning for all trade markets, promoting, and servicing of key clients domestically and in foreign territories.

She has worked in the production and executive production, as well as overseeing the marketing and sales elements of feature films destined for distribution with Columbia TriStar, Hallmark, Mon- arch Releasing, Telemunchen - Germany, Comstock-Japan and IRS. Feature film titles include Equinox, (d. Alan Rudolph, Matthew Modine, Lara Flynn Boyle), Red Hot (d. Paul Haggis, Baltha- zar Getty,) http://www.imdb.com/name/nm0187313/ Music supervision includes television series, label libraries and feature film music documentation. Selected credits include Stepping Razor RedX (Irving/EMI) Alan Rudolph's feature music CD Equinox (Varese Sarabande), and library sales to Windswept and Magic Mountain Music in the U.S and performed marketing duties for successful television and transmedia project GreenHeroes for TVO as well as introducing the innovative music platform for the television series. Other digital projects of note as Director of Development include APTN’s Down2Earth.tv and Story Producer for CLC’s Working Voices

She he performs Creative Producer/Director services creating, developing and producing stories suitable for all platforms in all media as well as development and creative production for sales agency Arrow Entertainment International.

Hélène Rousse Casting Director (Canada)

Hélène Rousse, founder of TOTAL CASTING and former ac- tress, model, talent agent, is now considered a veteran Casting Director through her leading Montreal Casting Agency for the last 15 years. Helene has worked in the entertainment industry for over 30 years. Previously, Rousse owned the largest talent & modeling agency in Montreal for over 15 years, and has worked with agencies world-wide. She has her own onsite recording & dubbing studio, Agile Sound. She now runs another office in Toronto to offer multi-lingual casting services. Over the past decade, and apart from feature films, Rousse has garnered vast knowledge and experience in cross-platform me- dia delivery, including that derived from specializing in video games, animation and web content. She casted a wide array of projects; from major feature films working with special directors like Gaspar Noé`s, Enter the Void, to Paul WS Anderson`s, Death Race. Moreover, her versatility shines as witnessed through work on Xavier Dolan`s, Lau- rence Anyways, and the latest voice casting performed on the animated film, The Dog Who Stopped the War. In videogames, Rousse brought unique voices to Spore, Two Worlds II and more than 100 other titles and in over 30 languages. It is her talent, network and roster that constantly enables suc- cess, and that which has brought the children’s animated TV series, Alfred the Hedgehog, and the adults` animated show, Bounty Hunters, to life. Bounter Hunters saw the casting and voice recording from celebrities including Jeff Foxworthy & Larry the Cable Guy, created by Muse Pro- ductions (Los Angeles and Montreal). She is starting another dubbing casting & recording an animated series for kids called Agent Le Bon. Rousse and her team think outside the box, bringing stars and talent to a project and in any language. Helene is a CSA & CDC member, while simultaneously acting as a part of a myriad of artistic organizations and cultural development groups. She is known for men- toring young professionals and nurturing Montreal`s international presence.

Ian Sun Cinematographer (Canada)

Ian is an award winning Producer, Director, Cinematog- rapher, Editor, Writer, and Film & TV instructor. He is the co-producer of the multiple award winning Feature Film Anchor Baby and is the cinematographer of the critically acclaimed series of Canadian Broadcasting Corporation television specials; Masters of The City, Chef in the City. Dance in the City. Two Worlds One Love a celebration of Jamaica’s 50th Anniversary of Independence. As a filmmaker, Ian’s body of work includes Drama, Docu- mentary, Commercials, and Music Videos shooting on all platforms from 35mm film, to the latest in Digital Cinema Acquisition. Ian is also the CEO of the Production and Post production facility Anansi Moving Images Inc., that delivers end to end Digital Cinema Projects utilizing its own camera systems such as the RED EPIC as well Ian is a lecturer and workshop facilitator at Ryerson University speaking and teach- ing at the Digital Cinema Symposium as well as RED Camera workshops. He is educated at York University in political science and the Independent Film & Television Producers’ Program at Cen- tennial College in Toronto.

Prof. Dr. LUAN TRAN KIM (GIÁO SƯ TIẾN SĨ TRẦN LUÂN KIM) Board of Advisors (Vietnam)

- Former president of the Vietnam Cinema (2 term 6 and 7) - Former Chief Film Institute (Ha- noi) - Former Director of the Center for Research and Archives Film Vietnam in Ho Chi Minh City - Former Rector of the University Theatre - Cinema - Former director of Saigon stu- dio. - Former Chief Editor Journal Cin- ema Today (Hanoi) - Former member of the National Association XI

Current position: - Institute of Research and Training for Cultural Arts -University Nguyen Tat Thanh School. - Chairman of the Central Board of Film browser south - Member, Van learn- critique Central Arts and Ho Chi Minh City. - Director of Center for Cultural Exchange Vietnam - Japan. - Permanent Deputy Head of Science and Technology Institute of Southern. - Teaching, training and guidance University MBA, PhD.

Performance art: - Organization produces about 08 feature films and 15 documentaries. - The author 08 books and co-author of 05 books published by the Publishing House: Arts, Culture and Information, National Politics. - Write hundreds of papers, speeches, editorials, critic, including many areas of activity Art Van learn- especially field Cinema; was published in the newspapers and magazines of the central and local levels. - Translation and Publishing 40 Pham Van school work, screenplay writer of many countries through the Russian and Chinese language.

Bui Dinh Thu (Director BÙI ĐÌNH THỨ) Executive Producer (Vietnam)

- Chairman and Director of JSC Sports Thang Long culture. - Representatives 3T-Karma Co., Ltd in Vietnam. - Graduated from University Theater - Film Hanoi-Vietnam - The Screenwriter and Film Director - Member of the Board of External - Vietnam Cinema Association. - Raw Head of Operations - Company Cinema City. Ho Chi Minh

Artistic Achievement: The author of the film script: • anger (Film TLXH- 90 minutes) • no gunfire Front (feature film - 100 minutes) • Help (TV drama episode x 45 -30 minutes) • Indo Mystery (TV drama episode x 45 -30 minutes) • Treasure Hunt (feature film - 100 minutes) • Nha Trang - Khanh Hoa, island tourism paradise (documentary - 20 minutes) The director of the film: • no gunfire Front (35mm film - 100 minutes) • The sea star (TLXH films - 90 minutes) • Rocky brooch elected (Film TLXH - 2 sets x 60 minutes) Merit Film Festival Jury Prize VN 14th time DOD: best film on the subject Patriotic War) • In spring (TLXH films, Comedy - 5 x 45-minute episode, sitcom genre) • Portrait of a legend (documentary - 20 minutes) • Nha Trang - Khanh Hoa, island tourism paradise (documentary - 20 minutes). • Vietnam kind of pluralistic market (Film Memoir - Documentation, 26 episodes) • The Music (10 C.TR) • Music program, reformed (10 C.TR)

Nguyen Tien Hung (NGUYỄN TIẾN HƯNG) Co-Producer (Vietnam)

Master of Management Culture

Chairman of the Board JSC Liberation Film

- From 1990: active participation in the Film industry.

- From 2002: as management activities Film Production Film and Television.

Dang Phuc Yen Associate Producer (Vietnam)

General Director of JSC Liberation Film Bachelor of Arts Film industry (Univer- sity of Theatre & Film HCMC) Has participated in shooting a number of feature films and television series for television stations.

Tran Ngoc Phong Associate Director (Vietnam)

Deputy Art Director, Director of Centre for Film Production Hometown: Vietnam's Quang Tri Qualifications: University Literature Synthesis

Occupation: Film and Television Director Deputy Director of Art Corporation Liberation Film Director of Centre for Film Production Corporation Lib- eration Film

Feature Film (Theatrical): TRẬN ĐẤU CUỐI CÙNG 100 Phút BA NGƯỜI ĐÀN ÔNG 90 Phút BIỂN ĐỢI 90 Phút KHÔNG CÂN SỨC 100P Phút

Film (TV) TÌNH NHƯ CHIẾC BÓNG 100 Phút TIẾNG HÚ NƠI HOANG DÃ 90 Phút VŨ ĐIỆU LĂM THÔN 90Phút CÂY BẢN MỆNH 100 Phút SUỐI NGUỒN 90Phút...

TV Series: NHỮNG NẺO ĐƯỜNG PHÙ SA Phim Lịch sử -35 Tập BÌNH MINH CHÂU THỔ Phim Tâm lý Xạ hội - 30 Tập VỀ ĐẤT THĂNG LONG Phim Lịch sử - 40 Tập HOÀNG HÔN ẤM ÁP Phim TLXH - 40 Tập LỌ LEM THỜI @ Phim TLXH- 30 Tập Ở LẠI THẾ GIAN - Phim Viễn tưởng 40 Tập DUYÊN NỢ MIỀN TÂY Phim TLXH - 40 Tập TÌNH HOA MUỐNG BIỂN Phium TLXH - 30 Tập SÔNG PHỐ NHÀ GHE Phim TLXH-40 Tập BÔNG HỒNG TRÀ Phim Lịch sử 05 Tập BÃO RỪNG Phim TLXH 05 Tập TRÁI TIM ĐỒNG BẰNG Phim TLXH 05 Tập và nhiều phim 2 tập khác...

Awards: 01 Bông sen bạc phim Cây bản mệnh 90 phút LHPVN 01 Cánh Diều bạc Phim Biển đợi LHP Cánh diều HDA VN 01 Huy chương Bạc Phim Duyên nợ Miền tây LHP Truyền hình VN 01 Huy chương Vàng Phim Những nẻo đường phù sa LHP Truyền hình VN 02 Giải đặc biệt Ban gián khảo Phim Suối nguồn và Ba người Đàn ông LHP Việt nam 01 Giải Đạo diễn Phim Suối nguồn LHP Việt nam...

Phan Huy Huyen Board of Advisors (Vietnam)

BA in Economics and Film Executive Producer - Take Part in Film industry since 1985. - Chairman of the movies for many feature films Film and television series set in the country. - Producer & co - producer for many commercials and documentaries in the country & abroad such as Hong Kong, Thailand, Singapore, Philippines, India, Taiwan, Japan, Korea ... - Production manager, Location Manager for the foreign film production in VN as: Lamand (France), White Badge, farwell to Song Three (Korea), Three Seasons, The quite American (USA)

Dang Luu Viet Bao Associate Director (Vietnam)

Study Film director at Russia 1986 (1986- 1996) -1996 Graduated from Faculty Director - University of Cinematography VGIK. (Na- tional Film School of the Russian Federa- tion.)

-Đã đạo diễn phim: ở Hà nội – Flim Director in Ha Noi - Phim nhựa: Đất nước đứng lên ( Phó Đạo diễn ) - Phim: Giấy QUỲ -. Vòng xoáy cuộc đời - Khoảng cách - Chuyện làng Nhô - Ảo ảnh trắng ... -Đã đạo diễn phim ở Miền Nam phim truyện truyền hình – TV series Flim Director In HCM: Phim GHEN.( 5 tập ) - Cỏ đuôi gà -( 60 tập ) - Mẹ chồng nàng dâu (30 tập ) - Gió nghịch mùa ( 40 tập ) - Thứ ba học trò ( 30 tập ) - Mặt nạ thiên thần ( 30 tập ) - Vòng xoáy tình yêu ( 30 tập ) - Tình mẹ ( 30 tập ) - Chân tình (30 tập ) - Mặt nạ thiên thần ( 30 tập ).... Phim 90 phút trên VTV1: - Phim: Truy đuổi - Quyền năng thầy bói... Đạo diễn kịch và hiện đang là Giảng viên Trường Đại học Sân Khấu - Điện ảnh Thành phố Hồ Chí Minh Khoa Đạo diễn Điện Ảnh - Truyền hình.

Theater director and is currently a Lecturer in the University Theatre - Cinema Ho Chi Minh City Department Director Film - Television.

Nguyen Thi Vinh Ai Production Accountant – Vietnam - Qualifications: Bachelor of Economics - Working at JSC Film Liberation from 2007 to today. - Current position: Member of the Managing Board - Chief Accountant

CAST

Chris Yen Actor (Tina) (Hollywood)

Born in China, raised in Boston, Chris Yen is an actor, designer, writer, aspiring producer and en- trepreneur and the proud daughter of legendary Wushu Grandmaster, Bow Sim Mark, and sister of international box office sensation Donnie Yen.

Trained in traditional Chinese martial arts at the tender age of 4 under the strict tutelage of her mother, Chris frequently performed and com- peted at local and international events and repre- sented the USA Wushu Team as the youngest competitor to enter the First International Wushu Tournament in China.

After winning an All-Round Bronze Medal, Chris was immediately cast as lead actress in a film by legendary action director, Yuen Woo-Ping. Early stardom came calling for Chris, but school was a priority and she knew she would eventually follow in her big brother's footsteps if this were truly her calling.

During a trip to Asia, Chris wowed a prolific Hong Kong producer who immediately casted her in an action film. Two weeks prior to principal photography, a stand-out character was wrote into the script to showcase Chris’ fighting skills. When the film hit no.1 at the box office, Chris received an invitation to appear as a special guest on the globe-spanning adventure, "Where In the World Is Matt Lauer" on NBC's THE TODAY SHOW. The live-broadcast interview with popu- lar American journalist Matt Lauer was watched by over 6 million viewers. Hollywood was one of them.

Immediately after her appearance on the show, Chris was invited by some of Hollywood’s big- gest casting directors- Francine Maisler of Sony Pictures and Julie Hutchinson of Universal Stu- dios, to audition in Los Angeles and begin her journey as an on-screen artist. From martial arts to music, writing to entrepreneurship, Chris’ passion and commitment to constantly learning new skills makes her truly versatile and ready-for-action anytime, anywhere.

In the recent "Badass Women of Cinema” written by award-winning filmmaker and author Chris Watson, Chris shares her experience in the action film world and what it takes to transition from a martial artist to a film artist. She talks candidly about facing her challenges as an Asian-Ameri- can actress in Hollywood and how she channels her unique background and training to build into the characters she plays. Simu Liu Actor (Anthony) (Canada)

Simu is a Canadian actor, writer and stunt per- former. He is best known for his roles as Jung Kim on the CBC sitcom Kim's Convenience (2016), and Faaron on the NBC series Taken (2016), based on the film franchise starring Liam Neeson.

Immigrating from China at the age of 5, Simu was raised in Mississauga, Ontario. After graduating from the Richard Ivey School of Business and working at a top accounting firm for nearly one year Simu decided to switch careers and pursue acting. He has quickly established himself as a talented actor in films, television series, commer- cials and music videos, with roles on series such as Heroes Reborn (2015), Blood and Water (2015), Nikita (2010), Warehouse 13 (2009) and Air Emergency (2003).

Simu lives in Toronto today with his dog Barkley. He trains extensively in martial arts and stunt work in addition to television and theatrical perfor- mance. He also writes professionally for television.

Charly Nguyen Vu Actor (Canada/Vietnam)

Charly is a professional actor (Actra), singer and dancer. He also writes his own original music.

Chary started his professional career as motor GP racer at the age of 7. He was the only Canadian mo- tor racer who got sponsored by Redbull to represent Canada in S pain at the age of 14.

Charly’s goal is to go back to his root (Vietnam) to fulfil his dream as an artist. Also travel the world to guide youth as a Buddhist.

Dustin Nguyễn / Dustin Trí Nguyễn (aka. Nguyễn Xuân Trí) Actor (Vietnamese / American)

Born in 1962 in Saigon, Vietnam. He is a movie star famous Vietnamese Americans in Vietnam and has a reputation in the US, he is also known as a screenwriter, film producer and film director. Nearly 25 years in American cinema, is one of the rare actors of Vietnamese origin was left standing on the international film market.

Vietnam film has joined

Năm Tựa phim Vai diễn 2007 Dòng máu anh hung Sỹ 2007 Sài Gòn nhật thực Kim 2009 Huyền thoại bất tử Long 2010 Để Mai tính Dũng 2010 Cánh đồng bất tận Ông Út Võ 2011 Giữa hai thế giới Anh chủ thầu xây dựng 2013 Lửa Phật Đạo 2015 Trúng Số Tư Nghĩa bán ve chai 2015 Dịu Dàng Thiện

American films has joined recent

Director • Lửa Phật • Trúng Số Awards • Cánh Diều Vàng 2009: Nam diễn viên chính xuất sắc nhất • "Nam diễn viên xuất sắc" tại Đại hội Điện ảnh Việt Nam • Cánh Diều Vàng 2016 : phim Trúng Số

Thiên Nguyễn Actor (Vietnamese / American)

Male Lead in feature film Truy Sat

Jonhny Trí Nguyễn Actor (Stunt/Action) (Vietnamese / American)

Year of birth: 1974 Starred in many American action movies and action stunt actors.

Vietnam film has joined

Năm Tựa phim Vai diễn 2003 Buổi sáng đầu năm Tuấn 2006 Hồn Trương Ba, da hàng thịt Trương Ba 2007 Dòng máu anh hung Cường 2007 Sài Gòn nhật thực Trọng Hải 2008 Nụ hôn thần chết Thần chết Du 2009 Bẫy rồng Quân / Hổ 2010 Để Mai tính Anh chàng đồng tính Johnny 2012 Cưới ngay kẻo lỡ Hồ Sơn 2012 Chuộc tội Chưa có thông tin 2013 Bụi đời Chợ Lớn Phong bụi 2013 Tèo em Tí

Hà Việt Dũng Actor and Model (Vietnam) has participated in many TV series and movies

Trịnh Kim Chi Actor (Vietnam)

Born in 1971, high 1.7m, Weight 52kg Measurements: 89.67.92 Is a theater and cinema Artist of Merit. Has participated in over 100 TV series and 7 movies.

Đoàn Việt Hà Actor (Vietnam)

She has participated in many TV series and movies

3T KARMA PRO FORMA

REVENUE: LOW MEDIUM HIGH

DOMESTIC BOX OFFICE: $ 50M $ 75M $ 100M

FOREIGN BOX OFFICE: $ 70M $ 115M $ 150M

TV SALES: $ 10M $ 20M $ 30M

ESL: Netflix/iTunes etc. $ 5M $ 10M $ 15M

DVD/HOME VIDEO: $ 3M $ 5M $ 8M

SOUNDTRACK: $ 1M $ 2M $ 3M

MERCHANDISING AND LICENSING: $10M $ 15M $ 20M

TOTAL REVENUE: $149M $242M $326M

*These estimates are speculative but it is important to consider that half of the world’s popula- tion is women and all of them will see themselves in our film.

There are also hundreds of millions of people around the world who can relate to the empower- ment of women. Also, there are hundreds of millions of Buddhists who will love to see a film that features the transforming effect of Buddha’s Teachings on our heroine.

There are many communities of interest surrounding this world issue and many organizations committed to addressing the issue of the empowerment of women and seeing the struggle of women in different cultures to define their role and their leadership.

BOX OFFICE FOR SIMILAR THEMED FEATURE FILMS Comparable Films: (transformation stories)

1) “The Blind Side” Gross Box Office: $255 M 2) “Crouching Tiger, Hidden Dragon” Gross Box Office: $213 M 3) “Erin Brockovich” Gross Box Office: $256 M 4) “The Messenger” Gross Box Office: $66 M 5) “Girl Interrupted” Gross Box Office: $45.8 M 3T KARMA - Budget Draft Dated: 2016-05-20

1100 STORY & SCREENPLAY 51,800.00 1200 PRODUCERS 565,000.00 1300 DIRECTION 131,400.00 1400 CAST 552,590.00 1500 TRAVEL & LIVING 44,000.00 Total Above the Line 1,344,790.00 2000 PRODUCTION STAFF 195,171.60 2100 EXTRA TALENT 24,720.00 2200 ART DEPARTMENT 13,000.00 2300 SET CONSTRUCTION 21,200.00 2400 SET DRESSING 7,000.00 2500 PROP DEPARTMENT 17,350.00 2600 PICTURE VEHICLES 38,500.00 2700 SPECIAL EFFECTS 14,000.00 2800 CAMERA 212,040.00 3000 SPECIAL EQUIPMENT 13,800.00 3100 SOUND 21,740.00 3200 GRIP 9,350.00 3300 LIGHTING 9,350.00 3400 WARDROBE 27,800.00 3500 MAKEUP & HAIR 25,280.00 3600 SET OPERATIONS 95,560.00 3700 SITE RENTAL 3800 STAGE RENTAL AND EXPENSE 4000 LOCATION EXPENSE 33,500.00 4100 SECOND UNIT 95,000.00 4200 TESTS 4300 MINIATURES 4400 PROCESS 4600 TRANSPORTATION 37,740.00 4700 RAW STOCK AND LABORATORY Total Production 912,101.60 5000 EDITING 215,699.00 5100 MUSIC 105,000.00 5200 EFFECTS 70,000.00 5300 TITLES 28,700.00 5400 POST PRODUCTION SOUND 65,200.00 5500 POST PRODUCTION FILM Total Post Production 484,599.00 6000 PUBLICITY 81,500.00 6100 INSURANCE 28,700.00 6200 GENERAL EXPENSES 25,000.00 Total Other 135,200.00 7000 MARKETING 100,000.00 7100 E&O 10,000.00 Total Distribution 110,000.00 TOTAL FRINGES 13,834.00 TOTAL IN KIND 135,200.00 Grand Total 2,986,690.60 CREDITS DEFERMENTS Net Total 2,986,690.60

3TKARMA is working with Brillstein Entertainment Partners, LLC (BEP) for talent acquisition. BEP is a talent management & consulting company in the Entertainment Industry. BEP is largely regarded as the premier entertainment management group in the world by many within the industry. BEP provides talent management & consulting services for creative talent in the following areas: Film, Television, Video Gaming, Publishing, Internet Entertainment & Music In- dustries. BEP provides consulting services in various Industries that utilize creative talent for Promotion, Advertising & Branding. BEP provides services in the Production of Television Shows & Motion Pictures. BEP also provides management & consulting services to Plan B En- tertainment, Inc., which has produced the following motion pictures: “Twelve Years a Slave”, "World War Z,", “Eat, Pray, Love”, "Charlie and the Chocolate Factory," and "The Departed."

Brillstein Entertainment Partners represents stars such as Selena Gomez, Brad Pitt, Jonathan Rhys Meyers, Jennifer Aniston, Heather Locklear, Sarah Michelle Gellar, Orlando Bloom, Paul Rudd, Adam Sandler, Brendan Fraser, Natalie Portman, Mark Ruffalo, Chloë Sevigny, Timothy Olyphant, Aaron Johnson, Zach Galifianakis, Bill Maher, Courteney Cox, Anton Yelchin, Anna Paquin, Epic Meal Time, Charlie Hunnam, Norm Macdonald, James Maslow, Nina Dobrev, The Dan Band, Jim Gaffigan, [4] and many others

POST PRODUCTION

3TKARMA will be working with Technicolor in Toronto for the post production of this feature film. Technicolor’s premier, downtown-based post production house in Toronto offers cutting-edge au- dio and video post services for film, television and commercial productions. Technicolor’s film and digital facility in downtown Toronto provides a range of services from on-location solutions, dailies, editorial & colour correction to graphics and title design, and full audio post production. It provides the best possible post production services available in Toronto and its talented colourists, editors, designers and sound mixers will ensure that our project will be completed to the highest stand- ards.

Technicolor maintains a close relationship with its flagship visual effects (VFX) business, the Moving Picture Company (MPC), one of the leading VFX providers in the industry. MPC’s offices throughout the world are connected through a robust, secure, high-speed pipeline that helps ensure that projects stay on schedule.

Toronto DI department offers flexible and customized DI services and colour grading supported by state-of-the-art technology. The team members have extensive DI and grading experience and can draw upon the expertise of other artists at Technicolor facilities around the world in or- der to meet our needs. It provides directors and DOPs with the ability to collaboratively colour correct in real time from different locations.

The sound department has 8 mixing stages, 3 ADR studios, 2 Foley stages, 1 music recording studio and 10 sound editing suites. The Versioning & Localization solution, provides the ability to create multiple versions of the fi- nal audio mix, International Versioning; Titling, Editorial and inserts for global theatrical release. As well as subtitling and metadata translation.

In response to the industry-driven transition toward a more digital approach to capture and workflows, Technicolor has made the decision to focus on digital colour science, work flows, and finishes. FILM IN VIETNAM

South Korean companies have been the most aggressive entrants into Vietnam's film industry. CJ Group remains one of South Korea's largest entertainment conglomerates. Last year it racked up $24.4 billion in sales, and it continues to expand across Asia.

CJ Group, through its subsidiary CJ CGV, is the largest cinema operator in Vietnam, with 24 locations. It acquired a majority stake in the privately run Megastar chain in 2011 and plans to open 31 more theaters by 2020, which would increase its market share to 70%, said Rhee Sang- jin, CGV's spokesperson.

Sister company CJ E&M co-produced "Let Hoi Decide" with Chanh Phuong Films. The movie broke box office records for a domestic film when it was released in 2014.

Lotte Cinema, another South Korean company, is also a key player, with 16 theaters nationwide. It plans to open 54 more in the next five years as it expands its network of shopping centers, Lotte Cinema CEO Park Sung-hoon told local media in April.

These foreign companies are transforming Vietnam's film industry. Their theaters still mainly show Hollywood imports such as "Furious 7," the latest chapter in the "Fast and Furious" franchise that recently topped local box office records with over $6.5 million in ticket sales.

In 2012, 61% of films shown in Vietnam came from the U.S. and other Western countries, while only 12% were made at home. But Vietnamese works are growing in popularity now that CJ E&M is throwing its weight behind Hollywood-style blockbusters like "Let Hoi Decide." The romantic comedy was one of 28 Vietnamese films shown at CJ CGV theaters in 2014.

"Let Hoi Decide" raked in a record $268,000 on opening day Dec. 12. Less than three weeks later, ticket sales had reached $3.85 million, making it the highest-grossing Vietnamese film ever.

Ballooning box office

These record-breaking sales reflect a rapidly expanding market. Ticket sales surged by 514% between 2008 and 2012, primarily driven by young audiences. CGV expects revenue to top $100 million this year. "Vietnam is a young country now," said Thuy Linh, who writes about film for Thanh Nien News, an English-language online newspaper. "The people who go to the cinemas are young, mostly teenagers. My parents, for instance, don't go to the movies."

Jeong Tae-sung, head of the film division at CJ E&M, said South Korean companies target South- east Asia because they promise higher returns in the future. "For CJ E&M, the Korean film market means our root, while the Chinese market represents the present, and the Southeast Asian mar- ket, the future," Jeong said in a press release. He added that among Southeast Asian markets, Vietnam was considered a "core region" for the company.

Vietnamese millennials, who grew up on romantic comedies and action films, have little interest in the state-funded movies of yesteryear -- typically didactic war stories with rudimentary camera- work, lighting and sound. "The tastes of the moviegoing audience have become more sophisticated due to the large influx of Hollywood films and digital platforms. I don't think filmmakers can get away with low production value anymore," said Timothy Linh Bui, a director and producer who was born in Ho Chi Minh City, grew up in California and returned to Vietnam in the 1990s.

Many of today's biggest hits come from Vietnamese-American filmmakers like Bui, who see more opportunity in Ho Chi Minh City than in Hollywood. Others include "Let Hoi Decide" director Char- lie Nguyen and Ham Tran, whose debut film -- a Vietnamese-American-funded drama about Vi- etnam War refugees -- was banned by the government. Eight years later, he returned to Vietnam to direct "How to Fight in Six Inch Heels," a romantic comedy produced by private studio Galaxy.

The following year, Tran directed "Hollow," a horror film that also pointed to changes in the film industry.

"It's a very exciting time for Vietnamese cinema," Tran said. "Only two years ago, the only films that got financing in Vietnam were comedies and art-house films. Horror films had to be mixed with another genre, such as comedy, in order to be successful. But now there have already been nearly six horror films released since the end of 2014."

Censorship fading

The liberalization of the film industry has not eliminated censorship. Vietnam's cinema law pro- hibits movies that "spread reactionary ideas, obscene and depraved lifestyle, criminal acts, social evils, superstition" or "undermine fine traditional habits and customs." Unlike neighboring Cam- bodia and Malaysia, Vietnam allowed cinemas to screen the British-American erotic drama "Fifty Shades of Grey." However, 20 minutes of footage was cut for being too risque, infuriating local viewers.

"Censorship is still an issue, but in my opinion, [it is] less rigid than before," said director Victor Vu, whose 2012 martial arts movie "Blood Letter" won the Golden Kite prize for best feature film, Vietnam's equivalent of an Academy Award. The same year, Vu also won the Golden Lotus, an- other major Vietnamese film award, for his thriller "Scandal."

With higher budgets and Hollywood-trained talent, commercial productions like Vu's have largely squeezed state-funded films out of the market. "It was the first time in many years that privately funded films took home the top prizes," he said. It was not the last. In 2015, only four of the 17 Golden Kite nominees were government-backed films. One of the four was "Living with History," which performed poorly at the box office despite its nearly $1 million budget. The winner, "Rise," was a privately funded film about a female gang leader that brought in over $1 million in ticket sales.

Pushing boundaries

However, critics say many contemporary commercial films -- while more technically adept -- have serious shortcomings when it comes to content.

"The editing is professional, with attractive sound and camerawork," said Linh from Thanh Nien News. "But the scripts are unexceptional, veering confusingly between an effort to capture some- thing important and an effort to be entertaining and attract audiences. Characters are played by good-looking people who may not act well, put into fake social backgrounds of posh clothes and cars and houses." But others say these movies are nevertheless pushing boundaries. Filmmaker Bui suggested the pressure to make a profit often motivates directors to tell more interesting stories. "State-funded films often serve a different purpose, and profit is not top of the agenda. Private equity-financed films allow for broader stories to be told, thus pushing the envelope on censorship," he said.

Gold in silver screen: Foreign investors set eyes on Vietnam's film market By Ngoc An, Thanh Nien News HANOI - Tuesday, August 04, 2015 09:13

Moviegoers queue to buy tickets at a Vietnamese Cineplex.

For the first time in its five-year history, Moviemov -- a traveling film festival sponsored by the Italian Ministry of Heritage and Culture to promote the country's movies in Asia -- made its debut in Vietnam last month. Speaking to the press, the festival's artistic director Goffredo Bettini said Italian filmmakers were eying the Southeast Asia's film market with a focus on Vietnam. He said they saw the potentials of the fast-growing Vietnamese market, hoping to boosting their collabo- rations with local film producers and distributors.

Italians are not the only one who recognized profitability in the Vietnamese film industry. The country's box office jumped from US$13.3 million in 2009 to nearly $80 million last year, according to the Motion Picture Association of America. Ticket sales were expected to hit $100 million this year. In recent years, media giants from South Korea have rushed to accumulate bigger shares in the pie, trying to capitalize on the strong interest in Korean pop culture.

CJ Group's subsidiary CJ CGV took over Vietnam's largest cinema chain Megastar in 2011, and is now operating 26 multiplexes around the country. Dong Won-kwak, CEO of CJ CGV, said Vi- etnam has a lot of room to grow, considering that its movie going rate is only 0.2 times a person a year, while in countries with big film industries each person goes to movie four times a year. He was once quoted in an interview with local media that Vietnamese market contributed to 30 per- cent of CJ CGV's annual sales, adding that Vietnam was one of its markets with good growth, besides US, China and Indonesia.

Statistics showed that Vietnam imports 150-170 films a year, about 70 percent of which from Hollywood, and its record box office has kept being raised recently. When it was premiered here in 2009, 3D epic sci-fi "Avatar" earned around VND20 billion ($900,000) in three weeks. However, in April, the seventh installment of the action series "Fast & Furious" broke the record with VND100 billion ($4.5 million) only after 12 days. "Jurassic World," which was premiered about two months later, reached the same sales figure within one month. Lotte Cinema, another Korean investor, has opened 16 Cineplex’s since it debuted here in 2008, and planned to have 60 Cineplex’s in five years. Indonesian-owned Platinum Cineplex entered Vietnam in 2011 and has since opened five Cineplex’s, mostly in Hanoi. The operator said it planned to open another five in three years. Two local chains Galaxy Cinema and BHD Star Cineplex have five and three Cineplex’s, respectively.

The government currently owns about 106 cinemas around the country, but most of them have almost been out of business for years.

Most of local moviegoers do not bother to go to old-looking, smelly buildings to watch Vietnamese war movies or low-budget foreign movies.

In 2013, their questionable effectiveness caused the public and many critics to oppose to a gov- ernment project to upgrade the cinemas along theaters and galleries with a total of VND10.8 trillion ($486.62 million) by 2020.

Vietnam Overview

In recent years, the beautiful Southeast Asian country of Vietnam has finally emerged from the shadow of its war with the US. In terms of economy, its GDP is currently growing by around 6% a year while there was also a significant increase in tourists during 2014. From a film and TV production point of view, Vietnam is also opening up.

Although it has some way to go before catching up with regional alternatives such as Malaysia, Singapore and Thailand, it has a wonderful range of locations and a hard-working, relatively in- expensive crew-base. Growth at present is largely driven by domestic production, which was de- regulated in 2002/3. Since then, Vietnam has seen the emergence of Galaxy Studios, a powerful local player that operates across production, distribution and exhibition. Galaxy’s films have started to find an overseas audience among the 1.5 million ethnic Vietnamese now living in the USA.

International film, TV and commercials producers are now discovering Vietnam, though lack of tax breaks will make it harder for the country to secure major feature film projects.

POTENTIAL ACTOR TO PLAY TINA

Ziyi Zhang

Ziyi Zhang was born on Febru- ary 9, 1979 in Beijing, China as Zhang Zi-Yi. She is an actress, known for Crouching Tiger, Hidden Dragon (2000), Hero (2002) and House of Flying Daggers (2004). She has been married to Feng Wang since 2015. They have one child.

Was ranked 2nd of the 100 Sexiest Women by FHM Tai- wan (2001).

Her first appearance in an American movie was in Rush Hour 2 (2001), but as she did- n't speak English, Jackie Chan had to translate everything the director said to her. In that movie, her character's name, "Hu Li" translated from Manda- rin Chinese is "Fox".

• Graduated in acting from Central Drama Academy, the top acting college in China. • Former spokesmodel for Tag Heuer watches. • Spokesmodel of Maybelline (cosmetics). • Former Spokesmodel of 2% (Korean mineral water). • Former spokesmodel of Pantene shampoo. • Former spokesperson for Coca-Cola (Asia). • Former spokesperson for Lenovo Computers. • Forbes magazine's "China edition" recently ranked her the second most popular celebrity after NBA player Ming Yao [August 2004]. • Joined the Beijing Dance Academy at 11 and the Central Drama College at 17. • Named by Entertainment Weekly in their 'The Must List' 2005. Listed 38th out of the 122 people and things the magazine "loves" this year, Ziyi was the only Chinese to be included. • Selected by "Southern People Weekly" magazine as 'Chinese Top Ten Leaders Of The Younger Generation' in 2005. • Listed in People Magazine's '50 Most Beautiful People' List in 2005. • Was listed in "Time Magazines" World's 100 Most Influential People. They called her "Chi- na's Gift to Hollywood". • Was ranked one of the '100 Most Beautiful Women in the World' in the July 2005 issue of Harpers & Queen magazine. It was her first time on the list. She was ranked number 15. • Graduated from the Beijing Dance Academy • Was included in People magazine's 100 Most Beautiful People in the World the second year in a row in 2006. This is now her third appearance on the list. • Was voted in at #86 in FHM's sexiest women in the world in 2006. She had not appeared in the list since 2002. • Was a member of the jury at the 2006 Cannes Festival. • Is Global Ambassador for Special Olympics movement. She joins a select group of celeb- rities who are dedicated to spreading the Special Olympics message including California Governor Arnold Schwarzenegger; boxing legend Muhammad Ali and Olympian Nadia Comaneci.

Year Title Director Role 1996 Touching Starlight Sun Wenxue Chen Wei 1999 The Road Home Zhang Yimou Zhao Di 2000 Crouching Tiger, Hidden Dragon Ang Lee Jen Yu 2001 Rush Hour 2 Brett Ratner Hu Li The Legend of Zu Tsui Hark Joy (special appearance) Musa Kim Sung-su Princess Bu-yong 2002 Hero Zhang Yimou Moon 2003 Purple Butterfly Lou Ye Cynthia My Wife is a Gangster 2 Jeong Heung Sun Gangster boss (cameo) 2004 2046 Wong Kar Wai Bai Ling House of Flying Daggers Zhang Yimou Mei Jasmine Women Hou Yong Mo/ Li/ Hua 2005 Princess Raccoon Seijun Suzuki Princess Tanuki Memoirs of a Geisha Rob Marshall Chiyo Sakamoto/Sayuri Nitta 2006 The Banquet Feng Xiaogang Wan 2007 TMNT Kevin Munroe Karai (Voice) 2008 Forever Enthralled Chen Kaige Meng Xiaodong 2009 Horsemen Jonas Åkerlund Kristen Sophie's Revenge Eva Jin Sophie The Founding of a Republic Huang Jianxin Gong Peng (cameo) 2011 Love for Life Gu Changwei Qinqin 2012 Dangerous Liaisons Hur Jin-ho Du Fenyu 2013 The Grandmaster Wong Kar Wai Gong Er Better and Better Zhang Yibai Herself (cameo) My Lucky Star Dennie Gordon Sophie 2014 The Crossing Part 1 John Woo Yu Zhen 2015 The Crossing Part 2 John Woo Yu Zhen Where's the Dragon? Foo Sing-choong Phoenix (Voice) Oh My God Wei Nan, Wei Min Auntie (Cameo) 2016 Run for Love Zhang Yibai Su Leqi The Wasted Times Cheng Er Xiao Liu Forever Young Li Fangfang Wang Minjia 2017 God Particle Julius Onah

3T KARMA CORPORATION ARTICLES OF INCORPORATION