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C a R L N I E L S E N S T U D I
CARL NIELSEN STUDIES V O L U M E V I • 2 0 2 0 CARL NIELSEN STUDIES V O L U M E V I • 2 0 2 0 Edited by Michelle Assay, David Fanning (editor-in-chief), Daniel Grimley, Niels Krabbe (consultant), and Christopher Tarrant Copenhagen 2020 The Royal Library Honorary board John Bergsagel, prof.emer., Copenhagen Jean Christensen, prof., University of Louisville, Kentucky Ludwig Finscher, prof.emer., Wolfenbüttel Jim Samson, prof., Royal Holloway, London Arnold Whittall, prof.emer., King’s College, London Editorial board Michelle Assay David Fanning (editor-in-chief) Daniel Grimley Niels Krabbe (consultant) Christopher Tarrant Translation or linguistic amendment of texts by Eskildsen, Røllum-Larsen, and Caron has been carried out by David Fanning, Marie-Louise Zervides, and Michelle Assay. Graphic design Kontrapunkt A/S, Copenhagen Layout and formatting Hans Mathiasen Text set in Swift ISSN 1603-3663 Sponsored by The Carl Nielsen and Anne Marie Carl-Nielsen Foundation © 2020 The authors and Carl Nielsen Studies, The Royal Library All rights reserved 2020 Permission for the use of quotations from the Carl Nielsen Edition has been kindly given by The Royal Library. R eports After the publication of the last volume The 150th anniversary of Nielsen’s of The Carl Nielsen Edition (CNU) prop- birth was celebrated intensively, both er in 2009, two further projects were in Denmark and in many places abroad, launched, one of which is finished, while with concerts, performance of the two the other is still at the planning stage. At operas at the Royal Theatre, Nielsen as the request of the jury of the chamber featured composer at the BBC London music competition in 2015 (see below), Proms, festivals, books and CD publica- a volume with an annotated facsimile tions, etc. -
A CN 34 Orkester Tekst 01 1 03/12/04, 15:27 C ARL NIELSEN
C ARL NIELSEN V ÆRKER W ORKS Carl Nielsen Udgaven CN 00034 i A CN 34 orkester tekst 01 1 03/12/04, 15:27 C ARL NIELSEN 1 865-1931 V ÆRKER W ORKS Udgivet af Carl Nielsen Udgaven Det Kongelige Bibliotek Hovedredaktør Niels Krabbe Serie II. Instrumentalmusik. Bind 8 Published by The Carl Nielsen Edition The Royal Library Editor in chief Niels Krabbe Series II. Instrumental Music. Volume 8 Edition Wilhelm Hansen Copenhagen 2004 Carl Nielsen Udgaven CN 00034 ii A CN 34 orkester tekst 01 2 03/12/04, 15:27 C ARL NIELSEN ORKESTERVÆRKER 2 ORCHESTRAL WORKS 2 Udgivet af Edited by Niels Bo Foltmann Peter Hauge Edition Wilhelm Hansen Copenhagen 2004 Carl Nielsen Udgaven CN 00034 iii A CN 34 orkester tekst 01 3 03/12/04, 15:27 Orchestral parts are available Graphic design Kontrapunkt A/S, Copenhagen Music set in SCORE by New Notations, London Text set in Swift Printed by Quickly Tryk A/S, Copenhagen CN 00034 ISBN 87-598-1127-7 ISMN M-66134-113-0 Sponsored by Vera og Carl Johan Michaelsens Legat Distribution Edition Wilhelm Hansen A/S, Bornholmsgade 1, DK-1266 Copenhagen K Translation James Manley © 2004 Carl Nielsen Udgaven, Det Kongelige Bibliotek, København All rights reserved 2004 Carl Nielsen Udgaven CN 00034 iv A CN 34 orkester tekst 01 4 03/12/04, 15:27 INDHOLD C ONTENTS General Preface vii Generelt forord Preface xi Forord Facsimiles xxxiii Faksimiler SAGA DREAM, OPUS 39 1 SAGA-DRØM, OPUS 39 AT THE BIER OF A YOUNG ARTIST 23 VED EN UNG KUNSTNERS BAARE FOR STRING ORCHESTRA FOR STRYGEORKESTER ANDANTE LAMENTOSO ANDANTE LAMENTOSO NEARER MY GOD TO -
Carl Nielsen's Quintet for Winds, Op. 43: a Critical Edition
CARL NIELSEN'S QUINTET FOR WINDS, OP. 43: A CRITICAL EDITION, A LECTURE RECITAL, TOGETHER WITH THREE RECITALS OF SELECTED WORKS FOR HORN BY ATTERBERG, RIES, MOZART, ROSETTI, MUSGRAVE, LARSSON, AND OTHERS Marcia L. Spence, B.M., M.M., M.B.A. APPROVED: Major Professor Minor rofessor Committee eiber Committee Member Dean of the College of Music Dean of the Robert B. Toulouse School of Graduate Studies ONA1If CARL NIELSEN'S QUINTET FOR WINDS, OP. 43: A CRITICAL EDITION, A LECTURE RECITAL, TOGETHER WITH THREE RECITALS OF SELECTED WORKS FOR HORN BY ATTERBERG, RIES, MOZART, ROSETTI, MUSGRAVE, LARSSON, AND OTHERS DISSERTATION Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS By Marcia L. Spence, B.M., M.M., M.B.A. Denton, Texas December, 1995 Spence, Marcia Louise, Carl Nielsen's Quintet for Winds, Op. 43: A Critical Edition, A Lecture Recital, Together with Three Recitals of Selected Works for Horn by Atterberg, Ries, Mozart, Rosetti, Musgrave, Larsson, and Others. Doctor of Musical Arts (Performance), December, 1995, 143 pp., 14 examples, 3 appendices, bibliography, 29 titles. The purpose of this dissertation is to prepare and present a critical edition of Carl Nielsen's Quintet fbr Winds, Op. 43, a major work in the woodwind quintet repertoire. Written for the Copenhagen Wind Quintet in 1922, it is also considered a pivotal composition in Nielsen's artistic output. The only published edition of this piece, by Edition Wilhelm Hansen, is rife with errors, a consistent problem with many of Nielsen's compositions. -
Chandos Records Ltd, Chandos House, Commerce Way, Colchester, Essex CO2 8HQ, UK E-Mail: [email protected] Website
CHAN 10271 Book Cover.qxd 7/2/07 1:12 pm Page 1 CHAN 10271(3) X CHANDOS CLASSICS CHAN 10271 Book Cover.qxd 7/2/07 1:12 pm Page 1 CHAN 10271(3) X CHANDOS CLASSICS CHAN 10271 BOOK.qxd 7/2/07 1:14 pm Page 2 Carl Nielsen (1865–1931) COMPACT DISC ONE Symphony No. 1, Op. 7, FS 16 37:01 in G minor • in g-Moll • en sol mineur 1 I Allegro orgoglioso 10:07 2 II Andante 8:23 3 III Allegro comodo – Andante sostenuto – Tempo I 8:45 4 IV Finale. Allegro con fuoco 9:43 Symphony No. 4, Op. 29, FS 76 ‘The Inextinguishable’ 37:04 Roland Johansson • Lars Hammarteg timpani soloists 5 I Allegro – 11:52 6 II Poco allegretto – 4:59 7 III Poco adagio quasi andante – 10:29 8 IV Allegro – Glorioso – Tempo giusto 9:43 TT 74:13 COMPACT DISC TWO Symphony No. 2, Op. 16, FS 29 Department of Copenhagen Library, The Royal Prints and Photographs, Maps, ‘The Four Temperaments’ 35:32 1 I Allegro collerico 10:30 2 II Allegro comodo e flemmatico 5:26 3 III Andante malincolico 12:14 Carl Nielsen 4 IV Allegro sanguineo – Marziale 7:20 3 CHAN 10271 BOOK.qxd 7/2/07 1:14 pm Page 4 Symphony No. 3, Op. 27, FS 60 Symphony No. 6, FS 116 ‘Sinfonia espansiva’ 42:02 ‘Sinfonia semplice’ 34:52 Solveig Kringelborn soprano 7 I Tempo giusto – Allegro passionato – Karl-Magnus Fredriksson baritone Lento ma non troppo – Tempo I (giusto) 13:12 5 I Allegro espansivo 12:44 8 II Humoreske. -
CARL NIELSEN and NANCY DALBERG Nancy Dalberg As Carl Nielsen’S Pupil, Assistant and Patron
CARL NIELSEN AND NANCY DALBERG Nancy Dalberg as Carl Nielsen’s pupil, assistant and patron By Lisbeth Ahlgren Jensen Nielsen’s activities as composer, violinist, conductor and teacher brought him into contact with a large number of people over the years, and thanks to his charming personality, many of these came to enjoy close bonds of friendship with him. In sev- eral cases his friendships developed into a means of practical and human support that was of incalculable significance for him. His circle of acquaintances included the land- owners Bodil and Viggo Neergaard at Fuglsang manor house on Lolland, Charlotte Trap de Thygeson at the Damgaard estate, business enterpreneurs such as the directors Carl Johan and Vera Michaelsen, and the Mannheimer family of bank directors in Gothenburg, as well as fellow-musicians and one-time pupils. We may add to these the name of the composer Nancy Dalberg. She was Nielsen’s pupil, she helped him with the fair copying and instrumentation of some of his works, and she belonged to his personal circle of acquaintances. But Nielsen also played an im- portant role in her career as a composer, since it was not least through his professional and friendly support that she secured public performances of her first larger works. The purpose of this article is to illuminate their friendship in its various aspects, as seen in diffuse and diverse sources, including their correspondence, Nielsen’s diary entries, musical materials and concert reviews. The aim is to contribute to a descrip- tion of the circle around Nielsen. As an admirer and patron, Nancy Dalberg may be compared with the Michaelsens, and as a musical assistant she may be compared with, for example, the pianist Henrik Knudsen and the composer and music historian Knud Jeppesen. -
6220635 Cover Book.Pdf
CarL NieLseN 29 Little Preludes for Organ, CNW 96 (1929) – Nos. 6-14. 11:40 VI . 0:48 The Organ Works VII . 0:50 VIII ��������������������������������������������������������������������������������������������������������������������������������������������������������������������� 0:44 IX . 1:36 BiNe BryNdOrf organ X. 2:06 TOrsTeN NieLseN baritone XI . 1:42 XII . 1:18 XIII ��������������������������������������������������������������������������������������������������������������������������������������������������������������������� 1:28 XIV ��������������������������������������������������������������������������������������������������������������������������������������������������������������������� 1:08 fest-præludium ved aarhundredskiftet (festival Prelude for the New Century), Forunderligt at sige (How wonderful to ponder), CNW 165 (1914) . 3:32 CNW 84 (1901). 2:00 for baritone and organ arranged for organ by Finn Viderø Frisk op! Endnu engang (Refresh yourself in song), CNW 168 (1913-15) . 2:05 29 Little Preludes for Organ, CNW 96 (1929) – Nos. 1-5. 6:08 for baritone and organ I . 1:46 29 Little Preludes for Organ, CNW 96 (1929) – Nos. 15-24 ������������������������������������������������������������� 9:01 II . 0:53 XV ����������������������������������������������������������������������������������������������������������������������������������������������������������������������� 0:42 III ����������������������������������������������������������������������������������������������������������������������������������������������������������������������� -
En Aften Med Carl Nielsen
En aften med Carl Nielsen DR VokalEnsemblet Sopran Tenor Christine Nonbo Andersen Emil Lykke Malene Nordtorp Adam Riis Jihye Kim Rasmus Gravers Nielsen Klaudia Kidon Jakob Skjoldborg Astrid Kastensson Navarro-Alonso Anna Maria Wierød Bas Alt Torsten Nielsen Rikke Lender Jakob Soelberg Hanna-Maria Strand Rasmus Kure Thomsen Linnéa Lomholt Steffen Bruun Lone Selchau Johan Karlström 02 Marcus Creed Dirigent Hanne Kuhlmann Orgel Benedikte Granvig Scenevært Trinitatis Kirke, København Onsdag 1. maj 2019 kl. 19.30 Program Vandring i skoven Trad. langelandsk melodi, arr. Bo Holten/Tekst: H.C. Andersen Carl Nielsen (1865-1931) Forårssang Tekst: Marinus Børup Min Jesus, lad mit hjerte få Tekst: N.F.S. Grundtvig • Tre Motetter, opus 55 Tekst fra Davids salme nr. 38, 23 & 31 I – Afflicatus sum 03 II – Dominus regit me III – Benedictus Dominus • Commotio for orgel, opus 58 • Se dig ud en sommerdag Tekst: Jeppe Aakjær Ny lyser løv i lunde Tekst: Johannes Jørgensen • Fællessang Underlige aftenlufte Tekst: Adam Oehlenschläger ca. 1 time Kære publikum ”…et Menneske kommer aldrig løs fra sin Rod, fra alt det der ligger i det dybeste Leje: Barndommens og Ungdommens rige Kilde med det store Væld af Erindringer.” Sådan skrev Carl Nielsen til sin ven Thorvald Aagaard 21. september 1930. For Carl Nielsen var de tidlige år uden tvivl den helt centrale del af et menneskes liv, hvilket han også har beskrevet både levende og smukt i erindringsværket Min fynske Barndom (1927). Carl Nielsen blev født 9. juni 1865 på Sortelung i udkanten af landsbyen 04 Nr. Lyndelse på Midtfyn. Han var 7. barn i en søskendeflok på 12. -
Carl Nielsen the Masterworks Volume 1 – Orchestral Music
carl NielseN The masTerworks Volume 1 – orchestral music DaNish NatioNal symphoNy orchestra Michael Schønwandt / thoMaS dauSgaard CD 1 carl NielseN Symphony no. 3, op. 27 “Sinfonia espansiva” (1910-11) 37:11 1 I Allegro espansivo �������������������������������������������������������������������������������������������������������������������������������������������������������11:41 The masTerworks 2 II Andante pastorale** 9:33 Volume 1 – orchestral music 3 III Allegretto un poco ���������������������������������������������������������������������������������������������������������������������������������������������������6:21 4 IV Finale: Allegro �������������������������������������������������������������������������������������������������������������������������������������������������������������9:28 ** Inger Dam-Jensen, soprano; Poul Elming , tenor DaNish NatioNal symphoNy orchestra Michael Schønwandt / thoMaS dauSgaard * Symphony no. 2, op. 16 “The Four Temperaments” (1901-02) �����������������������������33:44 5 I Allegro collerico ���������������������������������������������������������������������������������������������������������������������������������������������������������10:07 6 II Allegro comodo e flemmatico 4:39 7 III Andante malincolico �������������������������������������������������������������������������������������������������������������������������������������������11:20 -
C a R L N I E L S E N S T U D I
CARL NIELSEN STUDIES V O L U M E V I • 2 0 2 0 CARL NIELSEN STUDIES V O L U M E V I • 2 0 2 0 Edited by Michelle Assay, David Fanning (editor-in-chief), Daniel Grimley, Niels Krabbe (consultant), and Christopher Tarrant Copenhagen 2020 The Royal Library Honorary board John Bergsagel, prof.emer., Copenhagen Jean Christensen, prof., University of Louisville, Kentucky Ludwig Finscher, prof.emer., Wolfenbüttel Jim Samson, prof., Royal Holloway, London Arnold Whittall, prof.emer., King’s College, London Editorial board Michelle Assay David Fanning (editor-in-chief) Daniel Grimley Niels Krabbe (consultant) Christopher Tarrant Translation or linguistic amendment of texts by Eskildsen, Røllum-Larsen, and Caron has been carried out by David Fanning, Marie-Louise Zervides, and Michelle Assay. Graphic design Kontrapunkt A/S, Copenhagen Layout and formatting Hans Mathiasen Text set in Swift ISSN 1603-3663 Sponsored by The Carl Nielsen and Anne Marie Carl-Nielsen Foundation © 2020 The authors and Carl Nielsen Studies, The Royal Library All rights reserved 2020 Permission for the use of quotations from the Carl Nielsen Edition has been kindly given by The Royal Library. NIELSEN AND GADE Landmarks of Musical Denmarks By Karsten Eskildsen Where did it all come from? This is a fair question not only in relation to Nielsen but also to most artists. So where did Nielsen collect all his skills, ideas and ambitions? For decades, Danish musical tradition has had it that young Nielsen was a country lad who through his own will, professional musicianship at the military band in Odense, and three years at Copenhagen Conservatoire was able in his maturity to transform the folk music experience of his childhood into mastery and universal art. -
Flute: Late Style in Carl Nielsen’S Works for Flute
THE “ARCADIAN” FLUTE: LATE STYLE IN CARL NIELSEN’S WORKS FOR FLUTE A thesis submitted to the Division of Research and Advanced Studies of the University of Cincinnati in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS in the Performance Studies Division of the College-Conservatory of Music 2004 by Beth E. Chandler B.M., Baylor University, 1993 M.M., New England Conservatory, 1996 Committee Chair: bruce d. mcclung, Ph.D. ABSTRACT Revered as Denmark’s most celebrated musical figure and regarded as one of the finest, albeit under recognized composers, Carl Nielsen (1865–1931) holds a place as one of the most individual and creative artists of his time. Straddling the nineteenth and twentieth centuries and with consideration to the dramatically changing musical climate of that time, Nielsen’s vast output is stylistically complex. His music spans an array of styles, with elements of Romanticism in his early works, to an outright rejection of these same principles and an adoption of extensive progressivism in later works, all the while maintaining features of neoclassicism. There are six known works by Carl Nielsen that include flute in a solo or chamber role. These works date from his late, mature compositional period and include a short piece for solo flute from the incidental music to Aladdin, Op. 34 (1918–19); three pieces from the incidental music to Moderen (The mother), Op. 41 (1920): “Taagen letter” (The fog is lifting) for flute and piano or harp, “Børnene spiller” (The children are playing) for solo flute, and “Tro og håb spiller” (Faith and hope are playing) for flute and viola; the Wind Quintet, Op. -
Contemporary Danish Prose
Contemporary Danish Prose Various Contemporary Danish Prose Table of Contents Contemporary Danish Prose....................................................................................................................................1 Various...........................................................................................................................................................1 DANISH SHORT STORIES.........................................................................................................................2 INDOMITABILITY......................................................................................................................................3 THE GOOSE−HERD FROM BRAMSTRUP...............................................................................................8 ST. PETER AND MORDECAI...................................................................................................................10 OFF FOR THE DAY...................................................................................................................................15 THE BOUNDARY......................................................................................................................................23 SPRING.......................................................................................................................................................28 THE TAILOR'S SUMMER.........................................................................................................................33 -
C a R L N I E L S E N S T U D I
CARL NIELSEN STUDIES V O L U M E V I • 2 0 2 0 CARL NIELSEN STUDIES V O L U M E V I • 2 0 2 0 Edited by Michelle Assay, David Fanning (editor-in-chief), Daniel Grimley, Niels Krabbe (consultant), and Christopher Tarrant Copenhagen 2020 The Royal Library Honorary board John Bergsagel, prof.emer., Copenhagen Jean Christensen, prof., University of Louisville, Kentucky Ludwig Finscher, prof.emer., Wolfenbüttel Jim Samson, prof., Royal Holloway, London Arnold Whittall, prof.emer., King’s College, London Editorial board Michelle Assay David Fanning (editor-in-chief) Daniel Grimley Niels Krabbe (consultant) Christopher Tarrant Translation or linguistic amendment of texts by Eskildsen, Røllum-Larsen, and Caron has been carried out by David Fanning, Marie-Louise Zervides, and Michelle Assay. Graphic design Kontrapunkt A/S, Copenhagen Layout and formatting Hans Mathiasen Text set in Swift ISSN 1603-3663 Sponsored by The Carl Nielsen and Anne Marie Carl-Nielsen Foundation © 2020 The authors and Carl Nielsen Studies, The Royal Library All rights reserved 2020 Permission for the use of quotations from the Carl Nielsen Edition has been kindly given by The Royal Library. N I E L S E N , SAUL AND DAVID A N D THE SYMBOLIST MOVEMENT Cultural-Historical Perspectives By Marie-Louise Zervides In his 1991 biography, Carl Nielsen – Danskeren (Carl Nielsen – The Dane), the Danish theo- logian and literary critic Jørgen I. Jensen argued the importance of symbolism in Carl Nielsen’s artistic development. He stated: ‘Carl Nielsen’s art originates in short from a symbolist culture; it is musical symbolism.’1 Nielsen never publicly associated himself with the term, however.