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10TOIDC COL 01R1.QXD (Page 1)
OID‰‰‰†‰KOID‰‰‰†‰OID‰‰‰†‰MOID‰‰‰†‰C New Delhi, Thursday,April 10, 2003www.timesofindia.com Capital 30 pages* Invitation Price Rs. 1.50 International India Times Sport Not Saddam, it’s Aishwarya wheels Indian team turning 50 that out of hospital, reaches Dhaka gives Blair the jitters into Cannes jury for tri-series Page 11 Page 8 Page 19 WIN WITH THE TIMES Established 1838 Bennett, Coleman & Co., Ltd. You can bomb the world to pieces, but you can’t bomb Joy and anger in Baghdad it into peace. By Chidanand Rajghatta & agencies — Michael Franti Washington/Baghdad: Chaos and cele- Saddam regime has lost control but war not yet won, says US NEWS DIGEST bration swept across Baghdad and other Reuters cities in Iraq on Wednesday as the last Kerala Congress crisis: Kerala vestiges of Iraqi authority disappeared Congress chief K Muraleedhran ex- and the United States took control of the pelled from the party a rebel candi- capital three weeks after it launched a date put up his father K Karunakaran war to topple the Saddam Hussein against Sonia Gandhi’s choice for regime. the Rajya Sabha polls. While Mu- US officials now say Saddam is almost raleedharan said he acted on So- certainly dead or seriously impaired and nia’s orders, general-secretary in- the iron rule of his Ba’ath Party that charge of Kerala, Ambika Soni said dominated the country for nearly a quar- it was she and not Sonia who was ter of a century is over. involved in the expulsion move. P10 The fall of the regime was symbolised Mayawati issue: BJP leaders, by the toppling of Saddam’s statue in legislators and RSS Baghdad’s Firdous Square by Iraqi civil- activists have de- ians and US marines, a moment in histo- manded an unquali- ry broadcast around the world. -
Bollywood Lens Syllabus
Bollywood's Lens on Indian Society Professor Anita Weiss INTL 448/548, Spring 2018 [email protected] Mondays, 4-7:20 pm 307 PLC; 541 346-3245 Course Syllabus Film has the ability to project powerful images of a society in ways conventional academic mediums cannot. This is particularly true in learning about India, which is home to the largest film industries in the world. This course explores images of Indian society that emerge through the medium of film. Our attention will be focused on the ways in which Indian society and history is depicted in film, critical social issues being explored through film; the depicted reality vs. the historical reality; and the powerful role of the Indian film industry in affecting social orientations and values. Course Objectives: 1. To gain an awareness of the historical background of the subcontinent and of contemporary Indian society; 2. To understand the sociocultural similarities yet significant diversity within this culture area; 3. To learn about the political and economic realities and challenges facing contemporary India and the rapid social changes the country is experiencing; 4. To learn about the Indian film industry, the largest in the world, and specifically Bollywood. Class format Professor Weiss will open each class with a short lecture on the issues which are raised in the film to be screened for that day. We will then view the selected film, followed by a short break, and then extensive in- class discussion. Given the length of most Bollywood films, we will need to fast-forward through much of the song/dance and/or fighting sequences. -
She Will Build a Nation! Champion a Woman
Champion a Woman She will Build a Nation! A White Paper on WOMEN EMPOWERMENT IN INDIA The whole country can benefit from maximising women’s potential through life coaching. Corporate houses will benefit from higher productivity and lower attrition of women in the workforce. Educational institutionswill count more numbers and higher achievers among their alumni and see better placements for their graduates. Government bodies at every level will be able to stem the loss of productivity in women and girls, which negatively affects the growth of the country today. GLOBAL ADJUSTMENTS FOUNDATION globaladjustments.com/foundation/ Champion a Woman She will Build a Nation! – 2 – WOMEN EMPOWERMENT is an important issue in India, especially when it comes to academic achievements and employment opportunities. The Global Adjustments Foundation has been supporting women in the professional as well as in the family sphere by offering workshops and talks on leadership and work–life balance. This document introduces the approach of Global Adjustments Foundation to the issue, and gives insights into topics, methods and feedback obtained. It explains how its larger objective of reaching out to 1 MIllION WOMEN over the coming years can be supported by governments, companies and individuals. We empower women to be their best selves. We strive to impart self-esteem and goal- setting abilities to SCHOOlgIRLS, the freedom to design their future according to their potential to YOUNG WOMEN IN COLLEGES, and the art of achieving work–life balance to WOMEN In thE WorkForcE. – 3 – TABLE OF CONTENTS Executive Summary Foreword – Three Leaders Speak 1. Women of India – Miles to Go 2. -
Convention Program
AAEESS 112244tthh CCOONNVVEENNTTIIOONN PPRROOGGRRAAMM May 17 – 20, 2008 RAI International Exhibition & Congress Centre, Amsterdam The AES has launched a new opportunity to recognize 1University of Salford, Salford, Greater student members who author technical papers. The Stu- Manchester, UK dent Paper Award Competition is based on the preprint 2ICW, Ltd., Wrexham, Wales, UK manuscripts accepted for the AES convention. Forty-two student-authored papers were nominated. This paper gives an account of work carried out The excellent quality of the submissions has made the to assess the effects of metallized film selection process both challenging and exhilarating. polypropylene crossover capacitors on key sonic The award-winning student paper will be honored dur- attributes of reproduced sound. The capacitors ing the convention, and the student-authored manuscript under investigation were found to be mechani- will be published in a timely manner in the Journal of the cally resonant within the audio frequency band, Audio Engineering Society. and results obtained from subjective listening Nominees for the Student Paper Award were required tests have shown this to have a measurable to meet the following qualifications: effect on audio delivery. The listening test methodology employed in this study evolved (a) The paper was accepted for presentation at the from initial ABX type tests with set program AES 124th Convention. material to the final A/B tests where trained test (b) The first author was a student when the work was subjects used program material that they were conducted and the manuscript prepared. familiar with. The main findings were that (c) The student author’s affiliation listed in the manu- capacitors used in crossover circuitry can exhibit script is an accredited educational institution. -
Dil Se / from the Heart (1998, Mani Ratnam, India)
A Level Film Studies - Focus Film Factsheet Dil Se / From the Heart (1998, Mani Ratnam, India) Component 2: Global Filmmaking • Sumptuous colour cinematography by Perspectives (AL) Santosh Sivan covers the different regions of the Indian sub-continent evoking the Core Study Areas contrasting geographic and ethnic features. Key Elements of Film Form • After the interval the story moves to New Meaning & Response Delhi with consequent tighter framing. The Contexts of Film • In Dil Se the songs (apart from E Ajnabi) are fantasies bookended by realities. The Rationale for study cinematography signals the change between these two modes. During the dance sequences Dil Se demonstrates the key characteristics frequent use of camera zoom, moving of a mainstream Bollywood film: a two-part camera, change of camera angles echo the structure, big stars, spectacular song and dance rhythmic pattern of the song. At the ending sequences, themes of Indian identity and the of the film the cinematography is much more struggle between love and duty. However, it tied to the conventions of realism. goes against the usual Bollywood narrative in its mixing of a romantic obsessive love story with a Mise-en-Scène serious and thought provoking political thriller. • Lavish mise-en-scène in terms of the costumes as well as the scenery. During the song and dance sequences both change constantly STARTING POINTS - Useful which is one of the features of the Bollywood Sequences and timings/links film. In Satrangi Re Meghna starts off in black, then white, orange, yellow, green, red, Satrangi Re – a song and dance sequence inspired blue, white, purple then white again. -
Zerohack Zer0pwn Youranonnews Yevgeniy Anikin Yes Men
Zerohack Zer0Pwn YourAnonNews Yevgeniy Anikin Yes Men YamaTough Xtreme x-Leader xenu xen0nymous www.oem.com.mx www.nytimes.com/pages/world/asia/index.html www.informador.com.mx www.futuregov.asia www.cronica.com.mx www.asiapacificsecuritymagazine.com Worm Wolfy Withdrawal* WillyFoReal Wikileaks IRC 88.80.16.13/9999 IRC Channel WikiLeaks WiiSpellWhy whitekidney Wells Fargo weed WallRoad w0rmware Vulnerability Vladislav Khorokhorin Visa Inc. Virus Virgin Islands "Viewpointe Archive Services, LLC" Versability Verizon Venezuela Vegas Vatican City USB US Trust US Bankcorp Uruguay Uran0n unusedcrayon United Kingdom UnicormCr3w unfittoprint unelected.org UndisclosedAnon Ukraine UGNazi ua_musti_1905 U.S. Bankcorp TYLER Turkey trosec113 Trojan Horse Trojan Trivette TriCk Tribalzer0 Transnistria transaction Traitor traffic court Tradecraft Trade Secrets "Total System Services, Inc." Topiary Top Secret Tom Stracener TibitXimer Thumb Drive Thomson Reuters TheWikiBoat thepeoplescause the_infecti0n The Unknowns The UnderTaker The Syrian electronic army The Jokerhack Thailand ThaCosmo th3j35t3r testeux1 TEST Telecomix TehWongZ Teddy Bigglesworth TeaMp0isoN TeamHav0k Team Ghost Shell Team Digi7al tdl4 taxes TARP tango down Tampa Tammy Shapiro Taiwan Tabu T0x1c t0wN T.A.R.P. Syrian Electronic Army syndiv Symantec Corporation Switzerland Swingers Club SWIFT Sweden Swan SwaggSec Swagg Security "SunGard Data Systems, Inc." Stuxnet Stringer Streamroller Stole* Sterlok SteelAnne st0rm SQLi Spyware Spying Spydevilz Spy Camera Sposed Spook Spoofing Splendide -
67Th National Film Awards, 2019 Most Film Friendly State Award Sr. No. State Medal 1. Sikkim Rajat Kamal & Certificate 67Th
67th National Film Awards, 2019 Most Film Friendly State Award Sr. No. State Medal 1. Sikkim Rajat Kamal & Certificate 67th National Film Awards, 2019 Best Writing on Cinema Award for Best Book on Cinema: Sr. No. Title of the Book Language Name of Name of the Medal and the Author Publisher Cash prize 2. A GANDHIAN English Sanjay Suri HarperCollins Swarna AFFAIR: INDIA’S Publishers Kamal and CURIOS PORTRAYAL India Rs. OF LOVE IN CINEMA 75,000/- Special Mention: Sr. No. Title of the Book Language Name of the Award Author 1. CINEMA PAHANARA Marathi Ashok Rane Certificate MANUS 2. KANNADA CINEMA: Kannada P R Ramadasa Certificate JAGATHIKA CINEMA Naidu VIKASA-PRERANE- PRABHAVA Award for Best Film Critic: Sr. No. Name of Critic Language Medal and Cash Prize 1. Sohini Chattopadhyay English Swarna Kamal and Rs. 75,000/- 67th National Film Awards, 2019 Non-Feature Films Section 67th National Film Awards 2019 Non-Feature Films Results S.No. Category of Award Title of the Film Awardee Medal & Cash Prize 1. BEST NON-FEATURE AN ENGINEERED Producer & Swarna Kamal FILM DREAM (HINDI) Director : Rs. 1,50,000/- Hemant Gaba each 2. BEST DEBUT NON- KHISA Producer : P P Rajat Kamal FEATURE FILM OF A (MARATHI) Cine DIRECTOR Production Director : Raj Rs. 75,000/- Pritam More each 3. BEST ETHNOGRAPHI CHARAN-ATVA Producer : Rajat Kamal C FILM THE ESSENCE OF Films Division BEING A NOMAD Director : Dinaz (GUJARATI) Rs 50,000/- Kalwachwala each 4. BEST BIOGRAPHICAL ELEPHANTS DO Producer : Rajat Kamal FILM REMEMBER Films Division Rs 50,000/- (ENGLISH) Director : Swati Producer Pandey, Rs. -
Dear Aspirant with Regard
DEAR ASPIRANT HERE WE ARE PRESENTING YOU A GENRAL AWERNESS MEGA CAPSULE FOR IBPS PO, SBI ASSOT PO , IBPS ASST AND OTHER FORTHCOMING EXAMS WE HAVE UNDERTAKEN ALL THE POSSIBLE CARE TO MAKE IT ERROR FREE SPECIAL THANKS TO THOSE WHO HAS PUT THEIR TIME TO MAKE THIS HAPPEN A IN ON LIMITED RESOURCE 1. NILOFAR 2. SWETA KHARE 3. ANKITA 4. PALLAVI BONIA 5. AMAR DAS 6. SARATH ANNAMETI 7. MAYANK BANSAL WITH REGARD PANKAJ KUMAR ( Glory At Anycost ) WE WISH YOU A BEST OF LUCK CONTENTS 1 CURRENT RATES 1 2 IMPORTANT DAYS 3 CUPS & TROPHIES 4 4 LIST OF WORLD COUNTRIES & THEIR CAPITAL 5 5 IMPORTANT CURRENCIES 9 6 ABBREVIATIONS IN NEWS 7 LISTS OF NEW UNION COUNCIL OF MINISTERS & PORTFOLIOS 13 8 NEW APPOINTMENTS 13 9 BANK PUNCHLINES 15 10 IMPORTANT POINTS OF UNION BUDGET 2012-14 16 11 BANKING TERMS 19 12 AWARDS 35 13 IMPORTANT BANKING ABBREVIATIONS 42 14 IMPORTANT BANKING TERMINOLOGY 50 15 HIGHLIGHTS OF UNION BUDGET 2014 55 16 FDI LLIMITS 56 17 INDIAS GDP FORCASTS 57 18 INDIAN RANKING IN DIFFERENT INDEXS 57 19 ABOUT : NABARD 58 20 IMPORTANT COMMITTEES IN NEWS 58 21 OSCAR AWARD 2014 59 22 STATES, CAPITAL, GOVERNERS & CHIEF MINISTERS 62 23 IMPORTANT COMMITTEES IN NEWS 62 23 LIST OF IMPORTANT ORGANIZATIONS INDIA & THERE HEAD 65 24 LIST OF INTERNATIONAL ORGANIZATIONS AND HEADS 66 25 FACTS ABOUT CENSUS 2011 66 26 DEFENCE & TECHNOLOGY 67 27 BOOKS & AUTHOURS 69 28 LEADER”S VISITED INIDIA 70 29 OBITUARY 71 30 ORGANISATION AND THERE HEADQUARTERS 72 31 REVOLUTIONS IN AGRICULTURE IN INDIA 72 32 IMPORTANT DAMS IN INDIA 73 33 CLASSICAL DANCES IN INDIA 73 34 NUCLEAR POWER -
A Study on Visual Story Telling Techniques of Maniratnam Movies: Cinematography and Mise En Scene Analysis of Selected Movies
Annals of R.S.C.B., ISSN:1583-6258, Vol. 25, Issue 6, 2021, Pages. 9599 - 9606 Received 25 April 2021; Accepted 08 May 2021. A Study on Visual Story Telling Techniques of Maniratnam Movies: Cinematography and Mise en scene Analysis of Selected Movies 1 2 Mena M, Varun Prabha T 1Post Graduate Student, MA JMC,Dept.of Visual Media and Communication,Amrita School of Arts and Sciences,Amrita VishwaVidyapeetham, Kochi, India 2Assistant Professor, Dept.of Visual Media and Communication,Amrita School of Arts and Sciences,Amrita VishwaVidyapeetham, Kochi, India Abstract Visually representing a story is an art. Mastering that art and capturing human minds into the soul of the characters of the film and mirroring the very own society was part of Mani Ratnam’s life for the past three decades. This research paper points towards some of the techniques employed and experiments conducted in visual storytellingin his various projects by using Miseen scene elements and cinematography in beautiful ways. In Roja what he Sasnthosh Sivan and Mani Ratnam experimented was painting the reflectors green, to look the grass greener than it actually is. In Thapalathy, Mani ratnam projected a yellowish light, like an aura into the protagonist which symbolizes his history and background. In Bombay, he throughout kept a blue tone in order to gives an element of mystery in the film. In Raavanan, he played with shades and light and that too in two different ways at the beginning and at the end of the films. In Alaipayuthe he presented the story more through the movements of camera and through micro expressions and symbolizations.Theglobalization and evolution of Indian Cinematography can be traced out through the works of Mani Ratnam. -
Unit-2 Silent Era to Talkies, Cinema in Later Decades
Bachelor of Arts (Honors) in Journalism& Mass Communication (BJMC) BJMC-6 HISTORY OF THE MEDIA Block - 4 VISUAL MEDIA UNIT-1 EARLY YEARS OF PHOTOGRAPHY, LITHOGRAPHY AND CINEMA UNIT-2 SILENT ERA TO TALKIES, CINEMA IN LATER DECADES UNIT-3 COMING OF TELEVISION AND STATE’S DEVELOPMENT AGENDA UNIT-4 ARRIVAL OF TRANSNATIONAL TELEVISION; FORMATION OF PRASAR BHARATI The Course follows the UGC prescribed syllabus for BA(Honors) Journalism under Choice Based Credit System (CBCS). Course Writer Course Editor Dr. Narsingh Majhi Dr. Sudarshan Yadav Assistant Professor Assistant Professor Journalism and Mass Communication Dept. of Mass Communication, Sri Sri University, Cuttack Central University of Jharkhand Material Production Dr. Manas Ranjan Pujari Registrar Odisha State Open University, Sambalpur (CC) OSOU, JUNE 2020. VISUAL MEDIA is made available under a Creative Commons Attribution-ShareAlike 4.0 http://creativecommons.org/licences/by-sa/4.0 Printedby: UNIT-1EARLY YEARS OF PHOTOGRAPHY, LITHOGRAPHY AND CINEMA Unit Structure 1.1. Learning Objective 1.2. Introduction 1.3. Evolution of Photography 1.4. History of Lithography 1.5. Evolution of Cinema 1.6. Check Your Progress 1.1.LEARNING OBJECTIVE After completing this unit, learners should be able to understand: the technological development of photography; the history and development of printing; and the development of the motion picture industry and technology. 1.2.INTRODUCTION Learners as you are aware that we are going to discuss the technological development of photography, lithography and motion picture. In the present times, the human society is very hard to think if the invention of photography hasn‘t been materialized. It is hard to imagine the world without photography. -
FACULTY of MANAGEMENT STUDIES, MOHANLAL SUKHADIA UNIVERSITY, UDAIPUR, RAJASTHAN International Conference on Standardizing Manage
FACULTY OF MANAGEMENT STUDIES, MOHANLAL SUKHADIA UNIVERSITY, UDAIPUR, RAJASTHAN International Conference on Standardizing Management Practices: Challenges and Opportunities (ICSMP-2021) 12-14 August, 2021 Track 3: Human Resource Form_no presentation_type title name co_author_name other_author_name Online Ensuring fair pay and working hours 551 Presentation for employees working remotely Rachita bajaj The Work Family Balance of Indian Online Working Women During The Covid 556 Presentation Pandemic Anjali Sabale Dr. Gomathi S FIVE-PRONGED APPROACH TO BUILD RESILIENCE AT WORKPLACE IN TEACHERS’ COMMUNITY IN Online ANDAMAN ISLANDS DURING COVID- 583 Presentation 19 Kala Sneha Dr.G.S.Maheswari A study on knowledge sharing Online practices in selected private sector Dr. Shamal 588 Presentation banks of Baroda Bhakti Yash Vyas Pradhan A Study of Work Life Balance Issues Online Faced by Married School Teachers in 597 Presentation Baroda Ms. Shalini Saxena Online A STUDY ON STRESS IN ONLINE 613 Presentation TEACHING DURING COVID-19 P. NITHYAKIRRTHY Dr. R. SHANTHI I. PRAVALLIKA ONLINE TEACHING A NEW NORM: INVESTIGATION OF FACULTIES Online ATTITUDE TOWARDS ONLINE 626 Presentation TEACHING-LEARNING Dr. Darshna Joshi Online A Review paper on CSR: Challenges Dr Rashmi 742 Presentation and implications for HRM Devika Sharma Sharma Work-Life Balance and Stress among Online Bus Drivers and Conductors in 751 Presentation NEKRTC – In Kalaburagi District Dr A P HOsmani Nithyanand Patil Work-Life Balance and Stress among Online Bus Drivers and Conductors -
Download (Binaural and Ambisonics B-Format Files)
Cover Page The handle http://hdl.handle.net/1887/47914 holds various files of this Leiden University dissertation Author: Chattopadhyay, B. Title: Audible absence: searching for the site in sound production Issue Date: 2017-03-09 Part II: Articles The following 6 articles are published in this dissertation in their original form (i.e. as they were published, accepted or submitted in peer-reviewed journals). I have chosen to insert short postscripts or comments on the first page of each article and besides added some comments here and there inside the articles on the basis of new insights gained throughout my research process, serving as clarification or to critically comment on them and connect them to each other as well as to the topics discussed in the Introduction and Conclusion. These blue and green-colored postscripts establish the context in which the articles can be considered part of the main body of research for this dissertation. 45 46 Article 1: Chattopadhyay, Budhaditya (2017). “The World Within the Home: Tracing the Sound in Satyajit Ray’s Films.” Music, Sound, and the Moving Image Autumn issue (Accepted). This article deals with the first historical phase of sound production in India, as explained in the Introduction, namely: analogue recording, synchronized sound, and monaural mixing (1931– 1950s). Satyajit Ray emerged during this period and made full use of these techniques; hence, his work with sound is used as a benchmark here when studying this specific period of sound production. The article examines the use of ambient sound in the early years of film sound production, highlighting two differing attitudes, the first markedly vococentric and music-oriented, the second applying a more direct sound aesthetics to create a mode of realism.