DOCSLIB.ORG

By Diana R. Combe, B. Soc. Stud. (Hons), University of Sydney

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
By Diana R. Combe, B. Soc. Stud. (Hons), University of Sydney The Radio Serial Industry in Australia. An historical study of the production of serials in Australia, and the influence of the industry in the development of commercial radio. By Diana R. Combe, B. Soc. Stud. (Hons), University of Sydney. Thesis in fulfilment of Doctor of Philosophy Degree, 1992. Department of History, Philosophy and Politics, Macquarie University. MACQUARIE UNIVERSITY HIGHER DEGREE THESIS (PhD) AUTHOR^S CONSENT This is to certify that I , ... ................................. being a candidate for the degree of Doctor of Philosophy am aware of the policy of the University relating to the retention and use of higher degree theses as contained in the University’s PhD Regulations generally, and in particular. Regulation 21(2). In the light of this policy and the provisions of the above Regulations, I agree to allow a copy of my thesis to be deposited in the University Library for consultation, loan and photocopying forthwith. ; ------------ Signature of I^Wtaess Signature of Candidate Dated this day of . ^ The Academic Senate on 30 November 1993 resolved that the candidate had satisfied requirements for admission to this degree. This thesis represents a major part of the prescribed program of study. DeclaraHon. I hereby declare that this thesis is all my own work and has not been submitted for a higher degree to any other university or institution. Diana Combe 28 September 1992 Table of Contents Acknowledgements 1 Synopsis 2 Abbreviations 3 Introduction 4 Chapter 1. The Development of Serial Drama: 24 The beginning of radio drama: Britain and the USA; Radio drama in Australia; Plays, variety and serial drama; What the sponsors sought; The 'real' serial; Australian radio drama; A federal network; Creating a station image. Chapter 2: Influences in Programming: 56 Selling 'spots' and sponsorships; New networks; Enter the serials; George Edwards and his impact on radio drama; Advertising agencies: Goldberg and J.Walter Thompson; Program Distribution; The agency threat. Chapter 3: Influences on Programming: 84 Power and coverage; Broadcasting and the press; Competition for imported programs; Chains and networks; Independent producers; The networks expand; BSA: promises and problems; Reorganisation under MBS; Recruiting network stations; MBS: structure and control. Chapter 4: Networks: Operations and Effects: 117 The effects of recording; Organisation of production for MacQuarie; Diverging interests for 2GB and 2\JE!Sun; Effects on serial production; Repercussions of the war; The live-audience shows; Time-blocks for national advertisers; Complaints against networks; Decline of local drama. Chapter 5: Producers and Production: ISO Broadcaster/producers; Independent producers; Producer/directors; Production by the ABC; Imported transcriptions; Coping with shortages. Chapter 6: Sales and Program Control: 180 Serials as property; Local sales; Despatch; Overseas sales; Forecasting for MacQuarie: the '40s; The COLGATE-PALMOLIVE 'affair'; A troubled time for radio. Chapter 7: Radio Actors: 203 Acting for radio; Calculating numbers; Actors Equity; Conditions of employment; The 1944 award; Organising time; Recording: all in a day's work; Contracts for freelancers; Forced anonymity. Chapter 8: Radio Writers: 231 What and how to write for radio; The development of scriptwriting in Australia; Conditions of employment; Earning a living by freelancing; Sources of income; Competition from imported scripts; Writers in Equity; Faults of 'the system'; A question of quality. Chapter 9: The Serials: Style and Content: 260 Decency in broadcasting; Moral codes in Australian serials; Ratings; Views of the audience; Identification and commitment; The value of stereotypes; Sex, politics, and religion; Serials and the war effort. Chapter 10: The Effect of Television on Radio Drama: 295 American and British television; Preparing for television: Australia; Radio digs in Television programs; The decline of radio drama; Television and employment; Employment of artists; Epilogue for radio. Conclusion 327 Appendix 1. Wireless Technology 350 Appendix 2. Technology of Recording 355 Appendix 3. Australian Production Houses 364 Appendix 4. Biographies 372 Appendix 5. Dates of Serials 378 Bibliography 380 Acknowledgements The mention of names in the Bibliography does not begin to acknowledge my gratitude to the individuals and institutions whose help made this work possible. The early days of commercial radio in Australia are not well documented, so information about the production of serials for broadcasting - about how and why decisions were made, and what it was like to work in the industry - is largely in the memories of the people who actually made the serials, or whose work impinged in some way on it. Their belief in the value of this work led them, not only to give generously of their own time for interviews, and to entrust me with their scrapbooks and other memorabilia, but to suggest other possible informants, and many fruitful lines of investigation. Nor can I speak too highly of the help I have received from the staff of the various organisations holding archival material, company records, and other documentary material. These include the National Film and Sound Archive, Canberra; National Library, Canberra; Mitchell Library, Sydney; LaTrobe Library, State Library of Victoria; Fryer Memorial Library, University of Queensland; Australian Archive, Brisbane; ABC Archives, Sydney, Brisbane and Adelaide; Trades and Labour Archive, Canberra; Australian War Memorial Library, Canberra; Performing Arts Museum, Adelaide; Federation of Radio Broadcasters; NSW, Victorian and Queensland branches of Actors Equity, and AWA. A work of this kind is not conceived or accomplished without a considerable amount of encouragement, and for this, as well as their practical assistance I must thank, in particular, Peter Burgis (then head of the Sound and Radio Research and Acquisition, NFS A, Canberra); J.M. Rushton, Deputy Federal Director of FARB; Professor Peter Spearritt; and Associate Professor Murray Goot who supported this project through many difficult years. Synopsis Serials were an important element of commercial programming from the 1930s to the 1960s because they performed particular functions for stations and advertisers. Drama was expensive, however, so broadcasters had to organise cooperative production of recorded serials for distribution by networking, a process which continually challenged the Government regulations designed to prevent just that. The success of the broadcasters in popularising broadcast advertising provoked newspapers to involve themselves in broadcasting and stations to seek a reciprocal advantage through association with newspapers. The Government’s response was to restrict the formation of chains of ownership and/or control, but to permit the operation of cooperative networks which made country stations economic inclusions in sponsorship contracts. The demand for serials encouraged the formation of many independent production companies, but competition from cheap American transcriptions depressed their sales and prices. Moreover, the small size of the local market meant that many fmmd it necessary to sell overseas to make a profit, so serials which had already been shaped to appeal to the mass audience in Australia, had to be further modified - 'internationalised' - to make them acces­ sible to foreign mass audiences. This loss of Australian-ness, plus the circulation of American serials, led to a still-unresolved discussion about the nature of Australian 'culture', whether it should be protected, and if so, how best to do it. During the 1940s and 1950s, the radio serial industry was able to support a great many artists and technicians. The economics of the industry, however, were such that its viability depended on their accepting low fees and onerous working conditions. After 1956, wherever a television station began broadcasting, audiences lost interest in radio drama, and so too did advertisers. Sales of new serials began to fall off, and by 1960 the serial production industry was dead, and most of the artists unemployed. Abbreviations ABC Australian Broadcasting Commission ABCB Australian Broadcasting Control Board ABCo. Australian Broadcasting Company AFCRB Australian Federation of Commercial Radio Broadcasters AGPS Australian Government Publishing Service A.N.U. Australian NAtional University A.N.U.P. Australian University Press Aust. Rad. Pic. Australian Radio Pictorial B&T Broadcasting & Television B.B. Broadcasting Business Com. Br. Commercial Broadcasting C.U.P. Cambridge University Press JWT J. Walter Thompson M.U.P. Melbourne University Press NFSA National Film and Sound Archive N.Y. New York N.Y.U.P. New York University Press O.U.P. Oxford University Press P.M.G. Postmaster General's Dept S.U.P. Sydney University Press U.Q.P. University of Queensland Press W.W. Wireless Weekly Introduction I first became interested in radio serials some years ago when I was examining serials of the 1930s to see how they dealt with the Depression. I soon found that although the serials dealt with history, comedy, adventure, crime, and human relationships, they generally avoided anything to do with politics or economics. It then became a question of 'why not'. The more I found out, the more I became interested in the serials as a remarkable phenomenon in Australian broadcasting. They achieved sudden prominence in the early 1930s, were a major feature of programming during the 'forties and 'fifties, yet by the early 'sixties they
Load more

Recommended publications
  • Is Afternoon at Scottish Rite Former Students Attend College in South
    Party Given Senior Students Must File Night Tomorrow NYA Applications IOSERTA Newman Club At With College Deans SDAI SAN JOSE, CALIFORNIA, rOL loax FRIDAY, MARCH 7, 1941 Number 100 41 Duke 01. nen's he. Fund 1Y, Student l'Shake-Down' Party 131 night TOMORROW NOON be of the N.Y.A. DEADLINE Y White as APPLICATION FOR LOANS Tomorrow noon is the dead- MAGIC SHOW, ACTION, ted it" line for men NYA students to make applications for Lynn Gni, IN work next ACCEPTED DEAN'S quarter, ord, tree. announces Mrs. Louise REFRESHMENTS PROMISED s. gaud. Ralph, secretary in the dean of men's office. for eleven OFFICE THIS QUARTER ill he heit Wednesday is the last day that SENIORS TOMORROW women may apply for Knights as renewal Students who desire to make application for a loan from the Cali- slips for NYA work, according to e fraterroq Free refreshments, dancing, bowling, billiards and ping pong will of Parents and Teachers loan fund should see Dean of Women Helen Dirnmick. eel, at 1:15. Iola Congress Mrs. provide seniors with plenty of action at their "Bail Out-Shake Down" Any applications made after this be se Ralph in room 16 before the end of this quarter, it was en- party tomorrow night placed u date will be placed only if there in the Newman club, from 8:30 to 12 o'clock. A and sedum nead yesterday. are vacancies. specialty magician act by Ormond McGill, action pictures of the y part of ke are made for the purpose of allowing students Loans, which to Fresno football game, and "enlightening hints" about contents of the jobs Old .ramm 'rue their college education, are not to exceed $150.
    [Show full text]
  • The Visual Staging of Audio Plays
    Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2016 The Visual Staging of Audio Plays Alex P. Burkart Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the Acting Commons, and the Other Theatre and Performance Studies Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/4106 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. The Visual Staging of Audio Plays A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in Theatre at Virginia Commonwealth University by Alex Paul Burkart BFA, Webster University, 2008 MFA, Virginia Commonwealth University David Emerson Toney Assistant Professor/Artistic Director, Department of Theatre Virginia Commonwealth University School of the Arts Virginia Commonwealth University Richmond, VA April 18, 2016 Acknowledgment Special thanks to my incredible mentors at TheatreVCU: David Emerson Toney, Dr. Noreen Barnes, David Leong, Ron Keller, and Thomas Cunningham Susan Schuld for giving me the opportunity to stage my first radio play. My family: Emily A. Fisher, Paul and Susan Burkart, Nathan, Tyler, Meg, and Jess My past mentors, who ignited my love for theatrical performance: Doug Finlayson, Kat Singleton, Byron Grant, Steven Woolf, Josh Burton, and Edie Baran Ken Regez for sharing your voice and blazing passion for nostalgia My fellow graduate students, for being the sturdiest of sounding boards.
    [Show full text]
  • Australian Radio Series
    Radio Series Collection Guide1 Australian Radio Series 1930s to 1970s A guide to ScreenSound Australia’s holdings 1 Radio Series Collection Guide2 Copyright 1998 National Film and Sound Archive All rights reserved. No reproduction without permission. First published 1998 ScreenSound Australia McCoy Circuit, Acton ACT 2600 GPO Box 2002, Canberra ACT 2601 Phone (02) 6248 2000 Fax (02) 6248 2165 E-mail: [email protected] World Wide Web: http://www.screensound.gov.au ISSN: Cover design by MA@D Communication 2 Radio Series Collection Guide3 Contents Foreword i Introduction iii How to use this guide iv How to access collection material vi Radio Series listing 1 - Reference sources Index 3 Radio Series Collection Guide4 Foreword By Richard Lane* Radio serials in Australia date back to the 1930s, when Fred and Maggie Everybody, Coronets of England, The March of Time and the inimitable Yes, What? featured on wireless sets across the nation. Many of Australia’s greatest radio serials were produced during the 1940s. Among those listed in this guide are the Sunday night one-hour plays - The Lux Radio Theatre and The Macquarie Radio Theatre (becoming the Caltex Theatre after 1947); the many Jack Davey Shows, and The Bob Dyer Show; the Colgate Palmolive variety extravaganzas, headed by Calling the Stars, The Youth Show and McCackie Mansion, which starred the outrageously funny Mo (Roy Rene). Fine drama programs produced in Sydney in the 1940s included The Library of the Air and Max Afford's serial Hagen's Circus. Among the comedy programs listed from this decade are the George Wallace Shows, and Mrs 'Obbs with its hilariously garbled language.
    [Show full text]
  • Cricket Memorabilia Society Postal Auction Closing at Noon 10
    CRICKET MEMORABILIA SOCIETY POSTAL AUCTION CLOSING AT NOON 10th JULY 2020 Conditions of Postal Sale The CMS reserves the right to refuse items which are damaged or unsuitable, or we have doubts about authenticity. Reserves can be placed on lots but must be agreed with the CMS. They should reflect realistic values/expectations and not be the “highest price” expected. The CMS will take 7% of the price realised, the vendor 93% which will normally be paid no later than 6 weeks after the auction. The CMS will undertake to advertise the memorabilia for auction on its website no later than 3 weeks prior to the closing date of the auction. Bids will only be accepted from CMS members. Postal bids must be in writing or e-mail by the closing date and time shown above. Generally, no item will be sold below 10% of the lower estimate without reference to the vendor.. Thus, an item with a £10-15 estimate can be sold for £9, but not £8, without approval. The incremental scale for the acceptance of bids is as follows: £2 increments up to £20, then £20/22/25/28/30 up to £50, then £5 increments to £100 and £10 increments above that. So, if there are two postal bids at £25 and £30, the item will go to the higher bidder at £28. Should there be two identical bids, the first received will win. Bids submitted between increments will be accepted, thus a £52 bid will not be rounded either up or down. Items will be sent to successful postal bidders the week after the auction and will be sent by the cheapest rate commensurate with the value and size of the item.
    [Show full text]
  • Media Announcement
    MEDIA ANNOUNCEMENT FOR IMMEDIATE RELEASE BAY AREA RADIO HALL OF FAME ANNOUNCES FIRST CLASS OF HONOREES San Francisco (October 4, 2006) — The Bay Area Radio Museum is proud to announce the first group of inductees into the Bay Area Radio Hall of Fame. The selections were made following a year of study during which input from broadcast professionals, fans and historians was weighed to establish criteria and nominees for enshrinement. Among the first inductees are pioneers from the earliest period of local radio development nearly a century ago, as well as popular personalities from the modern era. Many of the names, such as Don Sherwood and Tom Donahue, may be instantly recognizable. Others, such as Colin B. Kennedy and Harrison Holliway, may be less so. In either case, it is hoped that the creation of the Hall of Fame will help to honor the men and women who have made Bay Area radio so popular over the years, and will make their names and accomplishments known for generations to come. For the near future, the Bay Area Radio Hall of Fame will exist primarily on the Internet at www.barhof.com, although a permanent exhibit is planned at the old KRE radio studios in Berkeley, which are being refurbished by the California Historical Radio Society (CHRS). The Bay Area Radio Hall of Fame is spearheaded by the Bay Area Radio Museum, which is an affiliate of the Broadcast & Newspaper Museum of Northern California consortium, which also includes CHRS and the Broadcast Legends. The radio museum was founded in 2005, and currently presents archival broadcast recordings, photographs, documents and historical essays on its website at www.bayarearadio.org.
    [Show full text]
  • 744 101St Chase and Sandborn Show Anniversary Show
    744 101ST CHASE AND SANDBORN SHOW ANNIVERSARY SHOW NBC 60 EX COM 5008 10-2-4 RANCH #153 1ST SONG HOME ON THE RANGE CBS 15 EX COM 5009 10-2-4 RANCH #154 1ST SONG UNTITLED SONG CBS 15 EX COM 5010 10-2-4 RANCH #155 1ST SONG BY THE SONS OF THE PIONEERS CBS 15 EX COM 5011 10-2-4 RANCH #156 1ST SONG KEEP AN EYE ON YOUR HEART CBS 15 EX COM 2951 15 MINUTES WITH BING CROSBY #1 1ST SONG JUST ONE MORE CHANCE 9/2/1931 8 VG SYN 4068 1949 HEART FUND THE PHIL HARRIS-ALICE FAYE SHOW 00/00/1949 15 VG COM 588 20 QUESTIONS 4/6/1946 30 VG- 246 20 QUESTIONS #135 12/1/48 AFRS 30 VG AFRS 247 20 QUESTIONS #137 1/8/1949 AFRS 30 VG AFRS 592 20 QUESTIONS WET HEN MUT. 30 VG- 2307 2000 PLUS THE ROCKET AND THE SKULL 30 VG- SYN 2308 2000 PLUS A VETRAN COMES HOME 30 VG- SYN 4069 A & P GYPSIES 1ST SONG IT'S JUST A MEMORY 00/00/1933 NBC 37 VG+ 1017 A CHRISTMAS PLAY #325 THESE THE HUMBLE (SCRATCHY) 30 G-VG SYN 2003 A DATE WITH JUDY WITH JOSEPH COTTON 2/6/1945 NBC 30 VG COM 938 A DATE WITH JUDY #86 WITH CHARLES BOYER AFRS 30 VG AFRS 2488 ABBOTT AND COSTELLO WITH MARLENA DETRICH 10/15/1942 NBC 30 VG+ COM 2489 ABBOTT AND COSTELLO WITH LUCILLE BALL 11/18/1943 NBC 30 VG+ COM 4071 ABBOTT AND COSTELLO WITH LYNN BARI 12/16/1943 NBC 30 VG COM 4072 ABBOTT AND COSTELLO WITH THE ANDREW SISTERS 12/26/1943 NBC 30 VG COM 2490 ABBOTT AND COSTELLO WITH BERT GORDON 12/30/1943 NBC 30 VG+ COM 2491 ABBOTT AND COSTELLO WITH JUDY GARLAND 1/6/1944 NBC 30 VG+ COM 2492 ABBOTT AND COSTELLO WITH HAROLD PERRY 1/20/1944 NBC 30 VG+ COM 4073 ABBOTT AND COSTELLO WITH THE GREAT GILDERSLEEVE 1/20/1944 NBC
    [Show full text]
  • Genocide, Memory and History
    AFTERMATH GENOCIDE, MEMORY AND HISTORY EDITED BY KAREN AUERBACH AFTERMATH AFTERMATH GENOCIDE, MEMORY AND HISTORY EDITED BY KAREN AUERBACH Aftermath: Genocide, Memory and History © Copyright 2015 Copyright of the individual chapters is held by the chapter’s author/s. Copyright of this edited collection is held by Karen Auerbach. All rights reserved. Apart from any uses permitted by Australia’s Copyright Act 1968, no part of this book may be reproduced by any process without prior written permission from the copyright owners. Inquiries should be directed to the publisher. Monash University Publishing Matheson Library and Information Services Building 40 Exhibition Walk Monash University Clayton, Victoria, 3800, Australia www.publishing.monash.edu Monash University Publishing brings to the world publications which advance the best traditions of humane and enlightened thought. Monash University Publishing titles pass through a rigorous process of independent peer review. www.publishing.monash.edu/books/agmh-9781922235633.html Design: Les Thomas ISBN: 978-1-922235-63-3 (paperback) ISBN: 978-1-922235-64-0 (PDF) ISBN: 978-1-876924-84-3 (epub) National Library of Australia Cataloguing-in-Publication entry: Title: Aftermath : genocide, memory and history / editor Karen Auerbach ISBN 9781922235633 (paperback) Series: History Subjects: Genocide. Genocide--Political aspects. Collective memory--Political aspects. Memorialization--Political aspects. Other Creators/Contributors: Auerbach, Karen, editor. Dewey Number: 304.663 CONTENTS Introduction ...............................................
    [Show full text]
  • Charles Kingsford Smith, Known As
    Significant People People Significant inAUSTRALIA’S HISTORY Contents in Significant People Significant People in Australia’s History profiles the people who brought HISTORY AUSTRALIA’S History makers 4 Boom times and the Great Depression 5 about important events or changes to Australian society through their in A snapshot of history 6 knowledge, actions or achievements. Explore the fascinating story of Australia, AUSTRALIA’S HISTORY Hudson Fysh, Pilot 8 from its ancient Indigenous past to the present day, through the biographies of Ross Smith and Keith Smith, Pilots 9 Raymond Longford and Lottie Lyell, Film stars 10 these significant people. Charles Bean, Journalist 12 Edith Cowan, Politician 14 Volume 6 Stanley Bruce, Prime Minister 16 Each volume focuses on a particular Special features include: Jimmy Clements, Indigenous leader 17 period in Australia’s history and includes: 6 Volume John Flynn, Religious leader 18 ‘life facts’ mini timeline Charles Kingsford Smith, Pilot 20 Life Facts background information about the of each person’s life Alf Traeger, Inventor 21 1580 Born in Holland 1920 –1938 featured time period and achievements 1615 Becomes commander 22 David Unaipon, Writer a timeline of main events of the Eendrach 1920 Grace Cossington Smith, Artist 23 1616 Lands on the western ‘more about …’ Morecoast about of Australia ... illustrated biographies of a wide range – Margaret Preston, Artist 24 information boxes Dirk Hartog1618 Island Returns to the 1938 Netherlands on the Jack Davey, Radio star 25 of significant people Hartog had landed in an area that was about related Eendrach home to the Malkana people, near Boom Times Don Bradman, Sportsperson 26 a glossary of terms * events and places modern-day Shark Bay in Western Australia.
    [Show full text]
  • 01303 278137
    SPT27 Sporting Times Issue 27 MR216 £750 Enzo Ferrari signed 1968 Italian Cars cover, former Italian motor racing driver and founder of the legendry Ferrari, a very scarce autograph. £75 per month over 10 months SCARCE F1 SIGNATURES ON PAGE 5 MR184F £200 Robert, Will, and Michael Dunlop signed 2001 Joey Dunlop Tribute cover, father and his two sons, all part of the most famous motorcycle racing family. £50 per month over 4 months FB745 £175 Joe Fagan signed 1996 Euro Anfield match day cover, Liverpool manager from 1983 to 1985 and won a historic European Cup, League Championship, and League Cup treble in his first season. £25 per month over 7 months MORE FOOTBALL SIGNATURES ON PAGES 6 & 7 £25 per month CR260N £100 over 4 months 1988 Australian Bicentenary cover signed by: Australians Geoff Marsh, Tony Greig, Bill Lawry, Alan Border, Richie Benaud, Jeff Thompson, Dennis Lilley, Ian Chapple, Bob Massie. English Alec Bedser, Graham Dilley, John Edrich, Bob Willis, David Gower, Chris Broad, Ian Botham, Trevor Bailey, Dennis Amiss, Ray Illingworth, Mike Brearley, Tom Graveney, Bob Taylor, Brian Stratham, Fred Truman, Graham Gooch, Geoff Boycott. FURTHER CRICKET SIGNATURES ON PAGES 2 & 3 CRICKET CR240AA £130 £13 per month over 10 months Derek Underwood, Colin Cowdrey, Graham Johnson, Bob Woolmer, Alan Knott, Mike Denness, Brian Luckhurst, Asif Iqbal, John Shepherd, Alan Brown, Stuart Leary, Norman Graham, and CR160I £100 £20 per month over 5 months Alan Dixon signed 1970 KCC Centenary cover, all part of Kent’s golden decade. Bob Willis, Dennis Amiss, Ian Chappell, Ray Illingworth, Tony Greig, Fred Trueman, Dennis Lille, Geoff Boycott, Greg Chappell, Bill Lawry, David Lloyd, Godfrey Evans, Bob Taylor, and Trevor Bailey signed 1985 Benham small silk cricket cover.
    [Show full text]
  • 4 in 1 Store
    PAGE TWO THE YPSILANTI DAILY PRESS, YPSILANTI. MICH., TUESDAY. NOV. 10. 1942 COUNCIL MEMBERS I EASTERN STAR U. S. Military Leaders in North Africa STEEL PROCESS " TOLD ACTIVITIES NAMES OFFICERS * 'NI EXPLAINED FOR OF GIRL SCOUTS FORUM MEMBERS New officers for Ypsilanti Chap- % ter number 119 Order of Eastern Girl Scout Council members heard The process of making steel plate 1 Star were elected, two petitions Interesting reports on Girl Scout that Is used a great deal for war for membership were granted, and ,’^H iBHI activities at the November council ¦ I needs, was explained in detail for reports of Grand Chapter meetings m I meeting Monday afternoon at memhers of the Forum Club and Our Service Men Charles McKenny Hall. Mrs. T were given at the meeting of the 1 rhapier, Monday evening in the guests Monday evening at Dearborn McDermott, chairman of the vi , Inn. The speaker, J. Champion from Technician Sergl. Harold L. Ter- F. L. Hagan, 2 N. Normal St., was tory Masonic Temple lodge room by » fund, said that the project, magmas the metallurgy of the rall has been transferred from C*mp one of the draftees inducted The new officers are Mrs Hay department which will cl" 1 Steel Company, Claiborne, La., Dix, N. Detroit draft board. Saturday Burrell, worthy matron; Charles Great I-akes told of to Fort J. • * • featured by a the processing of the steel, large • • • Ypstlanti High Freeman, worthy patron. Mrs. Wil- Lelnlnger. having the School ,\t this quantities of which are used for Pfc. Oen R. Green, now stationed Edward G.
    [Show full text]
  • SERIALS - Available in DVD Format
    SERIALS - Available in DVD Format Listed in alphabetical order: ACE DRUMMOND 13-Universal John "Dusty" King ADVENTURES OF CAPTAIN AFRICA 15-Columbia John Hart ADVENTURES OF CAPTAIN MARVEL 12-Republic Tom Tyler ADVENTURES OF FRANK AND JESSE JAMES 13-Universal Clayton Moore THE ADVENTURES OF FRANK MERRIWELL 12-Universal Don Briggs ADVENTURES OF RED RYDER 12-Republic Don "Red" Barry ADVENTURES OF REX AND RINTY 12-Mascot Rin Tin Tin THE ADVENTURES OF SIR GALAHAD 15-Columbia George Reeves ADVENTURES OF SMILIN' JACK 13-Universal Tom Brown ADVENTURES OF THE FLYING CADETS 13-Universal Johnny Downs ATOM MAN v/s SUPERMAN 15-Columbia Kirk Alyn BATMAN 15-Columbia Lewis Wilson BATMAN AND ROBIN 15-Columbia Robert Lowery BLACK ARROW 15-Columbia Robert Scott THE BLACK COIN 15-Independent Ralph Graves BLACKHAWK 15-Columbia Kirk Alyn BLACK WIDOW 13-Republic Bruce Edwards BLAKE OF SCOTLAND YARD 15-Independent Ralph Byrd BLAZING THE OVERLAND TRAIL 15-Columbia Dennis Moore BRICK BRADFORD 15-Columbia Kane Richmond BRUCE GENTRY 15-Columbia Tom Neal BUCK ROGERS 12-Universal Buster Crabbe BURN'EM UP BARNES 12-Mascot Jack Mulhall CALL OF THE SAVAGE 13-Universal Noah Berry, Jr. CANADIAN MOUNTIES v/s ATOMIC INVADERS 12-Republic Bill Henry CAPTAIN AMERICA 15-Republic Dick Pucell CAPTAIN MIDNIGHT 15-Columbia Dave O'Brien CAPTAIN VIDEO 15-Columbia Judd Holdren CHICK CARTER, DETECTIVE 15-Columbia Lyle Talbot THE CLUTCHING HAND 15-Independent Jack Mulhall CODY OF THE PONY EXPRESS 15-Columbia Jock Mahoney CONGO BILL 15-Columbia Don McGuire THE CRIMSON GHOST 12-Republic
    [Show full text]
  • Annual Report 1990-91 AUSTRALIAN BROADCASTING TRIBUNAL
    AUSTRALIAN BROADCASTING TRIBUNAL Annual Report 1990-91 AUSTRALIAN BROADCASTING TRIBUNAL ANNUAL REPORT 1990-91 Australian Broadcasting Tribunal Sydney 1991 © Commonwealth of Australia ISSN 0728-8883 Design by Publications and Public Relations Branch, Australian Broadcasting Tribunal. Printed in Australia by Pirie Printers Sales Pty Ltd, Fyshwick, A.CT. 11 CONTENTS 1. Membership of the Tribunal 1 2. The Year in Review 5 3. Powers and Functions of the Tribunal 11 Responsible Minister 14 4. Licensing 15 Number and Type of Licences on Issue 17 Number of Licensing Inquiries 19 Bond Inquiry 19 Commercial Radio Licence Grant Inquiries 20 Supplementary Radio Grant 21 Joined Supplementary /Independent Grant Inquiries 22 Remote Licences 22 Public Radio Licence Grants 23 Licence renewals 27 Renewal of Licences with Conditions 27 Revocation/ Suspension/ Conditions Inquiries 28 Revocation of Licence Conditions 31 Consolidation of Licences 32 Surrender of the 6CI Licence 33 Allocation of Call Signs 33 Changes to the Constituent Documents of Licensees 35 5. Ownership and Control 37 Applications Received 39 Most Significant Inquiries 39 Extensions of Time to Comply with the Act 48 Appointment of Receivers 48 Uncompleted Inquiries 49 Contraventions Amounting To Offences 51 Licence Transfers 52 Uncompleted Inquiries 52 Operation of Service by Other than Licensee 53 Registered Lender and Loan Interest Inquiries 53 6. Program and Advertising Standards 55 Program and Advertising Standards 57 Australian Content (Radio and Television) 58 Compliance with Australian Content Television Standards 60 Children's and Preschool Children's Television Standards 60 Compliance with Children's Television Standards 63 Comments and Complaints 64 Broadcasting of Political Matter 65 Research 66 Ill 7.
    [Show full text]