Unit-2 Silent Era to Talkies, Cinema in Later Decades
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Tribute to Kishore Kumar
Articles by Prince Rama Varma Tribute to Kishore Kumar As a child, I used to listen to a lot of Hindi film songs. As a middle aged man, I still do. The difference however, is that when I was a child I had no idea which song was sung by Mukesh, which song by Rafi, by Kishore and so on unlike these days when I can listen to a Kishore song I have never heard before and roughly pinpoint the year when he may have sung it as well as the actor who may have appeared on screen. On 13th October 1987, I heard that Kishore Kumar had passed away. In the evening there was a tribute to him on TV which was when I discovered that 85% of my favourite songs were sung by him. Like thousands of casual music lovers in our country, I used to be under the delusion that Kishore sang mostly funny songs, while Rafi sang romantic numbers, Mukesh,sad songs…and Manna Dey, classical songs. During the past twenty years, I have journeyed a lot, both in music as well as in life. And many of my childhood heroes have diminished in stature over the years. But a few…..a precious few….have grown……. steadily….and continue to grow, each time I am exposed to their brilliance. M.D.Ramanathan, Martina Navratilova, Bruce Lee, Swami Vivekananda, Kunchan Nambiar, to name a few…..and Kishore Kumar. I have had the privilege of studying classical music for more than two and a half decades from some truly phenomenal Gurus and I go around giving lecture demonstrations about how important it is for a singer to know an instrument and vice versa. -
The Literary Herald
ISSN : 2454-3365 THE LITERARY HERALD AN INTERNATIONAL REFEREED ENGLISH E-JOURNAL A Quarterly Indexed Open-access Online JOURNAL Vol.1, No.1 (June 2015) Editor-in-Chief: Dr. Siddhartha Sharma Managing Editor: Dr. Sadhana Sharma www.TLHjournal.com [email protected] hhhhhhhhhhhhhhhhhhkkkkkkkkkkkkkkkkk;khngggh www.TLHjournal.com The Literary Herald ISSN: 2454-3365 An International Refereed English e-Journal The Representation of Agony during Partition as shown in M S Sathyu’s film “Garm Hawa” Ms Rekha Paresh Parmar Associate Professor Department of English Veer Narmad South Gujarat University, Surat Abstract “Garm Hawa” (Scorching Winds/Hot Winds) is a 1973 Hindi Urdu drama film directed by M S Sathyu with veteran actor Balraj Sahni as the lead. It was written by Kaifi Azmi and Shama Zaidi, based on an unpublished short story by a famous Urdu writer Ismat Chughtai. This controversial film has won several national awards in 1974 including a National Integration award. This political narrative deals with the plight of a North Indian Muslim businessman Salim Mirza and his family in 1947 in Agra. He is a patriot and a Muslim shoemaker, struggles to survive in this pathetic and critical condition of communal riots. He is in a dilemma either to live in India or to emigrate to Pakistan like his other family members. The Mirza family suffers for not doing anything wrong in this post-partition environment. They could neither manage their business nor got the job. The social and marital relations are affected. Salim Mirza’s elder son Baqar moves to Pakistan with his family. His daughter Amina is frustrated having two affairs with her cousins and committed suicide. -
Oscar-Winning 'Slumdog Millionaire:' a Boost for India's Global Image?
ISAS Brief No. 98 – Date: 27 February 2009 469A Bukit Timah Road #07-01, Tower Block, Singapore 259770 Tel: 6516 6179 / 6516 4239 Fax: 6776 7505 / 6314 5447 Email: [email protected] Website: www.isas.nus.edu.sg Oscar-winning ‘Slumdog Millionaire’: A Boost for India’s Global Image? Bibek Debroy∗ Culture is difficult to define. This is more so in a large and heterogeneous country like India, where there is no common language and religion. There are sub-cultures within the country. Joseph Nye’s ‘soft power’ expression draws on a country’s cross-border cultural influences and is one enunciated with the American context in mind. Almost tautologically, soft power implies the existence of a relatively large country and the term is, therefore, now also being used for China and India. In the Indian case, most instances of practice of soft power are linked to language and literature (including Indians writing in English), music, dance, cuisine, fashion, entertainment and even sport, and there is no denying that this kind of cross-border influence has been increasing over time, with some trigger provided by the diaspora. The film and television industry’s influence is no less important. In the last few years, India has produced the largest number of feature films in the world, with 1,164 films produced in 2007. The United States came second with 453, Japan third with 407 and China fourth with 402. Ticket sales are higher for Bollywood than for Hollywood, though revenue figures are much higher for the latter. Indian film production is usually equated with Hindi-language Bollywood, often described as the largest film-producing centre in the world. -