B.Sc. B.Ed. Syllabus
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Brain Master (Teacher’S Manual) BRAIN MASTER-1 Pg 29 : 1
Brain Master (Teacher’s Manual) BRAIN MASTER-1 Pg 29 : 1. (c) 2. (b) 3. (e) 4. (d) 5. (f) 6. (h) 7. (g) 8. (a) Pg 3 : Do yourself Pg 30 : 1. Temple 2. Mosque 3. Gurudwara 4. Church. Pg 4 : 1. Good morning 2. Sorry 3. Please take it Pg 31 : Kiran Bedi, Kalpana Chawla, Bachhendri 4. Excuse me 5. Thank you 6. May I help you. Pal, Indira Gandhi, Sania Mirza. Pg 5 : 1. Eyes 2. Ears 3. Hands 4. Legs. Pg 32 : 1. Spring 2. Rainy 3. Winter 4. Summer. Pg 6 : Bedroom 2. Kitchen 3. Drawing room Pg 33 : Crossword Left to Right-Guava, Elephant, 4. Dining room 5. Study room 6. Bathroom. Orange, Lion. Up to Down- Apple, Tomato, Onion. Pg 7 : 1. Television 2. Air conditioner 3. Settee Pg 34 : Eating, Running, Swimming, Drinking, 4. Room heater 5. Music system 6. Telephone Skiing, Clapping, Jumping, skipping, Sitting. 7. Computer 8. Video game 9. Tube-light. Pg 35 : 1. Comb 2. Egg 3. Potato 4. Chair 5. Freezer Pg 8 : 1. Spice-case 2. Micro-oven 3. Lighter 6. Bird. 4. Pressure cooker 5. Refrigerator 6. Mixer-grinder Pg 36 : 1. Sunil Pal 2. Raju Shrivastav 3. Bharti 7. Gas-stove 8. Electric kettle 9. Toaster. Singh 4. Ahesan Qurashi 5. Sugandha Mishra Pg 9 : 1. (d) 2. (c) 3. (h) 4. (a) 5. (f) 6. (e) 7. (b) 8. (g). 6. Kapil Sharma 7. Shrikant Maski 8. Khayali. Pg 10 : 1. Mango 2. Papaya 3. Apple 4. Grapes 5. Pg 37 : 1. (e) 2. -
Draft PROGRAMME October 16
“Media and Entertainment Business Conclave” Draft PROGRAMME October 16 -17, 2012 As on October 8th, 2012 Time Theme Day – I : 16 October 2012 9am – 10am Registration 10 -11 am Inaugural Lighting of Lamp Welcome Address : Dr. Kamal Haasan, Chairman, Media & Entertainment Business Conclave, FICCI Release of FICCI –Deloitte Knowledge Report Keynote Address : Barrie Osborne, Oscar-winning Director-Producer, Hollywood Inaugural Address: Shri Uday K Varma, Secretary, Ministry of Information & Broadcasting, Government of India Vote of Thanks: P. Murari, Advisor to President, FICCI 1 Session chaired by Kamal Haasan, Chairman, FICCI MEBC 11:15 – MEBC Broadcast Industry Knowledge Series: Opportunities in the digitized era. 12:30 pm Policy-makers and industry stakeholders share their vision and knowledge on the scope and opportunities for the sector during the progress of digitization. N Parameshwaran, Principal Advisor, TRAI* K Madhavan, MD, Asianet Rahul Johri , Senior Vice President & General Manager- South Asia, Discovery Networks Asia-Pacific Narayan Rao, Executive Vice Chairman, NDTV Group Supriya Sahu, Joint Secretary, Ministry of Information & Broadcasting * Ashok Mansukhani, President, MSO Alliance Moderated by : Bhupendra Chaubey, National Bureau Chief, CNN IBN* 11:15 – Redefining Digital Production 12:30 pm The concept of what's 'eye candy' in feature films has evolved over time - films are about people, feelings, ideas, circumstances and relationships and the 'emotional quotient' is provided essentially by an able director through screenplay, actors, music, cinematography. However, one element has changed every aspect of this mix and that is "visual effects" which is now a source of inspiration from the "pre- production" stage itself. This session will look at making cutting-edge visual effects come alive with an energizing dialogue with experts from Hollywood and India. -
2016-17 B.Com. First Year
UNIVERSITY COLLEGE OF COMMERCE & MANAGEMENT STUDIES MOHANLAL SUKHADIA UNIVERSITY, UDAIPUR. ELECTORAL LIST- 2016-17 B.COM. FIRST YEAR S. No. Name of Applicant Father Name ADDRESS 1 AAFREEN ARA ASHFAQ AHMED 113 nag marg outside chandpol 2 AAFREEN SHEIKH SHAFIQ AHMED SHEIKH 51 RAJA NAGAR SEC 12 SAVINA 3 AAISHA SIDDIKA MR.ABDUL HAMEED NAYA BAJAR KANORE THE-VALLABHNAGER DIS-UDAIPUR 4 AAKANKSHA KOTHARI PRAVEEN KUMAR KOTHARI 5, KANJI KA HATTA, GALI NO.1, OPP. SH DIG JAIN SCHOOL 5 AAKASH RATHOR ROSHAN LAL RATHOR 17 RAMDAWARA CHOWK BHUPALWARI UDAIPUR 6 AANCHAL ASHOK JAIN 61, A - BLOCK, HIRAN MAGRI SEC-14, UDAIPUR 7 AASHISH PATIDAR KAILASH PATIDAR VILL- DABOK 8 AASHRI KHATOD ANIL KHATOD 340,BASANT VIHAR,HIRAN MAGRI,SEC-5 9 AAYUSHI BANSAL UMESH BANSAL 4/543 RHB COLONY GOVERDHAN VILAS SEC. 14 UDAIPUR 10 AAYUSHI SINGH KACHAWA SHAKTI SINGH KACHAWA 1935/07 NEW RAMPURA COLONY SISARMA ROAD 11 ABHAY JAIN PRADEEP JAIN 18, GANESH GHATI, 12 ABHAY MEWARA SUBHASH CHANDRA MEWARA 874, MANDAKINIMARG BIJOLIYA 13 ABHISHEK DHABAI HEMANT DHABAI 209 OPP D E O SECOND GOVERDHAN VILLAS UDAIPUR 14 ABHISHEK JAIN PADAM JAIN HOUSE NO 632 SINGLE STORIE SEC 9 SAVINA 15 ABHISHEK KUMAR SINGH KHOOB SINGH 1/26 R.H.B. colony,Goverdhan Vilas,Udaipur(Raj.) 16 ABHISHEK PALIWAL KISHOR KALALI MOHALLA, CHHOTI SADRI 17 ABHISHEK SANADHYA DHAREMENDRA SANADHYA 47 ANAND VIHAR ROAD NO 2 TEKRI 18 ABHISHEK SETHIYA GOPAL LAL SETHIYA SADAR BAZAR RAILMAGRA 19 ABHISHEK SINGH RAO NARSINGH RAO 32-VIJAY SINGH PATHIK NAGAR SAVINA Page 1 of 187 20 ADITYA SINGH SISODIA BHARAT SINGH SISODIA 39, CHINTA MANI -
Smt. Kala Ramnath Concert
presents in association with UC Worldfest 2009 ART at its best Internationally Renowned Hindustani Violinis Smt. Kala Ramnath accompanied by Shri Prithwiraj Bhattacharjee on Tabla Date: 25 th April, 2009 (Saturday) Venue: 4400 Aronoff (DAAP Auditorium) Time: 6 :00 pm Parking: Langsam Garage Artiste Biography Maestro KALA RAMNATH , the contemporary torch bearer of the Mewati Gharana, stands today Prithwiraj Bhattacharjee another young and amongst the most outstanding instrumental musicians in the North Indian classical genre. Born upcoming artist began his initial training under into a family of prodigious musical talent, which his guru Dhiranjan Chakraborty at the tender has given Indian music such violin legends as Prof. age of seven. In the year 1994 his life long T.N. Krishnan and Dr. N. Rajam, Kala's genius with the violin manifested itself from childhood. She ambition of learning under the tabla maestro began playing the violin at the tender age of three Ustad Alla Rakha and Ustad Zakir Hussain came under the strict tutelage of her grandfather true. Blessed with highly cultivated fingers, Vidwan. Narayan Aiyar. Simultaneously she received training from her aunt Dr. Smt. N. Rajam. absorbing all the aspects of his guru’s style For fifteen years she put herself under the training through vigorous riyaz under the ever watchful of Mewati vocal maestro, Sangeet Martand Pandit eyes of his guru have made him progress into a Jasraj. This has brought a rare vocal emotionalism to her art. Kala's violin playing is characterized by very promising upcoming tabla player. Prithwi an immaculate bowing and fingering technique, has performed in many solo concerts and command over all aspects of laya, richness and travelled extensively all over India and abroad clarity in sur. -
Kamal's Party to Fight Corruption
The Word Edition 5 Page 1_Layout 1 2/27/2018 10:41 AM Page 1 Volume No 18 Issue No 5 February 23, 2018 LAB JOURNAL OF THE ASIAN COLLEGE OF JOURNALISM Cost of dying in Students fret Artists survive Chennai over NEET in a village Page 2 Page 3 Page 4 Kamal’s party to fight corruption PRATIBHA SHARMA felt Haasan’s political venture de - Haasan’s movies, she wouldn’t pended on various factors. vote for him. “He is going to Chennai: Tamil film star Kamal “Kamal’s success in politics de - change once he enters into poli - Haasan launched his political party pends on how attractive or relevant tics,” she said. ‘Makkal Needhi Maiam’ (People’s he is politically. An average voter G.C Shekhar remained sceptical Justice Center) and hoisted the flag likes to vote for a winning candi - of Kamal Haasan’s fanbase turning carrying the party’s symbol at Ot - date rather than a person he likes,” into votes as he believed that he hakadai ground in Madurai on Fe - said G.C Shekhar, a senior journa - had unnecessarily antagonized the bruary 21. list. Hindu fanbase, by making contro - The 63-year-old actor, who is on Duraisamy Ravindaran, a poli - versial statements. a three-day statewide tour, visited tical observer, said “Kamal’s suc - This English speaking middle APJ Abdul Kalam’s home in Ra - cess depends on his political class and the urban population meswaram and spoke about his strategy. So far, he has maintained which comprise the bulk of Haa - entry into politics. -
South Asia Multidisciplinary Academic Journal , Free-Standing Articles Madurai Formula Films: Caste Pride and Politics in Tamil Cinema 2
Edinburgh Research Explorer Madurai Formula Films Citation for published version: Damodaran, K & Gorringe, H 2017, 'Madurai Formula Films', South Asia Multidisciplinary Academic Journal (SAMAJ), pp. 1-30. <https://samaj.revues.org/4359> Link: Link to publication record in Edinburgh Research Explorer Document Version: Publisher's PDF, also known as Version of record Published In: South Asia Multidisciplinary Academic Journal (SAMAJ) General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 28. Sep. 2021 South Asia Multidisciplinary Academic Journal Free-Standing Articles Madurai Formula Films: Caste Pride and Politics in Tamil Cinema Karthikeyan Damodaran and Hugo Gorringe Publisher Association pour la recherche sur l'Asie du Sud (ARAS) Electronic version URL: http://samaj.revues.org/4359 ISSN: 1960-6060 Electronic reference Karthikeyan Damodaran and Hugo Gorringe, « Madurai Formula Films: Caste Pride and Politics in Tamil Cinema », South Asia Multidisciplinary Academic Journal [Online], Free-Standing Articles, Online since 22 June 2017, connection on 22 June 2017. URL : http://samaj.revues.org/4359 This text was automatically generated on 22 June 2017. -
Spectacle Spaces: Production of Caste in Recent Tamil Films
South Asian Popular Culture ISSN: 1474-6689 (Print) 1474-6697 (Online) Journal homepage: http://www.tandfonline.com/loi/rsap20 Spectacle spaces: Production of caste in recent Tamil films Dickens Leonard To cite this article: Dickens Leonard (2015) Spectacle spaces: Production of caste in recent Tamil films, South Asian Popular Culture, 13:2, 155-173, DOI: 10.1080/14746689.2015.1088499 To link to this article: http://dx.doi.org/10.1080/14746689.2015.1088499 Published online: 23 Oct 2015. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rsap20 Download by: [University of Hyderabad] Date: 25 October 2015, At: 01:16 South Asian Popular Culture, 2015 Vol. 13, No. 2, 155–173, http://dx.doi.org/10.1080/14746689.2015.1088499 Spectacle spaces: Production of caste in recent Tamil films Dickens Leonard* Centre for Comparative Literature, University of Hyderabad, Hyderabad, India This paper analyses contemporary, popular Tamil films set in Madurai with respect to space and caste. These films actualize region as a cinematic imaginary through its authenticity markers – caste/ist practices explicitly, which earlier films constructed as a ‘trope’. The paper uses the concept of Heterotopias to analyse the recurrence of spectacle spaces in the construction of Madurai, and the production of caste in contemporary films. In this pursuit, it interrogates the implications of such spatial discourses. Spectacle spaces: Production of caste in recent Tamil films To foreground the study of caste in Tamil films and to link it with the rise of ‘caste- gestapo’ networks that execute honour killings and murders as a reaction to ‘inter-caste love dramas’ in Tamil Nadu,1 let me narrate a political incident that occurred in Tamil Nadu – that of the formation of a socio-political movement against Dalit assertion in December 2012. -
Unni Menon…. Is Basically a Malayalam Film Playback Singer
“FIRST ICSI-SIRC CSBF MUSICAL NITE” 11.11.2012 Sunday 6.05 p.m Kamarajar Arangam A/C Chennai In Association With Celebrity Singers . UNNI MENON . SRINIVAS . ANOORADA SRIRAM . MALATHY LAKSHMAN . MICHAEL AUGUSTINE Orchestra by THE VISION AND MISSION OF ICSI Vision : "To be a global leader in promoting Good Corporate Governance” Mission : "To develop high calibre professionals facilitating good Corporate Governance" The Institute The Institute of Company Secretaries of India(ICSI) is constituted under an Act of Parliament i.e. the Company Secretaries Act, 1980 (Act No. 56 of 1980). ICSI is the only recognized professional body in India to develop and regulate the profession of Company Secretaries in India. The Institute of Company Secretaries of India(ICSI) has on its rolls 25,132 members including 4,434 members holding certificate of the practice. The number of current students is over 2,30,000. The Institute of company Secretaries of India (ICSI) has its headquarters at New Delhi and four regional offices at New Delhi, Chennai, Kolkata and Mumbai and 68 Chapters in India. The ICSI has emerged as a premier professional body developing professionals specializing in Corporate Governance. Members of the Institute are rendering valuable services to the Government, Regulatory `bodies, Trade, Commerce, Industry and society at large. Objective of the Fund Financial Assistance in the event of Death of a member of CBSF Upto the age of 60 years • Upto Rs.3,00,000 in deserving cases on receipt of request subject to the Guidelines approved by the Managing -
Region 10 Student Branches
Student Branches in R10 with Counselor & Chair contact August 2015 Par SPO SPO Name SPO ID Officers Full Name Officers Email Address Name Position Start Date Desc Australian Australian Natl Univ STB08001 Chair Miranda Zhang 01/01/2015 [email protected] Capital Terr Counselor LIAM E WALDRON 02/19/2013 [email protected] Section Univ Of New South Wales STB09141 Chair Meng Xu 01/01/2015 [email protected] SB Counselor Craig R Benson 08/19/2011 [email protected] Bangalore Acharya Institute of STB12671 Chair Lachhmi Prasad Sah 02/19/2013 [email protected] Section Technology SB Counselor MAHESHAPPA HARAVE 02/19/2013 [email protected] DEVANNA Adichunchanagiri Institute STB98331 Counselor Anil Kumar 05/06/2011 [email protected] of Technology SB Amrita School of STB63931 Chair Siddharth Gupta 05/03/2005 [email protected] Engineering Bangalore Counselor chaitanya kumar 05/03/2005 [email protected] SB Amrutha Institute of Eng STB08291 Chair Darshan Virupaksha 06/13/2011 [email protected] and Mgmt Sciences SB Counselor Rajagopal Ramdas Coorg 06/13/2011 [email protected] B V B College of Eng & STB62711 Chair SUHAIL N 01/01/2013 [email protected] Tech, Vidyanagar Counselor Rajeshwari M Banakar 03/09/2011 [email protected] B. M. Sreenivasalah STB04431 Chair Yashunandan Sureka 04/11/2015 [email protected] College of Engineering Counselor Meena Parathodiyil Menon 03/01/2014 [email protected] SB BMS Institute of STB14611 Chair Aranya Khinvasara 11/11/2013 [email protected] -
Dated : 23/4/2016
Dated : 23/4/2016 Signatory ID Name CIN Company Name Defaulting Year 01750017 DUA INDRAPAL MEHERDEEP U72200MH2008PTC184785 ALFA-I BPO SERVICES 2009-10 PRIVATE LIMITED 01750020 ARAVIND MYLSWAMY U01120TZ2008PTC014531 M J A AGRO FARMS PRIVATE 2008-09, 2009-10 LIMITED 01750025 GOYAL HEMA U18263DL1989PLC037514 LEISURE WEAR EXPORTS 2007-08 LTD. 01750030 MYLSWAMY VIGNESH U01120TZ2008PTC014532 M J V AGRO FARM PRIVATE 2008-09, 2009-10 LIMITED 01750033 HARAGADDE KUMAR U74910KA2007PTC043849 HAVEY PLACEMENT AND IT 2008-09, 2009-10 SHARATH VENKATESH SOLUTIONS (INDIA) PRIVATE 01750063 BHUPINDER DUA KAUR U72200MH2008PTC184785 ALFA-I BPO SERVICES 2009-10 PRIVATE LIMITED 01750107 GOYAL VEENA U18263DL1989PLC037514 LEISURE WEAR EXPORTS 2007-08 LTD. 01750125 ANEES SAAD U55101KA2004PTC034189 RAHMANIA HOTELS 2009-10 PRIVATE LIMITED 01750125 ANEES SAAD U15400KA2007PTC044380 FRESCO FOODS PRIVATE 2008-09, 2009-10 LIMITED 01750188 DUA INDRAPAL SINGH U72200MH2008PTC184785 ALFA-I BPO SERVICES 2009-10 PRIVATE LIMITED 01750202 KUMAR SHILENDRA U45400UP2007PTC034093 ASHOK THEKEDAR PRIVATE 2008-09, 2009-10 LIMITED 01750208 BANKTESHWAR SINGH U14101MP2004PTC016348 PASHUPATI MARBLES 2009-10 PRIVATE LIMITED 01750212 BIAPPU MADHU SREEVANI U74900TG2008PTC060703 SCALAR ENTERPRISES 2009-10 PRIVATE LIMITED 01750259 GANGAVARAM REDDY U45209TG2007PTC055883 S.K.R. INFRASTRUCTURE 2008-09, 2009-10 SUNEETHA AND PROJECTS PRIVATE 01750272 MUTHYALA RAMANA U51900TG2007PTC055758 NAGRAMAK IMPORTS AND 2008-09, 2009-10 EXPORTS PRIVATE LIMITED 01750286 DUA GAGAN NARAYAN U74120DL2007PTC169008 -
Why India Doesn't Make Enough 3D Films
Publication: Mint Date: 08/07/2017 Why India doesn’t make enough 3D films Rajinikanth’s ‘2.0’ and director Vikram Bhatt’s 2015 vigilante thriller ‘Mr. X’ are among few films in India that have actually been shot in 3D 3D viewing is increasing day by day in India. Photo: Reuters New Delhi: In the run-up to the January release of its science fiction film 2.0, starring Rajinikanth, Lyca Productions organized a “meet-and-greet” with exhibitors across Tamil Nadu earlier this week to make sure more screens become 3D enabled by the time the film arrives in theatres to maximize its box office prospects. 2.0, a sequel to Rajinikanth’s 2010 hit Enthiran that has been made at a budget of Rs400 crore, has been directed by S. Shankar and also features Bollywood actor Akshay Kumar. Perhaps one reason the film is so particular about getting the right showcasing is that it has actually been shot in 3D. Most Indian films, however, convert to 3D from 2D during post-production to save costs which is one major reason, say industry experts, for 3D not really having caught on in the country. Online Link - http://www.livemint.com/Consumer/RP43NNUCL7ifbcUEkWxCuJ/Why- India-doesnt-make-enough-3D-films.html Publication: Mint Date: 08/07/2017 “Even in the early phase of the 3D movie spurt, one of the difficulties in India was that people tried to ride the wave by taking a shortcut and converting films shot in 2D into 3D,” said Rajesh Mishra, chief executive officer of Indian Operations, at cinema distribution network UFO Moviez. -
FACULTY of MANAGEMENT STUDIES, MOHANLAL SUKHADIA UNIVERSITY, UDAIPUR, RAJASTHAN International Conference on Standardizing Manage
FACULTY OF MANAGEMENT STUDIES, MOHANLAL SUKHADIA UNIVERSITY, UDAIPUR, RAJASTHAN International Conference on Standardizing Management Practices: Challenges and Opportunities (ICSMP-2021) 12-14 August, 2021 Track 3: Human Resource Form_no presentation_type title name co_author_name other_author_name Online Ensuring fair pay and working hours 551 Presentation for employees working remotely Rachita bajaj The Work Family Balance of Indian Online Working Women During The Covid 556 Presentation Pandemic Anjali Sabale Dr. Gomathi S FIVE-PRONGED APPROACH TO BUILD RESILIENCE AT WORKPLACE IN TEACHERS’ COMMUNITY IN Online ANDAMAN ISLANDS DURING COVID- 583 Presentation 19 Kala Sneha Dr.G.S.Maheswari A study on knowledge sharing Online practices in selected private sector Dr. Shamal 588 Presentation banks of Baroda Bhakti Yash Vyas Pradhan A Study of Work Life Balance Issues Online Faced by Married School Teachers in 597 Presentation Baroda Ms. Shalini Saxena Online A STUDY ON STRESS IN ONLINE 613 Presentation TEACHING DURING COVID-19 P. NITHYAKIRRTHY Dr. R. SHANTHI I. PRAVALLIKA ONLINE TEACHING A NEW NORM: INVESTIGATION OF FACULTIES Online ATTITUDE TOWARDS ONLINE 626 Presentation TEACHING-LEARNING Dr. Darshna Joshi Online A Review paper on CSR: Challenges Dr Rashmi 742 Presentation and implications for HRM Devika Sharma Sharma Work-Life Balance and Stress among Online Bus Drivers and Conductors in 751 Presentation NEKRTC – In Kalaburagi District Dr A P HOsmani Nithyanand Patil Work-Life Balance and Stress among Online Bus Drivers and Conductors