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“Grunge Killed Glam Metal” Narrative by Holly Johnson
The Interplay of Authority, Masculinity, and Signification in the “Grunge Killed Glam Metal” Narrative by Holly Johnson A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Music and Culture Carleton University Ottawa, Ontario © 2014, Holly Johnson ii Abstract This thesis will deconstruct the "grunge killed '80s metal” narrative, to reveal the idealization by certain critics and musicians of that which is deemed to be authentic, honest, and natural subculture. The central theme is an analysis of the conflicting masculinities of glam metal and grunge music, and how these gender roles are developed and reproduced. I will also demonstrate how, although the idealized authentic subculture is positioned in opposition to the mainstream, it does not in actuality exist outside of the system of commercialism. The problematic nature of this idealization will be examined with regard to the layers of complexity involved in popular rock music genre evolution, involving the inevitable progression from a subculture to the mainstream that occurred with both glam metal and grunge. I will illustrate the ways in which the process of signification functions within rock music to construct masculinities and within subcultures to negotiate authenticity. iii Acknowledgements I would like to thank firstly my academic advisor Dr. William Echard for his continued patience with me during the thesis writing process and for his invaluable guidance. I also would like to send a big thank you to Dr. James Deaville, the head of Music and Culture program, who has given me much assistance along the way. -
THE CHRONICLE Save the Whale
ANNUAL SEND-HOME ISSUE Save the whale HooPn'Hornisscheduled to produce "Moby 1 Dick: A Whale of a Tale" this November. T THE CHRONICLE See jVrts, page 4. WEDNESDAY. JULY 28. 1993 DUKE UNIVERSITY DURHAM. NORTH CAROLINA CIRCULATION: 20,000 VOL 89. NO. S8 Employees charge Medical Center with discrimination By ALISON STUEBE chancellor for health affairs, to pressed to them, as unambigu cal Center had established a bers ofthe University commu Employees pleaded for help examine the status of minority ously as I could, that I take "Jewish Connection." Members nity can focus their energies on to end the "plantation mental employees. allegations of~ discrimination ofthe task force declined to com improving tolerance and hu ity" in the Medical Center in a In their letter, the nine mem very seriously," Keohane said ment on this statement. man understanding and not be letter sent to NAACP bers ofthe task force in a letter to the executive di Heads of the University and distracted by efforts to divide leaders and local poli accusethe University rector of the National Associa the Medical Center denounced us," Keohane said in a state ticians last week. of ignoring discrimi tion forthe Advancementof Col the Jewish connection reference. ment. The letter, written nation in the work ored People and the president "The inclusion of the blatantly Last November, the Medical by members of the place, limiting the ofthe Durham chapter. anti-Semitic comment in the let Center conducted a Gallup poll Medical Center minor power of minority ad Taskforce members said they ter... is appalling to me person of 7,505 non-faculty employees. -
I S C O R D E R Free
I S C O R D E R FREE IUTE K OGWAI ARHEAD NC HR IS1 © "DiSCORDER" 2001 by the Student Radio Society of the University of British Columbia. All rights reserved. Circuldtion 1 7,500. Subscriptions, payable in advance, to Canadian residents are $15 for one year, to residents of the USA are $15 US; $24 CDN elsewhere. Single copies are $2 (to cover postage, of course). Please make cheques or money orders payable to DiSCORDER Mag azine. DEADLINES: Copy deadline for the August issue is July 14th. Ad space is available until July 21st and ccn be booked by calling Maren at 604.822.3017 ext. 3. Our rates are available upon request. DiS CORDER is not responsible for loss, damage, or any other injury to unsolicited mcnuscripts, unsolicit ed drtwork (including but not limited to drawings, photographs and transparencies), or any other unsolicited material. Material can be submitted on disc or in type. As always, English is preferred. Send e-mail to DSCORDER at [email protected]. From UBC to Langley and Squamish to Bellingham, CiTR can be heard at 101.9 fM as well as through all major cable systems in the Lower Mainland, except Shaw in White Rock. Call the CiTR DJ line at 822.2487, our office at 822.301 7 ext. 0, or our news and sports lines at 822.3017 ext. 2. Fax us at 822.9364, e-mail us at: [email protected], visit our web site at http://www.ams.ubc.ca/media/citr or just pick up a goddamn pen and write #233-6138 SUB Blvd., Vancouver, BC. -
Vol. XX No. 1 "You Don't Want the Roni! You Can't Handle the Roni!" September 9, .Wrwpra - -- -R-- -- -Agaa-~ P I R~C· Af~ 1~~-- ~ Rers - -A -- Ra a I IWT ~~A - Apy-L
Vol. XX No. 1 "You Don't Want The Roni! You Can't Handle The Roni!" September 9, .wrwpra - -- -R-- -- -agaa-~ P I R~C· aF~ 1~~-- ~ rers - -a -- ra a I IWT ~~a - apY-L t:'e '·'·'· ~~ R '''' """ :·~ ·:·tt.· ISSUES nni/ilS~~And rt AOi^ : : *;' *.:> v:...... ........ gunted riot p( qsque in oacKgrouna ..i.... '.. iiiiii^ I I LLtCfl oreaK jor"ca jatll v at me marcn 1Vi '4~ 4 iiiii:iiii::::iiiiiiji:i ii ... ..•" .'.:..i•.. ...... -. ' t.:. ....... ---.-, ?7 .""" i r ii~i~i :C: t3i;i! i: c &· :I ::. i 3~ k / he riot police Keaay for --- Photos and text by Daniel Yohannes S Flippin' a I , THE STONY BROOK PRESS PAGE 2 bYIP~ II C ---~---I-- - It~LP~ - -- 1L-- -- llp~lL4~b-~ , ~_ --e~c- , ~ I ~ ~ ----- --- - I Ir ISSUES By Daniel Yohannes varied from reminders of the need for better educa- Donations were solicited from the crowd. tion for youth, to the dangers of drugs, AIDS, and "We gotta put some green in this black machine," It was billed as the Million Youth March police brutality. The first major issue raised was that organizers said. Money was passed through many by its organizers, and a poorly-organized, prob- of reparations. Marchers were told that a man hands to a central collection point and thrown lem-causing, hate march by its critics. It was nei- named Silas Muhammad had appeared before a from overlooking windows. Crowds cheered as ther of these things. There were nowhere near a subcommittee of the United Nations Human Rights money seemed to fall from the sky. -
2 Punk – Eine Einleitung
DIPLOMARBEIT Titel der Diplomarbeit „Die Geschichte des Punk und seiner Szenen“ >Band 1 von 1< Verfasser Armin Wilfling angestrebter akademischer Grad Magister der Philosophie (Mag. phil.) Wien, 2009 Studienkennzahl lt. A 316 Studienblatt: Studienrichtung lt. Musikwissenschaft Studienblatt: Betreuerin / Betreuer: Dr. Emil Lubej Die Geschichte des Punk und seiner Szenen, Armin Wilfling Seite 2 1 KURZBESCHREIBUNGEN...................................................................................................................... 7 1.1 DEUTSCHSPRACHIGE ZUSAMMENFASSUNG ........................................................................................... 7 1.2 ENGLISH ABSTRACT .............................................................................................................................. 7 2 PUNK – EINE EINLEITUNG.................................................................................................................... 9 2.1 STILDEFINIERENDE MERKMALE DES PUNKS ......................................................................................... 9 2.2 LESEANLEITUNG ................................................................................................................................. 13 3 PUNK – EINE GESCHICHTE ................................................................................................................ 15 3.1 URSPRÜNGE UND VORLÄUFER ............................................................................................................ 17 3.1.1 Garage Rock................................................................................................................................. -
Charles Peterson …And Everett True Is 481
Dwarves Photos: Charles Peterson …and Everett True is 481. 19 years on from his first Seattle jolly on the Sub Pop account, Plan B’s publisher-at-large jets back to the Pacific Northwest to meet some old friends, exorcise some ghosts and find out what happened after grunge left town. How did we get here? Where are we going? And did the Postal Service really sell that many records? Words: Everett True Transcripts: Natalie Walker “Heavy metal is objectionable. I don’t even know comedy genius, the funniest man I’ve encountered like, ‘I have no idea what you’re doing’. But he where that [comparison] comes from. People will in the Puget Sound8. He cracks me up. No one found trusted the four of us enough to let us go into the say that Motörhead is a metal band and I totally me attractive until I changed my name. The name studio for a weekend and record with Jack. It was disagree, and I disagree that AC/DC is a metal band. slides into meaninglessness. What is the Everett True essentially a demo that became our first single.” To me, those are rock bands. There’s a lot of Chuck brand in 2008? What does Sub Pop stand for, more Berry in Motörhead. It’s really loud and distorted and than 20 years after its inception? Could Sub Pop It’s in the focus. The first time I encountered Sub amplified but it’s there – especially in the earlier have existed without Everett True? Could Everett Pop, I had 24 hours to write up my first cover feature stuff. -
Heritage Festival Brings Dancing, Drums, and Culture Profile: Ivana
FREEDOM AND FAIRNESS gfmmmm Jfagtam OCTOBER 29, 2009 VOL. 106 ISSUE 7 ThePotihornOnline.com Heritage Festival Brings Dancing, Drums, And Culture LAURA PLANTHOLT StaffWriter "We are the proud brown sisters of Lambda Theta Nu!" shouted three Latina USF students in Harney Plaza last Thurs day, stomping their feet and clapping their hands in a traditional "stepping" routine. The sisters of Lambda Theta Nu joined The new compass rose, the Latina sorority at USF in order to cel located between Phelan Hall ebrate their shared experience as female and the University Center, is Latin American college students. For another campus addition to them, stepping is a way of showing pride improve aesthetics at USF. in their sorority and their culture. In another number, the Lamba Theta NEWS Nu sisters each took out a pair of machetes, PAGE which they rhythmically clanked together. The long silver blades created a loud clank ing each time they touched, as the sisters danced in well-coordinated steps, creating a visual and audio performance. The ma chete dance was meaningful to the Lamda Theta Nu sisters; more than just a flashy show. Senior Anita Buitrago explained, "We wanted to show that women could also step with machetes." The machete dance is a traditional Mexican art, usually performed by men to display their mas culinity, according to Buitrago. The Lati na students use the masculine dance as a source of female empowerment. Melissa Stihl/Foghorn Lambda Theta Nu was one of four The San Francisco Taiko Dojo group performed a portion of their drum set at the Harney Nooner Heritage Festival on Friday. -
Razorcake Issue #25 As A
ot too long ago, I went to visit some relatives back in Radon, the Bassholes, or Teengenerate, during every spare moment of Alabama. At first, everybody just asked me how I was my time, even at 3 A.M., was often the only thing that made me feel N doing, how I liked it out in California, why I’m not mar- like I could make something positive out of my life and not just spend N it mopping floors. ried yet, that sort of thing. You know, just the usual small talk ques- tions that people feel compelled to ask, not because they’re really For a long time, records, particularly punk rock records, were my interested but because they’ll feel rude if they don’t. Later on in the only tether to any semblance of hope. Growing up, I was always out of day, my aunt started talking to me about Razorcake, and at one point place even among people who were sort of into the same things as me. she asked me if I got benefits. It’s probably a pretty lame thing to say, but sitting in my room listen- I figured that it was pretty safe to assume that she didn’t mean free ing to Dillinger Four or Panthro UK United 13 was probably the only records and the occasional pizza. “You mean like health insurance?” time that I ever felt like I wasn’t alone. “Yeah,” she said. “Paid vacation, sick days, all that stuff. But listening to music is kind of an abstract. -
Issue #11, Dec
PO Box 42129, Los Angeles, CA 90042 #11 www.razorcake.com Sean, the co-founder of Razorcake, and I are best friends. We lived Totally legit. The state is more involved with registering a vehicle. and worked together for around a year and a half in a small apartment and When it came to the rings, instead of fretting over carats, a friend of never even got close to yelling at one another. Then he left. I’m not pissed theirs made them, special. The simple silver bands were a Navajo design or jilted. He left to move in with his fiancée, now wife, Felizon. of a staircase that looped around, up and down, signifying that if you’re If people I like but don’t know very well ask me what Razorcake’s feeling down, you just flip it over, and you’re up. Everything, if you hang about, I tend to squint an eye a bit and rub the back of my neck before on with a decent attitude, can work out in the end. answering. “It’s got a lot about loud or spastic music that usually doesn’t The cake was from the bakery where Felizon’s mom, Corazon, get a lot of exposure. And we try to cover other parts of the underground, worked. too, like writers and filmmakers and comics.” This magazine is our tether The pavilion – an old wood structure with campers off to the side – between the “real world” and the life we want to live. It’s a reflection, was on the beach. -
East Jordan Coach Joins Hall of Fame Sineway Resigns City Council Seat
^^^^^j The predicted warm-up was a no-show last week, leaving temperatures mired ^k \ ym i In the 30s and 40s, except for Tuesday, which saw blowing snow and highs only ^^U^^flOclTllCr in the 20s. Snow accumulations for the week reached 4 inches, bringing year- ^^^^^B to-date totals to 135. Little improvement is predicted for the rest of the week, with temperatures warming just to the 40s and some April showers anticipated. LAST YEAR: Sunny skies and warming temperatures left snow totals at 174 inches, with highs predicted in the 50s under sunny skies. j*A*ift EAST JORDA fjUJi«WP ¥ Copyright Up North Publications, Inc. 1995 MB33SK journal All rights reserved VOL. 3 NO. 28 WEDNESDAY, APRIL 12, 1995 EAST JORDAN, MICHIGAN Sineway resigns city council seat BY DEB SA YGERS HOBBS Journal Editor When East Jordan mayor Russ Peck read the letter of resignation by 1 st Ward council member Sherry Sineway, a long moment of hesitation passed before council member Ron Klooster finally made a motion to accept. Another long moment of silence led to a discussion of how the motion would die EAST JORDAN FRIENDS join together to salute theircoach Ed Burrows without a supporting vote. Reluctantly, at his induction into the Michigan High School Tennis Coaches Hall of council member Brian Sweet seconded, Fame, Feb. 24. They are (from back, left): Stokes Burrows and Bob and the motion carried. Burrows (Ed's sons), Dave Reed, Tom Watson, Tracy Malpass, Brian The letter was part of the mayor's report Sturgell, Steve Goebel, Brian Green, TadMalpass, (front) Chuck Reed, Ed during the April 4 city council meeting. -
Order Form Full
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Embodiment, Phenomenology and Listener Receptivity of Nirvana’S in Utero
‘WE FEED OFF EACH OTHER’: EMBODIMENT, PHENOMENOLOGY AND LISTENER RECEPTIVITY OF NIRVANA’S IN UTERO Christopher Martin A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2006 Committee: Jeremy Wallach Becca Cragin Angela Nelson ii ABSTRACT Jeremy Wallach, Advisor Despite the fact that listening to recorded music is a predominant form of human interaction with music in general, music scholarship often continues to classify listening as a passive form of reception in comparison to the “activity” of actual music performance. This thesis presents the idea that music listening is actually an embodied and agentive form of reception that varies according to different listeners, their listening strategies, and other surrounding contexts. In order to provide detailed analysis of this assertion, Nirvana’s 1993 album In Utero is the primary recording that this thesis examines, arguing that the album contains specific embodied properties that ultimately allow for embodied forms of listening and responses within the musical experience. Phenomenological reasoning and scholarship from popular music studies, history, cultural studies, and other humanities fields contribute to the central argument. iii ACKNOWLEDGEMENTS I owe an oversized thank you to the following friends and family for their support: Pat and Priscilla Martin, Veronica Martin, Linda Coleson, and my colleagues in the Popular Culture department. Aaron Weinacht and Patrick Blythe earn special thanks for their continuing willingness to participate in arguments and theories that, as always, range from prescient to ridiculous. Kandace Virgin also deserves my thanks and love for patiently tolerating my stubbornness and need to constantly work ahead, as well as my other idiosyncrasies.