Against the Authenticity of the Seventh Letter
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Citations in Classics and Ancient History
Citations in Classics and Ancient History The most common style in use in the field of Classical Studies is the author-date style, also known as Chicago 2, but MLA is also quite common and perfectly acceptable. Quick guides for each of MLA and Chicago 2 are readily available as PDF downloads. The Chicago Manual of Style Online offers a guide on their web-page: http://www.chicagomanualofstyle.org/tools_citationguide.html The Modern Language Association (MLA) does not, but many educational institutions post an MLA guide for free access. While a specific citation style should be followed carefully, none take into account the specific practices of Classical Studies. They are all (Chicago, MLA and others) perfectly suitable for citing most resources, but should not be followed for citing ancient Greek and Latin primary source material, including primary sources in translation. Citing Primary Sources: Every ancient text has its own unique system for locating content by numbers. For example, Homer's Iliad is divided into 24 Books (what we might now call chapters) and the lines of each Book are numbered from line 1. Herodotus' Histories is divided into nine Books and each of these Books is divided into Chapters and each chapter into line numbers. The purpose of such a system is that the Iliad, or any primary source, can be cited in any language and from any publication and always refer to the same passage. That is why we do not cite Herodotus page 66. Page 66 in what publication, in what edition? Very early in your textbook, Apodexis Historia, a passage from Herodotus is reproduced. -
Euripides” Johanna Hanink
The Life of the Author in the Letters of “Euripides” Johanna Hanink N 1694, Joshua Barnes, the eccentric British scholar (and poet) of Greek who the next year would become Regius Professor at the University of Cambridge, published his I 1 long-awaited Euripidis quae extant omnia. This was an enormous edition of Euripides’ works which contained every scrap of Euripidean material—dramatic, fragmentary, and biographical —that Barnes had managed to unearth.2 In the course of pre- paring the volume, Barnes had got wind that Richard Bentley believed that the epistles attributed by many ancient manu- scripts to Euripides were spurious; he therefore wrote to Bentley asking him to elucidate the grounds of his doubt. On 22 February 1693, Bentley returned a letter to Barnes in which he firmly declared that, with regard to the ancient epistles, “tis not Euripides himself that here discourseth, but a puny sophist that acts him.” Bentley did, however, recognize that convincing others of this would be a difficult task: “as for arguments to prove [the letters] spurious, perhaps there are none that will convince any person that doth not discover it by himself.”3 1 On the printing of the book and its early distribution see D. McKitterick, A History of Cambridge University Press I Printing and the Book Trade in Cambridge, 1534–1698 (Cambridge 1992) 380–392; on Joshua Barnes see K. L. Haugen, ODNB 3 (2004) 998–1001. 2 C. Collard, Tragedy, Euripides and Euripideans (Bristol 2007) 199–204, re- hearses a number of criticisms of Barnes’ methods, especially concerning his presentation of Euripidean fragments (for which he often gave no source, and which occasionally consisted of lines from the extant plays). -
On the Arrangement of the Platonic Dialogues
Ryan C. Fowler 25th Hour On the Arrangement of the Platonic Dialogues I. Thrasyllus a. Diogenes Laertius (D.L.), Lives and Opinions of Eminent Philosophers 3.56: “But, just as long ago in tragedy the chorus was the only actor, and afterwards, in order to give the chorus breathing space, Thespis devised a single actor, Aeschylus a second, Sophocles a third, and thus tragedy was completed, so too with philosophy: in early times it discoursed on one subject only, namely physics, then Socrates added the second subject, ethics, and Plato the third, dialectics, and so brought philosophy to perfection. Thrasyllus says that he [Plato] published his dialogues in tetralogies, like those of the tragic poets. Thus they contended with four plays at the Dionysia, the Lenaea, the Panathenaea and the festival of Chytri. Of the four plays the last was a satiric drama; and the four together were called a tetralogy.” b. Characters or types of dialogues (D.L. 3.49): 1. instructive (ὑφηγητικός) A. theoretical (θεωρηµατικόν) a. physical (φυσικόν) b. logical (λογικόν) B. practical (πρακτικόν) a. ethical (ἠθικόν) b. political (πολιτικόν) 2. investigative (ζητητικός) A. training the mind (γυµναστικός) a. obstetrical (µαιευτικός) b. tentative (πειραστικός) B. victory in controversy (ἀγωνιστικός) a. critical (ἐνδεικτικός) b. subversive (ἀνατρεπτικός) c. Thrasyllan categories of the dialogues (D.L. 3.50-1): Physics: Timaeus Logic: Statesman, Cratylus, Parmenides, and Sophist Ethics: Apology, Crito, Phaedo, Phaedrus, Symposium, Menexenus, Clitophon, the Letters, Philebus, Hipparchus, Rivals Politics: Republic, the Laws, Minos, Epinomis, Atlantis Obstetrics: Alcibiades 1 and 2, Theages, Lysis, Laches Tentative: Euthyphro, Meno, Io, Charmides and Theaetetus Critical: Protagoras Subversive: Euthydemus, Gorgias, and Hippias 1 and 2 :1 d. -
Myth Matters: Intelligent Imagination in Plato's Phaedo and Phaedrus
University of Calgary PRISM: University of Calgary's Digital Repository Graduate Studies The Vault: Electronic Theses and Dissertations 2018-01-10 Myth Matters: Intelligent Imagination in Plato's Phaedo and Phaedrus Kotow, Emily Claire Kotow, E. C. (2018). Myth Matters: Intelligent Imagination in Plato's Phaedo and Phaedrus. (Unpublished master's thesis). University of Calgary, Calgary, AB. doi:10.11575/PRISM/5457 http://hdl.handle.net/1880/106376 master thesis University of Calgary graduate students retain copyright ownership and moral rights for their thesis. You may use this material in any way that is permitted by the Copyright Act or through licensing that has been assigned to the document. For uses that are not allowable under copyright legislation or licensing, you are required to seek permission. Downloaded from PRISM: https://prism.ucalgary.ca UNIVERSITY OF CALGARY Myth Matters: Intelligent Imagination in Plato's Phaedo and Phaedrus by Emily Claire Kotow A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS GRADUATE PROGRAM IN RELIGIOUS STUDIES CALGARY, ALBERTA JANUARY, 2018 ©Emily Claire Kotow 2018 Abstract This thesis examines the function of myth in Plato’s Phaedo and Phaedrus. Focusing on the afterlife of Phaedo, and the palinode of Phaedrus, I assert that Plato emphasizes the limits of understanding, and as a consequence, the need for intelligent imagination. Ultimately, myth serves to underscore the essential philosophical project of cultivating self-knowledge and therefore is an integral part of Plato’s philosophical project. ii Acknowledgments I would like to thank the Department of Religious Studies for all of the support it has given me over the many years that I have been studying at the University of Calgary. -
Knowing God's Word Key Issues
Scholars Crossing Faculty Publications and Presentations Rawlings School of Divinity 2021 Knowing God's Word Key Issues Norm Mathers Follow this and additional works at: https://digitalcommons.liberty.edu/sod_fac_pubs Part of the Biblical Studies Commons, and the Christianity Commons KNOWING GOD’S WORD KEY ISSUES NORMAN W. MATHERS 2020 TABLE OF CONTENTS KNOWING GOD’S WORD: KEY ISSUES KEY ISSUES 1.1 The Biblical Covenants 1.2 Dispensationalism – 1.3 Old Testament – Synthesis 1.4 New Testament – Synthesis 1.5 Trinitarianism – 1.6 Salvation- 1.7 Original Sin – 1.8 Illumination of the Holy Spirit – 1.9 In Defense of the Truth – 1.10 The Holy Spirit’s Testimony to Christ – 1.11 The Testimony of God the Father to Christ – 1.12 The Purpose of the Word of God in the Spiritual Life- 1.13 Framework 1.14 Biblical Spirituality 1.15 The Rapture 1.16 Interpretation of Scripture 1.17 Apocalyptic Books 1.18 Further Reflections on Interpretation 1.19 General and Specific Revelation 1.20 Reconciliation and Foreknowledge 1.21 The Divine Plan 1.22 The Extent of the Fall 2. PREMILLENNIALISM 2.1Introduction 2.2 Israel’s Kingdom 2.3 God’s Sovereign Purpose for the Gentiles 3. ESCHATOLOGY 3.1 Rapture 3.2 First Event of the Tribulation 3.3 World Dictator and World Church Unite 3.4 Seal Judgments 3.5 Beast and Second Beast 3.6 Ezekiel 38-39 3.7 When Does Russia March? 3.8 Trumpet Judgments 3.9 Battle Armageddon – Second Battle 3.10Satan Cast Out of Heaven 3.11 The Two Witnesses 3.12 The Kings of the East 3.13 Bowl Judgments 3.14 Five Future Events 3.15 Review 3.16 Revelation – Chapter 10 – the Little Book 3.17 Revelation 14 – The 144,000 3.18 Matthew 24:31 – Gathering His Elect 3.19 Judgment of Sheep and Goats 3.20 Bad Angels 3.21 Good Angels 3.22 Millennium 3.23 Great White Throne Judgment 3.24 New Heavens and New Earth 4. -
Aristaenetus, Erotic Letters
ARISTAENETUS, EROTIC LETTERS Writings from the Greco-Roman World David Konstan and Johan C. Thom, General Editors Editorial Board Erich S. Gruen Wendy Mayer Margaret M. Mitchell Teresa Morgan Ilaria L. E. Ramelli Michael J. Roberts Karin Schlapbach James C. VanderKam L. Michael White Number 32 Volume Editor Patricia A. Rosenmeyer ARISTAENETUS, EROTIC LETTERS Introduced, translated and annotated by Peter Bing and Regina Höschele Society of Biblical Literature Atlanta ARISTAENETUS, EROTIC LETTERS Copyright © 2014 by the Society of Biblical Literature All rights reserved. No part of this work may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording, or by means of any information storage or retrieval system, except as may be expressly permit- ted by the 1976 Copyright Act or in writing from the publisher. Requests for permission should be addressed in writing to the Rights and Permissions Office, Society of Biblical Literature, 825 Houston Mill Road, Atlanta, GA 30329 USA. Library of Congress Cataloging-in-Publication Data Aristaenetus, author. Erotic letters / Aristaenetus ; introduced, translated, and annotated by Peter Bing and Regina Höschele. pages cm. — (Writings from the Greco-Roman world ; volume 32) ISBN 978-1-58983-741-6 (paper binding : alk. paper) — ISBN 978-1-58983-742-3 (electronic format) — ISBN 978-1-58983-882-6 (hardcover binding : alk. paper) 1. Aristaenetus. Love epistles. I. Bing, Peter. II. Höschele, Regina. III. Aristaenetus. Love epistles. English. 2013. IV. Series: Writings from the Greco-Roman world ; v. 32. PA3874.A3E5 2013 880.8'.03538—dc23 2013024429 Printed on acid-free, recycled paper conforming to ANSI/NISO Z39.48-1992 (R1997) and ISO 9706:1994 standards for paper permanence. -
Plato, Epinomis
THE EPINOMIS ; OR, THE MML OSOPHER. PERSONS OF THE DIALOGUE. An ATHENIAN GUEST, CLlNlAS the Cretan, and MEGILLUS the Lacedaemonian. ACCORDING to our agreement, O gueſt, we are all of us rightly aſſembled, being three, I, and you, and Megillus here, for the purpoſe of conſidering after what manner we ſhould inveſtigate prudence; which when underſtood, we ſay that it cauſes the human habit to ſubſiſt in the moſt beautiful manner poſſible to man,_with reſpect to itſelf. For we have diſcuſſed every thing elſe reſpecting the eſtabliſhment of laws. But we have not yet related and diſcovered, that which it is the greateſt thing to diſcover and relate, I mean, what that is by the learning of which mortal man will become wiſe. We ſhould now endeavour not to leave this un inveſtigated: for, iſ we do, we ſhall nearly leave that imperſect,, for the ſake of'rendering which apparent from the beginning to the end we have all oſ us proceeded thus far. ATHENlAN GUEST. You ſpeak well, friend Clinias. But I think you will now hear a wonderful diſcourſe, though again in a certain reſpect It is not wonderful. For many that we meet with in life aſſert, that the human race can neither be bleſſed nor happy. Attcnd, therefore, and fire, whether it appears 390 THE EPINOMIS; on, appears to you as well as to me, that by ſpeaking as follows about this aſſair we ſhall ſpeak well. For I ſay it is not POfflblC for men in this liſe, except a ſew, to become bleſſed and happy. -
THE REPUBLIC.Pdf
Plato THE REPUBLIC Translated by Benjamin Jowett INTRODUCTION AND ANALYSIS. The Republic of Plato is the longest of his works with the exception of the Laws, and is certainly the greatest of them. There are nearer approaches to modern metaphysics in the Philebus and in the Sophist; the Politicus or Statesman is more ideal; the form and institutions of the State are more clearly drawn out in the Laws; as works of art, the Symposium and the Protagoras are of higher excellence. But no other Dialogue of Plato has the same largeness of view and the same perfection of style; no other shows an equal knowledge of the world, or contains more of those thoughts which are new as well as old, and not of one age only but of all. Nowhere in Plato is there a deeper irony or a greater wealth of humour or imagery, or more dramatic power. Nor in any other of his writings is the attempt made to interweave life and speculation, or to connect politics with philosophy. The Republic is the centre around which the other Dialogues may be grouped; here philosophy reaches the highest point (cp, especially in Books V, VI, VII) to which ancient thinkers ever attained. Plato among the Greeks, like Bacon among the moderns, was the first who conceived a method of knowledge, although neither of them always distinguished the bare outline or form from the substance of truth; and both of them had to be content with an abstraction of science which was not yet realized. He was the greatest metaphysical genius whom the world has seen; and in him, more than in any other ancient thinker, the germs of future knowledge are contained. -
Brigida Baldinotti and Her Two Epistles in Quattrocento Florentine Manuscripts
Brigida Baldinotti and Her Two Epistles in Quattrocento Florentine Manuscripts By Lisa Kaborycha Introduction This study casts light on both the vexed question of women’s vernacular liter- acy as well as women’s wider participation in literary culture during the Italian quattrocento. For decades now, scholars have puzzled over the phrase dealing with women’s literacy in Giovanni Villani’s Chronicle, where he states that in Florence between “eight thousand to ten thousand boys and girls are learning to read.”1 Feminist scholars in the 1980s in particular took an extraordinarily pes- simistic stance on women’s literacy in quattrocento Florence. Women’s ability not only to read but also to write was called into question. “A girl who could read, and especially, write, was cause for amazement,” wrote Christiane Klapisch-Zuber.2 Luisa Miglio considered women’s writing in the quattrocento to have been both extremely rare and to have constituted a kind of “transgres- sion.” “I do not know,” wrote Miglio, “if Margherita Datini or Alessandra Macinghi or other lesser known women who took a pen in hand were aware that theirs was an act of transgression, if they were truly able to measure the significance of that action, almost a theft or at least the appropriation of an in- strument reserved to the male universe by the society in which they lived.”3 But was it really so “amazing” or “transgressive” for women to be able to read or write in fifteenth-century Florence? The documents suggest otherwise. A recent study documents scores of manuscripts owned by women as well as I am deeply grateful to Gene Brucker for helping me reconstruct the details of Brigida’s world. -
The Two Supreme Principles of Plato's Cosmos—The One and The
S S symmetry Article The Two Supreme Principles of Plato’s Cosmos—the One and the Indefinite Dyad—the Division of a Straight Line into Extreme and Mean Ratio, and Pingala’s Matr¯ ameru¯ Maria Antonietta Salamone Department of Philosophy and Society, Faculty of Philosophy, Complutense University of Madrid, 28040 Madrid, Spain; salamonema@filos.ucm.es Received: 6 December 2018; Accepted: 8 January 2019; Published: 16 January 2019 Abstract: The objective of this paper is to propose a mathematical interpretation of the continuous geometric proportion (Timaeus, 32a) with which Plato accomplishes the goal to unify, harmonically and symmetrically, the Two Opposite Elements of Timaeus Cosmos—Fire and Earth—through the Mean Ratio. As we know, from the algebraic point of view, it is possible to compose a continuous geometric proportion just starting from two different quantities a (Fire) and b (Earth); their sum would be the third term, so that we would obtain the continuous geometric proportion par excellence, which carries out the agreement of opposites most perfectly: (a + b)/a = a/b. This equal proportion, applied to linear geometry, corresponds to what Euclid called the Division into Extreme and Mean Ratio (DEMR) or The Golden Proportion. In fact, according to my mathematical interpretation, in the Timaeus 32b and in the Epinomis 991 a–b, Plato uses Pingala’s Matr¯ ameru¯ or The First Analogy of the Double to mould the body of the Cosmos as a whole, to the pint of identifying the two supreme principles of the Cosmos—the One (1) and the Indefinite Dyad (F and1/F)—with the DEMR. -
The Republic by Plato
The Republic By Plato http://www.idph.net 18 de maio de 2002 2 IDPH Sumário INTRODUCTION AND ANALYSIS 5 BOOK I 177 BOOK II 211 BOOK III 239 BOOK IV 275 BOOK V 305 BOOK VI 343 BOOK VII 373 BOOK VIII 401 BOOK IX 431 BOOK X 457 3 4 IDPH http://www.idph.net INTRODUCTION AND ANALYSIS The Republic of Plato is the longest of his works with the exception of the Laws, and is certainly the greatest of them. There are nearer approaches to modern metaphysics in the Philebus and in the Sophist; the Politicus or Statesman is more ideal; the form and institutions of the State are more clearly drawn out in the Laws; as works of art, the Symposium and the Protagoras are of higher excellence. But no other Dialogue of Plato has the same largeness of view and the same perfection of style; no other shows an equal knowledge of the world, or contains more of those thoughts which are new as well as old, and not of one age only but of all. Nowhere in Plato is there a deeper irony or a greater wealth of humour or imagery, or more dramatic power. Nor in any other of his writings is the attempt made to interweave life and speculation, or to connect politics with philosophy. The Republic is the centre around which the other Di- alogues may be grouped; here philosophy reaches the highest point (cp, especi- ally in Books V,VI, VII) to which ancient thinkers ever attained. Plato among the Greeks, like Bacon among the moderns, was the first who conceived a method of knowledge, although neither of them always distinguished the bare outline or form from the substance of truth; and both of them had to be content with an abstraction of science which was not yet realized. -
Black's New Testament Commentary the Epistles of Peter and of Jude Jnd
BLACK’S NEW TESTAMENT COMMENTARY THE EPISTLES OF PETER AND OF JUDE J. N. D. KELLY, D. D., F.B.A. FORMER PRINCIPPAL OF ST EDMUND HALL, OXFORD A & C BLACK LONDON FIRST PUBLISHED 1969 REPRINTED 1976, 1977, 1982, 1990 A & C BLACK (PUBLISHERS) LIMITED 35 BEDFORD ROW, LONDON WC1R 4JH © 1969 JOHN NORMAN DAVIDSON KELLY ISBN 0-7136-1285-1 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmi!ed in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission in writing of A & C Black (Publishers) Limited. J. N. D. Kelly, !e Epistles of Peter and of Jude (Black’s New Testament Commentary; London: Continuum, 1969). Exported from Logos Bible Software, 3:35 PM June 9, 2020. 1 THE EPISTLE OF JUDE 1. ADDRESS AND GREETING 1–2 1 Jude, servant of Jesus Christ and brother of James, to those who are called, beloved in God the Father and kept safe for Jesus Christ: 2 May mercy, peace and love be multiplied to you. 1 !e le"er opens with a greeting of the conventional Jewish pa"ern adapted to Christian usage. !ough much shorter, it has the same basic plan and broadly the same content as that of 1 Pet. 1:1 f. (see note). !e writer’s name is given as Jude (Ioudas): for his identity, see Introduction, pp. 231–234. !e intention seems to be to impress on the recipients that he is not some obscure, otherwise unknown individual in the apostolic Church, but the brother of the Lord mentioned in Mk.