Carl Nielsen the Masterworks Volume 1 – Orchestral Music

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Carl Nielsen the Masterworks Volume 1 – Orchestral Music carl NielseN The masTerworks Volume 1 – orchestral music DaNish NatioNal symphoNy orchestra Michael Schønwandt / thoMaS dauSgaard CD 1 carl NielseN Symphony no. 3, op. 27 “Sinfonia espansiva” (1910-11) 37:11 1 I Allegro espansivo �������������������������������������������������������������������������������������������������������������������������������������������������������11:41 The masTerworks 2 II Andante pastorale** 9:33 Volume 1 – orchestral music 3 III Allegretto un poco ���������������������������������������������������������������������������������������������������������������������������������������������������6:21 4 IV Finale: Allegro �������������������������������������������������������������������������������������������������������������������������������������������������������������9:28 ** Inger Dam-Jensen, soprano; Poul Elming , tenor DaNish NatioNal symphoNy orchestra Michael Schønwandt / thoMaS dauSgaard * Symphony no. 2, op. 16 “The Four Temperaments” (1901-02) �����������������������������33:44 5 I Allegro collerico ���������������������������������������������������������������������������������������������������������������������������������������������������������10:07 6 II Allegro comodo e flemmatico 4:39 7 III Andante malincolico �������������������������������������������������������������������������������������������������������������������������������������������11:20 8 IV Allegro sanguineo 7:28 CD 2 Symphony no. 4, op. 29 “The Inextinguishable” (1914-16) �������������������������������������36:28 1 I Allegro �������������������������������������������������������������������������������������������������������������������������������������������������������������������������������12:30 2 II Poco allegretto (8 bars after tempo marking) ���������������������������������������������������������������������������������������4:53 3 III Poco adagio quasi andante �������������������������������������������������������������������������������������������������������������������������������9:32 4 IV Con anima – Allegro �����������������������������������������������������������������������������������������������������������������������������������������������9:32 René Mathiasen, timpani 1; Christian Utke Schiøler, timpani 2 Symphony no. 5, op. 50 (1920-22) ���������������������������������������������������������������������������������������������������������������38:21 5 I Tempo giusto – �����������������������������������������������������������������������������������������������������������������������������������������������������������10:37 6 Adagio �����������������������������������������������������������������������������������������������������������������������������������������������������������������������������������10:02 7 II Allegro – ���������������������������������������������������������������������������������������������������������������������������������������������������������������������������6:28 8 Presto ���������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������3:12 9 Andante poco tranquillo – ���������������������������������������������������������������������������������������������������������������������������������������4:55 Dacapo is supported by the Danish Arts Council Committee for Music 10 Allegro (Tempo I) �����������������������������������������������������������������������������������������������������������������������������������������������������������3:03 Niels Thomsen, clarinet; Tom Nybye, snare drum CD 3 Saul and David (1898-1901) Symphony No. 1, Op. 7 (1889-94) 34:00 9 Prelude to Act II: Allegro marziale 5:08 1 I Allegro orgoglioso ������������������������������������������������������������������������������������������������������������������������������������������ 9:22 2 II Andante ���������������������������������������������������������������������������������������������������������������������������������������������������������������� 6:56 Rhapsody Overture: (1927) 3 III Allegro comodo – Andante sostenuto – Tempo I 8:01 An imaginary journey to the Faroe Islands 10 Andante sostenuto – Andante tranquillo – Allegro molto ��������������������������������������������������10:17 4 IV Finale: Allegro con fuoco 8:42 (1907-08) Symphony No. 6 “Sinfonia semplice” (1924-25) ������������������������������������������������������34:34 Willemoes 11 Prelude to Act III: Andantino espressivo ������������������������������������������������������������������������������������������ 2:11 5 I Tempo giusto 14:17 6 II Humoresque – Allegretto ������������������������������������������������������������������������������������������������������������������������ 4:20 Pan and Syrinx. Pastoral Scene for Orchestra, op. 49 (1917-18) 7 III Proposta seria – Adagio �������������������������������������������������������������������������������������������������������������������������� 5:07 12 Andante tranquillo 8:43 8 IV Theme and Variations: ��������������������������������������������������������������������������������������������������������������������������10:50 Allegretto un poco – Var. 1 – Var. 2: Allegretto quasi andantino – Cupid and the Poet, op. 54 (1930) Var. 3: Più vivo – Var. 4 – Var. 5: Brioso – Var. 6: Tempo di valse – Var. 7 – 13 Ouverture: Allegretto con brio ������������������������������������������������������������������������������������������������������������������ 5:22 Var. 8: Molto adagio – Var. 9: Tempo di tema (Allegretto un poco) – Fanfare Ouverture Helios, op. 17 (1903) 14 Andante tranquillo – Allegro ma non troppo – Presto – 11:55 CD 4 * Tempo I – Andante tranquillo Maskarade (1904-06) 1 Overture �������������������������������������������������������������������������������������������������������������������������������������������������������������������� 4:21 DVDs 1 and 2 2 Cockerel’s Dance ������������������������������������������������������������������������������������������������������������������������������������������������ 5:42 The six symphonies recorded live at the Danish Radio Concert Hall Sir Oluf He Rides (1906) 3 Prelude: Andantino giusto �������������������������������������������������������������������������������������������������������������������������� 5:38 Snefrid. Suite for orchestra (1893-94/99) 13:21 4 I Prelude 2:15 5 II Andante quasi sostenuto 2:43 6 III Postlude: Allegro non troppo 2:03 7 IV Snefrid’s Sleep: Andante – Quasi allegretto – Andante ���������������������������������������������������� 3:27 8 V Funeral Music: Andante sostenuto �������������������������������������������������������������������������������������������������� 2:33 years afterwards he also signed a general contract with the publisher Wilhelm Hansen, CARL NIELSEN by Niels Bo Foltmann who published more or less all his works until 1924. Alongside his composing career Carl Nielsen was to hold several important posts in Carl (August) Nielsen was born on 9th June 1865 at Sortelung near Nørre Lyndelse on Danish musical life. In the period 1908-14 he conducted at the Royal Theatre, then from the island of Funen. His father, who was a painter, also worked as a village musician, and 1915 until 1927 he conducted the concerts of the society Musikforeningen. In 1915 he was as a boy Carl was already playing in his father’s dance orchestra. At the same time he played elected to the board of trustees of the Royal Academy, where he also taught theory and in the local amateur orchestra, Braga, whose repertoire, besides entertainment and dance composition from 1915 until 1919. Finally he was on the boards of the Danish Composers’ -music, also included the symphonies of Vienna Classicism. At the age of just fourteen he Society and the Society for the Publication of Danish Music. was engaged as a trombonist in the regimental band in Odense. Alongside his work as a From the earliest works on, Carl Nielsen’s compositions were permeated by a Classicist military musician he played string quartets with his friends and studied Das wohltemperi- aesthetic which deliberately avoided any element of Late Romanticism. But in the course of erte Klavier on his own initiative. From these years came his first real attempts at composi- the 1910s and 1920s he oriented himself more towards the new currents in European mu- tion – mainly chamber music works in the Classical style. sic. Little by little he now worked several modernist elements into his music, but without at Thanks to patrons in Odense, Carl Nielsen had the chance to go to Copenhagen, any time abandoning his very characteristic personal style. This development is very
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