DOCSLIB.ORG

Richard II First Folio

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Richard II First Folio FIRST FOLIO Teacher Curriculum Guide Welcome to the Table of Contents Shakespeare Theatre Company’s production Page Number of About the Play Richard II Synopsis of Richard II…..…….….... …….….2 by William Shakespeare Interview with the Director/About the Play…3 Historical Context: Setting the Stage….....4-5 Dear Teachers, Divine Right of Kings…………………..……..6 Consistent with the STC's central mission to Classroom Connections be the leading force in producing and Tackling the Text……………………………...7 preserving the highest quality classic theatre , Before/After the Performance…………..…...8 the Education Department challenges Resource List………………………………….9 learners of all ages to explore the ideas, Etiquette Guide for Students……………….10 emotions and principles contained in classic texts and to discover the connection between The First Folio Teacher Curriculum Guide for classic theatre and our modern perceptions. Richard II was developed by the We hope that this First Folio Teacher Shakespeare Theatre Company Education Curriculum Guide will prove useful as you Department. prepare to bring your students to the theatre! ON SHAKESPEARE First Folio Guides provide information and For articles and information about activities to help students form a personal Shakespeare’s life and world, connection to the play before attending the please visit our website production. First Folio Guides contain ShakespeareTheatre.org, material about the playwrights, their world to download the file and their works. Also included are On Shakespeare. approaches to explore the plays and productions in the classroom before and after the performance. Next Steps If you would like more information on how First Folio Guides are designed as a you can participate in other Shakespeare resource both for teachers and students. We Theatre Company programs, please call encourage you to photocopy articles you find the Education Hotline at 202.547.5688 helpful and distribute them to your students or visit our website as supplemental reading. ShakespeareTheatre.org. Sincerely, The Shakespeare Theatre Company Education Department Shakespeare Theatre Company’s production is part of Shakespeare for a New Generation , a national initiative Enjoy the show! sponsored by the National Endowment for the Arts in cooperation- with Arts Midwest. Miles Gilburne and Nina Zolt are founding sponsors of the educa- tion programs at the Shakespeare Theatre Company. 1 Synopsis of RICHARD II King Richard II and his uncle John of Gaunt try While he agrees to return to London with to settle a quarrel between Henry Bolingbroke Bolingbroke, Richard suspects that Bolingbroke (Gaunt’s son) and Thomas Mowbray. will force him to surrender the crown. When Bolingbroke accuses Mowbray of murdering they arrive, The Bishop of Carlisle warns that Gaunt’s brother Thomas of Woodstock. England will fall into chaos because of the Mowbray cannot say what he knows: that usurpation, so Northumberland arrests him. Richard himself ordered the Bolingbroke then forces assassination. The King Richard to hand over the cannot calm them, so he crown to him, making him allows them to compete in a King Henry IV. trial by combat. But he abruptly stops the joust Richard is ordered by Henry before it begins, and instead IV to go to northern England, sentences the two to and Richard’s queen is banishment from England: ordered to return to her native Mowbray permanently and France. York tells his wife of Bolingbroke for six years Richard’s tragic journey (reduced from ten to lessen through the streets of London, his father Gaunt’s despair). where the commoners threw Inconsolable, Gaunt rails dust and trash at him. York against Richard and dies, then discovers a plot by his and Richard opportunistically son Aumerle (renamed seizes Gaunt’s lands and Rutland by Henry IV for money. Henry Percy (Earl of supporting Richard) to Northumberland), Lord Ross assassinate Henry. York runs and Lord Willoughby all to inform King Henry, but criticize the king for a litany Aumerle and his mother plead of abuses, including taking for pardon, which Henry money from Gaunt and other reluctantly grants. Wallace Acton as Richard II in the nobles to fund a war with Shakespeare Theatre Company’s 2000 Ireland and taxing the production. Sir Pierce of Exton believes commoners. Angered by that Henry wishes Richard these seizures, Bolingbroke secretly returns to dead, and kills Richard in prison at Pomfret England with their help. Bolingbroke’s and castle (in our production, Richard is killed by Richard’s uncle the Duke of York warns Ross). King Henry has the Earl of Salisbury, Bolingbroke that he is wrong to defy the King’s Lord Spencer, Sir Thomas Blunt, and the Earl of order of banishment. Kent executed for supporting Richard, and Sir Leonard Brocas and Sir Bennet Seely for Bolingbroke defeats and executes Richard’s plotting with Aumerle to kill Henry. The Abbot of councilors, Sir John Bushy and Sir Henry Green Westminster kills himself to avoid capture, for “misleading” the King. Meanwhile, Richard though the Bishop of Carlisle is ordered by returns from war in Ireland to discover that his Henry to live out his days in some remote place. armies are crumbling and that many nobles and Finally, Exton brings Richard’s corpse to the commoners are joining Bolingbroke’s rebellion. king. Henry, however, is not happy to see Despondent, Richard flees to Flint castle with Richard dead, fearing that his death will create York’s son Aumerle, the Earl of Salisbury, Sir more trouble. He banishes Exton, and vows to Stephen Scroop, and the Bishop of Carlisle. travel to the Holy Land as penance for Richard’s When Bolingbroke arrives, he asks Richard to murder. repeal his banishment in exchange for peace. 2 An Interview with the Director: Michael Kahn discusses Richard II When we were planning the season last Now, many of those qualities might arise if year, it really interested me to deal with an you were told from birth that you were put issue that was on everyone’s mind before on earth by God to run the country, but in the Presidential election (and still is today): addition to his belief in the divine right of what are the qualities we look for in a leader kings, his personality seems to fit into a in a time of crisis? So we decided to find two modern understanding of a classic plays that would contrast ideas of narcissist. That insight has opened up for leadership, and who better to go to than me a way of looking at him as a Shakespeare, who really understood person who is more than just careless. politics and power? We picked two contrasting plays: Richard II, about a leader who is born with power and misuses it, but As always, one is continually amazed by then as that power is stripped from him Shakespeare’s understanding of what we learns what it means to be a human being; now know as modern psychology. We’ve and Henry V, about a flawed human being done this play several times at the who learns what it means to be a great Shakespeare Theatre Company, and I’ve leader. We hope that this repertory of plays always been aware of how mystified the will add to the discussion of what a person audience is for the first four scenes. needs to do to lead a nation. Richard is There’s been a murder before the play mercurial and moody, he goes from one begins, but as an audience we don’t know extreme of emotion to another very quickly, the importance of the person who has and he has very grandiose ideas about been killed, or how much maneuvering is himself. going on behind the scenes. The audience loves the poetry and the pageantry of those first scenes, but they usually don’t know what is going on until the fifth scene. That concerned me, and so I found a wonderful unfinished Elizabethan play (the author is unknown, but some scholars attribute all or part of it to Shakespeare) called Thomas of Woodstock , which tells the story of the events that lead up to Richard II. Thomas is Richard’s powerful uncle, and he is the one who dies under mysterious circumstances. So we’re going to start Richard II with scenes from that other play, Edward Gero as Henry Bolingbroke and which will help us to understand the Richard Thomas as Richard II. duplicity that goes on in those early Photo by T. Charles Erickson. moments, when almost everybody is lying and trying to make sure that nobody else tells the truth. 3 Historical Context of Richard II : Setting the Stage for the Wars of the Roses The Wars of the Roses marked a dark period in England’s history. The conflict centered around two opposing sides of the same Plantagenet family – the Houses of York and Lancaster, both descendants of King Edward III – who fought for possession of the crown. The name “Wars of the Roses” comes from the traditional use of the red rose as a symbol for the House of Lancaster and the white rose as a symbol for the House of York. Shakespeare dramatizes the conflict in a series of eight plays: Richard II , Henry IV Parts I and II , Henry V , Henry VI Parts I, II and III and Richard III . Although the first battle of the war was officially fought in 1455, the roots of the war can be traced to a question of succession in 1377, the year that Edward III died and young Richard II became king at the age of ten. Edward III outlived four of his seven sons including his eldest, who was also named Edward. Young Edward earned the nickname the “Black Prince” during his conquests in continental Europe, where he overpowered armies and won lands for England.
Load more

Recommended publications
  • For God's Sake, Let Us Sit Upon the Ground and Tell Sad Stories of the Death of Kings … -Richard II, Act III, Scene Ii
    The Hollow Crown is a lavish new series of filmed adaptations of four of Shakespeare’s most gripping history plays: Richard II , Henry IV, Part 1 , Henry IV, Part 2 , and Henry V , presented by GREAT PERFORMANCES . For God's sake, let us sit upon the ground and tell sad stories of the death of kings … -Richard II, Act III, Scene ii 2013 WNET Synopsis The Hollow Crown presents four of Shakespeare’s history plays: Richard II , Henry IV, Parts 1 and 2, and Henry V . These four plays were written separately but tell a continuous story of the reigns of three kings of England. The first play starts in 1398, as King Richard arbitrates a dispute between his cousin Henry Bolingbroke and the Duke of Norfolk, which he resolves by banishing both men from England— Norfolk for life and Bolingbroke for six years. When Bolingbroke’s father dies, Richard seizes his lands. It’s the latest outrage from a selfish king who wastes money on luxuries, his favorite friends, and an expensive war in Ireland. Bolingbroke returns from banishment with an army to take back his inheritance and quickly wins supporters. He takes Richard prisoner and, rather than stopping at his own lands and privileges, seizes the crown. When one of Bolingbroke’s followers assassinates Richard, the new king claims that he never ordered the execution and banishes the man who killed Richard. Years pass, and at the start of Henry IV, Part 1 , the guilt-stricken king plans a pilgrimage to the Holy Land to wash Richard’s blood from his hands.
    [Show full text]
  • King and Country: Shakespeare’S Great Cycle of Kings Richard II • Henry IV Part I Henry IV Part II • Henry V Royal Shakespeare Company
    2016 BAM Winter/Spring #KingandCountry Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board BAM, the Royal Shakespeare Company, and Adam E. Max, Vice Chairman of the Board The Ohio State University present Katy Clark, President Joseph V. Melillo, Executive Producer King and Country: Shakespeare’s Great Cycle of Kings Richard II • Henry IV Part I Henry IV Part II • Henry V Royal Shakespeare Company BAM Harvey Theater Mar 24—May 1 Season Sponsor: Directed by Gregory Doran Set design by Stephen Brimson Lewis Global Tour Premier Partner Lighting design by Tim Mitchell Music by Paul Englishby Leadership support for King and Country Sound design by Martin Slavin provided by the Jerome L. Greene Foundation. Movement by Michael Ashcroft Fights by Terry King Major support for Henry V provided by Mark Pigott KBE. Major support provided by Alan Jones & Ashley Garrett; Frederick Iseman; Katheryn C. Patterson & Thomas L. Kempner Jr.; and Jewish Communal Fund. Additional support provided by Mercedes T. Bass; and Robert & Teresa Lindsay. #KingandCountry Royal Shakespeare Company King and Country: Shakespeare’s Great Cycle of Kings BAM Harvey Theater RICHARD II—Mar 24, Apr 1, 5, 8, 12, 14, 19, 26 & 29 at 7:30pm; Apr 17 at 3pm HENRY IV PART I—Mar 26, Apr 6, 15 & 20 at 7:30pm; Apr 2, 9, 23, 27 & 30 at 2pm HENRY IV PART II—Mar 28, Apr 2, 7, 9, 21, 23, 27 & 30 at 7:30pm; Apr 16 at 2pm HENRY V—Mar 31, Apr 13, 16, 22 & 28 at 7:30pm; Apr 3, 10, 24 & May 1 at 3pm ADDITIONAL CREATIVE TEAM Company Voice
    [Show full text]
  • Actes Des Congrès De La Société Française Shakespeare
    Actes des congrès de la Société française Shakespeare 36 | 2018 Shakespeare et la peur From fear to anxiety in Shakespeare’s Macbeth Christine Sukic Édition électronique URL : https://journals.openedition.org/shakespeare/4141 DOI : 10.4000/shakespeare.4141 ISSN : 2271-6424 Éditeur Société Française Shakespeare Référence électronique Christine Sukic, « From fear to anxiety in Shakespeare’s Macbeth », Actes des congrès de la Société française Shakespeare [En ligne], 36 | 2018, mis en ligne le 07 octobre 2019, consulté le 25 août 2021. URL : http://journals.openedition.org/shakespeare/4141 ; DOI : https://doi.org/10.4000/shakespeare. 4141 Ce document a été généré automatiquement le 25 août 2021. © SFS From fear to anxiety in Shakespeare’s Macbeth 1 From fear to anxiety in Shakespeare’s Macbeth Christine Sukic 1 In the early modern period, fear was either a necessary passion, as when Christians are said to live in the “fear of God”1, or an emotion that had to be suppressed or at least mitigated, when it concerned the “fear of death”. There are numerous books of ars moriendi that claim, in their titles, that they intend to “take away the feare of death”2 or will “comfort” Christians against that fear3. In a Christian context, fear was thus seen as a sort of natural passion, which was acceptable as long as it was “holy fear”, as Emilia calls it in Two Noble Kinsmen (5.1.149), but that had to be alleviated in order for Christians to “die well”, with as little fear as possible. In Measure for Measure, Claudio seems to have learned to “encounter darkness as a bride / And hug it in [his] arms” (3.1.83-4) until Isabella’s visit reminds him that “Death is a fearful thing” (3.1.115).
    [Show full text]
  • Philippa of Hainaut, Queen of England
    THE UNIVERSITY OF ILLINOIS LIBRARY VMS Digitized by the Internet Archive in 2013 http://archive.org/details/philippaofhainauOOwhit PHILIPPA OF HAINAUT, QUEEN OF ENGLAND BY LEILA OLIVE WHITE A. B. Rockford College, 1914. THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS IN HISTORY IN THE GRADUATE SCHOOL OF THE UNIVERSITY OF ILLINOIS 1915 UNIVERSITY OF ILLINOIS THE GRADUATE SCHOOL ..%C+-7 ^ 19</ 1 HEREBY RECOMMEND THAT THE THESIS PREPARED UNDER MY SUPERVISION BY ftlil^ &&L^-^ J^B^L^T 0^ S^t ]J-CuJl^^-0<-^A- tjL_^jui^~ 6~^~~ ENTITLED ^Pt^^L^fifi f BE ACCEPTED AS FULFILLING THIS PART OF THE REQUIREMENTS FOR THE DEGREE OF CL^t* *~ In Charge of Major Work H ead of Department Recommendation concurred in: Committee on Final Examination CONTENTS Chapter I Philippa of Hainaut ---------------------- 1 Family and Birth Queen Isabella and Prince Edward at Valenciennes Marriage Arrangement -- Philippa in England The Wedding at York Coronation Philippa's Influence over Edward III -- Relations with the Papacy - - Her Popularity Hainauters in England. Chapter II Philippa and her Share in the Hundred Years' War ------- 15 English Alliances with Philippa's Relatives -- Emperor Louis -- Count of Hainaut Count of Juliers Vow of the Heron Philippa Goes to the Continent -- Stay at Antwerp -- Court at Louvain -- Philippa at Ghent Return to England Contest over the Hainaut Inherit- ance -- Battle of Neville's Cross -- Philippa at the Siege of Calais. Chapter III Philippa and her Court -------------------- 29 Brilliance of the English Court -- French Hostages King John of France Sir Engerraui de Coucy -- Dis- tinguished Visitors -- Foundation of the Round Table -- Amusements of the Court -- Tournaments -- Hunting The Black Death -- Extravagance of the Court -- Finan- cial Difficulties The Queen's Revenues -- Purveyance-- uiuc s Royal Manors « Philippa's Interest in the Clergy and in Religious Foundations — Hospital of St.
    [Show full text]
  • Henry V Plays Richard II
    Colby Quarterly Volume 26 Issue 2 June Article 6 June 1990 "I will...Be like a king": Henry V Plays Richard II Barbara H. Traister Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Quarterly, Volume 26, no.2, June 1990, p.112-121 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Traister: "I will...Be like a king": Henry V Plays Richard II "I will . .. Be like a king": Henry V Plays Richard II by BARBARA H. TRAISTER N BOTH RichardII and Henry v, the first and last plays ofthe second tetralogy, I kings engage in highly theatrical activity. Each play, however, has a very different metadramatic focus. In Richard II acting becomes a metaphor for the way Richard sees himself. The focus of audience attention is the narcissistic royal actor whose principal concern is his own posturing and who is his own greatest, and eventually only, admirer. Richard is an actor and dramatist, the embodiment of Elizabeth I's comment: "We Princes, I tell you, are set on stages, in the sight and view of all the world duly observed" (quoted in Neale 1957,2:19). However, his self-ab­ sorption and blindness to the world around him lead the audience to make few, if any, connections between him and the actor-dramatist who created him. The play is nearly empty of self-reflexive dramatic overtones despite its complex portrait of a player king.
    [Show full text]
  • Caerfallen, Ruthin LL15 1SN
    Caerfallen, Ruthin LL15 1SN Researched and written by Zoë Henderson Edited by Gill. Jones & Ann Morgan 2017 HOUSE HISTORY RESEARCH Written in the language chosen by the volunteers and researchers & including information so far discovered PLEASE NOTE ALL THE HOUSES IN THIS PROJECT ARE PRIVATE AND THERE IS NO ADMISSION TO ANY OF THE PROPERTIES ©Discovering Old Welsh Houses Group [North West Wales Dendrochronolgy Project] Contents page no. 1. The Name 2 2. Dendrochronology 2 3. The Site and Building Description 3 4. Background History 6 5. 16th Century 10 5a. The Building of Caerfallen 11 6. 17th Century 13 7. 18th Century 17 8. 19th Century 18 9. 20th Century 23 10. 21st Century 25 Appendices 1. The Royal House of Cunedda 29 2. The De Grey family pedigree 30 3. The Turbridge family pedigree 32 4. Will of John Turbridge 1557 33 5. The Myddleton family pedigree 35 6. The Family of Robert Davies 36 7. Will of Evan Davies 1741 37 8. The West family pedigree 38 9. Will of John Garner 1854 39 1 Caerfallen, Ruthin, Denbighshire Grade: II* OS Grid Reference SJ 12755 59618 CADW no. 818 Date listed: 16 May 1978 1. The Name Cae’rfallen was also a township which appears to have had an Isaf and Uchaf area which ran towards Llanrydd from Caerfallen. Possible meanings of the name 'Caerfallen' 1. Caerfallen has a number of references to connections with local mills. The 1324 Cayvelyn could be a corruption of Caevelyn Field of the mill or Mill field. 2. Cae’rafallen could derive from Cae yr Afallen Field of the apple tree.
    [Show full text]
  • University of Southampton Research Repository Eprints Soton
    University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk i UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES School of History The Wydeviles 1066-1503 A Re-assessment by Lynda J. Pidgeon Thesis for the degree of Doctor of Philosophy 15 December 2011 ii iii ABSTRACT Who were the Wydeviles? The family arrived with the Conqueror in 1066. As followers in the Conqueror’s army the Wydeviles rose through service with the Mowbray family. If we accept the definition given by Crouch and Turner for a brief period of time the Wydeviles qualified as barons in the twelfth century. This position was not maintained. By the thirteenth century the family had split into two distinct branches. The senior line settled in Yorkshire while the junior branch settled in Northamptonshire. The junior branch of the family gradually rose to prominence in the county through service as escheator, sheriff and knight of the shire.
    [Show full text]
  • Kiils K Qffiel
    KIilS k QffiEl FROM THE REIGN OF WILLIAM THE CONQUEROR R\ ^'Cl TTCtO VICTORIVTflTORTA THTTTtEf t?TDQFIRSTT . §J? <A V WILLIAM THE CONQUfciiOR. 3 PRINT E D ^ •b §M^W:&-'-:. H 1 S T 0 It Y OF THE KINGS & QUEENS OF ENGLAND, WILLIAM THE CONQUEROR Began to Born Reign 1024. Decern. 25, 1066. Died Scptem. 9, Reigned 1087. 21 Years. Surnamed Rufus, from his red hair and florid complexion, was the second surviving son to the Conqueror, and was by his father's will appointed his successor. The Norman barons being dis­ Was natural son of Robert, Duke of Normandy, pleased with this, and looking on his brother Robert and was called the Conqueror because he conquered as the proper owner, a powerful conspiracy was Harold the Dauntless, and overthrew the Saxon therefore formed against William by his uncle Odo. dynasty in thisliountry. He gave out that Edward William, sensible of his danger, was soon in the the Confessor left him the crown of England by field at the head of a powerful army. Robert will, and determining to assert his right to it, lost his opportunity by not assisting his friends, landed in England with an army of 60,000 men, who had taken fortresses on the hopes of his and gave battle at Hastings, where Harold was assurances, and who, when William appeared be­ killed, and his army defeated; after which William fore them, had to implore his mercy. He was became King of England. He was above eight accidentally shot through the heart with an arrow, feet high, strong built, and well proportioned.
    [Show full text]
  • History of the Plantagenet Kings of England [email protected]
    History of the Plantagenet Kings of England [email protected] http://newsummer.com/presentations/Plantagenet Introduction Plantagenet: Pronunciation & Usage Salic Law: "of Salic land no portion of the inheritance shall come to a woman: but the whole inheritance of the land shall come to the male sex." Primogeniture: inheritance moves from eldest son to youngest, with variations Shakespeare's Plantagenet plays The Life and Death of King John Edward III (probably wrote part of it) Richard II Henry IV, Part 1 Henry IV, Part 2 Henry V Henry VI, Part 1 Henry VI, Part 2 Henry VI, Part 3 Richard III Brief assessments The greatest among them: Henry II, Edward I, Edward III The unfulfilled: Richard I, Henry V The worst: John, Edward II, Richard II, Richard III The tragic: Henry VI The Queens Matilda of Scotland, c1080­1118 (Henry I) Empress Matilda, 1102­1167 (Geoffrey Plantagent) Eleanor of Aquitaine, c1122­1204 (Henry II) Isabella of France, c1295­1348 (Edward II) Margaret of Anjou, 1430­1482 (Henry VI) Other key notables Richard de Clare "Strongbow," 1130­1176 William the Marshal, 1st Earl of Pembroke, 1147­1219 Simon de Montfort, 6th Earl of Leicester, c1208­1265 Roger Mortimer, Earl of March, 1287­1330 Henry "Hotspur" Percy, 1364­1403 Richard Neville "The Kingmaker," 1428­1471 Some of the important Battles Hastings (Wm I, 1066): Conquest Lincoln (Stephen, 1141): King Stephen captured Arsuf (Richard I, 1191): Richard defeats Salidin Bouvines (John, 1214): Normandy lost to the French Lincoln, 2nd (Henry III, 1217): Pembroke defeats
    [Show full text]
  • Open Finalthesis Weber Pdf.Pdf
    THE PENNSYLVANIA STATE UNIVERSITY SCHREYER HONORS COLLEGE DEPARTMENT OF HISTORY AND RELIGIOUS STUDIES FRACTURED POLITICS: DIPLOMACY, MARRIAGE, AND THE LAST PHASE OF THE HUNDRED YEARS WAR ARIEL WEBER SPRING 2014 A thesis submitted in partial fulfillment of the requirements for a baccalaureate degree in Medieval Studies with honors in Medieval Studies Reviewed and approved* by the following: Benjamin T. Hudson Professor of History and Medieval Studies Thesis Supervisor/Honors Adviser Robert Edwards Professor of English and Comparative Literature Thesis Reader * Signatures are on file in the Schreyer Honors College. i ABSTRACT The beginning of the Hundred Years War came about from relentless conflict between France and England, with roots that can be traced the whole way to the 11th century, following the Norman invasion of England. These periods of engagement were the result of English nobles both living in and possessing land in northwest France. In their efforts to prevent further bloodshed, the monarchs began to engage in marriage diplomacy; by sending a young princess to a rival country, the hope would be that her native people would be unwilling to wage war on a royal family that carried their own blood. While this method temporarily succeeded, the tradition would create serious issues of inheritance, and the beginning of the last phase of the Hundred Years War, and the last act of success on the part of the English, the Treaty of Troyes, is the culmination of the efforts of the French kings of the early 14th century to pacify their English neighbors, cousins, and nephews. ii TABLE OF CONTENTS Chapter 1 Plantagenet Claim to France...................................................................................
    [Show full text]
  • Political Legitimacy and the Economy of Honor in Shakespeare's Henriad Bandana Singh Scripps College
    Claremont Colleges Scholarship @ Claremont Scripps Senior Theses Scripps Student Scholarship 2018 “Your unthought of Harry”: Political Legitimacy and the Economy of Honor in Shakespeare's Henriad Bandana Singh Scripps College Recommended Citation Singh, Bandana, "“Your unthought of Harry”: Political Legitimacy and the Economy of Honor in Shakespeare's Henriad" (2018). Scripps Senior Theses. 1140. http://scholarship.claremont.edu/scripps_theses/1140 This Open Access Senior Thesis is brought to you for free and open access by the Scripps Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Scripps Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. “YOUR UNTHOUGHT OF HARRY”: POLITICAL LEGITIMACY AND THE ECONOMY OF HONOR IN SHAKESPEARE’S HENRIAD by BANDANA SINGH SUBMITTED TO SCRIPPS COLLEGE IN PARTIAL FULFILLMENT OF THE DEGREE OF BACHELOR OF ARTS PROFESSOR PRAKAS PROFESSOR KOENIGS 6 DECEMBER, 2017 !1 Shakespeare’s Henriad delves into questions of divine authority, political legitimacy, and kingly identity.1 While it is unknown whether Shakespeare meant for the plays to be understood as a tetralogy, each play sets up the political climate for the subsequent one. However, the Henriad also tracks a pivotal transition in the understanding and composition of kingship. Richard II paints the portrait of a king infatuated with his own divinity. Richard’s incompetency as a ruler is highlighted by two major offenses: killing his uncle Gloucester, and disinheriting his cousin, Henry Bolingbroke, who eventually leads a rebellion against the corrupted king. Richard’s journey from anointed king to deposed mortal captures the dissolution of his fantasy of invincibility and highlights two conflicting viewpoints on the office of kingship in relation to political theology.
    [Show full text]
  • Redating Pericles: a Re-Examination of Shakespeare’S
    REDATING PERICLES: A RE-EXAMINATION OF SHAKESPEARE’S PERICLES AS AN ELIZABETHAN PLAY A THESIS IN Theatre Presented to the Faculty of the University of Missouri-Kansas City in partial fulfillment of the requirements for the degree MASTER OF ARTS by Michelle Elaine Stelting University of Missouri Kansas City December 2015 © 2015 MICHELLE ELAINE STELTING ALL RIGHTS RESERVED REDATING PERICLES: A RE-EXAMINATION OF SHAKESPEARE’S PERICLES AS AN ELIZABETHAN PLAY Michelle Elaine Stelting, Candidate for the Master of Arts Degree University of Missouri-Kansas City, 2015 ABSTRACT Pericles's apparent inferiority to Shakespeare’s mature works raises many questions for scholars. Was Shakespeare collaborating with an inferior playwright or playwrights? Did he allow so many corrupt printed versions of his works after 1604 out of indifference? Re-dating Pericles from the Jacobean to the Elizabethan era answers these questions and reveals previously unexamined connections between topical references in Pericles and events and personalities in the court of Elizabeth I: John Dee, Philip Sidney, Edward de Vere, and many others. The tournament impresas, alchemical symbolism of the story, and its lunar and astronomical imagery suggest Pericles was written long before 1608. Finally, Shakespeare’s focus on father-daughter relationships, and the importance of Marina, the daughter, as the heroine of the story, point to Pericles as written for a young girl. This thesis uses topical references, Shakespeare’s anachronisms, Shakespeare’s sources, stylometry and textual analysis, as well as Henslowe’s diary, the Stationers' Register, and other contemporary documentary evidence to determine whether there may have been versions of Pericles circulating before the accepted date of 1608.
    [Show full text]