1956-57 Year Book Canadian Motion Picture Industry

Total Page:16

File Type:pdf, Size:1020Kb

1956-57 Year Book Canadian Motion Picture Industry / The mighty spectacle, FROM THE GREATEST N BE PRESENTED IN PARAMOUNT PRESENTS Audrey Hepburn Henry Fonda Mel Ferrer in LEO TOLSTOY'S Wax md Peace A PONTI-DeLAURKNTIIS production Co-starring Vittorio Gassman HERBERT LOM • OSCAR HOMOLKA ANITA EKBERG Helmut Dantine• Barry Jones• Anna Maria Ferrero• Milly Vitale• Jeremy Brett and John Mills Produced by DINO DeLAURENTIIS Directed by KING VIDOR Based on the novel "War And Peace" by LEO TOLSTOY Color by TECHNICOLOR THE GREAT HUMAN STORY. OVEL EVER WRITTEN WILL 1956 BY PARAMOUNT PROFIT MAIN FEATURE PROFIT Show Business And The Refreshment Business Are Partners in Profit We’ve seen it proved from coast to coast: patrons like to have refreshment handy while they enjoy your program. Specifically, they like to have ice-cold Coca-Cola available for breaks in the schedule for a pause on the way out of the theatre. Their satisfaction makes a mighty pleasant sound in your coin box. For details on a variety of vending equipment, write Coca-Cola Ltd., 90 Broadview Avenue, Toronto 8, Ontario. COCA-COLA LTD. 2 1956-57 YEAR BOOK OF THE CANADIAN MOTION PICTURE INDUSTRY PRICE $2.25 FILM PUBLICATIONS of Canadaf Ltd. 175 BLOOR ST. EAST TORONTO 5, ONT. CANADA Editor: HYE BOSSIN Assistants: Miss E. Silver and Ben Halter 3 r . i j. mmwsii liArus. presents L ^ r v A nation-wide sur¬ // _ / _// vey by Canadian lips Marketing Analysis Ltd. has confirmed L ■ J the overwhelming audience interest in “Tips”. the advertising medium audiences enjoy SCREEN ADVERTISING SERVICES OF CANADA LIMITED 20 CARLTON STREET, TORONTO • TELEPHONE EM. 6-0751 4 Index of Sections Pioneer of the Year Award 19 Our Business, by N. A. Taylor 21 Exhibition . 27 Theatre Directory 47 Distribution . 83 Production . 103 Equipment . 125 Refreshments 137 General Information 141 Awards . I 49 Unions . 157 Television . 161 Censorship . 167 Music 171 Press and Radio . I 73 I 6 Millimetre . I 77 16 Mm. Situations 184 Editorial Index A —Equipment . 131 —Exhibition . 40 Academy Awards . 149 —General . 142 Academy of Motion Picture Arts and Sciences .. 149 —Production . 117 Acme Costume Co. 131 —Refreshments . 139 Actors Equity Ass'n . 158 —16 Millimetre . 179 Adams Costume Rentals . 131 —Television . 162 Adfilms Ltd. 135 Astral Films Ltd. 85 Advertising—Screen . 135 Astral Films Ltd. (16 Mm. Div.) . 181 A. & F. Film Corp. 164 Atlantic Films & Electronics Ltd. 1 11 AGVA . 157 Awards . 149 Alberta Motion Picture Censor Branch . 168 Awards-—British Academy . 152 Alberta Theatres Ass'n . 40 —Canadian Film . 153 All-Canada Radio Facilities Ltd. 164 —USA Academy . 149 All Canada Television . 164 Allied Artists Pictures of Can. Ltd. 85 Allied Artists Studio . 119 B Allied Theatres . 39 Altman, George . 97 Bank of Canada . 142 American Federation of Musicians . 158 Barnes & Davidson Theatres Inc. 36 American Guild of Variety Artists . 157 Bell & Howell Can. Ltd. 127 Amusement Taxes . 42 Benoit & De Tonnancour Films . 1 1 1 Robert Anderson Associates Ltd. 1 1 1 Berkeley Studios . 1 1 1 Animation Films . 1 1 1 Better Theatres Ltd. 36 Ansco of Canada Ltd. 116 B. & F. Theatres, Ltd. 36 Appelton Air-Conditioning Ltd. 127 Bickle, E. W., Ltd. 36 Appreciations . 17 Biltmore Theatres Ltd. 36 Artkino Pictures (Canada) Ltd. 85 B. & L. Theatres . 36 Artray Ltd. 1 1 1 BMI Canada Ltd. 171 Associated Film Services Reg'd. 127 Board of Cinema Censors of the Associated Motion Picture Advertisers, Inc. 142 Province of Quebec . 167 Associated Screen News Ltd. Ill Bollinger Studio . 1 I 1 Associated Theatres . 39 Bonded Film Services . 95 Associated Theatre Services Co. 39 Booking Companies . 39 Ass'n of Canadian Entertainment Agencies 142 Boxoffice Statistics Table . 32 Ass'n of Motion Picture Producers and La¬ Briston Films Ltd. 1 1 1 boratories of Canada, The . 117 British Columbia Censor of Moving Pictures 167 Associations—Critics . 175 British Columbia Exhibitors Ass'n . 40 —Distribution . 95 British Film Academy . 152 5 •'•f -\'V- -1 V/:* ,.\ v? vj/ • > •- • *“ D !• PREVIEW TRAILERS — Selling your Coming At¬ tractions □ 2. SPECIAL TRAILERS — Operation and Policy iteS Trailers; Institutional Trailers; Exploitation Trailers VV'-Ah > ,'<*- D 3. HOLIDAY TRAILERS — Tributes, Greetings and Merchant Tie-ins for added revenue ' *' ■' - - V □ 4. REFRESHMENT TRAILERS — Snack Bar, Inter¬ mission, Add-A-Clip Q5. QUEEN TRAILERS — Colour, black and white SILK SCREEN COLOR DISPLAYS — 30 x 40; 40 x 60; 24 x 82 and 24 x 60 banners for sock : v -£*;/ selling POSTERS — basic showmanship with one's and ; ?! r -. ' '• three's LOBBIES — fill your frames with 11 x 14's, x-'; '. - ■’ i - /'W - ? 22 x 28's and 14 x 36's . and clinch the sell with crowd-stopping color Standees! HOLLYWOODS and CUSTOM DISPLAYS—beau¬ tiful, eye-catching "Shadow Boxes''; special "sign shop" jobs made to your custom order BANNERS — colorful show-sellers for current and advance ballyhoo DOOR PANEL INSERTS — to make your big attractions even more important TITLE CARDS — hang 'em, tack 'em, shout about your shows! , "S' <••••, LITHO and SILK SCREEN DISPLAYS — full- V‘ color posters and 40 x 60's, and 30 x 40's to catch the passers-by DISPLAYAWAYS—in five sizes to sell on counters, in lobbies, terminals WINDOW CARDS —cover the town! HERALDS — for throwaway or mailing, with room for local imprint TRAVEL-AD—fhe> great, new car fop advertis¬ ing frame and service! t '? <■ DON'T MISS OUT ON THE BIGGEST CHILDREN'S PROMOTION! Guaranteed to Increase Children’s Attendance— “Foreign Coins” and “World Atlas Folder” Genuine — Educational — Exciting ...and if you’re Write today for Complete Details! missing anything, just contact THEATRE POSTER SERVICE LTD. 227 Victoria St., Toronto 157 Rupert St., Winnipeg, Man. Trailer Division — FILM TRAILER SERVICE 6 EDITORIAL INDEX —35 Millimetre . 86 c Dominion Sound Equipments Ltd. 127 Caldwell, S. W., Ltd. Ill Dominion Theatre Equipment Co. Ltd. 127 Calgary Theatres Ass'n 40 Drive-in Theatres . 76 Canadian Ass'n of Radio & Television Drive-in Theatre Statistics Table 33 Broadcasters 162 Dunclaren Productions 113 Canadian Automatic Confections Ltd. 137 Du Pont Co. of Can. Ltd. 116 Canadian Broadcaster and Telescreen 176 Canadian Broadcasting Corp. 163 Canadian Cooperation Project 142 E Canadian Council of Authors & Artists 159 Eaton's of Canado 135 Canadian Council of Christians and Jews 142 Edmonton Theatres Ass'n 40 Canadian Estimates of Selected Entertain¬ Empire-Universal Films Ltd. 87 ment Films . 95 Equipment . 127 Canadian Film Archive . 142 Essex, Kent & Lambton Theatres Ass'n 40 Canadian Film Awards . 153 Exhibition . 36 Canadian Film Industries Co. Ltd. Ill Exhibitors Booking Ass'n 39 Canadian Film Institute 181 Canadian Film Weekly 176 Canadian Film Weekly Critics' Poll 156 F Canadian Film Weekly Year Book of the Facts About Exhibition 29 Can. Motion Picture Industry . 176 Fan Magazines . 176 Canadian Kodak Co. Ltd. 116 Famous Players Canadian Corp. 36 Canadian Motion Picture Distributors Ass'n 95 Fifeshire Motion Pictures Ltd. 113 Canadian Moving Picture Digest 176 Film, Le . 176 Canadian Office & School Furniture Ltd. 1 37 Film Art Trailer Service 135 Canadian Picture Pioneers 143 Film Carriers . 95 Canadian Premium Distributors . 39 Film Councils . 179 Canadian Radio Technical Planning Board 163 Film Laboratories of Canada Ltd. 116 Canadian Radio & Television League . 163 Film Rentals . 100 Canadian Seating Co. Ltd. 137 Film Storage . 95 Canadian Standards Ass'n 142 Film Trailer Service 135 Canadian Television Films 164 Fitzpatrick Transfer 95 Canadian Theatrical Credits . 121 Fletcher Film Productions 113 CAPAC 171 Forway Industries Canada Ltd.183 Carbons . 135 France Film Co. 87 Cardinal Films Ltd. 85 Franklin & Herschorn Theatre Co. Ltd. 37 Carillon Productions Ltd. .l. 113 Freddie's Transport 95 Carlton Automatic Vendors Ltd. 127 Fremantle of Canada Ltd. 164 Carnival Creations . 131 Friedlander, N., Sales Co. 39 Carpets 135 Censorship . 167 Censorship Boards and Rates . 167 G Central Casting Agency . 142 Garson Theatres Ltd. 37 Cercle de la Critique de Montreal, Le 175 Checking . 97 General Films Ltd. i 81 General Information 141 Chetwynd Films Ltd. 113 General Theatre Supply Co. Ltd. 127 Cine Art Pictures . 113 Cine Enterprises Ltd. 39 Gevaert (Canada) Ltd. 116 Cinesound Ltd. 116 Granada International Films Ltd. 87 Circuits . 36 G.S.A. Films Ltd. 137 Coca-Cola Ltd. 137 Columbia Pictures of Canada Ltd. 85 H Columbia Pictures Studio . 119 Hamilton Theatre Managers Ass'n 40 Community Advertising Corp. Ltd. 135 Hanson, O. R. 97 Community Antennae TV . 165 Herrington Photo & News Service 113 Composers, Authors & Publishers Ass'n Hirst Film Productions . 1 13 of Canada . 171 Hollywood Studios . 119 Confidential Reports Reg'd. 97 Hollywood Television Service of Can. Ltd. 165 Consolidated Theatres Ltd. 36 Construction . 46 Holmes, Francis J. S., Film Productions 113 Contests . 40 Contests Associates . 39 I Copyright Appeal Board . 171 IATSE . 157 Costumes . 131 Ideas & Sales . 39 Cowan, James . 176 Income Tax Information . 147 Crawley Films Ltd. 113 Independent Motion Picture Theatre Owners Credits . 121 of Ontario . 40 Customs, Tariff, Etc. 145 Independent Theatre Services . 39 Industrial Electrical Contractors Ltd. 129 D International Alliance of Theatrical Stage Employees & Moving Picture Operators of Danubia Film Co. 113 the USA and Canada . 157 Distribution . 86 International Federation of Ass'ns of Distributors—16 Millimetre . 1 81 Film Producers . 117 7 CANADA S FINEST THEATRE SEATING Of modern design, all-steel construction, lounge chair comfort, with your choice of fabrics and colors Manufactured by CANADIAN SEATING CO. LTD. (Formerly CANADIAN THEATRE CHAIR CO. LTD.) 40 ST. PATRICK STREET TORONTO, CANADA Quebec & Maritime* Western Canada PERKINS ELECTRIC CO. LTD. J. M. RICE & CO. LTD. Montreal, PQ and Vancouver, BC Winnipeg, Mon. and Edmonton, Alta. 8 EDITORIAL INDEX International Film Distributors Ltd. 87 National Committee of Motion Picture International Film Distributors Ltd. Exhibitors Assn's of Canada 41 (16 Mm. Div.) . 181 National Dry Ltd.
Recommended publications
  • Our Cultural Heritage Places
    HERITAGE 2006 PATRIMOINEPATRIMOINE 20062006 Our Cultural Heritage Places Nos lieux culturels patrimoniaux CONTENTS TABLE DES MATIÈRES Canada’s Built Heritage Le patrimoine bâti à vocation For Culture 1 culturelle du Canada 1 British Columbia Colombie-Britannique Orpheum Theatre 7 Théâtre Orpheum 7 Alberta Alberta Banff Park Museum 9 Musée du Parc-Banff 9 Saskatchewan Saskatchewan Danceland 11 Danceland 11 Dance Halls In Canada 14 Salles de danse au Canada 14 Manitoba Manitoba The Virden Auditorium Theatre 15 Le Virden Auditorium Theatre 15 Yukon Yukon Palace Grand Theatre 17 Palace Grand Theatre 17 Ontario Ontario St. Lawrence Hall 19 St. Lawrence Hall 19 Victoria Memorial Museum 22 Musée commémoratif Victoria 22 Quebec Québec Montreal Museum Of Fine Arts 25 Musée des beaux-arts de Montréal 25 Granada Theatre 27 Théâtre Granada 27 Community Action Saves L’action communautaire sauve Historic Theatres 28 des théâtres historiques 28 Newfoundland And Labrador Terre-Neuve-et-Labrador Society Of United Fishermen Society Of United Fishermen Lodge (SUF#1) 29 Lodge (SUF #1) 29 New Brunswick Nouveau-Brunswick Capitol Theatre/Imperial Theatre 31 Théâtre Capitol/Théâtre Imperial 31 Prince Edward Island Île-du-Prince-Édouard Victoria Community Hall 33 Victoria Community Hall 33 Nova Scotia Nouveau-Écosse Halifax Public Gardins 35 Les Jardins publics de Halifax 35 Finding Out More About Cultural Se renseigner sur les immeubles Buildings And Places 38 et endroits culturels 38 If You Want To Read More 39 À lire au sujet du patrimoine Websites 40 culturel
    [Show full text]
  • Core 1..170 Hansard
    CANADA House of Commons Debates VOLUME 137 Ï NUMBER 182 Ï 1st SESSION Ï 37th PARLIAMENT OFFICIAL REPORT (HANSARD) Friday, May 3, 2002 Speaker: The Honourable Peter Milliken CONTENTS (Table of Contents appears at back of this issue.) All parliamentary publications are available on the ``Parliamentary Internet Parlementaire´´ at the following address: http://www.parl.gc.ca 11161 HOUSE OF COMMONS Friday, May 3, 2002 The House met at 10 a.m. We must, however, take care not to go to the opposite extreme and enact legislation with potential negative impact on the rights and freedoms of those we wish to protect, under the guise of fighting Prayers terrorism. We do not have to go far back in time to recall the late unlamented Bill C-42, so criticized for its negative effects on Ï (1010) fundamental rights and freedoms. [English] At the time, the government was busy boasting right and left of BUSINESS OF THE HOUSE what an ardent promoter of public security it was, rejecting the criticisms that were being made from this side of the House. Now The Deputy Speaker: It is my duty pursuant to Standing Order here we are again, starting off a new debate on a similar bill, 81 to inform the House that the motion to be considered Monday although a few changes have been made. during consideration of the business of supply is as follows: That, in the opinion of this House, the government should cease and desist its Why are we having this new debate? Simply because the public, sustained legislative and political attacks on the lives and livelihoods of rural Canadians and the communities where they live.
    [Show full text]
  • British Poetry of the Long Nineteenth Century
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Zea E-Books Zea E-Books 12-1-2019 British Poetry of the Long Nineteenth Century Beverley Rilett University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/zeabook Part of the Literature in English, British Isles Commons Recommended Citation Rilett, Beverley, "British Poetry of the Long Nineteenth Century" (2019). Zea E-Books. 81. https://digitalcommons.unl.edu/zeabook/81 This Book is brought to you for free and open access by the Zea E-Books at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Zea E-Books by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. British Poetry of the Long Nineteenth Century A Selection for College Students Edited by Beverley Park Rilett, PhD. CHARLOTTE SMITH WILLIAM BLAKE WILLIAM WORDSWORTH SAMUEL TAYLOR COLERIDGE GEORGE GORDON BYRON PERCY BYSSHE SHELLEY JOHN KEATS ELIZABETH BARRETT BROWNING ALFRED TENNYSON ROBERT BROWNING EMILY BRONTË GEORGE ELIOT MATTHEW ARNOLD GEORGE MEREDITH DANTE GABRIEL ROSSETTI CHRISTINA ROSSETTI OSCAR WILDE MARY ELIZABETH COLERIDGE ZEA BOOKS LINCOLN, NEBRASKA ISBN 978-1-60962-163-6 DOI 10.32873/UNL.DC.ZEA.1096 British Poetry of the Long Nineteenth Century A Selection for College Students Edited by Beverley Park Rilett, PhD. University of Nebraska —Lincoln Zea Books Lincoln, Nebraska Collection, notes, preface, and biographical sketches copyright © 2017 by Beverly Park Rilett. All poetry and images reproduced in this volume are in the public domain. ISBN: 978-1-60962-163-6 doi 10.32873/unl.dc.zea.1096 Cover image: The Lady of Shalott by John William Waterhouse, 1888 Zea Books are published by the University of Nebraska–Lincoln Libraries.
    [Show full text]
  • Broadcasting Taste: a History of Film Talk, International Criticism, and English-Canadian Media a Thesis in the Department of Co
    Broadcasting Taste: A History of Film Talk, International Criticism, and English-Canadian Media A Thesis In the Department of Communication Studies Presented in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy (Communication Studies) at Concordia University Montreal, Quebec, Canada December 2016 © Zoë Constantinides, 2016 CONCORDIA UNIVERSITY SCHOOL OF GRADUATE STUDIES This is to certify that the thesis prepared By: Zoë Constantinides Entitled: Broadcasting Taste: A History of Film Talk, International Criticism, and English- Canadian Media and submitted in partial fulfillment of the requirements for the degree of PhD in Communication Studies complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final examining committee: __________________________________________ Beverly Best Chair __________________________________________ Peter Urquhart External Examiner __________________________________________ Haidee Wasson External to Program __________________________________________ Monika Kin Gagnon Examiner __________________________________________ William Buxton Examiner __________________________________________ Charles R. Acland Thesis Supervisor Approved by __________________________________________ Yasmin Jiwani Graduate Program Director __________________________________________ André Roy Dean of Faculty Abstract Broadcasting Taste: A History of Film Talk, International Criticism, and English- Canadian Media Zoë Constantinides,
    [Show full text]
  • Movie-Going on the Margins: the Mascioli Film Circuit of Northeastern Ontario
    Movie-Going on the Margins: The Mascioli Film Circuit of Northeastern Ontario A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY JESSICA LEONORA WHITEHEAD GRADUATE PROGRAM IN COMMUNICATION AND CULTURE YORK UNIVERSITY TORONTO, ONTARIO February 2018 © Jessica Leonora Whitehead 2018 ii Abstract Northeastern Ontario film exhibitor Leo Mascioli was described as a picture pioneer, a business visionary, “the boss of the Italians,” a strikebreaker and even an “enemy alien” by the federal government of Canada. Despite these various descriptors, his lasting legacy is as the person who brought entertainment to the region’s gold camps and built a movie theatre chain throughout the mining and resource communities of the area. The Porcupine Gold Rush—the longest sustained gold rush in North America—started in 1909, and one year later Mascioli began showing films in the back of his general store. Mascioli first came to the Porcupine Gold Camp as an agent for the mining companies in recruiting Italian labourers. He diversified his business interests by building hotels to house the workers, a general store to feed them, and finally theatres to entertain them. The Mascioli theatre chain, Northern Empire, was headquartered in Timmins and grew to include theatres from Kapuskasing to North Bay. His Italian connections, however, left him exposed to changes in world politics; he was arrested in 1940 and sent to an internment camp for enemy aliens during World War II. This dissertation examines cinema history from a local perspective. The cultural significance of the Northern Empire chain emerges from tracing its business history, from make-shift theatres to movie palaces, and the chain’s integration into the Hollywood-linked Famous Players Canadian national circuit.
    [Show full text]
  • 2018 Annual Report
    Annual Report 2018 Dear Friends, welcome anyone, whether they have worked in performing arts and In 2018, The Actors Fund entertainment or not, who may need our world-class short-stay helped 17,352 people Thanks to your generous support, The Actors Fund is here for rehabilitation therapies (physical, occupational and speech)—all with everyone in performing arts and entertainment throughout their the goal of a safe return home after a hospital stay (p. 14). nationally. lives and careers, and especially at times of great distress. Thanks to your generous support, The Actors Fund continues, Our programs and services Last year overall we provided $1,970,360 in emergency financial stronger than ever and is here for those who need us most. Our offer social and health services, work would not be possible without an engaged Board as well as ANNUAL REPORT assistance for crucial needs such as preventing evictions and employment and training the efforts of our top notch staff and volunteers. paying for essential medications. We were devastated to see programs, emergency financial the destruction and loss of life caused by last year’s wildfires in assistance, affordable housing, 2018 California—the most deadly in history, and nearly $134,000 went In addition, Broadway Cares/Equity Fights AIDS continues to be our and more. to those in our community affected by the fires and other natural steadfast partner, assuring help is there in these uncertain times. disasters (p. 7). Your support is part of a grand tradition of caring for our entertainment and performing arts community. Thank you Mission As a national organization, we’re building awareness of how our CENTS OF for helping to assure that the show will go on, and on.
    [Show full text]
  • Bchn 1990 Summer.Pdf
    MEMBER***** ********SOCIETIES Member Societies and their secretaries are responsible for seeing that the correct address for their society is up-to-date. Please send any change to both the Treasurer and the Editor at the addresses inside the back cover. The Annual Return as at October 31st should include telephone numbers for contact. Members dues for the year 1988/89 were paid by the following Members Societies: Alberni District Historical Society, Box 284, Port Alberni, B.C. V9Y 7M7 Atlin Historical Society, PC. Box 111, Atlin, B.C. VOW lAO BCHF - Gulf Island Branch, c/o Marian Worrall, Mayne Island, VON 2JO Burnaby Historical Society, 4521 Watling Street, Burnaby, B.C. V5J 1V7 Chemainus Valley Historical Society, P0. Box 172, Chemainus, B.C. VOR 1KO Cowichan Historical Society, P0. Box 1014, Duncan, B.C. V9L 3Y2 District 69 Historical Society, PC. Box 3014, Parksville, B.C. VOR 2SO East Kootenay Historical Association, P0. Box 74, Cranbrook, B.C. V1C 4H6 Golden & District Historical Society, Box 992, Golden, B.C. VOA 1 HO Kootenay Lake Historical Society, Box 537, Kaslo, B.C. VOG 1 MO Kootenay Museum & Historical Society, 402 Anderson Street, Nelson, B.C. Vi L 3Y3 Ladysmith Historical Society, Box 11, Ladysmith, B.C. VOR 2EO Lantzville Historical Society, Box 501, Lantzville, B.C. VOR 2HO M.S.A. Museum Society, 2313 Ware Street, Abbotsford, B.C. V2S 3C6 Nanaimo Historical Society, P0. Box 933, Station A, Nanaimo, B.C. V9R 5N2 North Shore Historical Society, 623 East 10th Street, North Vancouver, B.C. V7L 2E9 North Shuswap Historical Society, P0.
    [Show full text]
  • Core 1..144 Hansard (PRISM::Advent3b2 6.50.00)
    CANADA House of Commons Debates VOLUME 137 Ï NUMBER 149 Ï 1st SESSION Ï 37th PARLIAMENT OFFICIAL REPORT (HANSARD) Tuesday, February 26, 2002 Speaker: The Honourable Peter Milliken CONTENTS (Table of Contents appears at back of this issue.) All parliamentary publications are available on the ``Parliamentary Internet Parlementaire´´ at the following address: http://www.parl.gc.ca 9227 HOUSE OF COMMONS Tuesday, February 26, 2002 The House met at 10 a.m. Mr. Jim Pankiw: Yes, Mr. Speaker. I would like to move concurrence in the 15th report of the Standing Committee on Public Prayers Accounts. Mr. Geoff Regan: Mr. Speaker, I rise on a point of order. The members on this side expected that you might seek concurrence or unanimous consent to return to motions. Is it your feeling that there ROUTINE PROCEEDINGS was an error with the situation? Ï (1000) The Speaker: Yes, the Chair heard the hon. member call a point [English] of order when the hon. member for Scarborough Southwest was on his feet presenting a petition. I did not see him rise but I did not look GOVERNMENT RESPONSE TO PETITIONS up because I had not been told any motion would be moved. I Mr. Geoff Regan (Parliamentary Secretary to the Leader of assumed we would be sailing right through so I moved quite quickly. the Government in the House of Commons, Lib.): Mr. Speaker, Under the circumstances my inclination is to allow the hon. pursuant to Standing Order 36(8) I have the honour to table, in both member to move his motion. Because we did not have notice I am official languages, the government's response to three petitions.
    [Show full text]
  • Inmedia, 3 | 2013, « Cinema and Marketing » [Online], Online Since 22 April 2013, Connection on 22 September 2020
    InMedia The French Journal of Media Studies 3 | 2013 Cinema and Marketing Electronic version URL: http://journals.openedition.org/inmedia/524 DOI: 10.4000/inmedia.524 ISSN: 2259-4728 Publisher Center for Research on the English-Speaking World (CREW) Electronic reference InMedia, 3 | 2013, « Cinema and Marketing » [Online], Online since 22 April 2013, connection on 22 September 2020. URL : http://journals.openedition.org/inmedia/524 ; DOI : https://doi.org/10.4000/ inmedia.524 This text was automatically generated on 22 September 2020. © InMedia 1 TABLE OF CONTENTS Cinema and Marketing When Cultural Demands Meet Industrial Practices Cinema and Marketing: When Cultural Demands Meet Industrial Practices Nathalie Dupont and Joël Augros Jerry Pickman: “The Picture Worked.” Reminiscences of a Hollywood publicist Sheldon Hall “To prevent the present heat from dissipating”: Stanley Kubrick and the Marketing of Dr. Strangelove (1964) Peter Krämer Targeting American Women: Movie Marketing, Genre History, and the Hollywood Women- in-Danger Film Richard Nowell Marketing Films to the American Conservative Christians: The Case of The Chronicles of Narnia Nathalie Dupont “Paris . As You’ve Never Seen It Before!!!”: The Promotion of Hollywood Foreign Productions in the Postwar Era Daniel Steinhart The Multiple Facets of Enter the Dragon (Robert Clouse, 1973) Pierre-François Peirano Woody Allen’s French Marketing: Everyone Says Je l’aime, Or Do They? Frédérique Brisset Varia Images of the Protestants in Northern Ireland: A Cinematic Deficit or an Exclusive
    [Show full text]
  • Getting a on Transmedia
    ® A PUBLICATION OF BRUNICO COMMUNICATIONS LTD. SPRING 2014 Getting a STATE OF SYN MAKES THE LEAP GRIon transmediaP + NEW RIVALRIES AT THE CSAs MUCH TURNS 30 | EXIT INTERVIEW: TOM PERLMUTTER | ACCT’S BIG BIRTHDAY PB.24462.CMPA.Ad.indd 1 2014-02-05 1:17 PM SPRING 2014 table of contents Behind-the-scenes on-set of Global’s new drama series Remedy with Dillon Casey shooting on location in Hamilton, ON (Photo: Jan Thijs) 8 Upfront 26 Unconventional and on the rise 34 Cultivating cult Brilliant biz ideas, Fort McMoney, Blue Changing media trends drive new rivalries How superfans build buzz and drive Ant’s Vanessa Case, and an exit interview at the 2014 CSAs international appeal for TV series with the NFB’s Tom Perlmutter 28 Indie and Indigenous 36 (Still) intimate & interactive 20 Transmedia: Bloody good business? Aboriginal-created content’s big year at A look back at MuchMusic’s three Canadian producers and mediacos are the Canadian Screen Awards decades of innovation building business strategies around multi- platform entertainment 30 Best picture, better box offi ce? 40 The ACCT celebrates its legacy Do the new CSA fi lm guidelines affect A tribute to the Academy of Canadian 24 Synful business marketing impact? Cinema and Television and 65 years of Going inside Smokebomb’s new Canadian screen achievements transmedia property State of Syn 32 The awards effect From books to music to TV and fi lm, 46 The Back Page a look at what cultural awards Got an idea for a transmedia project? mean for the business bottom line Arcana’s Sean Patrick O’Reilly charts a course for success Cover note: This issue’s cover features Smokebomb Entertainment’s State of Syn.
    [Show full text]
  • UMVERSITY of ALBERTA from the Early 1920S to 1965 Mary Ross Glenfield a Thesis Submitted to the Faculty of Graduate Smdies and R
    UMVERSITY OF ALBERTA The Growth of Theatre 'In Edmonton: From the early 1920s to 1965 '@? Mary Ross Glenfield A thesis submitted to the Faculty of Graduate Smdies and Research in partial fulfilment of the requirements for the degree of Master of Arts Department of Dnma Edmonton, Alberta Spriag, 2001 National Libtary Bibriithèque nationale I*I ofCanada du Canada Acquisitions and Acquisitions et BiMiographic Setvices seMces bibliographiques The author has granted a non- L'auteur a accordé une licence non exclusive licence ailowing the exclusive permettant a la National Library of Canada to Bibliothèque nabonale du Canada de reproduce, loan, distribute or seil reproduire, prêter, distribuer ou copies of this thesis in microfonn, vendre des copies de cette thèse sous paper or electronic formats. La forme de microfiche/film, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or othenuise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. Dedicatiou To aii the people, known and unknown, who worked to make Edmonton theatre the vibrant entity that it is toâay. Abstract The city of Edmonton has an unusually large number of theatres, dy profession& for its size. By examining the theatricd history of the city, the aim of this thesis is to show the way in which this theatre environment grew, £tom the early nineteen- twenties to nineteen-sixty-five.
    [Show full text]
  • Cineplex to Acquire 26 Theatres from Empire Theatres Ltd
    FOR IMMEDIATE RELEASE Cineplex to acquire 26 theatres from Empire Theatres Ltd. Toronto, ON, (TSX: CGX), June 27, 2013 - Cineplex Inc. (“Cineplex”) today announced it has entered into an agreement to purchase select theatres from Empire Theatres Limited (“Empire”) for a cash purchase price of $200 million, subject to certain adjustments to be made at closing. The purchase includes 24 Empire theatres located in Atlantic Canada - 13 in Nova Scotia, six in New Brunswick, three in Newfoundland, and two on Prince Edward Island. Also included are two Ontario locations in Whitby and Kanata. The 26 theatres will add a total of 218 screens to the Cineplex circuit. “This is a significant event for Cineplex, as the acquisition will provide our company with a truly national, coast-to-coast presence,” said Ellis Jacob, President and CEO, Cineplex Entertainment. “This acquisition is an excellent strategic fit for Cineplex. It provides us with a presence in Atlantic Canada and it will enable us to leverage our existing businesses to maximize shareholder value.” Cineplex will invest in the acquired theatres and may add its proprietary UltraAVX™ auditoriums, VIP Cinemas and XSCAPE Entertainment Centres to certain locations. The theatres will be rebranded as Cineplex Cinemas. “We look forward to providing our future guests with an exceptional entertainment experience, including access to the SCENE loyalty program, our popular Front Row Centre Events and our interactive and mobile offerings,” said Jacob. “In addition, our media and promotional partners will now benefit from a national platform.” “Cineplex has an excellent track record of delivering incremental value when integrating businesses, through the realization of operating synergies and efficiencies, resulting in increased EBITDA,” said Pat Marshall, Vice President Communications and Investor Relations.
    [Show full text]