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C a R L N I E L S E N S T U D I
CARL NIELSEN STUDIES V O L U M E V I • 2 0 2 0 CARL NIELSEN STUDIES V O L U M E V I • 2 0 2 0 Edited by Michelle Assay, David Fanning (editor-in-chief), Daniel Grimley, Niels Krabbe (consultant), and Christopher Tarrant Copenhagen 2020 The Royal Library Honorary board John Bergsagel, prof.emer., Copenhagen Jean Christensen, prof., University of Louisville, Kentucky Ludwig Finscher, prof.emer., Wolfenbüttel Jim Samson, prof., Royal Holloway, London Arnold Whittall, prof.emer., King’s College, London Editorial board Michelle Assay David Fanning (editor-in-chief) Daniel Grimley Niels Krabbe (consultant) Christopher Tarrant Translation or linguistic amendment of texts by Eskildsen, Røllum-Larsen, and Caron has been carried out by David Fanning, Marie-Louise Zervides, and Michelle Assay. Graphic design Kontrapunkt A/S, Copenhagen Layout and formatting Hans Mathiasen Text set in Swift ISSN 1603-3663 Sponsored by The Carl Nielsen and Anne Marie Carl-Nielsen Foundation © 2020 The authors and Carl Nielsen Studies, The Royal Library All rights reserved 2020 Permission for the use of quotations from the Carl Nielsen Edition has been kindly given by The Royal Library. R eports After the publication of the last volume The 150th anniversary of Nielsen’s of The Carl Nielsen Edition (CNU) prop- birth was celebrated intensively, both er in 2009, two further projects were in Denmark and in many places abroad, launched, one of which is finished, while with concerts, performance of the two the other is still at the planning stage. At operas at the Royal Theatre, Nielsen as the request of the jury of the chamber featured composer at the BBC London music competition in 2015 (see below), Proms, festivals, books and CD publica- a volume with an annotated facsimile tions, etc. -
Carl Nielsen Studies 3 (2008)
BIBLIOGRAPHY CARL NIELSEN BIBLIOGRAPHY 2004-2007 By Kirsten Flensborg Petersen Bubert, Dennis: ‘Orchestral Excerpt Class’, ITA Journal 31:4 (2003) pp. 20-22. The bibliographies published in Carl Niel- sen Studies – including the following Carl Nielsen brevudgaven [The Letters of bibliography – are also to be found on Carl Nielsen], John Fellow (ed.), Køben- the internet at www.kb.dk/da/kb/nb/mta/ havn 2005-, volume 1, 1886-1897, Køben- cnu/studies.html. havn 2005, 571 p. Anderson, Martin: ‘Thomas Dausgaard: Carl Nielsen brevudgaven [The Letters of Conductor in a hurry’, Nordic Sounds 4 Carl Nielsen], John Fellow (ed.), Køben- (2003) pp. 9-13. havn 2005-, volume 2, 1898-1905, Køben- havn 2006, 598 p. Austen, Jill: ‘Behind ‘The Mother’’, Flutist Quarterly – The Official Magazine of the Carl Nielsen brevudgaven [The Letters of National Flute Association 30/4 (2005) pp. Carl Nielsen], John Fellow (ed.), Køben- 46-48. havn 2005-, volume 3, 1906-1910, Køben- havn 2007, 589 p. Benestad, Finn and Dag Schjelderup-Ebbe: ‘To åndsbeslektede tonemestre: Johan Carl Nielsens Barndomshjem 1956-2006: Jubi- Svendsen og Carl Nielsen’ [Two spiritu- læumsskrift [Carl Nielsen’s home 1956- ally related masters: Johan Svendsen and 2006: Jubilee publication], Nr. Lyndelse Carl Nielsen], in Musikvidenskabelige Kom- 2006, 16 p. positioner: Festskrift til Niels Krabbe 1941 – 3. oktober – 2006, Anne Ørbæk Jensen et Chandler, Beth E.: The ‘Arcadian’ flute: Late al. (eds.), København 2006, pp. 425-436. style in Carl Nielsen’s works for flute, diss., University of Cincinnati 2004, 168 p. Brown, Peter: The symphonic repertoire. Vol. 3. Part A, The European symphony from ca Christensen, Erik: ‘Danish music: The 1800 to ca 1930: Germany and the Nordic transition from tradition to modernism’, Countries, Bloomington 2007, 1168 p. -
95.3 Fm 95.3 Fm
October/NovemberMarch/April 2013 2017 VolumeVolume 41, 46, No. No. 3 1 !"#$%&'95.3 FM Brahms: String Sextet No. 2 in G, Op. 36; Marlboro Ensemble Saeverud: Symphony No. 9, Op. 45; Dreier, Royal Philharmonic WHRB Orchestra (Norwegian Composers) Mozart: Clarinet Quintet in A, K. 581; Klöcker, Leopold Quartet 95.3 FM Gombert: Missa Tempore paschali; Brown, Henry’s Eight Nielsen: Serenata in vano for Clarinet,Bassoon,Horn, Cello, and October-November, 2017 Double Bass; Brynildsen, Hannevold, Olsen, Guenther, Eide Pokorny: Concerto for Two Horns, Strings, and Two Flutes in F; Baumann, Kohler, Schröder, Concerto Amsterdam (Acanta) Barrios-Mangoré: Cueca, Aire de Zamba, Aconquija, Maxixa, Sunday, October 1 for Guitar; Williams (Columbia LP) 7:00 am BLUES HANGOVER Liszt: Grande Fantaisie symphonique on Themes from 11:00 am MEMORIAL CHURCH SERVICE Berlioz’s Lélio, for Piano and Orchestra, S. 120; Howard, Preacher: Professor Jonathan L. Walton, Plummer Professor Rickenbacher, Budapest Symphony Orchestra (Hyperion) of Christian Morals and Pusey Minister in The Memorial 6:00 pm MUSIC OF THE SOVIET UNION Church,. Music includes Kodály’s Missa brevis and Mozart’s The Eve of the Revolution. Ave verum corpus, K. 618. Scriabin: Sonata No. 7, Op. 64, “White Mass” and Sonata No. 9, 12:30 pm AS WE KNOW IT Op. 68, “Black Mass”; Hamelin (Hyperion) 1:00 pm CRIMSON SPORTSTALK Glazounov: Piano Concerto No. 2 in B, Op. 100; Ponti, Landau, 2:00 pm SUNDAY SERENADE Westphalian Orchestra of Recklinghausen (Turnabout LP) 6:00 pm HISTORIC PERFORMANCES Rachmaninoff: Vespers, Op. 37; Roudenko, Russian Chamber Prokofiev: Violin Concerto No. 2 in g, Op. -
Carl Nielsen's Quintet for Winds, Op. 43: a Critical Edition
CARL NIELSEN'S QUINTET FOR WINDS, OP. 43: A CRITICAL EDITION, A LECTURE RECITAL, TOGETHER WITH THREE RECITALS OF SELECTED WORKS FOR HORN BY ATTERBERG, RIES, MOZART, ROSETTI, MUSGRAVE, LARSSON, AND OTHERS Marcia L. Spence, B.M., M.M., M.B.A. APPROVED: Major Professor Minor rofessor Committee eiber Committee Member Dean of the College of Music Dean of the Robert B. Toulouse School of Graduate Studies ONA1If CARL NIELSEN'S QUINTET FOR WINDS, OP. 43: A CRITICAL EDITION, A LECTURE RECITAL, TOGETHER WITH THREE RECITALS OF SELECTED WORKS FOR HORN BY ATTERBERG, RIES, MOZART, ROSETTI, MUSGRAVE, LARSSON, AND OTHERS DISSERTATION Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS By Marcia L. Spence, B.M., M.M., M.B.A. Denton, Texas December, 1995 Spence, Marcia Louise, Carl Nielsen's Quintet for Winds, Op. 43: A Critical Edition, A Lecture Recital, Together with Three Recitals of Selected Works for Horn by Atterberg, Ries, Mozart, Rosetti, Musgrave, Larsson, and Others. Doctor of Musical Arts (Performance), December, 1995, 143 pp., 14 examples, 3 appendices, bibliography, 29 titles. The purpose of this dissertation is to prepare and present a critical edition of Carl Nielsen's Quintet fbr Winds, Op. 43, a major work in the woodwind quintet repertoire. Written for the Copenhagen Wind Quintet in 1922, it is also considered a pivotal composition in Nielsen's artistic output. The only published edition of this piece, by Edition Wilhelm Hansen, is rife with errors, a consistent problem with many of Nielsen's compositions. -
75Thary 1935 - 2010
ANNIVERS75thARY 1935 - 2010 The Music & the Artists of the Bach Festival Society The Mission of the Bach Festival Society of Winter Park, Inc. is to enrich the Central Florida community through presentation of exceptionally high-quality performances of the finest classical music in the repertoire, with special emphasis on oratorio and large choral works, world-class visiting artists, and the sacred and secular music of Johann Sebastian Bach and his contemporaries in the High Baroque and Early Classical periods. This Mission shall be achieved through presentation of: • the Annual Bach Festival, • the Visiting Artists Series, and • the Choral Masterworks Series. In addition, the Bach Festival Society of Winter Park, Inc. shall present a variety of educational and community outreach programs to encourage youth participation in music at all levels, to provide access to constituencies with special needs, and to participate with the community in celebrations or memorials at times of significant special occasions. Adopted by a Resolution of the Bach Festival Society Board of Trustees The Bach Festival Society of Winter Park, Inc. is a private non-profit foundation as defined under Section 509(a)(2) of the Internal Revenue Code and is exempt from federal income taxes under IRC Section 501(c)(3). Gifts and contributions are deductible for federal income tax purposes as provided by law. A copy of the Bach Festival Society official registration (CH 1655) and financial information may be obtained from the Florida Division of Consumer Services by calling toll-free 1-800-435-7352 within the State. Registration does not imply endorsement, approval, or recommendation by the State. -
Chandos Records Ltd, Chandos House, Commerce Way, Colchester, Essex CO2 8HQ, UK E-Mail: [email protected] Website
CHAN 10271 Book Cover.qxd 7/2/07 1:12 pm Page 1 CHAN 10271(3) X CHANDOS CLASSICS CHAN 10271 Book Cover.qxd 7/2/07 1:12 pm Page 1 CHAN 10271(3) X CHANDOS CLASSICS CHAN 10271 BOOK.qxd 7/2/07 1:14 pm Page 2 Carl Nielsen (1865–1931) COMPACT DISC ONE Symphony No. 1, Op. 7, FS 16 37:01 in G minor • in g-Moll • en sol mineur 1 I Allegro orgoglioso 10:07 2 II Andante 8:23 3 III Allegro comodo – Andante sostenuto – Tempo I 8:45 4 IV Finale. Allegro con fuoco 9:43 Symphony No. 4, Op. 29, FS 76 ‘The Inextinguishable’ 37:04 Roland Johansson • Lars Hammarteg timpani soloists 5 I Allegro – 11:52 6 II Poco allegretto – 4:59 7 III Poco adagio quasi andante – 10:29 8 IV Allegro – Glorioso – Tempo giusto 9:43 TT 74:13 COMPACT DISC TWO Symphony No. 2, Op. 16, FS 29 Department of Copenhagen Library, The Royal Prints and Photographs, Maps, ‘The Four Temperaments’ 35:32 1 I Allegro collerico 10:30 2 II Allegro comodo e flemmatico 5:26 3 III Andante malincolico 12:14 Carl Nielsen 4 IV Allegro sanguineo – Marziale 7:20 3 CHAN 10271 BOOK.qxd 7/2/07 1:14 pm Page 4 Symphony No. 3, Op. 27, FS 60 Symphony No. 6, FS 116 ‘Sinfonia espansiva’ 42:02 ‘Sinfonia semplice’ 34:52 Solveig Kringelborn soprano 7 I Tempo giusto – Allegro passionato – Karl-Magnus Fredriksson baritone Lento ma non troppo – Tempo I (giusto) 13:12 5 I Allegro espansivo 12:44 8 II Humoreske. -
CARL NIELSEN and NANCY DALBERG Nancy Dalberg As Carl Nielsen’S Pupil, Assistant and Patron
CARL NIELSEN AND NANCY DALBERG Nancy Dalberg as Carl Nielsen’s pupil, assistant and patron By Lisbeth Ahlgren Jensen Nielsen’s activities as composer, violinist, conductor and teacher brought him into contact with a large number of people over the years, and thanks to his charming personality, many of these came to enjoy close bonds of friendship with him. In sev- eral cases his friendships developed into a means of practical and human support that was of incalculable significance for him. His circle of acquaintances included the land- owners Bodil and Viggo Neergaard at Fuglsang manor house on Lolland, Charlotte Trap de Thygeson at the Damgaard estate, business enterpreneurs such as the directors Carl Johan and Vera Michaelsen, and the Mannheimer family of bank directors in Gothenburg, as well as fellow-musicians and one-time pupils. We may add to these the name of the composer Nancy Dalberg. She was Nielsen’s pupil, she helped him with the fair copying and instrumentation of some of his works, and she belonged to his personal circle of acquaintances. But Nielsen also played an im- portant role in her career as a composer, since it was not least through his professional and friendly support that she secured public performances of her first larger works. The purpose of this article is to illuminate their friendship in its various aspects, as seen in diffuse and diverse sources, including their correspondence, Nielsen’s diary entries, musical materials and concert reviews. The aim is to contribute to a descrip- tion of the circle around Nielsen. As an admirer and patron, Nancy Dalberg may be compared with the Michaelsens, and as a musical assistant she may be compared with, for example, the pianist Henrik Knudsen and the composer and music historian Knud Jeppesen. -
6220635 Cover Book.Pdf
CarL NieLseN 29 Little Preludes for Organ, CNW 96 (1929) – Nos. 6-14. 11:40 VI . 0:48 The Organ Works VII . 0:50 VIII ��������������������������������������������������������������������������������������������������������������������������������������������������������������������� 0:44 IX . 1:36 BiNe BryNdOrf organ X. 2:06 TOrsTeN NieLseN baritone XI . 1:42 XII . 1:18 XIII ��������������������������������������������������������������������������������������������������������������������������������������������������������������������� 1:28 XIV ��������������������������������������������������������������������������������������������������������������������������������������������������������������������� 1:08 fest-præludium ved aarhundredskiftet (festival Prelude for the New Century), Forunderligt at sige (How wonderful to ponder), CNW 165 (1914) . 3:32 CNW 84 (1901). 2:00 for baritone and organ arranged for organ by Finn Viderø Frisk op! Endnu engang (Refresh yourself in song), CNW 168 (1913-15) . 2:05 29 Little Preludes for Organ, CNW 96 (1929) – Nos. 1-5. 6:08 for baritone and organ I . 1:46 29 Little Preludes for Organ, CNW 96 (1929) – Nos. 15-24 ������������������������������������������������������������� 9:01 II . 0:53 XV ����������������������������������������������������������������������������������������������������������������������������������������������������������������������� 0:42 III ����������������������������������������������������������������������������������������������������������������������������������������������������������������������� -
En Aften Med Carl Nielsen
En aften med Carl Nielsen DR VokalEnsemblet Sopran Tenor Christine Nonbo Andersen Emil Lykke Malene Nordtorp Adam Riis Jihye Kim Rasmus Gravers Nielsen Klaudia Kidon Jakob Skjoldborg Astrid Kastensson Navarro-Alonso Anna Maria Wierød Bas Alt Torsten Nielsen Rikke Lender Jakob Soelberg Hanna-Maria Strand Rasmus Kure Thomsen Linnéa Lomholt Steffen Bruun Lone Selchau Johan Karlström 02 Marcus Creed Dirigent Hanne Kuhlmann Orgel Benedikte Granvig Scenevært Trinitatis Kirke, København Onsdag 1. maj 2019 kl. 19.30 Program Vandring i skoven Trad. langelandsk melodi, arr. Bo Holten/Tekst: H.C. Andersen Carl Nielsen (1865-1931) Forårssang Tekst: Marinus Børup Min Jesus, lad mit hjerte få Tekst: N.F.S. Grundtvig • Tre Motetter, opus 55 Tekst fra Davids salme nr. 38, 23 & 31 I – Afflicatus sum 03 II – Dominus regit me III – Benedictus Dominus • Commotio for orgel, opus 58 • Se dig ud en sommerdag Tekst: Jeppe Aakjær Ny lyser løv i lunde Tekst: Johannes Jørgensen • Fællessang Underlige aftenlufte Tekst: Adam Oehlenschläger ca. 1 time Kære publikum ”…et Menneske kommer aldrig løs fra sin Rod, fra alt det der ligger i det dybeste Leje: Barndommens og Ungdommens rige Kilde med det store Væld af Erindringer.” Sådan skrev Carl Nielsen til sin ven Thorvald Aagaard 21. september 1930. For Carl Nielsen var de tidlige år uden tvivl den helt centrale del af et menneskes liv, hvilket han også har beskrevet både levende og smukt i erindringsværket Min fynske Barndom (1927). Carl Nielsen blev født 9. juni 1865 på Sortelung i udkanten af landsbyen 04 Nr. Lyndelse på Midtfyn. Han var 7. barn i en søskendeflok på 12. -
Yhtenäistetty Carl Nielsen
Suomen musiikkikirjastoyhdistyksen julkaisusarja 166 Yhtenäistetty Carl Nielsen Teosten yhtenäistettyjen nimekkeiden ohjeluettelo Heikki Poroila Suomen musiikkikirjastoyhdistys Helsinki 2013 Julkaisija Suomen musiikkikirjastoyhdistys Toimitustyö ja ulkoasu Heikki Poroila Verkkoversio 1.0 © Heikki Poroila 2013 01.4 POROILA , HEIKKI Yhtenäistetty Carl Nielsen : Teosten yhtenäistettyjen nimekkeiden oh- jeluettelo / Heikki Poroila. – Verkkoversio 1.0. – Helsinki : Suomen musiikkikirjastoyhdistys, 2013. – 39 s. - (Suomen musiikkikirjastoyh- distyksen julkaisusarja, ISSN 0784-0322 ; 166). – ISBN 978-952- 5363-65-4 (PDF) ISBN 978-952-5363-65-4 Lukijalle CARL NIELSEN (9.6.1865 – 3.10.1931) on tanskalaisille suunnilleen samassa asemassa kuin Jean Si- belius suomalaisille. Meillä Nielsenin tuotannosta tunnetaan kuitenkin vain kuusi sinfoniaa, muu- tama orkesteriteos ( Helios -alkusoitto, Pan og Syrinx sekä huilu- ja klarinettikonsertot) ja ehkä oop- perat Saul og David ja Maskarade . Nielsenin laaja vokaalituotanto, kantaatit ja lukuisat näyttämö- musiikkiteokset ovat Tanskan ulkopuolella huonosti tunnettuja. Kirjaston luetteloijille tarkoitetun ohjeluettelon tarve ei ole ollut erityisen suuri, mutta koska Niel- senin tuotantoon liittyy erinäisiä kielellisiä erityiskysymyksiä ja eräiden sinfonioiden erisnimisyys on synnyttänyt epätietoisuutta, lienee tällekin luettelolle jonkinlainen tarve. Olen pitänyt teosauktoriteettina suhteellisen vanhaa Dan Fogin teosluetteloa*, jonka FS-numerointi on vakiintunut yleiseen käyttöön satunnaisten opusnumeroiden -
C a R L N I E L S E N S T U D I
CARL NIELSEN STUDIES V O L U M E I V • 2009 CARL NIELSEN STUDIES V O L U M E I V • 2009 Edited by David Fanning, Michael Fjeldsøe, Daniel Grimley, and Niels Krabbe (editor-in-chief) Copenhagen 2009 The Royal Library CARL NIELSEN AND THE DANISH TRADITION OF STORY-TELLING By Colin Roth Presenting an interdisciplinary paper is not unlike putting up a tent – it’s important to establish secure moorings for the poles fi rst, but diffi cult to get them to stand in balance with each other, even more diffi cult to throw the tarpaulin over the lot without knocking some over or getting them stuck in the wrong place.1 Only when the tent cover is in place, properly supported by its poles, does the structure become recognisable as a tent at all, making sense as a coherent idea – so there’s a protracted and sometimes challengingly tangential pathway towards the success you hope you’ll eventually achieve when all your ropes are pegged and your fl aps zipped. I hope you’ll bear with me while I try to put this tent up.2 The new edition of Carl Nielsen’s works has been a source of great interest to us all as its volumes have been published, one after the other. But one of them was a horrible shock when it arrived. It contained really dreadful stuff, quite awful. That was the score of Aladdin. Of course, I’m not saying that the editing of Aladdin was shocking! On the contrary, David Fanning’s presentation of the material is excellent – indeed, the shock was so great precisely because his presentation was so thorough. -
Carl Nielsen the Masterworks Volume 1 – Orchestral Music
carl NielseN The masTerworks Volume 1 – orchestral music DaNish NatioNal symphoNy orchestra Michael Schønwandt / thoMaS dauSgaard CD 1 carl NielseN Symphony no. 3, op. 27 “Sinfonia espansiva” (1910-11) 37:11 1 I Allegro espansivo �������������������������������������������������������������������������������������������������������������������������������������������������������11:41 The masTerworks 2 II Andante pastorale** 9:33 Volume 1 – orchestral music 3 III Allegretto un poco ���������������������������������������������������������������������������������������������������������������������������������������������������6:21 4 IV Finale: Allegro �������������������������������������������������������������������������������������������������������������������������������������������������������������9:28 ** Inger Dam-Jensen, soprano; Poul Elming , tenor DaNish NatioNal symphoNy orchestra Michael Schønwandt / thoMaS dauSgaard * Symphony no. 2, op. 16 “The Four Temperaments” (1901-02) �����������������������������33:44 5 I Allegro collerico ���������������������������������������������������������������������������������������������������������������������������������������������������������10:07 6 II Allegro comodo e flemmatico 4:39 7 III Andante malincolico �������������������������������������������������������������������������������������������������������������������������������������������11:20