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March 2012 · Volume 5, Issue 3
Park News National Park Service U.S. Department of the Interior The official newspaper of National Mall and Memorial Parks March 2012 · Volume 5, Issue 3 Activities 2 Cherry Blossom Festival 4 Plan Your Visit 8 Cherry Blossom Centennial Cherry Tree Rebellion Ranger Brad Berger Ranger JoAnn Garcia arch 27, 2012 marks the 100th anniversary isitors strolling to the Thomas Jefferson Me- Mof the ceremonial planting of Japanese Vmorial along the Tidal Basin when the cherry flowering cherry trees along the Tidal Basin by trees are in full bloom enjoy a spectacular view. First Lady Helen Taft and the Viscountess Chinda, Yet the story behind the scenery and the memorial wife of the Japanese Ambassador. From her first is filled with turmoil and controversy. Loud pro- visit to Japan in 1885, noted authority on Asian tests against the building of the memorial and the culture and newspaper correspondent Eliza R. removal of the cherished trees resulted in a great Scidmore advocated the planting of such trees battle by several Washingtonians. in the nation’s capital. The years turned into In 1912, First Lady Helen Taft and the Vis- decades in her quest to beautify the city. Despite countess Chinda, wife of the Japanese Ambassa- her lack of success, this was a formative time for dor, planted the first two Yoshino cherry trees on Washington, D.C., as a series of damaging floods the north end of the Tidal Basin. Originally there underscored the need for dredging the Potomac city we know today. The city, taking its cue from were 3,020 cherry trees of 12 different varieties. -
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Enjoy live narration of the underlying history and significance of the top Zohery Tours offers diversified monuments and main attractions. We offer transportation services to suit individual virtual tours of Washington DC (including and corporate needs. If you’re looking the Grand Tour and African American for transportation services in the DC Heritage), Alexandria and Mt. Vernon, and Metro Area, Zohery Tours is your #1 Treasures of Egypt - all at the comfort of choice! your home! Zohery Tours has been helping teachers take their students on personalized educational Tour Departures fieldtrips across the area for over 30 years. Traveling with us will ensure that you travel All tours depart from in safe and comfortable buses, all while having tons of fun. Student safety is our 400 New Jersey Ave NW number one priority. This is why Zohery Tours is a trusted name in student travel. Washington DC 20001 (2 ½ blocks away from the Union Station Metro) CELEBRATING OVER 30 YEARS OF EXCELLENCE IN SIGHTSEEING Lectured Tours and Transportation 202-554-4200 WWW.ZOHERY.COM Email: [email protected] Itinerary of the Daily Tours (excluding the Mount Vernon Tour) DAILY TOURS Grand Tour of Alexandria & Washington Mount Vernon $79 per person $59 per person (Entrance fee included) Departs at 10:30 AM Departs at 2:00 PM Approx. 3-4 hours Approx. 4-5 hours Washington Full Day Tour After Dark $59 per person $138 per person (Entrance fee included) Departs at 7:30 PM Departs at 10:30 AM Approx. 3-4 hours Approx. 8-9 hours Child: $39 (age 3-11) The Full Day Tour is a combination of the Grand Tour and the PRIVATE TOURS Alexandria & Mount Vernon Tour. -
December 1999 of Trappe, Collegeville, Perkiomen Valley, Inc
The Chronicle A Publication of The Historical Society December 1999 of Trappe, Collegeville, Perkiomen Valley, Inc. Volume XXVIII, No. 5 Wa shington AnniversaryEx hibit The President's Message The 200th Anniversary of the death of President George Washington in Decem In teresting happenings are in progress at the Dewees Tavern ber 1799 will be observed at the Dewees and the Muhlenberg House. We have had a number of tour Museum, 301 W. Main Street, Trappe, groups visit us and a number are scheduled. We welcome them. beginningon Sunday, December 5th. The Our maintenance costs continue so we must ask our visitors exhibit will include prints of personages from the American Revolution who were and supporters fo r contributionsfrom time to time. involved with Washington and the We are gratefulfo r the Century Club support over the past Muhlenbergs. A unique reverse painting nine years, but some have neglected to keep up with their of Wakefield, the birthplace of Washing commitment. We plan to send letters of reminder. ton, on loan from the Rev. Robert Home, We would like to purchase two five-plated stoves fo r.the first will be shown. Anantique print ofWash floor cooking fireplaces. The cost is $7, 000 apiece. Ifanyo ne ington in his Masonic regalia will be a cares to donate one, or both, or a fraction of one, give me a call part of the exhibit. Muhlenberg House will not be open on December 5th. and we 'I/ negotiate. Furnishing the Muhlenberg House is One of the bicentennial (1932) framed important, but there is no rush to get it done. -
Virtual and Physical Environments in the Work of Pipilotti Rist, Doug Aitken, and Olafur Eliasson
Virtual and Physical Environments in the work of Pipilotti Rist, Doug Aitken, and Olafur Eliasson A thesis submitted to the Division of Research and Advanced Studies of the University of Cincinnati in partial fulfillment of the requirements for the degree MASTER OF ART in the Art History Program of the College of Design, Architecture, Art, and Planning April 2012 by Ashton Tucker B.A., Bowling Green State University College of Arts and Sciences Committee Chair: Morgan Thomas, Ph.D. Reader: Kimberly Paice, Ph.D. Reader: Jessica Flores, M.A. ABSTRACT The common concerns of artists Pipilotti Rist (b. 1962), Doug Aitken (b. 1968), and Olafur Eliasson (b. 1967) are symptomatic of key questions in contemporary art and culture. In this study, I examine key works by each artist, emphasizing their common interest in the interplay of virtual space and physical space and, more generally, their use of screen aesthetics. Their focus on the creative interplay of virtuality and physicality is indicative of their understanding of the fragility and uncertainty of physical perception in a world dominated by screen-based communication. In chapter one, I explore Pipilotti Rist’s Pour Your Body Out (7354 Cubic Meters) and argue that the artist creates work where screen based projection and installation are interrelated elements due to her interest in creating spaces that engage the viewer both physically and virtually. In chapter two, I discuss Doug Aitken’s work and argue that he democratizes the viewing experience in a more radical way than Pipilotti Rist. In the final chapter, I discuss the work of Olafur Eliasson as it relates to California Light and Space art and the phenomenological aspects of the eighteenth-century phantasmagoria. -
Peace Trail on the National Mall
PEACE TRAIL ON THE NATIONAL MALL Making Peace Possible Learn more about the United States Institute of Peace at www.usip.org PEACE TRAIL ON THE NATIONAL MALL Introduction The northwest corner of the National Mall could be considered the “War and Peace Corner” of our nation’s capital. It is home to this country’s most famous veterans memorials, which draw tens of millions of visitors each year. It is also home to the headquarters of the United States Institute of Peace (USIP), and to other symbols and sites with peace themes, which, while generally less prominent, offer an important and complementary narrative. The following Peace Trail on the National Mall is the result of a collaboration between USIP and colleagues at the Guild of Professional Tour Guides of Washington, D.C. and at the National Park Service. Anchored at USIP and tracing a path to a dozen other key sites in the vicinity, it brings a “peace lens” to the experience of visiting the National Mall. It may be used as a self-guided walking tour or a reference guide, elevating stories of key figures, institutions, and moments in history that demonstrate America’s enduring commitment to peace. 1 M HA EDWARD R MURROW H ST NW 66 Decatur House Von Steuben PARK LAFAYETTE Kosciuszko NEW US Court of George New Executive PARK Appeals and Washington H ST NW Office Bldg Baruch Bench Jackson US Court University of Claims Renwick Gallery 24TH ST NW Rochambeau Treasury Annex Lafayette Juarez Blair-Lee House Closed roads G ST NW Eisenhower 14TH ST NW Executive Department Office of the F ST NW -
Peace in Palestine Via the World Heritage Convention
. Michael K. Madison II. Peace in Palestine ..........through World Heritage Promoting Peace via Global Conventions - 1 - Peace in Palestine via the World Heritage Convention Promoting Peace via Global Conventions The Global Problem "Throughout history, religious differences have divided men and women from their neighbors and have served as justification for some of humankind's bloodiest conflicts. In the modern world, it has become clear that people of all religions must bridge these differences and work together, to ensure our survival and realize the vision of peace that all faiths share." -- H.R.H. Prince El-Hassan bin Talal, Jordan Moderator, WCRP Governing Board Tolerance, Economic Growth and Fear Global peace and harmony is not possible without religious tolerance. Unfortunately, there is no instant microwavable solution. We can’t just add water and/or milk to the current situation and hope that the world will ameliorate itself overnight. No. The world needs help. The problem is not the outliers; it is larger groups of people that need to change. Outliers will always be present. The world needs religious-minded policymakers to take giant steps that lead to peace, but in a mutually beneficial way. Indeed, peace for peace’s sake is not always enough incentive to all parties involved. Therefore, if the conflict cannot be resolved by tolerance, then let it be resolved by greed as we find a way to help the countries involved to achieve a better economic position. If the conflict cannot be resolved by boosting the corresponding economies, then let it be resolved by fear as we convince the nations involved that one false move means it will be - 2 - their country against the rest of the world and not just their “enemy of the day”. -
The Cultural Heritage Element a Strategy for Preserving Our Sense of Place April 2006
Heritage The Cultural Heritage Element A Strategy for Preserving Our Sense of Place April 2006 envision The Comprehensive Plan for Lancaster County, Pennsylvania Lancaster County Table of Contents Introduction Key Message . 3 Our Challenge . 3 Purpose of This Plan . 4 Heritage: An Element of the Lancaster County Comprehensive Plan . 5 Need for the Plan . 7 Approach . 7 Contents of This Plan . 7 Goals, Objectives, and Strategies . 8 Existing Conditions Historical and Cultural Overview of Lancaster County . 13 Native American / American Indian Settlement . 13 Penn’s Woods and the Establishment of Lancaster County . 16 Settlement Patterns . 18 Religious Traditions in 18th-Century Lancaster County . 19 18th-Century Built Environment . 27 Agriculture in the 18th Century . 27 18th-Century Industries . 27 Revolutionary War and Early Republic . 28 Development of Free African Communities . 29Growing Transportation Network 30 of Contents Table Arts and Education in the 18th and 19th Centuries . 33 Slavery, the Civil War, and the Underground Railroad . 34 Agriculture in the 19th and 20th Centuries . 38 Manufacturing in the Late 19th and Early 20th Centuries . 39 Arts in the 20th Century . 41 20th Century to Today . 41 Preservation Planning In Lancaster County . 43 Past Efforts . 43 Present Efforts . 50 Preservation Trends . 53 Introduction . 53 Positive Trends . 56 Mixed Results . 61 Negative Trends . 66 Planning Process Guiding Principles . 73 Stakeholder Involvement . 73 Sustainability . 73 Integration of Supporting Studies . 73 Achievable Recommendations . 74 Research and Assessment . 74 Public Involvement Strategy . 75 Lancaster County Cultural Heritage Plan Task Force . 75 Regional Meetings . 76 Public Workshop: There’s No Place Like Home . 76 Public Involvement Findings . -
World Heritage Papers 7 ; Cultural Landscapes: the Challenges Of
Ferrara 7-couv 12/01/04 17:38 Page 1 7 World Heritage papers7 World Heritage papers Cultural Landscapes: Cultural Landscapes: the Challenges of Conservation of Challenges the Landscapes: Cultural the Challenges of Conservation World Heritage 2002 Shared Legacy, Common Responsibility Associated Workshops 11-12 November 2002 Ferrara - Italy For more information contact: paper; printed on chlorine free Cover paper interior printed on recycled RectoVerso Design by UNESCO World Heritage Centre papers 7, place de Fontenoy 75352 Paris 07 SP France Tel : 33 (0)1 45 68 15 71 Fax : 33 (0)1 45 68 55 70 E-mail : [email protected] orld Heritage W http://whc.unesco.org/venice2002 photo:Cover Delta © Studio B&G Po Ferrara 7 12/01/04 17:34 Page 1 Cultural Landscapes: the Challenges of Conservation World Heritage 2002 Shared Legacy, Common Responsibility Associated Workshops 11-12 November 2002 Ferrara - Italy Hosted by the Province of Ferrara and the City of Ferrara Organized by the University of Ferrara and UNESCO’s World Heritage Centre in collaboration with ICCROM, ICOMOS and IUCN With the support of the Nordic World Heritage Foundation (NWHF) and the Dutch Ministry of Education, Culture and Sciences (OCenW) Ferrara 7 12/01/04 17:34 Page 2 Disclaimer The authors are responsible for the choice and presentation of the facts contained in this publication and for the opinions therein, which are not necessarily those of UNESCO and do not commit the Organization. The designation employed and the presentation of the material throughout this publication do not imply the expression of any opinion whatsoever on the part of UNESCO concerning the legal status of any country, territory, city or area or of its authorities, or concerning the delimitation of its frontiers or boundaries. -
Cultural Heritage Preservation: the Past, the Present and the Future
CULTURAL HERITAGE PRESERVATION: THE PAST, THE PRESENT AND THE FUTURE AND THE PRESENT THE PAST, PRESERVATION: HERITAGE CULTURAL Cultural Heritage Preservation: The Past, the Present and the Future “Heritage comes in many shapes—in tangible forms such as sites, build- ings, landscapes, or as intangibles, like memories, emotions, values and customs—as does the use of heritage, ranging from the purpose of build- ing nations to marketing places. Heritage usually represents a phenomenon within a traditional historical discourse but have lately, more and more, Cultural Heritage Preservation: come to take in peripheral appearances; often emanating from groups at the fringes of that traditional discourse as well. The use of heritage occurs The Past, the Present and the Future in different arenas and takes on significance as a vehicle for political, cultural and entrepreneurial purposes, as well as educational and emancipatory, to name just a few. How to interpret heritage in order to understand its meaning to different groups is therefore a very important task.” This anthology describes heritage preservation, development and manage- Tomas Nilson & Kristina Thorell (eds.) ment from different theoretical views and disciplines. It integrates per- spectives from history, human geography, archaeology, social anthropology THORELL (EDS.) NILSON & KRISTINA TOMAS and heritage conservation. The texts revolve around different dimension of culture and heritage via examples from varying contexts and locations. Forskning i Halmstad nr 24 Halmstad University ISBN 978-91-87045-94-3 (printed) ISBN 978-91-87045-95-0 (pdf) Halmstad University Press Mailing address: P.O. Box 823 SE-301 18 Halmstad Halmstad 2018 Telephone: +46 35-16 71 00 E-mail: [email protected] www.hh.se Forskning i Halmstad nr 24 CULTURAL HERITAGE PRESERVATION: THE PAST, THE PRESENT AND THE FUTURE FORSKNING I HALMSTAD NR. -
Genocide-Holodomor 1932–1933: the Losses of the Ukrainian Nation”
TARAS SHEVCHENKO NATIONAL UNIVERSITY OF KYIV NATIONAL MUSEUM “HOLODOMOR VICTIMS MEMORIAL” UKRAINIAN GENOCIDE FAMINE FOUNDATION – USA, INC. MAKSYM RYLSKY INSTITUTE OF ART, FOLKLORE STUDIES, AND ETHNOLOGY MYKHAILO HRUSHEVSKY INSTITUTE OF UKRAINIAN ARCHAEOGRAPHY AND SOURCE STUDIES PUBLIC COMMITTEE FOR THE COMMEMORATION OF THE VICTIMS OF HOLODOMOR-GENOCIDE 1932–1933 IN UKRAINE ASSOCIATION OF FAMINE RESEARCHERS IN UKRAINE VASYL STUS ALL-UKRAINIAN SOCIETY “MEMORIAL” PROCEEDINGS OF THE INTERNATIONAL SCIENTIFIC- EDUCATIONAL WORKING CONFERENCE “GENOCIDE-HOLODOMOR 1932–1933: THE LOSSES OF THE UKRAINIAN NATION” (October 4, 2016, Kyiv) Kyiv 2018 УДК 94:323.25 (477) “1932/1933” (063) Proceedings of the International Scientific-Educational Working Conference “Genocide-Holodomor 1932–1933: The Losses of the Ukrainian Nation” (October 4, 2016, Kyiv). – Kyiv – Drohobych: National Museum “Holodomor Victims Memorial”, 2018. x + 119. This collection of articles of the International Scientific-Educational Working Conference “Genocide-Holodomor 1932–1933: The Losses of the Ukrainian Nation” reveals the preconditions and causes of the Genocide- Holodomor of 1932–1933, and the mechanism of its creation and its consequences leading to significant cultural, social, moral, and psychological losses. The key issue of this collection of articles is the problem of the Ukrainian national demographic losses. This publication is intended for historians, researchers, ethnologists, teachers, and all those interested in the catastrophe of the Genocide-Holodomor of 1932–1933. Approved for publication by the Scientific and Methodological Council of the National Museum “Holodomor Victims Memorial” (Protocol No. 9 of 25 September 2018). Editorial Board: Cand. Sc. (Hist.) Olesia Stasiuk, Dr. Sc. (Hist.) Vasyl Marochko, Dr. Sc. (Hist.), Prof. Volodymyr Serhijchuk, Dr. Sc. -
Foundation Document Overview, the White House
NATIONAL PARK SERVICE • U.S. DEPARTMENT OF THE INTERIOR Foundation Document Overview The White House and President’s Park Washington, D.C. Contact Information For more information about The White House and President’s Park Foundation Document, contact: [email protected] or (202)208-1631 or write to: President’s Park, 1100 Ohio Drive, SW, Washington, D.C. 20242 Purpose The purpose of the PRESIDENT’S PARK is to: • Preserve the cultural resources of the White House—its architecture, artifacts, landscape design, gardens and grounds, and the surrounding parklands—in ways that foster and preserve dignity and respect for the office of the presidency, while still allowing for their use. • Provide a dignified transition area from an urban environment to the White House environs. • Interpret the history and significance of the presidency, the White House, and President’s Park, including their relationship to the American public, our republican form of government, and the growth of Washington, D.C. • Preserve existing historic memorials as examples of memorial art. • Provide a large open area associated with the White House for freedom of public expression and assembly activities, as well as for public use and enjoyment. The purpose statements are reprinted from the Comprehensive Design Plan for the White House and • Protect and enhance views to and from the President’s Park (2000). White House and provide a setting for viewing the White House. • Preserve Lafayette Park as open public space in The purpose of THE WHITE HOUSE is to: the foreground of the White House, as a setting for passive activities (reflecting, observing, • Provide a residence that offers privacy, making a personal connection with the protection, and recreational opportunities for presidency), First Amendment activities within the first family. -
From Cultural Heritage to the Confederacy Maliha Ikram
Northwestern Journal of Law & Social Policy Volume 14 | Issue 1 Article 2 Fall 2018 Long-Term Preservation of Public Art: From Cultural Heritage to the Confederacy Maliha Ikram Recommended Citation Maliha Ikram, Long-Term Preservation of Public Art: From Cultural Heritage to the Confederacy, 14 Nw. J. L. & Soc. Pol'y. 37 (2018). https://scholarlycommons.law.northwestern.edu/njlsp/vol14/iss1/2 This Article is brought to you for free and open access by Northwestern Pritzker School of Law Scholarly Commons. It has been accepted for inclusion in Northwestern Journal of Law & Social Policy by an authorized editor of Northwestern Pritzker School of Law Scholarly Commons. Copyright 2018 by Northwestern University School of Law Volume 14 (Fall 2018) Northwestern Journal of Law and Social Policy Long-Term Preservation of Public Art: From Cultural Heritage to the Confederacy Maliha Ikram* ABSTRACT Fifty years ago, in the city of Idyllic Isle, America,1 an artist created a sculpture for the city. The artist’s focus was on remedying the sordid history of Idyllic Isle, a city that was not always so peaceful. Long ago, the city was overrun with racism, hateful propaganda advancing minority oppression, government corruption, and disregard for its coastal environment. Over the years, the city improved, but still had not reached its potential. The artist decided that he wanted to erect a sculpture on the publicly-owned land overlooking the city’s coastal waters. The government agreed that he could place the statue on the land as he wished, since there were no other plans for the land and the government wanted to rehabilitate it into a park space for its citizens.