INDIAN MARITIME UNIVERSITY CET MAY 2015 - RESULTS Clarification
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Draft PROGRAMME October 16
“Media and Entertainment Business Conclave” Draft PROGRAMME October 16 -17, 2012 As on October 8th, 2012 Time Theme Day – I : 16 October 2012 9am – 10am Registration 10 -11 am Inaugural Lighting of Lamp Welcome Address : Dr. Kamal Haasan, Chairman, Media & Entertainment Business Conclave, FICCI Release of FICCI –Deloitte Knowledge Report Keynote Address : Barrie Osborne, Oscar-winning Director-Producer, Hollywood Inaugural Address: Shri Uday K Varma, Secretary, Ministry of Information & Broadcasting, Government of India Vote of Thanks: P. Murari, Advisor to President, FICCI 1 Session chaired by Kamal Haasan, Chairman, FICCI MEBC 11:15 – MEBC Broadcast Industry Knowledge Series: Opportunities in the digitized era. 12:30 pm Policy-makers and industry stakeholders share their vision and knowledge on the scope and opportunities for the sector during the progress of digitization. N Parameshwaran, Principal Advisor, TRAI* K Madhavan, MD, Asianet Rahul Johri , Senior Vice President & General Manager- South Asia, Discovery Networks Asia-Pacific Narayan Rao, Executive Vice Chairman, NDTV Group Supriya Sahu, Joint Secretary, Ministry of Information & Broadcasting * Ashok Mansukhani, President, MSO Alliance Moderated by : Bhupendra Chaubey, National Bureau Chief, CNN IBN* 11:15 – Redefining Digital Production 12:30 pm The concept of what's 'eye candy' in feature films has evolved over time - films are about people, feelings, ideas, circumstances and relationships and the 'emotional quotient' is provided essentially by an able director through screenplay, actors, music, cinematography. However, one element has changed every aspect of this mix and that is "visual effects" which is now a source of inspiration from the "pre- production" stage itself. This session will look at making cutting-edge visual effects come alive with an energizing dialogue with experts from Hollywood and India. -
Bollywood Lens Syllabus
Bollywood's Lens on Indian Society Professor Anita Weiss INTL 448/548, Spring 2018 [email protected] Mondays, 4-7:20 pm 307 PLC; 541 346-3245 Course Syllabus Film has the ability to project powerful images of a society in ways conventional academic mediums cannot. This is particularly true in learning about India, which is home to the largest film industries in the world. This course explores images of Indian society that emerge through the medium of film. Our attention will be focused on the ways in which Indian society and history is depicted in film, critical social issues being explored through film; the depicted reality vs. the historical reality; and the powerful role of the Indian film industry in affecting social orientations and values. Course Objectives: 1. To gain an awareness of the historical background of the subcontinent and of contemporary Indian society; 2. To understand the sociocultural similarities yet significant diversity within this culture area; 3. To learn about the political and economic realities and challenges facing contemporary India and the rapid social changes the country is experiencing; 4. To learn about the Indian film industry, the largest in the world, and specifically Bollywood. Class format Professor Weiss will open each class with a short lecture on the issues which are raised in the film to be screened for that day. We will then view the selected film, followed by a short break, and then extensive in- class discussion. Given the length of most Bollywood films, we will need to fast-forward through much of the song/dance and/or fighting sequences. -
Dil Se / from the Heart (1998, Mani Ratnam, India)
A Level Film Studies - Focus Film Factsheet Dil Se / From the Heart (1998, Mani Ratnam, India) Component 2: Global Filmmaking • Sumptuous colour cinematography by Perspectives (AL) Santosh Sivan covers the different regions of the Indian sub-continent evoking the Core Study Areas contrasting geographic and ethnic features. Key Elements of Film Form • After the interval the story moves to New Meaning & Response Delhi with consequent tighter framing. The Contexts of Film • In Dil Se the songs (apart from E Ajnabi) are fantasies bookended by realities. The Rationale for study cinematography signals the change between these two modes. During the dance sequences Dil Se demonstrates the key characteristics frequent use of camera zoom, moving of a mainstream Bollywood film: a two-part camera, change of camera angles echo the structure, big stars, spectacular song and dance rhythmic pattern of the song. At the ending sequences, themes of Indian identity and the of the film the cinematography is much more struggle between love and duty. However, it tied to the conventions of realism. goes against the usual Bollywood narrative in its mixing of a romantic obsessive love story with a Mise-en-Scène serious and thought provoking political thriller. • Lavish mise-en-scène in terms of the costumes as well as the scenery. During the song and dance sequences both change constantly STARTING POINTS - Useful which is one of the features of the Bollywood Sequences and timings/links film. In Satrangi Re Meghna starts off in black, then white, orange, yellow, green, red, Satrangi Re – a song and dance sequence inspired blue, white, purple then white again. -
A Study on Visual Story Telling Techniques of Maniratnam Movies: Cinematography and Mise En Scene Analysis of Selected Movies
Annals of R.S.C.B., ISSN:1583-6258, Vol. 25, Issue 6, 2021, Pages. 9599 - 9606 Received 25 April 2021; Accepted 08 May 2021. A Study on Visual Story Telling Techniques of Maniratnam Movies: Cinematography and Mise en scene Analysis of Selected Movies 1 2 Mena M, Varun Prabha T 1Post Graduate Student, MA JMC,Dept.of Visual Media and Communication,Amrita School of Arts and Sciences,Amrita VishwaVidyapeetham, Kochi, India 2Assistant Professor, Dept.of Visual Media and Communication,Amrita School of Arts and Sciences,Amrita VishwaVidyapeetham, Kochi, India Abstract Visually representing a story is an art. Mastering that art and capturing human minds into the soul of the characters of the film and mirroring the very own society was part of Mani Ratnam’s life for the past three decades. This research paper points towards some of the techniques employed and experiments conducted in visual storytellingin his various projects by using Miseen scene elements and cinematography in beautiful ways. In Roja what he Sasnthosh Sivan and Mani Ratnam experimented was painting the reflectors green, to look the grass greener than it actually is. In Thapalathy, Mani ratnam projected a yellowish light, like an aura into the protagonist which symbolizes his history and background. In Bombay, he throughout kept a blue tone in order to gives an element of mystery in the film. In Raavanan, he played with shades and light and that too in two different ways at the beginning and at the end of the films. In Alaipayuthe he presented the story more through the movements of camera and through micro expressions and symbolizations.Theglobalization and evolution of Indian Cinematography can be traced out through the works of Mani Ratnam. -
Indian Film Week Tydzień Kina Indyjskiego
TYDZIEń KINA INDYJSKIEGO 100-lecie kina w indiach kino kultura, warszawa 5–10 listopada 2012 INDIAN FILM WEEK 100 years of indian cinema kino kultura, warsaw 5–10 november 2012 W tym roku obchodzimy 100-lecie Kina Indyjskiego. This year we celebrate 100 years of Indian Cinema. Wraz z powstaniem pierwszego niemego filmu With the making of the first silent film ‘Raja Harish- „Raja Harishchandra” w 1913 roku, Indyjskie Kino chandra’ in 1913 , Indian Cinema embarked on an ex- wyruszyło w pasjonującą i malowniczą podróż, ilu- citing and colourful journey, reflecting a civilization strując przemianę narodu z kolonii w wolne, demokra- in transition from a colony to a free democratic re- tyczne państwo o bogatym dziedzictwie kulturowym public with a composite cultural heritage and plural- oraz wielorakich wartościach i wzorcach. istic ethos. Indyjska Kinematografia prezentuje szeroki Indian Cinema showcases a rich bouquet of lov- wachlarz postaci sympatycznych włóczęgów, ponad- able vagabonds, evergreen romantics, angry young czasowych romantyków, młodych buntowników, men, dancing queens and passionate social activists. roztańczonych królowych i żarliwych działaczy spo- Broadly defined by some as ‘cinema of interruption’, łecznych. Typowe Kino Indyjskie, zwane bollywoodz- complete with its song and dance ritual, thrills and ac- kim, przez niektórych określane szerokim mianem tion, melodrama, popular Indian cinema, ‘Bollywood’, „cinema of interruption” – kina przeplatanego pio- has endeared itself to global audiences for its enter- senką, tańcem, emocjami i akcją, teatralnością, dzięki tainment value. Aside from all the glitz and glamour walorowi rozrywkowemu, zjednało sobie widzów na of Bollywood, independent art house cinema has been całym świecie. Oprócz pełnego blichtru i przepy- a niche and has made a seminal contribution in en- chu Bollywood, niszowe niezależne kino artystyczne hancing the understanding of Indian society. -
CCCTOT for Upload
ExamSeatNo Trial Employee Name Designation Secretariate Department Institute Practical Theory Total Result Exam Date KHANDHEDIA DIRECTOR OF DISTRICT FINANCE 69890114004 1 BHAVIN JUNIOR CLERK ACCOUNTS & TREASURY 27 29 56 PASS 26/10/2007 DEPARTMENT DAYALAL TREASURY OFFICE RAVALIYA DIRECTOR OF DISTRICT FINANCE 69890114005 1 RAMSHI JUNIOR CLERK ACCOUNTS & TREASURY 10 6 16 FAIL 26/10/2007 DEPARTMENT PALABHAI TREASURY OFFICE KANJARIYA DIRECTOR OF DISTRICT FINANCE 69890114006 1 KETAN JUNIOR CLERK ACCOUNTS & TREASURY 37 30 67 PASS 26/10/2007 DEPARTMENT HIRALAL TREASURY OFFICE TRIVEDI DIRECTOR OF DISTRICT FINANCE 69890114007 1 BHAVIK JUNIOR CLERK ACCOUNTS & TREASURY 44 30 74 PASS 26/10/2007 DEPARTMENT VISHNUPRASAD TREASURY OFFICE METHWANI DIRECTOR OF LOCAL FUND FINANCE 69890114008 1 DOLATRAY DEPUTY AUDITOR ACCOUNTS & AUDIT 25 27 52 PASS 26/10/2007 DEPARTMENT KARAMCHAND TREASURY ACCOUNT RAYTHATHA DIRECTOR OF FINANCE LOCAL FUND 69890114009 1 JAGDISH SUB AUDITOR ACCOUNTS & 26 30 56 PASS 26/10/2007 DEPARTMENT ACCOUNT RUGNATHABHAI TREASURY GORI DIRECTOR OF SUB FINANCE 69890114010 1 BASIR JUNIOR CLERK ACCOUNTS & TREASURY 35 25 60 PASS 26/10/2007 DEPARTMENT HABIBBHAI TREASURY OFFICE LIKHIYA DIRECTOR OF DISTRICT FINANCE 69890114011 1 PARSOTAM JUNIOR CLERK ACCOUNTS & TREASURY 40 17 57 FAIL 26/10/2007 DEPARTMENT TARSIBHAI TREASURY OFFICE JANI REVENUE CALLECTOR CALLECTOR 10190137001 1 TRUPTIBEN GUJARATI TYPIST 28 16 44 FAIL 07/11/2007 DEPARTMENT DEPARTMENT OFFICE SNEHALKUMAR PARMAR RAMESHCHAND ASSISTANT SUB SRPF,GR-3 SRPF,GR-3 10190137004 1 HOME DEPARTMENT 26 10 36 FAIL 07/11/2007 RA INSPECTOR MADANA MADANA JAYANTILAL JOSHI VC & CEO, JAGDISHCHAND PORT & TRANSPORT GUJARAT GUJARAT 10190137002 1 RA SENIAR CLERK DEPT. SACHIVALAYA 30 7 37 FAIL 07/11/2007 MARITIME BOARD MARITIME DURGASHANKE GANDHINAGAR. -
100 Years Inspiring Your Vision Editorial
NEWS IBC ISSUE 2017 100 YEARS INSPIRING YOUR VISION EDITORIAL DEAR FRIENDS AND COLLEAGUES Happy 100th birthday, ARRI! Not every company can claim such a long and For this centenary issue of ARRI News, we have rich history, and we are humbled and thrilled by this collected stories from around the world that milestone. Since its founding on September 12, showcase ARRI products and the talent who put 1917, ARRI has been creating quality products and their faith in our equipment. Our popular SkyPanel offering services to support and advance the art family is growing in number and in size, and it now of filmmaking. These 100 years have only been features a wireless communication component. achievable through the unwavering patronage and ARRI is also dedicated to keeping the legacy of film critical advice of industry professionals, as well as alive and well. As a gift to the Murnau Foundation our partners, customers, and friends. Thank you to and the global film community, our ARRI Media all those who have contributed over the years! services division took on a special project to restore Personal thanks must go out to the 1,500 current the historical German film, Münchhausen. employees worldwide, as well as those who have Above all, ARRI is committed to inspiring and worked for ARRI over the past 100 years. Without enabling professionals to reach their goals. This was our talented and devoted staff, none of this would the ambition of our founders, and it will continue to have been possible. drive us in the future. Thank you for taking this To mark its 100th year, ARRI is hosting various journey with us; there are sure to be exciting times celebrations around the world and launching a ahead. -
We Refer to Reserve Bank of India's Circular Dated June 6, 2012
We refer to Reserve Bank of India’s circular dated June 6, 2012 reference RBI/2011-12/591 DBOD.No.Leg.BC.108/09.07.005/2011-12. As per these guidelines banks are required to display the list of unclaimed deposits/inoperative accounts which are inactive / inoperative for ten years or more on their respective websites. This is with a view of enabling the public to search the list of accounts by name of: Cardholder Name Address Ahmed Siddiq NO 47 2ND CROSS,DA COSTA LAYOUT,COOKE TOWN,BANGALORE,560084 Vijay Ramchandran CITIBANK NA,1ST FLOOR,PLOT C-61, BANDRA KURLA,COMPLEX,MUMBAI IND,400050 Dilip Singh GRASIM INDUSTRIES LTD,VIKRAM ISPAT,SALAV,PO REVDANDA,RAIGAD IND,402202 Rashmi Kathpalia Bechtel India Pvt Ltd,244 245,Knowledge Park,Udyog Vihar Phase IV,Gurgaon IND,122015 Rajeev Bhandari Bechtel India Pvt Ltd,244 245,Knowledge Park,Udyog Vihar Phase IV,Gurgaon IND,122015 Aditya Tandon LUCENT TECH HINDUSTAN LTD,G-47, KIRTI NAGAR,NEW DELHI IND,110015 Rajan D Gupta PRICE WATERHOUSE & CO,3RD FLOOR GANDHARVA,MAHAVIDYALAYA 212,DEEN DAYAL UPADHYAY MARG,NEW DELHI IND,110002 Dheeraj Mohan Modawel Bechtel India Pvt Ltd,244 245,Knowledge Park,Udyog Vihar Phase IV,Gurgaon IND,122015 C R Narayan CITIBANK N A,CITIGROUP CENTER 4 TH FL,DEALING ROOM BANDRA KURLA,COMPLEX BANDRA EAST,MUMBAI IND,400051 Bhavin Mody 601 / 604, B - WING,PARK SIDE - 2, RAHEJA,ESTATE, KULUPWADI,BORIVALI - EAST,MUMBAI IND,400066 Amitava Ghosh NO-45-C/1-G,MOORE AVENUE,NEAR REGENT PARK P S,CALCUTTA,700040 Pratap P CITIBANK N A,NO 2 GRND FLR,CLUB HOUSE ROAD,CHENNAI IND,600002 Anand Krishnamurthy -
Defaulter List)
Date:- 26th February,2016. M.A. Admission 2015 Reminder -III Urgent Instructions for M.A. Students (Defaulter List) This has reference to your online admission for M.A.-I Course. Please submit photocopies of following documents within Working days (i.e. on or before 03rd March , 2016) in M.A. Class, Room No.112, 1st Floor, IDOL Building Kalina Campus, University of Mumbai, between 11.00 a.m. to 4.00 p.m. (excluding lunch time between 1.00 p.m. to 1.30 p.m.) failing which your admission will be treated as cancelled and you will not be allowed to appear for the examination (The online documents submitted by you are not legible) The Following photocopies are required: - 1) F.Y., S.Y .& T.Y. all attempted Statement of Marks, (10th & 12th Marksheets, Board Certificate,F.Y./S.Y./T.Y. all attempted marksheets T.Y.Convocation only for other than University of Mumbai students). 2) Gazette Copy or Marriage Certificate if Name Change. 3) M.A. Online Admission Form & Payment Receipt. Kindly do not reply /revert to this SMS/Mail Ser reminder II ial_ AppId Name Reminder I (sending SMS N & Email) 1 16107000042 HARSHAD RITHE 17 Dec.2015 To 4 Jan.2016 15-Feb-16 2 16107000142 NUTAN DUPARE 17 Dec.2015 To 4 Jan.2016 15-Feb-16 3 16107000513 GURBIR KAUR 17 Dec.2015 To 4 Jan.2016 15-Feb-16 HARPREET KAUR 4 16107000516 SAINI 17 Dec.2015 To 4 Jan.2016 15-Feb-16 5 16107000590 KAIKESHA QUADRI 17 Dec.2015 To 4 Jan.2016 15-Feb-16 6 16107000591 TANVEER SIDDIQUI 17 Dec.2015 To 4 Jan.2016 15-Feb-16 7 16107000777 URSULA FARGOSE 17 Dec.2015 To 4 Jan.2016 15-Feb-16 8 16107000132 -
Saurashtra University Re – Accredited Grade ‘B’ by NAAC (CGPA 2.93)
Saurashtra University Re – Accredited Grade ‘B’ by NAAC (CGPA 2.93) Jadav, Rajan D., 2010, “Ecological Status and Importance of Grasslands (Vidis) in Conservation of Avian”, thesis PhD, Saurashtra University http://etheses.saurashtrauniversity.edu/id/eprint/569 Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Saurashtra University Theses Service http://etheses.saurashtrauniversity.edu [email protected] © The Author “ECOLOGICAL STATUS AND IMPORTANCE OF GRASSLANDS (VIDIS) IN CONSERVATION OF AVIAN FAUNA IN SAURASHTRA” Thesis submitted to Saurashtra University, Rajkot For the degree of Doctor of Philosophy in Zoology (Animal sciences) By Rajan. D. Jadav Department of Biosciences Saurashtra University Rajkot – 364002 April 2010 SAURASHTRA UNIVERSITY DEPARTMENT OF BIOSCIENCE University Campus. RAJKOT-360005 (INDIA) Gujarat. CERTIFICATE Tel: (O) 0091-281-2586419 Fax: 0091-281-2586419 DATE: I have great pleasure in forwarding the thesis of Mr. Rajan. D. Jadav entitled “Ecological status and importance of grasslands (vidis) in conservation of avian fauna in Saurashtra.” for accepting the degree of Doctor of Philosophy in Zoology (Animal sciences) from the Saurashtra University Rajkot. This Study was carried out by Mr. -
MGNREGS Recruitment for Contract Based Positions Failed Candidates (Positions: 17-36) (Cutoff: 20.00)
MGNREGS Recruitment for Contract Based Positions Failed Candidates (Positions: 17-36) (Cutoff: 20.00) Sr. Post Rollno Name Written No. Code Marks (50) 1 17 17000004 Mr. Nirav Kanubhai Patel 14 2 17 17000010 Mr. Jalpesh Narayandas Sharma 19 3 17 17000011 Ms. Payal Rajendrakumar Rami 17 4 17 17000013 Ms. Jignasha Jitendrakumar Shukla 18 5 17 17000017 Mr. Rakesh Chhaganlal Soni 10 6 18 18000001 Mr. Rutvik Dilipkumar Soni 13 7 18 18000002 Mrs. Prakruti Harsh Belani 12 8 18 18000006 Mr. Hitesh Bakulbhai Makvana 16 9 18 18000007 Ms. Komalba Jitendrasinh Chauhan 11 10 18 18000008 Ms. Hemal Girishbhai Sarvaiya 15 11 18 18000009 Mr. Nishant Navinbhai Joshi 19 12 18 18000010 Mr. Satish Devjibhai Dodiya 19 13 18 18000012 Mr. Siddharth Anilkumar Ranpura 16 14 18 18000013 Mr. Jayantibhai Valjibhai Gami 16 15 18 18000014 Mr. Rameshkumar Kalyanbhai Chavda 14 16 18 18000015 Mr. Rajeshbhai Somabhai Pasaya 14 17 18 18000020 Mr. Parvez Yusufbhai Belim 13 18 18 18000021 Mr. Irfan Yusufbhai Belim 16 19 18 18000022 Mr. Chetankumar Prabhudas Gardhariya 11 20 18 18000023 Ms. Priyankaben Mahendrakumar Shreemali 17 21 18 18000025 Mr. Kamlesh Kumar Kanubhai Taviyad 16 22 18 18000026 Mrs. Shivani Jay Gandhi 12 23 18 18000029 Mr. Jigneshkumar Kundanbhai Thanki 19 24 18 18000032 Mrs. Rashmi Niravbhai Kanani 16 25 19 19000003 Mr. Dinesh Dilipbhai Chhabrani 19 26 19 19000009 Mr. Sanjaykumar Nanjibhai Makwana 15 27 19 19000015 Mr. Rohan Manubhai Parmar 17 28 20 20000001 Mr. Jigar Rajeshbhai Rathod 13 29 20 20000003 Mr. Chirag Vinodbhai Murabiya 15 30 20 20000006 Mr. -
GIA Higher Secondary Recruitment 2021 Candidate General List 08/02/2021 14:21:14
GIA Higher Secondary Recruitment 2021 Candidate General List 08/02/2021 14:21:14 Medium : Gujarati TATSubject : Sociology Category Graduation Post Graduation Is Is Female Sr no TATNo Candidate Name Gender TATMerit BEd Merit MEd Merit Total Merit Is PH is Female Is Widow Name Merit Merit Serviceman Option 1 413004951 Mr. DHAVALKUMAR GAJENDRABHAI ST Male 51.4500 6.2778 6.3917 4.3708 3.5067 71.9970 No No No No No CHAUDHARI 2 413000793 Ms. HEENA HARSHADRAY RAJDIP SC Female 50.7500 6.7625 5.6750 4.0179 3.0786 70.2840 No No Yes Yes No 3 413000455 Dr. SHARDA KUMARI JAGDEVSINGH General Female 49.3500 6.7500 6.1375 3.7821 3.6833 69.7029 No No Yes Yes No JAKHAR 4 413003087 Ms. RENUKABEN KANTILAL SAVALIYA EWS Female 48.6500 6.3857 6.2900 4.4057 3.6536 69.3850 No No Yes Yes No 5 413004794 Mr. BHASKARBHAI KASYABHAI PAWAR ST Male 49.3500 6.2000 6.2125 3.9607 3.6000 69.3232 No No No No No 6 413000615 Mrs. SEJALBAHEN PARSOTAMBHAI PATEL EWS Female 50.7500 6.8667 7.3083 4.3375 0.0000 69.2625 No No Yes Yes No 7 413004821 Mr. SANDIPBHAI SURESHBHAI BHOYE ST Male 48.6500 5.6000 7.7300 3.9722 3.2867 69.2389 No No No No No 8 413004391 Mr. HARSHADBHAI ALUBHAI GAMIT ST Male 48.6500 5.9786 6.5000 4.1333 3.8640 69.1259 No No No No No 9 413004701 Ms. JIGNABAHEN JAMBUBHAI MAHAKAL ST Female 51.4500 6.9556 6.3628 4.0625 0.0000 68.8309 No No Yes Yes No 10 413002853 Ms.