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Carl Nielsen Studies 2 (2005)

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BIBLIOGRAPHY CARL NIELSEN BIBLIOGRAPHY 1996–2003 By Kirsten Flensborg Petersen komponist’ [‘With all kinds of invention’: Carl Nielsen as avantgarde composer], The following bibliography is a continua- Dansk Musiktidsskrift 77/8 (2002/2003) pp. tion of the bibliography in Carl Nielsen Stud- 286-288. ies 1, which covered the period 1985-1995, and it follows the same criteria as set out Bernard, Karen: The operas of Carl Nielsen: there (see Carl Nielsen Studies 1 pp. 169 ff.). ‘Saul og David’ (1902) and ‘Maskarade’ (1906) These two bibliographies thus supplement (Denmark), Ph. D. diss., University of Mary- Mina F. Miller’s Carl Nielsen: A Guide to Re- land College Park 2001, 408 p. search (New York 1987). Future issues of Carl Nielsen Studies will continue to list Beyer, Anders: ‘Kulturkritikken der blev af- the new Nielsen literature, supplemented livet: interview med Carl Nielsen-eksper- by any necessary corrections to the already ten John Fellow’ [The cultural criticism published bibliographies. Thus the fol- that was killed: Interview with the Carl lowing listing of the literature from Nielsen scholar John Fellow], Dansk Musik- 1996-2003 concludes with a supplement tidsskrift 74/8 (1999/2000) pp. 254-263. to the bibliography in Carl Nielsen Studies 1. The bibliographies published in Carl Bockareva, Olga: ‘Iz nabljudenij nad gar- Nielsen Studies are also to be found on the moniej v proizvedenijah Selim Palmgren internet at www.kb.dk/kb/dept/nbo/ma/cn/ i Karl Nilsen’ [Observations on harmony in studies-en.htm. works by Selim Palmgren and Carl Niel- sen], in O muzyke kompozitorov Finljandii i Baier, Christian: ‘Carl Nielsen’, Österreich- Skandinavskih stran. Sbornik naucˇnyh statej ische Musikzeitschrift 51 (1996) pp. 385-496. [The music of Finnish and other Scandi- navian composers. Selected scholarly ar- Bartels, Katrin: Das Streichquintett im 19. Jahr- ticles], Kiralina Juzak (ed.), Petrozavodsk hundert [The string quintet in the 19th cen- 1998, pp. 94-111. tury], Göttingen 1996, 2 vols., 189, 109 p. Bramsen, Bolette: ‘Anne Marie och Carl Bergstrøm-Nielsen, Carl: ‘‘Med alle mulige Nielsen: toner och skulpturer i skön opfindelser’: Carl Nielsen som avantgarde- förening’ [Anne Marie and Carl Nielsen: 234 CN Studies indmad vol II 234 11/07/05, 14:03 BIBLIOGRAPHY Notes and sculptures in perfect harmo- Carl Nielsen spiller Carl Nielsen, Tre fonograf- ny], in Hemma hos författare, konstnärer, kom- valser fortæller [Carl Nielsen plays Carl Niel- positörer i Norden, Finn Jor (ed.), Stockholm sen, a story told by three phonograph cyl- 1999, pp. 78-83. inders], Morten Hein (ed.), CD-ROM and booklet, 24 p., Århus 2003. Bramsen, Bolette: ‘Anne Marie og Carl Nielsen: Toner og skulpturer i skøn fore- Carl Nielsen Studies, David Fanning et. al., ning’ [Anne Marie and Carl Nielsen: Notes (eds.), vol. 1- (2003), København, The Royal and sculptures in perfect harmony], in Nor- Library 2003. diske kunstnerhjem, Finn Jor (ed.), Køben- havn 1999, pp. 79-82. Carl Nielsen til sin samtid: artikler, foredrag, interview, presseindlæg, værknoter og manu- Bredin, Martin: Carl Nielsen: Sonat nr. 2 för skripter [Carl Nielsen to his contemporar- violin och piano op. 35: historisk bakgrund, ies: Articles, lectures, interviews, press re- verkpresentation, analys och diskografi [Carl ports, work notes, and manuscripts], John Nielsen: Sonata no. 2 for violin and piano Fellow (ed.), 3 vols., København 1999. op. 35: Historical background, introduc- tion to the work, analysis, and discogra- Caron, Jean-Luc: Notes sur Carl Nielsen, Brou- phy], Hovedoppgave, Universitetet i Bergen sur-Chantereine 1998, 225 p. (Bulletin de 2000, 83 p. l’Association Française Carl Nielsen; 18). Brems, Anders: ‘Et dejligt og afvekslende Christensen, Hanne: ‘Carl Nielsens mor’ liv. Erindringer ved Anders Brems’ [A good [Carl Nielsen’s mother], Fynske årbøger and varied life. Reminiscences by Anders (1996) pp. 47-51. Reprinted in: Espansiva 7 Brems], Espansiva 16-17 (2001) pp. 24-37. (1997) pp. 3-4. Brems, Anders: ‘Et dejligt og afvekslende Christensen, Mogens: ‘Børn og musik I, liv’ [A good and varied life], Espansiva [spe- Kreativ værkintroduktion – Musikalske cial issue], 2003, 47 p. byggesten’ [Children and music I, Creative work introduction – Musical construction], Brøndum, Kirstine: Solen mellem tyrens horn Dansk Musiktidsskrift 75/3 (2000/2001), pp. [The sun between the bull’s horns], Køben- 90-92. havn 1996, 291 p. Dalaker, Ingrid Loe: ‘Carl Nielsen i dansk Carl Nielsen: Mennesket og musikken [Carl folkelig sangtradisjon’ [Carl Nielsen in the Nielsen: The man and his music], Knud tradition of Danish folk singing], Studia Ketting (ed.), CD-ROM and booklet, 46 p., musicologica norvegica 26 (2000) pp. 23-37. København 1998. 235 CN Studies indmad vol II 235 11/07/05, 14:03 BIBLIOGRAPHY Dalaker, Ingrid Loe: ‘Det harmoniske tone- Odense Bys Museers mange arbejdsmar- språk i Carl Nielsens klaververker’ [Harmo- ker’ [The Carl Nielsen Museum interna- nic language in Carl Nielsen’s piano mu- tional: A report from one of the cultural sic], Studia musicologica norvegica 22 (1996) projects of the city of Odense], Fynske pp. 91-109. minder (2000) pp. 75-83, 182-183, 187. Davidson, Rolf: ‘Nordic repertoire exchan- Eskildsen, Karsten: ‘Carl Nielsen Museets ges: On feet of clay?’, Nordic sounds 1 (1997) brevsamling’ [The letter collection of the pp. 23-25. Carl Nielsen Museum], Espansiva 11 (1998) pp. 4-6. Debost, Michel and Toke Lund Christian- sen: ‘Original manuscripts now avaible Eskildsen, Karsten: ‘Carl Nielsens Barn- for Carl Nielsen’s Flute Concerto’, Flute domshjem 40 år’ [The 40th anniversary of Talk, 22/10 (2003) pp. 10-11, 18. Carl Nielsen’s childhood home], Espansiva 5 (1996) pp. 4-8. Demant Hatt, Emilie: Foraarsbølger: erindrin- ger om Carl Nielsen [Spring Torrents: remem- Eskildsen, Karsten: ‘Carl Nielsens fynske brances of Carl Nielsen], John Fellow (ed.), forår’ [Carl Nielsen’s springtime on Fu- København 2002, 190 p. nen], Fynske minder (1996) pp. 95-109, 170- 171, 177-178. Ebbesen, Niels Fink: ‘Vê nên âm nhac Dan– mach’ [An introduction to Danish Eskildsen, Karsten: ‘Carl Nielsens fynske music], Âm nhac 1 (1996) pp. 8-13. idyl’ [Carl Nielsen’s Funen idyll], Espan- siva 20 (2003) pp. 16-19. Eskildsen, Karsten: ‘Breve fra Anne Marie Carl-Nielsen’ [Letters from Anne Marie Eskildsen, Karsten: ‘Levende musik i Carl-Nielsen], Espansiva 13 (1999) pp. 4-7. bronze: Anne Marie Carl-Nielsen på Fyn’ [Living music in bronze: Anne Marie Carl- Eskildsen, Karsten: Carl Nielsen: Life and mu- Nielsen on Funen], Fynske minder (2002) sic, Odense 1999, 95 p. pp. 111-128. Eskildsen, Karsten: Carl Nielsen – livet og Eskildsen, Karsten: ‘Nielsen bag brillerne’ musikken [Carl Nielsen:Life and music], [Nielsen behind the glasses], Espansiva 18 Odense 1999, 95 p.; 2. rev. ed., Odense (2001) pp. 14-19. 2001, 95 p. Eskildsen, Karsten: ‘På besøg hos Marie Eskildsen, Karsten: ‘Carl Nielsen Museet Nielsen’ [A visit to Marie Nielsen], Espan- International – en beretning fra én af siva 11 (1998) pp. 11-14. 236 CN Studies indmad vol II 236 11/07/05, 14:03 BIBLIOGRAPHY Eskildsen, Karsten and Knud Ketting: Fellow, John: ‘Da danske musikere var blev- ‘Fire breve til Fuglsang’ [Four letters to ne til børn igen. Om den såkaldte Wüllner- Fuglsang], Espansiva 12 (1999) pp. 15-19. strid og dens forudsætninger i Dansk Tonekunstnerforening fra Charles Kjerulf Fanning, David: ‘Carl Nielsen and Early til Carl Nielsen og Louis Glass’ [When Twentieth-Century Musical/Aesthetic Theo- Danish musicians had become children ry’, Carl Nielsen Studies 1 (2003) pp. 9-17. again. On the so-called Wüllner-dispute and its background in the Dansk Tone- Fanning, David: Nielsen, Symphony no.5, kunstnerforening from Charles Kjerulf to Cambridge 1997, VIII + 127 p. Carl Nielsen and Louis Glass], Fund og forsk- ning i Det Kongelige Biblioteks samlinger 38 Fanning, David and Knud Ketting: Carl Niel- (1999) pp. 201-290. sen: 1865-1931, København 1999, 20 p. Fellow, John: ‘Fra Eroica til Semplice – fra Fellow, John: ‘Carl Nielsen – et kulturdra- den unge Beethoven til den ældre Carl ma’ [Carl Nielsen – a cultural drama], Nielsen’ [From Eroica to Semplice – from Dansk Musiktidsskrift 74/6 (1999/2000) pp. the young Beethoven to the elderly Carl 194-199. Nielsen], Magasin fra Det Kongelige Bibliotek 16/2 (2003) pp. 53-63. Fellow Larsen, John: ‘Carl Nielsen til sin samtid’ [Carl Nielsen to his contempora- Fellow, John: ‘Gal tekstkritik’ [Wrong tex- ries], Magasin fra Det Kongelige Bibliotek 13/ tural criticism], Dansk Musiktidsskrift 74/6 4 (1999) pp. 30-34. (1999-2000) p. 216. Fellow, John: ‘Carl Nielsen, Wien og det Fellow, John: ‘‘Musik berührt Sphären, europæiske vendepunkt. Fra psykisk eks- die wir nicht so leicht beschreiben kön- pansion til værdisammenbrud’ [Carl Niel- nen’: Gewandhauskapellmeister Herbert sen, Vienna, and the European transition: Blomstedt sprach mit John Fellow über From psychological expansion to the col- Leipzig, Carl Nielsen, Gott, Bruckner und lapse of values], Fund og forskning i Det Mahler’, Das Orchester 48/7-8 (2000) pp. 2-9. Kongelige Biblioteks samlinger 36 (1997) pp. 193-251. Fellow, John: ‘Torrents of Spring’, Nordic Sounds 1 (2003) pp. 12-17. Fellow, John: ‘Carl Nielsen, Wien und die Europäische Wende, Von psychischer Ex- Fellow, John: [Review of] Jack Lawson, Carl pansion bis Wertezerfall’, Österreichische Nielsen, Fund og forskning i Det Kongelige Musikzeitschrift, Nielsen special 51/6-7 (1996) Biblioteks samlinger 37 (1998) pp. 329-345. pp. 11-62. 237 CN Studies indmad vol II 237 11/07/05, 14:03 BIBLIOGRAPHY
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  • Carl Nielsen the Masterworks Volume 1 – Orchestral Music

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    carl NielseN The masTerworks Volume 1 – orchestral music DaNish NatioNal symphoNy orchestra Michael Schønwandt / thoMaS dauSgaard CD 1 carl NielseN Symphony no. 3, op. 27 “Sinfonia espansiva” (1910-11) 37:11 1 I Allegro espansivo �������������������������������������������������������������������������������������������������������������������������������������������������������11:41 The masTerworks 2 II Andante pastorale** 9:33 Volume 1 – orchestral music 3 III Allegretto un poco ���������������������������������������������������������������������������������������������������������������������������������������������������6:21 4 IV Finale: Allegro �������������������������������������������������������������������������������������������������������������������������������������������������������������9:28 ** Inger Dam-Jensen, soprano; Poul Elming , tenor DaNish NatioNal symphoNy orchestra Michael Schønwandt / thoMaS dauSgaard * Symphony no. 2, op. 16 “The Four Temperaments” (1901-02) �����������������������������33:44 5 I Allegro collerico ���������������������������������������������������������������������������������������������������������������������������������������������������������10:07 6 II Allegro comodo e flemmatico 4:39 7 III Andante malincolico �������������������������������������������������������������������������������������������������������������������������������������������11:20

  • Eventyrlige Oplevelser

    2016 Fairytales come to life Eventyrlige oplevelser H.C. ANDERSENS HUS H.C. ANDERSENS BARNDOMSHJEM FYRTØJET DEN FYNSKE LANDSBY CARL NIELSEN MUSEET CARL NIELSENS BARNDOMSHJEM MEDIEMUSEET MØNTERGÅRDEN THRIGES KARFTCENTRAL Ret til ændringer forbeholdes. Hans Christian Andersen Museum H.C. ANDERSENS HUS Museet giver dig et grundigt indblik i mennesket H.C. Andersen, hans karakteristiske fremtoning og følsomme sind. Her kan du se hans håndskrevne manuskripter og de mange tegninger og papirklip, der viser hans kreative spændvidde. Hans Christian Andersen Museum Odense is the birthplace of Hans Christian Andersen. The world’s greatest fairytale writer was born in Odense in 1805 as the son of a poor shoemaker and a washerwoman. The H.C. Andersens Hus birthplace is located in the old historic precinct of Odense and today it is part of a large museum of the writer’s life and work. Odense er H.C. Andersens fødeby. Her blev verdens største eventyrforfatter født i 1805 som søn af en fattig skomager og en The Hans Christian Andersen Museum takes you back to the vaskekone. Fødestedet ligger i Odenses gamle, historiske bydel time when the writer’s works were created. From his childhood og er i dag en del af et stort museum for digterens liv og virke. years in Odense, the hardships endured to fulfilling his dreams in Copenhagen, his artistic career, love life, close friends, and I H.C. Andersens Hus bliver du ført tilbage til den tid, som for- not least his many travels. fatterens værker udsprang fra. Fra barndomsårene i Odense, over drømmenes mål i København frem til kunstnerisk karrie- The museum gives you an insight into Andersen the man, his re, kærlighedsliv, nære venner og ikke mindst hans mange rej- characteristic appearance and sensitive disposition.
  • Carl Nielsen Studies 5 (2012)

    Carl Nielsen Studies 5 (2012)

    EDITORIAL With a few exceptions, the contributions to this fi fth volume of Carl Nielsen Studies are revised and enlarged versions of papers presented at the international Carl Nielsen symposium, “Carl Nielsen. Inheritance and Legacy”, held in The Royal Library in Copen hagen in November 2011. The size of this issue, which is the largest CNS so far, is a token of the increasing interest abroad in Nielsen and his music, and it also marks the two most recent monographs on Nielsen in English – by Anne-Marie Reynolds and Daniel Grimley – through comprehensive reviews of both books. By agreement with our English publisher, Ashgate, and after having obtained permission from the authors, volumes 1-4 are now available, complete, on the inter- net through CNS’s home page (http://www.kb.dk/en/kb/nb/mta/cnu/cnstudies/index. html). Future volumes, including this one, will be available on line 12 months after their publication. The year 2015 will mark Nielsen’s 150th anniversary. To celebrate this, ambitious col- laborative plans have been made by a number of cultural and educational institu- tions in Denmark, including among others Radio Denmark, The Royal Academy of Music, The Royal Library, Odense City Museums, The Royal Theatre and all the profes- sional symphony orchestras in Denmark. As may be seen from the preliminary list below, the events will be directed at the general public (of all ages), including music students, music scholars and the wider musical world. At the time of writing the project envisages, among many ideas and visions, the