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Transatlantica, 1 | 2017 a Conversation with Richard Layman 2
Transatlantica Revue d’études américaines. American Studies Journal 1 | 2017 Morphing Bodies: Strategies of Embodiment in Contemporary US Cultural Practices A Conversation with Richard Layman Benoît Tadié Electronic version URL: https://journals.openedition.org/transatlantica/8961 DOI: 10.4000/transatlantica.8961 ISSN: 1765-2766 Publisher Association française d'Etudes Américaines (AFEA) Electronic reference Benoît Tadié, “A Conversation with Richard Layman”, Transatlantica [Online], 1 | 2017, Online since 29 November 2018, connection on 20 May 2021. URL: http://journals.openedition.org/transatlantica/ 8961 ; DOI: https://doi.org/10.4000/transatlantica.8961 This text was automatically generated on 20 May 2021. Transatlantica – Revue d'études américaines est mise à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. A Conversation with Richard Layman 1 A Conversation with Richard Layman Benoît Tadié Transatlantica, 1 | 2017 A Conversation with Richard Layman 2 Photograph of Richard Layman The Big Book of the Continental Op, book cover Introduction 1 Richard Layman is the world’s foremost scholar on Dashiell Hammett. Among the twenty books he has written or edited are nine on Hammett, including the definitive bibliography (Dashiell Hammett, A Descriptive Bibliography, 1979), Shadow Man, the first full-length biography (1981), Hammett’s Selected Letters (with Julie M. Rivett, Hammett’s granddaughter, as Associate Editor, 2001), Discovering The Maltese Falcon and Sam Spade (2005, and The Hunter and Other Stories (2013), with Rivett. His books have twice been nominated for the Mystery Writers of America Edgar Award. 2 With Rivett, he has recently edited The Big Book of the Continental Op (Vintage Crime/ Black Lizard, 2017), which for the first time gathers the complete canon of Hammett’s first detective, the nameless Continental Op (for Operative). -
Before Bogart: SAM SPADE
Before Bogart: SAM SPADE The Maltese Falcon introduced a new detective – Sam Spade – whose physical aspects (shades of his conversation with Stein) now approximated Hammett’s. The novel also originated a fresh narrative direction. The Op related his own stories and investigations, lodging his idiosyncrasies, omissions and intuitions at the core of Red Harvest and The Dain Curse. For The Maltese Falcon Hammett shifted to a neutral, but chilling third-person narration that consistently monitors Spade from the outside – often insouciantly as a ‘blond satan’ or a smiling ‘wolfish’ cur – but never ventures anywhere Spade does not go or witnesses anything Spade doesn’t see. This cold-eyed yet restricted angle prolongs the suspense; when Spade learns of Archer’s murder we hear only his end of the phone call – ‘Hello . Yes, speaking . Dead? . Yes . Fifteen minutes. Thanks.’ The name of the deceased stays concealed with the detective until he enters the crime scene and views his partner’s corpse. Never disclosing what Spade is feeling and thinking, Hammett positions indeterminacy as an implicit moral stance. By screening the reader from his gumshoe’s inner life, he pulls us into Spade’s ambiguous world. As Spade consoles Brigid O’Shaughnessy, ‘It’s not always easy to know what to do.’ The worldly cynicism (Brigid and Spade ‘maybe’ love each other, Spade says), the coruscating images of compulsive materialism (Spade no less than the iconic Falcon), the strings of point-blank maxims (Spade’s elegant ‘I don’t mind a reasonable amount of trouble’): Sam Spade was Dashiell Hammett’s most appealing and enduring creation, even before Bogart indelibly limned him for the 1941 film. -
Warner Bros. Entertainment, Inc.; * Warner Bros
United States Court of Appeals FOR THE EIGHTH CIRCUIT ________________ No. 10-1743 ________________ Warner Bros. Entertainment, Inc.; * Warner Bros. Consumer Products, * Inc.; Turner Entertainment Co., * * Appellees, * * v. * Appeal from the United States * District Court for the X One X Productions, doing * Eastern District of Missouri. business as X One X Movie * Archives, Inc.; A.V.E.L.A., Inc., * doing business as Art & Vintage * Entertainment Licensing Agency; * Art-Nostalgia.com, Inc.; Leo * Valencia, * * Appellants. * _______________ Submitted: February 24, 2011 Filed: July 5, 2011 ________________ Before GRUENDER, BENTON, and SHEPHERD, Circuit Judges. ________________ GRUENDER, Circuit Judge. A.V.E.L.A., Inc., X One X Productions, and Art-Nostalgia.com, Inc. (collectively, “AVELA”) appeal a permanent injunction prohibiting them from licensing certain images extracted from publicity materials for the films Gone with the Wind and The Wizard of Oz, as well as several animated short films featuring the cat- and-mouse duo “Tom & Jerry.” The district court issued the permanent injunction after granting summary judgment in favor of Warner Bros. Entertainment, Inc., Warner Bros. Consumer Products, Inc., and Turner Entertainment Co. (collectively, “Warner Bros.”) on their claim that the extracted images infringe copyrights for the films. For the reasons discussed below, we affirm in part, reverse in part, and remand for appropriate modification of the permanent injunction. I. BACKGROUND Warner Bros. asserts ownership of registered copyrights to the 1939 Metro- Goldwyn-Mayer (“MGM”) films The Wizard of Oz and Gone with the Wind. Before the films were completed and copyrighted, publicity materials featuring images of the actors in costume posed on the film sets were distributed to theaters and published in newspapers and magazines. -
The Summer Chronicle
The Summer Chronicle llth Year, Number 6 Duke University, Durham, North Carolina Wednesday, June 17, 1981 Trustees OK hospital budget, rate hikes By Erica Johnston increase by 12 percent to 15 calls for an expense budget of Patients at Duke Hospital percent. $169.7 million, an increase of 8.5 will pay an average of 11 The hikes were part of the percent over last year's, and a percent more for their rooms Hospital's fiscal 1982 budget revenue budget of $175.4 starting July 1 due to an proposal presented to the million. increased revenue budget for executive committee by Andrew In response to a trustee's the Hospital approved by the Wallace, chief executive officer question, Wallace said Duke executive committee of the of the Hospital. Hospital "will still be the most Board of Trustees last Friday. The increase — the second for expensive in the Piedmont On July 1, rates will inrease room rates in six months — is region," but added that the rate from $216 to $231 or by nine needed to make the Hospital's by which Duke's room fees have percent for semi-private rooms, projected revenue budget exceed increased is lower than about from $220 to $240 for private the expense budget to balance half ofthe hospitals' in the area. rooms and from $580 to $705 inflationary factors and help Duke Hospital's rates are daily, or by 22 percent, for decrease the Hospital's $3.5 higher than other area rooms in the intensive care unit. million deficit, Wallace hospitals largely because Duke Charges for out-patient visits explained after the meeting. -
Selling Masculinity at Warner Bros.: William Powell, a Case Study
Katie Walsh Selling Masculinity at Warner Bros.: William Powell, A Case Study Abstract William Powell became a star in the 1930s due to his unique brand of suave charm and witty humor—a quality that could only be expressed with the advent of sound film, and one that took him from mid-level player typecast as a villain, to one of the most popular romantic comedy leads of the era. His charm lay in the nonchalant sophistication that came naturally to Powell and that he displayed with ease both on screen and off. He was exemplary of the success of the new kind of star that came into their own during the transition to sound: sharp- or silver-tongued actors who were charming because of their way with words and not because of their silver screen faces. Powell also exercised a great deal of control over his publicity and star image, which is best examined during his short and failed tenure as a Warner Bros. during the advent of his rise to stardom. Despite holding a great amount of power in his billing and creative control, Powell was given a parade of cookie-cutter dangerous playboy roles, and the terms of his contract and salary were constantly in flux over the three years he spent there. With the help of his agent Myron Selznick, Powell was able to navigate between three studios in only a matter of a few years, in search of the perfect fit for his natural abilities as an actor. This experimentation with star image and publicity marked the period of the early 1930s in Hollywood, as studios dealt with the quickly evolving art and technological form, industrial and business practices, and a shifting cultural and moral landscape. -
Thoughts on the Thin Man Essays on the Delightful Detective Work of Nick and Nora Charles
THOUGHTS ON THE THIN MAN ESSAYS ON THE DELIGHTFUL DETECTIVE WORK OF NICK AND NORA CHARLES PDF-22TOTTMEOTDDWONANC13 | Page: 92 File Size 4,045 KB | 29 May, 2020 TABLE OF CONTENT Introduction Brief Description Main Topic Technical Note Appendix Glossary PDF File: Thoughts On The Thin Man Essays On The Delightful Detective Work Of Nick And Nora Charles - 1/2 PDF-22TOTTMEOTDDWONANC13 Thoughts On The Thin Man Essays On The Delightful Detective Work Of Nick And Nora Charles e-Book Name : Thoughts On The Thin Man Essays On The Delightful Detective Work Of Nick And Nora Charles - Read Thoughts On The Thin Man Essays On The Delightful Detective Work Of Nick And Nora Charles PDF on your Android, iPhone, iPad or PC directly, the following PDF file is submitted in 29 May, 2020, Ebook ID PDF-22TOTTMEOTDDWONANC13. Download full version PDF for Thoughts On The Thin Man Essays On The Delightful Detective Work Of Nick And Nora Charles using the link below: Download: THOUGHTS ON THE THIN MAN ESSAYS ON THE DELIGHTFUL DETECTIVE WORK OF NICK AND NORA CHARLES PDF The writers of Thoughts On The Thin Man Essays On The Delightful Detective Work Of Nick And Nora Charles have made all reasonable attempts to offer latest and precise information and facts for the readers of this publication. The creators will not be held accountable for any unintentional flaws or omissions that may be found. PDF File: Thoughts On The Thin Man Essays On The Delightful Detective Work Of Nick And Nora Charles - 2/2 PDF-22TOTTMEOTDDWONANC13. -
Leonard Bernstein (1918-1990)
NOTES ON THE PROGRAM An Introduction Voltaire and Bernstein’s Candide plunge us from a fool’s world of naiveté to a pain- ful world of war, natural disasters, tragedy, fear of commitment, fear of facts, all cast under a cloud of faux sentimentality—yet with a wink towards truth and love. What an honor it is for The Knights to celebrate Leonard Bernstein in his musical home of Tanglewood with a work that encompasses all of his brilliant contradictions. Bernstein was both a man of his century and ahead of his time—socially, politically, and musically—which makes his centennial feel youthful and timely if not timeless. He lived through some of the world’s darkest times of war, fear, and terror, and his outpouring of joy, love, humor, love, generosity, love, and truth spill from him like it has from only a few geniuses before him. “You’ve been a fool, and so have I.... We’re neither pure, nor wise, nor good” (Voltaire, Candide). Bernstein found a fellow optimis- tic jester in Voltaire. Voltaire wrote “It is love; love, the comfort of the human species, the preserver of the universe, the soul of all sentient beings, love, tender love.” Bernstein’s music embodies this senti- ment. Together, they show us many beautiful and joyous puzzle pieces that connect our imperfect best-of-all-possible-worlds. ERIC JACOBSEN, THE KNIGHTS Leonard Bernstein (1918-1990) “Candide” A Very Brief History Bernstein composed Candide from 1954 through August 1956, with Hershy Kay assisting with the orchestration; the libretto was by Lillian Hellman, based on the novella Candide, ou l’Optimisme, by Voltaire, the pen name of François-Marie Arouet (1694-1778). -
Politics and the 1920S Writings of Dashiell Hammett 77
Politics and the 1920s Writings of Dashiell Hammett 77 Politics and the 1920s Writings of Dashiell Hammett J. A. Zumoff At first glance, Dashiell Hammett appears a common figure in American letters. He is celebrated as a left-wing writer sympathetic to the American Communist Party (CP) in the 1930s amid the Great Depression and the rise of fascism in Europe. Memories of Hammett are often associated with labor and social struggles in the U.S. and Communist “front groups” in the post-war period. During the period of Senator Joseph McCarthy’s anti-Communism, Hammett, notably, refused to collaborate with the House Un-American Activities Committee’s (HUAC) investigations and was briefly jailed and hounded by the government until his death in 1961. Histories of the “literary left” in the twentieth century, however, ignore Hammett.1 At first glance this seems strange, given both Hammett’s literary fame and his politics. More accurately, this points to the difficulty of turning Hammett into a member of the “literary left” based on his literary work, as opposed to his later political activity. At the same time, some writers have attempted to place Hammett’s writing within the context of the 1930s, some even going so far as to posit that his work had underlying left-wing politics. Michael Denning, for example, argues that Hammett’s “stories and characters . in a large part established the hard-boiled aesthetic of the Popular Front” in the 1930s.2 This perspective highlights the danger of seeing Hammett as a writer in the 1930s, instead of the 1920s. -
SHAD Volume 18 ID Book.Indb
Drinking in the “Thin Man” Films, 1934-1947 W. J. Rorabaugh One way to explore the changing meaning and psychology of American drinking habits during the course of the twentieth century is to examine how Hollywood has portrayed alcohol in its movies. It is especially useful to do so when drinking forms a major theme in a single series of films. Drinking is portrayed in a robust but changing way in the six “Thin Man” detective movies made between 1934 and 1947. The first film in the series, simply titled The Thin Man (1934), was a box-office hit. W. S. Van Dyke directed the film, which was adapted from a detective novel by Dashiell Hammett. William Powell and Myrna Loy, a powerful comedy team, starred in compelling roles as the private eye Nick Charles and his wealthy socialite wife Nora. Ironically, the “Thin Man” of the title referred not to Nick Charles but to one of the story’s shadowy, sinister characters. However, the title was riveting, and it was easy for viewers to misremember the name as referring to the anything but thin William Powell. As a result, the five sequels all used the phrase “Thin Man” in their titles, even though they lacked the original character that bore that name.1 The Thin Man takes place in New York. Former residents Nick and Nora Charles, now living in San Francisco, are in New York on a brief vacation. Although Nick is retired as a detective, murders always seem to follow him whenever he travels around the country. -
Authors-At-Law: the Jurisprudence of Investigation in the Detective Fiction
COPYRIGHT AND USE OF THIS THESIS This thesis must be used in accordance with the provisions of the Copyright Act 1968. Reproduction of material protected by copyright may be an infringement of copyright and copyright owners may be entitled to take legal action against persons who infringe their copyright. Section 51 (2) of the Copyright Act permits an authorized officer of a university library or archives to provide a copy (by communication or otherwise) of an unpublished thesis kept in the library or archives, to a person who satisfies the authorized officer that he or she requires the reproduction for the purposes of research or study. The Copyright Act grants the creator of a work a number of moral rights, specifically the right of attribution, the right against false attribution and the right of integrity. You may infringe the author’s moral rights if you: - fail to acknowledge the author of this thesis if you quote sections from the work - attribute this thesis to another author - subject this thesis to derogatory treatment which may prejudice the author’s reputation For further information contact the University’s Director of Copyright Services sydney.edu.au/copyright Authors-at-Law The Jurisprudence of Investigation in the Detective Fiction of Dashiell Hammett and William Faulkner Diana Louis Shahinyan A thesis submitted to the Faculty of Arts and Social Sciences at the University of Sydney in fulfillment of the requirements of the degree of Doctor of Philosophy in the Department of English. I hereby declare that, except where indicated in the notes, this thesis contains only my own original work. -
Story of Our Schools That Officer Stephens Was Violat- • * « Thoee Who Had Died La the Cars in the Armed Forces
— Harry EidM Saw First Hand German Cruelty FIFTY-THIRD YEAR Lowell Man, Serrlnf In LOWELL, MICHIGAN, JUNE 14,1945 NUMBER 6 Corps, Tells of Awfnlnen of the * Enemy CranUoriom The Lowell Cafe is changing Lai Swallows Knife; Grafton Couple over to cafeteria style. Gertrude This, In part, is a letter written Read Is doing a real good job at by Cpl. Harry B. Eickhoff, with Class o( 1945 Ftdier Goes to War Married 50 Yean Lieut. Bill Lalley managing the business. the famed 42nd Rainbow Division Master Richard Rutherford, six- NEWS OF OUR of the 7th Army, somewhere In Mr. and Mrs. Clarence E. Ford, year-old son of Mr. and Mrs. Rich- Praises Red Cross The Lowell ration board an- southern Germany. It evidently was Is Now History of Grattan township, celebrated nounces a change In Its office ard Rutherford, was taken to Blod- their 50th wedding anniversary. Lt William J. Lalley, who spent written only a few days before gett hospital. Grand Rapids, Sun- MENwWOMEN hours as follows: Open from 0 a.m. V-E day; although no date was Sunday, June 10, with a chicken eight months In three different Audience of Orer 700 Heir day afternoon following an unusual to 5 p. m. Monday through Friday, given In the letter. dinner at their home. German prison camps, and who accident- The youngster swallowed and from 9 to 12 noon on Sa'urday. "As youV* probably guet^d, Fine ProfruBtt Futl Mrs. Ford, the former Edna Lewis, returned home May 26. after being a tmall pocket knife with which IN UNIFORM we've been very much on the move. -
A Visit with Jack Benny 0Lddmeradio "»Act.R,~ 'DIGESJ' S.,S: .., ~ ~ Old Time Radio No
No.141 Summer ZOU $J.75 A visit with Jack Benny 0ldDmeRadio "»act.R,~ 'DIGESJ' S.,S:_..,~ ~ Old Time Radio No. 141 Summer 2013 "'Fled Allen is tnaklnz cr.acks <1 bo111 ~ bar,g on lht Dt ~nis Day Sho'fl The Old Time Radio Digest 1s pnnted r11,, i lfY is 50 l ltt>n tt/lh mvy_ BOOKS AN D PAPER published and distributed by trery timt he opens his mr:1uu RMS & Associates SOmobo(fy mails • letter. 1ulle 1ii, Den,,;~ :show toniRbt- Allt.11 We have one of the largesc scledions in the USA of out of print Edited by Bob Burchett lt'On't be on it! books and paper items on all aspects of radio broadcast in~. Published qu,nlerly four I1111es a year ------------------·---- ·------· ·--------- -------- One year subscription 1s $15 per year - -- Hooks: A large asso11ment of books on tlw history ofbroacka~ting. Single copies $3.75 each radio writing, stars' biographies. radio sho\, "· and radio play~. Past issues are available. Make checks t;;/.. payable to Old Time Radio Digest. ~,s- Also hooks on broadcasting tcchniqul.'.s. social impact l1f radio etc .. Business and editorial office radio RMS &Assoc,ales, 10280 Gunpowder Rd ~ phcmcra: Material on specific stations. radio scripts, Florence. Kentucky 41 042 advertising literature, radio premiums. NAB anmwl reports, etc. 859.282 0333 -·----------·--- ----- bob [email protected] 6:30 P .M. ORDER OUR CATALOG Advertising rates as of January 1, 2013 ( Jur last cmC1lop, (/12.'i) 11·11s issued in .lufi- .'O I IJ ,md incl11dt•~ o\'l't ./Ofl ,1,•111< Full page ad $20 size 4 5/8 x 7 i11c/11d111y, n 111,e vart,'I)' o.f 1/em , 11 ,, hav1- 11e1·,•r 1een h<'/<,re p/m, cl 1111111/w, of Half page act $10 size 4 5/8 x 3 0/djal'orite.1 that ll'l'/'C llfl/ i11cl11ded Ill (//{/"'"'' colalug Mo.\/ / (('Ill.\ Ill lhi' Hall page ad $10 size2x7 ('(l/(l/og are still (Jvtlllahlt:.