DOCSLIB.ORG

UCLA Electronic Theses and Dissertations

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
UCLA Electronic Theses and Dissertations UCLA UCLA Electronic Theses and Dissertations Title Marvelous Generations: Lancastrian Genealogies and Translation in Late Medieval and Early Modern England and Iberia Permalink https://escholarship.org/uc/item/25n6t2gq Author Torres, Sara Victoria Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Marvelous Generations: Lancastrian Genealogies and Translation in Late Medieval and Early Modern England and Iberia A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in English by Sara Victoria Torres 2014 © Copyright by Sara Victoria Torres 2014 ABSTRACT OF THE DISSERTATION Marvelous Generations: Lancastrian Genealogies and Translation in Late Medieval and Early Modern England and Iberia by Sara Victoria Torres Doctor of Philosophy in English University of California, Los Angeles, 2014 Professor Christine Chism, Co-chair Professor Lowell Gallagher, Co-chair My dissertation, “Marvelous Generations: Lancastrian Genealogies and Translation in Late Medieval and Early Modern England and Iberia,” traces the legacy of dynastic internationalism in the fifteenth, sixteenth, and early-seventeenth centuries. I argue that the situated tactics of courtly literature use genealogical and geographical paradigms to redefine national sovereignty. Before the defeat of the Spanish Armada in 1588, before the divorce trials of Henry VIII and Catherine of Aragon in the 1530s, a rich and complex network of dynastic, economic, and political alliances existed between medieval England and the Iberian kingdoms. The marriages of John of Gaunt’s two daughters to the Castilian and Portuguese kings created a legacy of Anglo-Iberian cultural exchange ii that is evident in the literature and manuscript culture of both England and Iberia. Because England, Castile, and Portugal all saw the rise of new dynastic lines at the end of the fourteenth century, the subsequent literature produced at their courts is preoccupied with issues of genealogy, just rule, and political consent. Dynastic foundation narratives compensate for the uncertainties of succession by evoking the longue durée of national histories—of Trojan diaspora narratives, of Roman rule, of apostolic foundation—and situating them within universalizing historical modes. At the same time, they reconfigure national space and geography in fantasies of imperial mapping that spatialize their genealogical (re)constructions. The dynastic internationalism characterizing late medieval royal marriages contributes to emerging discourses of the nation and sets the stage for the imperial rivalries between England and Iberia during the Renaissance era. Within this Anglo-Iberian context, my dissertation tracks an understudied aspect of the legacy of Lancastrian kingship: its claims to the throne of Castile and the multiple Iberian marriages that materialize those claims as they shape late medieval and early modern international historiography. In the early stages of Lancastrian rule, the prestige of foreign kingship reinforced Lancastrian claims to England, claims which in turn fueled political ambitions in France. In the process, English and Iberian historiographies become entangled. I argue that common dynastic descent is mobilized as an alternative way of understanding national relations, thus positioning the consanguinity of royal houses against cultural, linguistic and religious difference—the international claims of dynastic affinity over the specifically national ones of the polity. In both cases, the political fantasy of a moment of dynastic origins reinforces political theories that render the “king’s body” as proximate to the nation, while at the same time destabilizing the relationship between the monarch and the polity. iii My first and second chapters explore how manuscripts produced within the Lancastrian sphere of influence reflect dynastic circuits of power and engage in the construction of cultural legacies that serve to articulate royal power. My first chapter, “Translating Authority in the Confessio Amantis and O Livro do Amante,” argues that Gower positions himself within a legacy of poetic genealogy and political counsel that is synchronous with the imperial lineages of the poem’s exemplary narratives. The poem conceives of lineage in ethical terms, and thus the interplay between Gower’s evocations of translatio studii and translatio imperii is fundamental to his narrated mechanisms of political descent. Under the patronage of Philippa of Lancaster, the Confessio Amantis is translated into both Portuguese and Castilian, and within these material conditions of book production the political discourse of counsel is linked closely to the performance of queenship. In its Portuguese rendering, then, queen and poet are linked to the practice of just rule in a imagined textual community at once focused on the spiritual, intellectual, and physical regulation of the king and also on the wider readership of those encompassed within the bounds of “common weal.” The second chapter, “Mapping Dynastic Sovereignty in Lancastrian Manuscripts: Margaret of Anjou’s Shrewsbury Book and the Burghley Polychronicon,” traces how the figure of Charlemagne, as a dynastic trope, embodies English ambitions to the throne of France during the so-called Lancastrian “Dual Monarchy.” By focusing on two manuscripts created under Lancastrian patronage—one by John Talbot for Margaret of Anjou, and one by Thomas Mull, I trace both the changes in valence of references to Charlemagne as well as to the political geographies of his narrative traditions. While Talbot’s Shrewsbury Book consolidates a Lancastrian French perspective on the cultural negotiations of the Dual Monarchy by assembling a collection of French-language texts, the Burghley Polychronicon compiles various English documents and historical texts to convey a particularly Lancastrian vision of sovereign history and cultural boundaries. iv My third and fourth chapters focus on early modern texts that commemorate the House of Lancaster’s genealogical ties to Iberia in order to inscribe contemporary imperial rivalries into larger dynastic histories. The fourth chapter, “Epic Afterlives: The Lusiads and Historical Legacy,” argues that the inclusion of the mid-fifteenth century Portuguese chivalric romance “The Twelve of England” into the great Portuguese epic, Luís Vaz de Camões’s Os Lusíadas, links Vasco da Gama’s voyage and subsequent Portuguese expansionism to specific historical moments of national and dynastic foundation narrated in the epic. Within the Lusiads, the Portuguese knight Magriço features in the Twelve of England story as the embodiment of chivalric valor. Chivalry, embodied in the martial valor of crusades and of tournaments, is recovered as a facet of a collective national past and deployed in the celebration of the heroic exploits of the explorer-protagonist Vasco da Gama. This ideological and cultural continuity models a relation between king and knight that is replicated in that of King Manuel and da Gama, whose voyage Camões describes using both epic conventions and romance modalities. However, the metatextual figure of Magriço also embodies the motif of belatedness that runs through the larger poem—a sense of temporal delay that resonates with the poem’s larger celebration of contemporaneity and serves to glorify the “late” arrival of the Portuguese onto the imperial stage of Europe. The fourth and final chapter, “‘La antigua emulación de estas coronas’: Habsburg Patrons, English Dynastic Memory and the Spanish Match of 1623,” explores how the proposed marriage between Charles Stuart, Prince of Wales and María of Austria, sister of Philip IV of Spain, offered political and religious writers new ways of inflecting dynastic history, as well as the chance to imagine alternative genealogies—spiritual, literary, imperial—for inscribing the union within each kingdom’s history. By contrasting two textual productions—a manuscript created by the exiled Syon nuns in Lisbon for the Habsburg monarchs, which links the legitimizing religious patronage of Henry V of England to Philip II of Spain, and the journalistic v relaciones of Andrés Almansa y Mendoza, which record Charles’s visit to Madrid in the language of a chivalric romance—I argue that English and Spanish political subjects represented the infanta as a figure at once responsible for ensuring dynastic continuity and one around whom other, gendered, paradigms of descent could coalesce. In an era in which rich cultures of reading were driven by both the creation and circulation of manuscripts and printed books and ephemera, a comparative study of these historical sources offers insights into how manuscript and print sources record and appeal to royal history and the diplomatic maneuvering that helps shape it. In showing how Lancastrian nationalism functions in a larger world, my project resituates and frames the work of recent Lancastrian scholars such as Paul Strohm and Maura Nolan. I join Elizabeth Salter, Kathy Lavezzo, Ardis Butterfield, and David Wallace in demonstrating that English national claims cannot be realized except in an international frame. Furthermore, by discussing the legacy of the marriages of John of Gaunt within a larger context of Anglo-Iberian cultural exchange extending temporally from the High Middle Ages to the seventeenth-century marriage of Charles II to Catherine of Braganza, my project foregrounds Early
Load more

Recommended publications
  • Good King Charles Study Guide New.Pub
    In Good King Charles’s Golden Days By Bernard Shaw ONNECTIONS Shaw Festival CStudy Guide The Shaw Story 2 The Players 3 The Story 4 The Playwright 5 Who’s Who 6-7 Director’s Notes 8 Designer’s Notes 9-10 Production History 11 World of the Play 12-16 Did You Know? 17 Say What? 18 Sources 19 Activities 20-32 THE SHAW STORY MANDATE The Shaw Festival is the only theatre in the world which exclusively focuses on plays by Bernard Shaw and his contemporaries, including plays written during, or about the period of Shaw’s lifetime (1856 – 1950). The Shaw Festival’s mandate also includes: • Uncovered Gems – digging up undiscovered theatrical treasures, or plays which were considered major works when they were written but which have since been unjustly neglected • American Classics – we continue to celebrate the best of American theatre • Musicals – musical treats either from, or set during the period of our mandate • Canadian Work – to allow us to hear and promote our own stories, and our own WHAT MAKES points of view about the mandate period. SHAW SPECIAL MEET THE COMPANY — OUR ENSEMBLE • Our Actors: All Shaw performers contribute to the sense of ensemble, much like the players in an orchestra. Often, smaller parts are played by actors who are leading performers in their own right, but in our “orchestra,” they support the central action helping to create a density of experiences that are both subtle and informative. • Our Designers: Every production that graces the Shaw Festival stages is built “from scratch,” from an original design.
    [Show full text]
  • Richard II First Folio
    FIRST FOLIO Teacher Curriculum Guide Welcome to the Table of Contents Shakespeare Theatre Company’s production Page Number of About the Play Richard II Synopsis of Richard II…..…….….... …….….2 by William Shakespeare Interview with the Director/About the Play…3 Historical Context: Setting the Stage….....4-5 Dear Teachers, Divine Right of Kings…………………..……..6 Consistent with the STC's central mission to Classroom Connections be the leading force in producing and Tackling the Text……………………………...7 preserving the highest quality classic theatre , Before/After the Performance…………..…...8 the Education Department challenges Resource List………………………………….9 learners of all ages to explore the ideas, Etiquette Guide for Students……………….10 emotions and principles contained in classic texts and to discover the connection between The First Folio Teacher Curriculum Guide for classic theatre and our modern perceptions. Richard II was developed by the We hope that this First Folio Teacher Shakespeare Theatre Company Education Curriculum Guide will prove useful as you Department. prepare to bring your students to the theatre! ON SHAKESPEARE First Folio Guides provide information and For articles and information about activities to help students form a personal Shakespeare’s life and world, connection to the play before attending the please visit our website production. First Folio Guides contain ShakespeareTheatre.org, material about the playwrights, their world to download the file and their works. Also included are On Shakespeare. approaches to explore the plays and productions in the classroom before and after the performance. Next Steps If you would like more information on how First Folio Guides are designed as a you can participate in other Shakespeare resource both for teachers and students.
    [Show full text]
  • Giovanni Paolo Colonna "Psalmi Ad Vesperas" Op. 12: Introduction
    GIOVANNI PAOLO COLONNA Psalmi ad Vesperas OPUS DUODECIMUM, 1694 Edited by Pyrros Bamichas May 2010 WEB LIBRARY OF SEVENTEENTH-CENTURY MUSIC (www.sscm-wlscm.org), WLSCM No. 18 Contents INTRODUCTION ......................................................................................................................... iii The Composer ........................................................................................................................ iii The Music .............................................................................................................................. vi Liturgical Practice .................................................................................................................. xi Acknowledgments................................................................................................................. xii CRITICAL COMMENTARY ..................................................................................................... xiv The Sources .......................................................................................................................... xiv Other Sources for the Pieces of Op. 12 .............................................................................. xviii Editorial Method ................................................................................................................... xx Critical Notes ....................................................................................................................... xxi [1] Domine ad adjuvandum
    [Show full text]
  • The Spaniards & Their Country
    ' (. ' illit,;; !•' 1,1;, , !mii;t( ';•'';• TIE SPANIARDS THEIR COUNTRY. BY RICHARD FORD, AUTHOR OF THE HANDBOOK OF SPAIN. NEW EDITION, COMPLETE IN ONE VOLUME. NEW YORK: GEORGE P. PUTNAM, 155 BROADWAY. 1848. f^iii •X) -+- % HONOURABLE MRS. FORD, These pages, which she has been, so good as to peruse and approve of, are dedicated, in the hopes that other fair readers may follow her example, By her very affectionate Husband and Servant, Richard Ford. CONTENTS. CHAPTER I. PAOK. A General View of Spain—Isolation—King of the Spains—Castilian Precedence—Localism—Want of Union—Admiration of Spain—M. Thiers in Spain , . 1 CHAPTER II. The Geography of Spain—Zones—Mountains—The Pyrenees—The Gabacho, and French Politics . ... 7 CHAPTER in. The Rivers of Spain—Bridges—Navigation—The Ebro and Tagus . 23 CHAPTER IV. Divisions into Provinces—Ancient Demarcations—Modern Depart- ments—Population—Revenue—Spanish Stocks .... 30 CHAPTER V. Travelling in Spain—Steamers—Roads, Roman, Monastic, and Royal —Modern Railway—English Speculations 40 CHAPTER VI. Post Office in Spain—Travelling with Post Horses—Riding post—Mails and Diligences, Galeras, Coches de DoUeras, Drivers and Manner of Driving, and Oaths 53 CHAPTER VII. SpanishHorsea—Mules—Asses—Muleteers—Maragatos ... 69 — CONTENTS. CHAPTER VIII. PAGB. Riding Tour in Spain—Pleasures of it—Pedestrian Tour—Choice of Companions—Rules for a Riding Tour—Season of year—Day's • journey—Management of Horse ; his Feet ; Shoes General Hints 80 CHAPTER IX. The Rider's cos.tume—Alforjas : their contents—The Bota, and How to use it—Pig Skins and Borracha—Spanish Money—Onzas and smaller coins 94 CHAPTER X.
    [Show full text]
  • The Basques of Lapurdi, Zuberoa, and Lower Navarre Their History and Their Traditions
    Center for Basque Studies Basque Classics Series, No. 6 The Basques of Lapurdi, Zuberoa, and Lower Navarre Their History and Their Traditions by Philippe Veyrin Translated by Andrew Brown Center for Basque Studies University of Nevada, Reno Reno, Nevada This book was published with generous financial support obtained by the Association of Friends of the Center for Basque Studies from the Provincial Government of Bizkaia. Basque Classics Series, No. 6 Series Editors: William A. Douglass, Gregorio Monreal, and Pello Salaburu Center for Basque Studies University of Nevada, Reno Reno, Nevada 89557 http://basque.unr.edu Copyright © 2011 by the Center for Basque Studies All rights reserved. Printed in the United States of America Cover and series design © 2011 by Jose Luis Agote Cover illustration: Xiberoko maskaradak (Maskaradak of Zuberoa), drawing by Paul-Adolph Kaufman, 1906 Library of Congress Cataloging-in-Publication Data Veyrin, Philippe, 1900-1962. [Basques de Labourd, de Soule et de Basse Navarre. English] The Basques of Lapurdi, Zuberoa, and Lower Navarre : their history and their traditions / by Philippe Veyrin ; with an introduction by Sandra Ott ; translated by Andrew Brown. p. cm. Translation of: Les Basques, de Labourd, de Soule et de Basse Navarre Includes bibliographical references and index. Summary: “Classic book on the Basques of Iparralde (French Basque Country) originally published in 1942, treating Basque history and culture in the region”--Provided by publisher. ISBN 978-1-877802-99-7 (hardcover) 1. Pays Basque (France)--Description and travel. 2. Pays Basque (France)-- History. I. Title. DC611.B313V513 2011 944’.716--dc22 2011001810 Contents List of Illustrations..................................................... vii Note on Basque Orthography.........................................
    [Show full text]
  • Deixis and the Renaissance Art of Self Construction1
    1 Deixis and the renaissance art of self construction Sylvia ADAMSON University of Sheffield ABSTRACT This paper is offered as a contribution to our understanding of both the history of literary style and the psychology of reading. I begin with a comparison with art history, where the development of the technique of linear perspective provides a stylistic boundary-marker between medieval and renaissance styles. Identifying the ‘printed voice effect’ as an analogous demarcator in literary history, I explore the technical means by which the effect was created, in a set of case-studies representing the emergent genres of essay and dramatic lyric. My analytical model is adapted from Gombrich’s account of ‘guided projection,’ which explains pictorial illusion as the cooperative creation of the artist (who provides the visual cues) and the spectator (who interprets them). I argue that the literary equivalent to the geometric cues of perspective is to be found in the linguistic system of deixis and claim that renaissance texts show an innovative and experimental awareness of the deictic resources of the English language. KEYWORDS: deixis, renaissance, historicism, self in literature, language and style 1. The printed voice In the history of art forms, some stylistic innovations seem to demand the title revolutionary, if only because their effects are so striking as to be felt by the non-professional observer. In the western 1 I am grateful to the organisers of 15 SEDERI for inviting me to give the plenary on which this paper is based and to the conference participants for their helpful responses to my presentation.
    [Show full text]
  • A Political History of the Kingdom of Jerusalem 1099 to 1187 C.E
    Western Washington University Western CEDAR WWU Honors Program Senior Projects WWU Graduate and Undergraduate Scholarship Spring 2014 A Political History of the Kingdom of Jerusalem 1099 to 1187 C.E. Tobias Osterhaug Western Washington University Follow this and additional works at: https://cedar.wwu.edu/wwu_honors Part of the Higher Education Commons, and the History Commons Recommended Citation Osterhaug, Tobias, "A Political History of the Kingdom of Jerusalem 1099 to 1187 C.E." (2014). WWU Honors Program Senior Projects. 25. https://cedar.wwu.edu/wwu_honors/25 This Project is brought to you for free and open access by the WWU Graduate and Undergraduate Scholarship at Western CEDAR. It has been accepted for inclusion in WWU Honors Program Senior Projects by an authorized administrator of Western CEDAR. For more information, please contact [email protected]. 1 Tobias Osterhaug History 499/Honors 402 A Political History of the Kingdom of Jerusalem 1099 to 1187 C.E. Introduction: The first Crusade, a massive and unprecedented undertaking in the western world, differed from the majority of subsequent crusades into the Holy Land in an important way: it contained no royalty and was undertaken with very little direct support from the ruling families of Western Europe. This aspect of the crusade led to the development of sophisticated hierarchies and vassalages among the knights who led the crusade. These relationships culminated in the formation of the Crusader States, Latin outposts in the Levant surrounded by Muslim states, and populated primarily by non-Catholic or non-Christian peoples. Despite the difficulties engendered by this situation, the Crusader States managed to maintain control over the Holy Land for much of the twelfth century, and, to a lesser degree, for several decades after the Fall of Jerusalem in 1187 to Saladin.
    [Show full text]
  • Philippa of Hainaut, Queen of England
    THE UNIVERSITY OF ILLINOIS LIBRARY VMS Digitized by the Internet Archive in 2013 http://archive.org/details/philippaofhainauOOwhit PHILIPPA OF HAINAUT, QUEEN OF ENGLAND BY LEILA OLIVE WHITE A. B. Rockford College, 1914. THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS IN HISTORY IN THE GRADUATE SCHOOL OF THE UNIVERSITY OF ILLINOIS 1915 UNIVERSITY OF ILLINOIS THE GRADUATE SCHOOL ..%C+-7 ^ 19</ 1 HEREBY RECOMMEND THAT THE THESIS PREPARED UNDER MY SUPERVISION BY ftlil^ &&L^-^ J^B^L^T 0^ S^t ]J-CuJl^^-0<-^A- tjL_^jui^~ 6~^~~ ENTITLED ^Pt^^L^fifi f BE ACCEPTED AS FULFILLING THIS PART OF THE REQUIREMENTS FOR THE DEGREE OF CL^t* *~ In Charge of Major Work H ead of Department Recommendation concurred in: Committee on Final Examination CONTENTS Chapter I Philippa of Hainaut ---------------------- 1 Family and Birth Queen Isabella and Prince Edward at Valenciennes Marriage Arrangement -- Philippa in England The Wedding at York Coronation Philippa's Influence over Edward III -- Relations with the Papacy - - Her Popularity Hainauters in England. Chapter II Philippa and her Share in the Hundred Years' War ------- 15 English Alliances with Philippa's Relatives -- Emperor Louis -- Count of Hainaut Count of Juliers Vow of the Heron Philippa Goes to the Continent -- Stay at Antwerp -- Court at Louvain -- Philippa at Ghent Return to England Contest over the Hainaut Inherit- ance -- Battle of Neville's Cross -- Philippa at the Siege of Calais. Chapter III Philippa and her Court -------------------- 29 Brilliance of the English Court -- French Hostages King John of France Sir Engerraui de Coucy -- Dis- tinguished Visitors -- Foundation of the Round Table -- Amusements of the Court -- Tournaments -- Hunting The Black Death -- Extravagance of the Court -- Finan- cial Difficulties The Queen's Revenues -- Purveyance-- uiuc s Royal Manors « Philippa's Interest in the Clergy and in Religious Foundations — Hospital of St.
    [Show full text]
  • Topography and the Relative Realism of Battle Scenes in Chansons De Geste*
    H. S. Kay Topography and the Relative Realism of Battle Scenes in Chansons de geste* The norms of epic writing militate against the chansons de geste being thoroughly realistic.1 Their concern is with the heroic experience,2 and their narrative outline is contrived to give pride of place to its ex- pression in violent physical action, while what might be called their nar- rative substance is constituted by the moral and emotional reflexes of such action.3 Exaggeration is an essential feature of such writing, and the rhetoric of the chansons de geste is dominated by hyperbole.4 There are, *This article was read as a paper at a Joint Colloquium of the Me- dieval Societies of the Universities of Liverpool, Belfast, and Dublin, on War and Society in the Later Middle Ages, at Liverpool University on May 7, 1977. 1It is controversial to what extent "realism" involves judgment on content and to what extent it results from conformity with current literary (or other) conventions. Rather than enter this controversy, I propose to use the following simply as a working definition: a text will be said to be realistic insofar as the fictional events it refers to resemble or are compatible with historically attested events, and specifically those which can be regarded as "normal" or characteristic in the circumstances in which they arose. My principal historical sources are: Villehardouin, La Con- quests de Constantinople, 2 vols, ed. Edmond Faral (Paris: Belles Lettres, 1938-39); Joinville, Histoire de Saint Louis, ed. E. Jarry (Angers: J. Petit, 1941); J. H. Beeler, Warfare in Feudal Europe, 730-1200 (Ithaca and New York: Cornell University Press, 1971); C.
    [Show full text]
  • ACROSS LANDS FORLORN: the EPIC JOURNEY of the HERO, from HOMER to CHANDLER Volume One Sergio Sergi
    ACROSS LANDS FORLORN: THE EPIC JOURNEY OF THE HERO, FROM HOMER TO CHANDLER Volume One Sergio Sergi ACROSS LANDS FORLORN: THE EPIC JOURNEY OF THE HERO, FROM HOMER TO CHANDLER. SERGIO SERGI B.A. University of Adelaide M.A. University of Ottawa M.A University of Sydney A thesis submitted for the Degree of Doctor of Philosophy University of Canberra. March 2006 i Certificate of authorship of thesis. Except where clearly acknowledged in footnotes, quotations and the bibliography, I certify that I am the sole author of the thesis submitted today entitled ‘Across lands forlorn: The epic journey of the hero from Homer to Chandler.’ I further certify that to the best of my knowledge the thesis contains no material previously published or written by another person except where due reference is made in the text of the thesis. The material in this thesis has not been the basis of an award of any other degree or diploma except where due reference is made in the text of the thesis. This thesis complies with University requirements for a thesis as set out in http://www.canberra.edu.au/secretariat/goldbook/forms/thesisrqmt. pdf …………………………. Signature of Candidate …………………………. Signature of Chair of the supervisory panel Date: ……………………………. Acknowledgements I acknowledge a number of people who have helped with the realization of this thesis which was begun at the University of New England. Professor Peter Toohey, before he left that University, listened to my ideas about the hero and encouraged me to develop them into this thesis. I am most grateful to him for the confidence he placed in my abilities to conduct a complex study.
    [Show full text]
  • 3 Cappella Romana Presents VENICE in the EAST: Renaissance Crete
    Cappella Romana presents VENICE IN THE EAST: Renaissance Crete & Cyprus Wednesday, 8 May 2019, 7:30 p.m. Touhill Performing Arts Center, University of Missouri, Saint Louis Friday, 10 May 2019 at 7:30 p.m. Alexander Lingas Christ Church Cathedral, Vancouver, British Columbia Founder & Music Director Presented by Early Music Vancouver Saturday, 11 May 2019 at 8:00 p.m. St. Ignatius Parish, San Francisco Spyridon Antonopoulos John Michael Boyer Kristen Buhler PROGRAM Aaron Cain Photini Downie Robinson PART I David Krueger Emily Lau From the Byzantine and Venetian Commemorations of the Paschal Triduum Kerry McCarthy The Crucifixion and Deposition Mark Powell Catherine van der Salm Venite et ploremus Johannes de Quadris David Stutz soloists: Aaron Cain, Mark Powell Liber sacerdotalis (1523) of Alberto Castellani Popule meus Liber sacerdotalis soloist: Kerry McCarthy Sticherón for the Holy Passion: Ἤδη βάπτεται (“Already the pen”) 2-voice setting (melos and “ison”) Manuel Gazēs the Lampadarios (15th c.) soloists: Spyridon Antonopoulos, MS Duke, K. W. Clark 45 John Michael Boyer Traditional Melody of the Sticherarion Mode Plagal 4 Cum autem venissent ad locum de Quadris Liber sacerdotalis soloists: Aaron Cain, Mark Powell O dulcissime de Quadris Liber sacerdotalis soloists: Photini Downie Robinson, Kerry McCarthy Verses of Lamentation for the Holy Passion “Corrected by” Angelos Gregoriou MS Duke 45, Mode Plagal 2 Sepulto Domino de Quadris Liber sacerdotalis The Resurrection Attollite portas (“Lift up your gates”) Liber sacerdotalis celebrant: Mark Powell Ἄρατε πύλας (“Lift up your gates”) Anon. Cypriot (late 15th c.?), MS Sinai Gr. 1313 Attollite portas … Quem queritis … Liber sacerdotalis Χριστὸς ἀνέστη (“Christ has risen”) Cretan Melody as transcribed by Ioannis Plousiadenós (ca.
    [Show full text]
  • History of Fall of Roman Empire Volume 6
    THE AGES DIGITAL LIBRARY COLLECTIONS THE HISTORY OF THE DECLINE AND FALL OF THE ROMAN EMPIRE VOL. 6 by Edward Gibbon To the Students of the Words, Works and Ways of God: Welcome to the AGES Digital Library. We trust your experience with this and other volumes in the Library fulfills our motto and vision which is our commitment to you: MAKING THE WORDS OF THE WISE AVAILABLE TO ALL — INEXPENSIVELY. AGES Software Albany, OR USA Version 1.0 © 1997 2 THE HISTORY OF THE DECLINE AND FALL OF THE ROMAN EMPIRE EDWARD GIBBON, ESQ. WITH NOTES BY THE REV. H. H. MILMAN VOL. 6 3 CHAPTER 59 THE CRUSADES PART 1 Preservation Of The Greek Empire. — Numbers, Passage, And Event, Of The Second And Third Crusades. — St. Bernard. — Reign Of Saladin In Egypt And Syria. — His Conquest Of Jerusalem. — Naval Crusades. — Richard The First Of England. — Pope Innocent The Third; And The Fourth And Fifth Crusades. — The Emperor Frederic The Second. — Louis The Ninth Of France; And The Two Last Crusades. — Expulsion Of The Latins Or Franks By The Mamelukes. In a style less grave than that of history, I should perhaps compare the emperor Alexiusf1 to the jackal, who is said to follow the steps, and to devour the leavings, of the lion. Whatever had been his fears and toils in the passage of the first crusade, they were amply recompensed by the subsequent benefits which he derived from the exploits of the Franks. His dexterity and vigilance secured their first conquest of Nice; and from this threatening station the Turks were compelled to evacuate the neighborhood of Constantinople.
    [Show full text]