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Natural Folly and Subversion in Much Ado About Nothing*
Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi Journal of Theatre Criticism and Dramaturgy Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi 32, (2021): xx-xx DOI: 10.26650/jtcd.861023 Research Article / Araştırma Makalesi Dog’s Day: Natural Folly and Subversion in Much Ado About Nothing* Ben Haworth1 ABSTRACT This essay argues that Shakespeare’s natural fools, clowns, rustics, and buffoons provide far more than light comic relief. Using the example of Dogberry, from Much Ado About Nothing, I demonstrate that in allowing his fools to usurp their position of clownish caricature, to move outside of their normal social spheres, Shakespeare exposes the folly within societal institutions. Though an examination of language, namely the use of malapropisms, and the manipulation of traditional licence extended to natural fools, I contend that such theatrical *This article is prepared with reference to the master dissertation titled “Early Modern depictions of folly opened the way for social commentary, parody and inversions Motley: The Function of Fools and Folly on the of hierarchies of power on the stage. Shakespearean Stage”, completed in 2016 at Keywords: Shakespeare, Subversion, Folly, Malapropism, Dogberry Nottingham Trent University UK. 1Lecturer, Nottingham Trent University, English Faculty, UK ORCID: B.H. 0000-0002-3318-8666 Corresponding author / Sorumlu yazar: Ben Haworth, Lecturer, Nottingham Trent University, English Faculty, UK E-mail/E-posta: [email protected] Submitted/Başvuru: 14.01.2021 Revision Requested/Revizyon Talebi: 05.02.2021 Last Revision Received/Son Revizyon: 05.02.2021 Accepted/Kabul: 15.03.2021 Citation/Atıf: Haworth, Ben. “Dog’s Day: Natural Folly and Subversion in Much Ado About Nothing” Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi 32, (2021): xx-xx. -
The Low-Status Character in Shakespeare's Comedies Linda St
Western Kentucky University TopSCHOLAR® Masters Theses & Specialist Projects Graduate School 5-1-1973 The Low-Status Character in Shakespeare's Comedies Linda St. Clair Western Kentucky University Follow this and additional works at: http://digitalcommons.wku.edu/theses Part of the English Language and Literature Commons Recommended Citation St. Clair, Linda, "The Low-Status Character in Shakespeare's Comedies" (1973). Masters Theses & Specialist Projects. Paper 1028. http://digitalcommons.wku.edu/theses/1028 This Thesis is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in Masters Theses & Specialist Projects by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. ARCHIVES THE LOW-STATUS CHARACTER IN SHAKESPEAREf S CCiiEDIES A Thesis Presented to the Faculty of the Department of English Western Kentucky University Bov/ling Green, Kentucky In Partial Fulfillment of the Requirements for the Degree Master of Arts Linda Abbott St. Clair May, 1973 THE LOW-STATUS CHARACTER IN SHAKESPEARE'S COMEDIES APPROVED >///!}<•/ -J?/ /f?3\ (Date) a D TfV OfThesis / A, ^ of the Grafduate School ACKNOWLEDGEMENTS With gratitude I express my appreciation to Dr. Addie Milliard who gave so generously of her time and knowledge to aid me in this study. My thanks also go to Dr. Nancy Davis and Dr. v.'ill Fridy, both of whom painstakingly read my first draft, offering invaluable suggestions for improvement. iii TABLE OF CONTENTS ACKNOWLEDGEMENTS iii INTRODUCTION 1 THE EARLY COMEDIES 8 THE MIDDLE COMEDIES 35 THE LATER COMEDIES 8? CONCLUSION 106 BIBLIOGRAPHY Ill iv INTRODUCTION Just as the audience which viewed Shakespeare's plays was a diverse group made of all social classes, so are the characters which Shakespeare created. -
I S C O R D E R Free
I S C O R D E R FREE IUTE K OGWAI ARHEAD NC HR IS1 © "DiSCORDER" 2001 by the Student Radio Society of the University of British Columbia. All rights reserved. Circuldtion 1 7,500. Subscriptions, payable in advance, to Canadian residents are $15 for one year, to residents of the USA are $15 US; $24 CDN elsewhere. Single copies are $2 (to cover postage, of course). Please make cheques or money orders payable to DiSCORDER Mag azine. DEADLINES: Copy deadline for the August issue is July 14th. Ad space is available until July 21st and ccn be booked by calling Maren at 604.822.3017 ext. 3. Our rates are available upon request. DiS CORDER is not responsible for loss, damage, or any other injury to unsolicited mcnuscripts, unsolicit ed drtwork (including but not limited to drawings, photographs and transparencies), or any other unsolicited material. Material can be submitted on disc or in type. As always, English is preferred. Send e-mail to DSCORDER at [email protected]. From UBC to Langley and Squamish to Bellingham, CiTR can be heard at 101.9 fM as well as through all major cable systems in the Lower Mainland, except Shaw in White Rock. Call the CiTR DJ line at 822.2487, our office at 822.301 7 ext. 0, or our news and sports lines at 822.3017 ext. 2. Fax us at 822.9364, e-mail us at: [email protected], visit our web site at http://www.ams.ubc.ca/media/citr or just pick up a goddamn pen and write #233-6138 SUB Blvd., Vancouver, BC. -
Much Ado About Nothing's Criticism of the Renaissance Patriarchy
Illinois Wesleyan University Digital Commons @ IWU Honors Projects English 4-25-2007 Much Ado About Nothing's Criticism of the Renaissance Patriarchy Kristen Zomparelli '07 Illinois Wesleyan University Follow this and additional works at: https://digitalcommons.iwu.edu/eng_honproj Part of the English Language and Literature Commons Recommended Citation Zomparelli '07, Kristen, "Much Ado About Nothing's Criticism of the Renaissance Patriarchy" (2007). Honors Projects. 1. https://digitalcommons.iwu.edu/eng_honproj/1 This Article is protected by copyright and/or related rights. It has been brought to you by Digital Commons @ IWU with permission from the rights-holder(s). You are free to use this material in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This material has been accepted for inclusion by faculty at Illinois Wesleyan University. For more information, please contact [email protected]. ©Copyright is owned by the author of this document. Kristen Zomparelli Dr. Bushman English Independent Study Research Honors (Credit Granted 4 April 2007) 25 April 2007 Much Ado About Nothing's Criticism of the Renaissance Patriarchy "Well, niece, I trust you will be ruled by your father." (2.1.47-48) "The hero that here lies." (Shakespeare, Much Ado 5.3.5) In a 1956 production of Measure for Measure, actress Margaret Johnston played Isabella as anything but the silent 'Y0man, obedient to the patriarchal system. -
Much Ado About Nothing” – Lecture/Class
“REVENGE IN SHAKESPEARE’S PLAYS” “MUCH ADO ABOUT NOTHING” – LECTURE/CLASS WRITTEN: In the second half of 1598 or 99 -- no later because the role of Dogberry was sometimes replaced by the name of “Will Kemp”, the actor who always played the role; Kemp left the Lord Chamberlain’s Men in 1599. AGE: 34-35 Years Old (B.1564-D.1616) CHRONO: Seventh in the line of Comedies after “The Two Gentlemen of Verona”, “The Comedy of Errors”, “Taming of the Shrew”, “Love’s Labours Lost”, “A Midsummer’s Night’s Dream”, “The Merchant of Venice”. QUARTO: A Quarto edition of the play appeared in 1600. GENRE: “Tragicomic” SOURCE: “Completely and entirely unhistorical” VERSION: The play is “Shakespeare’s earliest version of the more serious story of the man who mistakenly believes his partner has been unfaithful to him”. (“Othello” for one.) SUCCESS: There are no records of early performances but there are “allusions to its success.” HIGHLIGHT: The comedy was revived in 1613 for a Court performance at Whitehall before King James, his daughter Princess Elizabeth and her new husband in May 1613. AFTER: Oddly, the play was “performed only sporadically until David Garrick’s acclaimed revival in 1748”. CRITICS: 1891 – A.B. Walkley: “a composite picture of the multifarious, seething, fermenting life, the polychromatic phantasmagoria of the Renaissance.” 1905 – George Bernard Shaw: “a hopeless story, pleasing only to lovers of the illustrated police papers BENEDICTS: Anthony Quayle, John Gielgud, Michael Redgrave, Donald Sinden BEATRICES: Peggy Ashcroft, Margaret Leighton, Judi Dench, Maggie Smith RECENT: There was “a boost in recent fortunes with the well-received 1993 film version directed by Kenneth Branagh and starring Branagh and Emma Thompson.” SETTING: Messina in northeastern Sicily at the narrow strait separating Sicily from Italy. -
2006 Annual Report Financial Highlights
2006 Annual Report Financial Highlights FINANCIAL SUMMARY (UNAUDITED) Amounts in millions, except per share amounts; Years ended June 30 2006 2005 2004 2003 2002 Net Sales $68,222 $56,741 $51,407 $43,377 $40,238 Operating Income 13,249 10,469 9,382 7,312 6,073 Net Earnings 8,684 6,923 6,156 4,788 3,910 Net Earnings Margin 12.7% 12.2% 12.0% 11.0% 9.7% Basic Net Earnings Per Common Share $2.79 $ 2.70 $ 2.34 $ 1.80 $ 1.46 Diluted Net Earnings Per Common Share 2.64 2.53 2.20 1.70 1.39 Dividends Per Common Share 1.15 1.03 0.93 0.82 0.76 NET SALES OPERATING CASH FLOW DILUTED NET EARNINGS (in billions of dollars) (in billions of dollars) (per common share) 68.2 11.4 2.64 4 0 4 0 4 4 40 0 0 04 0 06 0 0 04 0 06 0 0 04 0 06 Contents Letter to Shareholders 2 Capability & Opportunity 7 P&G’s Billion-Dollar Brands 16 Financial Contents 21 Corporate Officers 64 Board of Directors 65 Shareholder Information 66 11-Year Financial Summary 67 P&GataGlance 68 P&G has built a strong foundation for consistent sustainable growth, with clear strategies and room to grow in each strategic focus area, core strengths in the competencies that matter most in our industry, and a unique organizational structure that leverages P&G strengths. We are focused on delivering a full decade of industry-leading top- and bottom-line growth. -
Vol. XX No. 1 "You Don't Want the Roni! You Can't Handle the Roni!" September 9, .Wrwpra - -- -R-- -- -Agaa-~ P I R~C· Af~ 1~~-- ~ Rers - -A -- Ra a I IWT ~~A - Apy-L
Vol. XX No. 1 "You Don't Want The Roni! You Can't Handle The Roni!" September 9, .wrwpra - -- -R-- -- -agaa-~ P I R~C· aF~ 1~~-- ~ rers - -a -- ra a I IWT ~~a - apY-L t:'e '·'·'· ~~ R '''' """ :·~ ·:·tt.· ISSUES nni/ilS~~And rt AOi^ : : *;' *.:> v:...... ........ gunted riot p( qsque in oacKgrouna ..i.... '.. iiiiii^ I I LLtCfl oreaK jor"ca jatll v at me marcn 1Vi '4~ 4 iiiii:iiii::::iiiiiiji:i ii ... ..•" .'.:..i•.. ...... -. ' t.:. ....... ---.-, ?7 .""" i r ii~i~i :C: t3i;i! i: c &· :I ::. i 3~ k / he riot police Keaay for --- Photos and text by Daniel Yohannes S Flippin' a I , THE STONY BROOK PRESS PAGE 2 bYIP~ II C ---~---I-- - It~LP~ - -- 1L-- -- llp~lL4~b-~ , ~_ --e~c- , ~ I ~ ~ ----- --- - I Ir ISSUES By Daniel Yohannes varied from reminders of the need for better educa- Donations were solicited from the crowd. tion for youth, to the dangers of drugs, AIDS, and "We gotta put some green in this black machine," It was billed as the Million Youth March police brutality. The first major issue raised was that organizers said. Money was passed through many by its organizers, and a poorly-organized, prob- of reparations. Marchers were told that a man hands to a central collection point and thrown lem-causing, hate march by its critics. It was nei- named Silas Muhammad had appeared before a from overlooking windows. Crowds cheered as ther of these things. There were nowhere near a subcommittee of the United Nations Human Rights money seemed to fall from the sky. -
The Owl and Nightingale Playersin
THE PROMPTER Volume 45, No. 3 February 22 - 26, 2008 Season LXXXXIV The Department of Theatre Arts at Gettysburg College presents The Owl and Nightingale Players in Production Design by Jerome O. Hanson Costume Design by Zennis Goshorn CAST LISTS Woman ..................................................................................................... Chelsea Bucklin Eunice Hubbell ............................................................................................Quiana Young Stanley Kowalski................................................................................... Phillip Ballantine Stella Kowalski ..........................................................................................Devon Johnson Steve Hubbell ..............................................................................................Jacob Henkoff Harold Michell (Mitch) ................................................................................. Matt Gross Mexican Woman ..................................................................................... Laura Martinez Blanche DuBois ...........................................................................................Ashley Stuart Pablo Gonzales ..............................................................................................Chris Rustin Paperboy ............................................................................................................Peter Mele Nurse .......................................................................................................... -
2 Punk – Eine Einleitung
DIPLOMARBEIT Titel der Diplomarbeit „Die Geschichte des Punk und seiner Szenen“ >Band 1 von 1< Verfasser Armin Wilfling angestrebter akademischer Grad Magister der Philosophie (Mag. phil.) Wien, 2009 Studienkennzahl lt. A 316 Studienblatt: Studienrichtung lt. Musikwissenschaft Studienblatt: Betreuerin / Betreuer: Dr. Emil Lubej Die Geschichte des Punk und seiner Szenen, Armin Wilfling Seite 2 1 KURZBESCHREIBUNGEN...................................................................................................................... 7 1.1 DEUTSCHSPRACHIGE ZUSAMMENFASSUNG ........................................................................................... 7 1.2 ENGLISH ABSTRACT .............................................................................................................................. 7 2 PUNK – EINE EINLEITUNG.................................................................................................................... 9 2.1 STILDEFINIERENDE MERKMALE DES PUNKS ......................................................................................... 9 2.2 LESEANLEITUNG ................................................................................................................................. 13 3 PUNK – EINE GESCHICHTE ................................................................................................................ 15 3.1 URSPRÜNGE UND VORLÄUFER ............................................................................................................ 17 3.1.1 Garage Rock................................................................................................................................. -
February March April
2019 SPORTS VENUE EVENT SCHEDULE FEBRUARY Feb 8-10 WWTA Polar Doubles Adult Tournament Cary Tennis Park MARCH Mar 1-3 Army Baseball Classic USA Baseball NTC Mar 2-3 Cary Tennis Championship Junior Tournament Cary Tennis Park Mar 3 Fit and Able "Fostering Bright Futures" 5K WakeMed Soccer Park Mar 8-14 DII Baseball Challenge vs. Cancer USA Baseball NTC Mar 9 NCFC vs Louisville City WakeMed Soccer Park Mar 9 Get Your Rear in Gear 5K WakeMed Soccer Park Mar 15-18 USTA Southern Level 1A Championships Junior Tournament Cary Tennis Park Mar 16 Sovereign Grace Church Run 4 Relief 5K WakeMed Soccer Park Mar 17 Tobacco Road Marathon USA Baseball NTC Mar 23-24 Tennis on Campus Border Battle Cary Tennis Park Mar 23 NC Courage vs Orlando Pride WakeMed Soccer Park Mar 23 Sigma Pi Rho Breaking the Silence 5K WakeMed Soccer Park Mar 23 NCFC vs. Necaxa WakeMed Soccer Park Mar 30 NCFC vs. Charleston Battery WakeMed Soccer Park Mar 30 NCSU ARMY ROTC Wolfpack Warrior Challenge WakeMed Soccer Park Mar 31 Ravenscroft Ravens in the Hood Running Over Cancer 5K WakeMed Soccer Park APRIL Apr 3-6 National High School Invitational (NHSI) USA Baseball NTC Apr 6 NC BMX Tour Stop 2 UCI Olympic Qualifying Event Cary Action Sports Apr 6 NCFC vs. Memphis FC WakeMed Soccer Park Apr 12-14 Cary Spring Junior Open Cary Tennis Park Apr 13 NC Courage vs Chicago Red Stars WakeMed Soccer Park Apr 17-21 ACC Men's and Women's Tennis Championships Cary Tennis Park Apr 17 NC Courage vs Orlando Pride WakeMed Soccer Park Apr 27 Fit To Hit For Cancer And Pickleball Bonanza Cary Tennis Park Apr 27 Cancer Free World Festival 5K WakeMed Soccer Park Apr 27 NCFC vs. -
SMC Bans Indoor Smoking
----------------------------------------------------------------------------------------------------------------------------------------~ One step closer to the White House The Blame Game Republican presidential hopeful George W When something goes wrong, don't blame the Wednesday Bus'h scored big wins on Super Tuesday. Vice messenger. writes columnist Kimmi Martin. president Al Gore swept the Viewpoint+ page 10 MARCH8, Democratic primaries. News+ page 9 2000 THE The Independent Newspaper Serving Notre Dame and Saint Mary's VOL XXXIII NO. 99 HTTP:/ /OBSERVER.N D.EDU FACULTY SENATE SMC bans Members approve Student Life report indoor • Group also asks ND to join Workers' Rights Consortium smoking By JOSHUA BOURGEOIS By MOLLY McVOY Assistant News Editor News Writer The Faculty Senate passed two reso Saint Mary's administration handed lutions Tuesday dealing with a report to down a new smoking policy, to go into the Ad Iloe Committee on Academic and effect next semester, which limits the Student Life and the Progressive areas where students are allowed to Student Alliance request for the smoke. University to ta.ke further action against The policy pro New smoking sweatshops. hibits smoking in The committees on academic affairs any buildings on policy and student affairs drafted the report campus and +No smoking in any debated at the meeting. The report e n c 0 u r a g e s buildings on campus. intends to inform the Ad Hoe Committee smokers to on /\eademie and Student Life on the smoke only out- +Smoking encouraged faculty's role in the integration of acad side near the at ashtrays, away from emic and campus life. The Ad Hoc ashtrays which Committee will then write a report on will be provided. -
Campbell University Football #Gocamels
2015 CAMPBELL UNIVERSITY FOOTBALL #GOCAMELS CAMPBELL UNIVERSITY On Jan. 5, 1887, James Archibald Campbell, a 26-year-old Baptist minister, welcomed 16 students to a small church in Buies Creek, North Carolina, for the first day of classes for the school he founded: Buies Creek Academy. By the end of the first term, there were 92 students. Since then, Buies Creek Academy has evolved to become Campbell Junior College (1926), Campbell College (1961), and Campbell University (1979). Throughout these transformations, the university has remained true to its founding principles to address the most pressing needs of North Carolina and to educate men and women for Christian service around the world. A testimony to how these founding principles still guide Campbell University today is the establishment of three new schools in the last two years. Campbell launched the School of Osteopathic Medicine — North Carolina’s first new medical school in over 35 years — in 2013. In 2016, it will open the doors to its eighth and ninth schools, nursing and engineering. They join Campbell’s other established schools — College of Arts & Sciences, the Norman Adrian Wiggins School of Law (1976), the Lundy-Fetterman School of Business (1983), the School of Education (1985), the College of Pharmacy & Health Sciences (1985) and the Divinity School (1996). In addition to its main campus in Buies Creek, Campbell University has extended campuses in the Research Triangle Park, Camp Lejeune, Fort Bragg/ Pope Air Force Base, and Raleigh, where the law school relocated to in 2009. Today, Campbell University enrolls nearly 6,500 students, including more than 4,500 undergraduate and graduate students on its main campus.