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Cinemati • TRADE NEWS • Full Implementation of Law Due in 0C Private Labs Suffer From
CINEMAti • TRADE NEWS • Full Implementation of law due in 0C Private labs suffer from MONTREAL - By the end of gross; and the factors which Once the regulations are ap NF B IT Fproductions October, the Quebec Cabinet should determine the 'house proved, the Cabinet will then 15 projects since the begin is expected to have approved nut' or the cost of operating a promulgate the articles of the MONTREAL - Figures recently the final version of the regula theatre. law which are pertinent. released by the National Film ning of the Broadcast Fund for tions of the Cinema Law. Ap Guerin does not foresee any Board to Sonolab's president budgets totalling 532,528,000. proval of the 140 articles of the parts of the law being set aside, Andre Fleury reveal for the Of this amount, the NFB spent regulations will permit prom For articles concerning film and commented that the first time the ventilation of in $4,399,000 internally on tech ulgation of the remaining arti distribution as defined in the cinema dossier is one of the vestments made by the NFB on nical services while it spent cles of the law which was pass regulations see page 44, minister's priorities. Richard productions involving Telefilm only 565,000 on the same ser ed by the National Assembly has already announced that he Canada and are sure to fuel the vices in the private sector. on June 22, 1983. will not stand for re-election, long-standing battle involving Emo explains in her letter to The final, public consulta Other briefs presented at the but has promised to see the the Board and the private-sec Fleury that the Board's policy tion on the regulations took hearings dealt with video-cas Cinema Law completed before tor service houses. -
Frederick Philip Grove: a N Impression
per copy $1.00 Winter, ig6o Articles By: HUGH MACLENNAN, JAMES REANEY, WILFRED WATSON, DESMOND PACEY, DAVID M. HAYNE, W. B. HOLLIDAY. Reviews By: PETER QUENNELL, JEAN-GUY PILON, WARREN TALLMAN, MARGARET ORMSBY, R. E. WATTERS, GILLES MARCOTTE AND OTHERS. Special Supplement: A CHECKLIST OF CANADIAN LITERATURE, 1959. A QUARTERLY OF CRITICISM AND R€VI€W ΑΤ Ι Μ Ε OF PROJECTS A FAVOURITE WORD among Mexicans is proyectismo; it means the rage for making plans without considering t h e probability of achievement. To the outside observer in recent years the Canadian literary world might at times have seemed to be suffering from proyec tismo, so many plans for magazines and other publications h a ve been in the air. In fact, a surprising number of these plans have taken concrete form. Canadian Literature, here publish in g its third number, can regard itself as well out of the project stage, and it is only one of a c o n sid e r a ble group of literary magazines wh ich have started in Canada during a co m paratively short period and which still flourish. Fiddlehead in the Mari times, Delta and Liberté in Montreal, Tamarack in Toronto, Prism in Vancouver — even such an incomplete list shows that the literary maga- zines are not merely becoming numerous, but also that they healthily represent every region of the country. Perhaps the most encouraging fact about these new magazines is that they do not seem to be achieving mutual strangulation; on the contrary, those whose circumstances we know appear to be receiving more support than the pioneer Canadian little magazines of the 1940's. -
4 Modern Shakespeare Festivals
UNIVERSIDAD DE MURCIA ESCUELA INTERNACIONAL DE DOCTORADO Festival Shakespeare: Celebrating the Plays on the Stage Festival Shakespeare: Celebrando las Obras en la Escena Dª Isabel Guerrero Llorente 2017 Page intentionally left blank. 2 Agradecimientos / Acknoledgements / Remerciments Estas páginas han sido escritas en lugares muy diversos: la sala becarios en la Universidad de Murcia, la British Library de Londres, el centro de investigación IRLC en Montpellier, los archivos de la National Library of Scotland, la Maison Jean Vilar de Aviñón, la biblioteca del Graduate Center de la City University of New York –justo al pie del Empire State–, mi habitación en Torre Pacheco en casa de mis padres, habitaciones que compartí con Luis en Madrid, Londres y Murcia, trenes con destinos varios, hoteles en Canadá, cafeterías en Harlem, algún retazo corregido en un avión y salas de espera. Ellas son la causa y el fruto de múltiples idas y venidas durante cuatro años, ayudándome a aunar las que son mis tres grandes pasiones: viajar, el estudio y el teatro.1 Si bien los lugares han sido esenciales para definir lo que aquí se recoge, aún más primordial han sido mis compañeros en este viaje, a los que hoy, por fin, toca darles las gracias. Mis primeras gracias son para mi directora de tesis, Clara Calvo. Gracias, Clara, por la confianza depositada en mí estos años. Gracias por propulsar tantos viajes intelectuales. Gracias también a Ángel-Luis Pujante y Vicente Cervera, quienes leyeron una versión preliminar de algunos capítulos y cuyos consejos han sido fundamentales para su mejora. Juanfra Cerdá fue uno de los primeros lectores de la propuesta primigenia y consejero excepcional en todo este proceso. -
1956-57 Year Book Canadian Motion Picture Industry
/ The mighty spectacle, FROM THE GREATEST N BE PRESENTED IN PARAMOUNT PRESENTS Audrey Hepburn Henry Fonda Mel Ferrer in LEO TOLSTOY'S Wax md Peace A PONTI-DeLAURKNTIIS production Co-starring Vittorio Gassman HERBERT LOM • OSCAR HOMOLKA ANITA EKBERG Helmut Dantine• Barry Jones• Anna Maria Ferrero• Milly Vitale• Jeremy Brett and John Mills Produced by DINO DeLAURENTIIS Directed by KING VIDOR Based on the novel "War And Peace" by LEO TOLSTOY Color by TECHNICOLOR THE GREAT HUMAN STORY. OVEL EVER WRITTEN WILL 1956 BY PARAMOUNT PROFIT MAIN FEATURE PROFIT Show Business And The Refreshment Business Are Partners in Profit We’ve seen it proved from coast to coast: patrons like to have refreshment handy while they enjoy your program. Specifically, they like to have ice-cold Coca-Cola available for breaks in the schedule for a pause on the way out of the theatre. Their satisfaction makes a mighty pleasant sound in your coin box. For details on a variety of vending equipment, write Coca-Cola Ltd., 90 Broadview Avenue, Toronto 8, Ontario. COCA-COLA LTD. 2 1956-57 YEAR BOOK OF THE CANADIAN MOTION PICTURE INDUSTRY PRICE $2.25 FILM PUBLICATIONS of Canadaf Ltd. 175 BLOOR ST. EAST TORONTO 5, ONT. CANADA Editor: HYE BOSSIN Assistants: Miss E. Silver and Ben Halter 3 r . i j. mmwsii liArus. presents L ^ r v A nation-wide sur¬ // _ / _// vey by Canadian lips Marketing Analysis Ltd. has confirmed L ■ J the overwhelming audience interest in “Tips”. the advertising medium audiences enjoy SCREEN ADVERTISING SERVICES OF CANADA LIMITED 20 CARLTON STREET, TORONTO • TELEPHONE EM. -
Heart of the City: Music of Community Change in Vancouver, British Columbia's Downtown Eastside Klisala R. Harrison a Dissertati
HEART OF THE CITY: MUSIC OF COMMUNITY CHANGE IN VANCOUVER, BRITISH COLUMBIA'S DOWNTOWN EASTSIDE KLISALA R. HARRISON A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAMME IN ETHNOMUSICOLOGY AND MUSICOLOGY YORK UNIVERSITY, TORONTO, ONTARIO MARCH 2008 Library and Archives Bibliotheque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-90124-3 Our file Notre reference ISBN: 978-0-494-90124-3 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distrbute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
"Thinkpol.Ca" from September 1, 2017 to November 30, 2017 to Or from Mayor Robertson, Kaye Krishna, Janice Mackenzie and Jessie Adcock
~TYOF CITY CLERK'S DEPARTMENT VANCOUVER Access to Information File No.: 04-1000-20-2017-488 January 17, 2018 . 2ff) Dear · .22(1) Re: Request for Access to Records under the Freedom of Information and Protection of Privacy Act (the "Act") I am responding to your request of November 30, 2017 for: Copies of all documents including emails, memos, briefing notes, PowerPoint presentations, manuals, and Q&A's containing the words 'Thinkpol" or "ThinkPol" or "thinkpol.ca" from September 1, 2017 to November 30, 2017 to or from Mayor Robertson, Kaye Krishna, Janice MacKenzie and Jessie Adcock. All responsive records are attached. Some information in the records has been severed, (blacked out), unders.13(1), s.14, s.15(1)(l) and s.22(1) of the Act. You can read or· download these sections here: · http:/ /www.bclaws.ca/EPLibraries/bclaws neW/document/10/freeside/96165 00 Under section 52 of the Act you may ask the Information & Privacy Commissioner to review any matter related to the City's response to your request. The Act allows you 30 business days from the date you receive this notice to request a review by writing to: Office of the Information & Privacy Commissioner, [email protected] or by phoning 250-387-5629. If you request a review, please provide the Commissioner's office with: 1) the request number assigned to your request (#04-1000-20-2017-488); 2) a copy of this letter; 3) a copy of your original request for information sent to the City of Vancouver; and 4) detailed reasons or grounds on which you are seeking the review. -
SHAKESPEARE's FEMALE Icons
The start ow SHAKESPEARE's FEMALE IcoNs Volume XXXI 2012 Vol. XXXI Digital Facsimile The Upstart Crow: A Shakespeare journal, Volume XXXI, 2012 is published by Clemson Universicy Digital Press. © 2013 Clemson Univcrsicy ISSN: 0886-2168 ~ EDITOR ·~ \ Elizabeth Rivlin CLEMSON UNIVERSITY DIGITAL PRESS ASSOCIATE EDITORS Ray Barfield, Wayne Chapman, Jonathan Field, Martin Jacobi, Michael LeMahieu, Chantelle MacPhee, Brian McGrath, Lee Morrissey, and Will Stockton BOOK REVIEW EDITOR Will Stockton, Clemson University ADVISORY BOARD James Berg, Pam Brown, Patricia Cahill, Ann C. Christensen, Katherine Conway, Herbert Coursen, Mary Agnes Edsall, John R. Ford, Walter Haden, Chris Hassel, Maurice Hunt, Natasha Korda, Paul Kottman, Richard Levin, Jeremy Lopez, Bindu Malieckal, John McDaniel, Ian Frederick Moulton, Peter Pauls, Kaara Peterson, Jeanne Roberts, and Jyotsna Singh BUSINESS MANAGER Kristin Sindorf ACCOUNTING FISCAL ANALYST Beverly Pressley EDITORIAL ASSISTANTS Charis Chapman and Jared Jamison EDITORIAL CORRESPONDENCE Editor, 1he Upstart Crow, Department of English, Clemson University, Strode Tower, Box 340523, Clemson, SC 29634-0523. Tel. (864) 656-3151. Fax (864) 656-1345. SUBSCRIPTION RATES Please note: after Volume XXXI, "'ubscription will no longer be available although copies of most volumes may be purchased from the online store to which visitors to our website will be directed. PDF facsimiles of all volumes, in the ncar future, wiU be available free for viewing on an open-access basis. Queries on existing subscriptions should be directed to The Business Manager at the same address as given above. Meanwhile, rates for the present (and last) volume of 1he Upstart Crow are as follows: 1-year subscription for individuals (Vol. XXXI): $17 1-year subscription for institutions (Vol. -
Michael Mosca
2019 Pioneer of the Year Michael Mosca Silver Spotlight Award Recipients Nuria Bronfman Andy Faux Janice Luke Diamond Spotlight Award Recipient Ted Bielby ©2019 photo Bruno DesRosiers 2019 PIONEER OF THE YEAR Michael Mosca 2019 SILVER SPOTLIGHT AWARD RECIPIENTS Nuria Bronfman Andy Faux Janice Luke 2019 DIAMOND SPOTLIGHT AWARD RECIPIENT Ted Bielby Congratulations to the 2018 Student Assistance Awards Recipients Huzaifa Ahmed Julia Greene Reegan McCheyne Samantha Tonner PJ Cheyne-Miller Haylee Hinger Michaela McKinnon Tatiana Tuzzi Taylon Clark Deanna Liao Katherine Ong Alison Zimmer Natasha Cross Sydney Liao Jessie Pan Rebecca Eastwood Jordan Lok Karishma Patel 2019 student award Christopher Gagnon Emma Mackie Hannah Rees recipients will be announced Lynette Grandmaison Saio Mansaray Laura Schnobb at the Awards Dinner. Canadian Picture Pioneers Board of Directors, Trustees and Members across Canada congratulate this year’s honourees and thank them for their dedicated service to the Pioneers over the years. We would like to thank every one of our members and sponsors across the country for supporting the Picture Pioneers. Your continued support of events, annual donations and in memory bequeaths are truly appreciated by those who need our assistance. SPOTLIGHT SPONSOR BROUGHT TO YOU BY SPOTLIGHT TABLE SPONSORS OUR GENEROUS SPONSORS CINEPLEX ENTERTAINMENT We salute and thank the following who have contributed their time, CANADIAN PICTURE PIONEERS BC BRANCH / MPTABC talents and financial support to this year’s Awards Dinner. LANDMARK CINEMAS UNIVERSAL PICTURES CANADA WALLACE & CAREY / CAREY MANAGEMENT INC. WALT DISNEY STUDIOS MOTION PICTURES CANADA WARNER BROS. PICTURES CANADA DINNER & AWARD BOOK COMMITTEE Sarah Brown, Karen Burke-Keniston, John Freeborn, Jennifer Hofley, Phil May, Lisa McAlpine, Carrie Wolfe, Danish Vahidy and Shaun McAlpine Thank you to Shaun McAlpine for his creative and production work on the Picture Pioneers Awards Book this year. -
The Development and Organization of Stage Combat in Canada By
Battles Staged By…: The Development and Organization of Stage Combat in Canada by Nicholas J Harrison A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in The Faculty of Graduate Studies (Theatre) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) September 2012 © Nicholas J Harrison, 2012 Abstract This dissertation investigates and traces the history and development of stage combat within Canada. The inclusion of the fight director within the Canadian Theatre Agreement in 2002 recognized fight directors as professional theatre artists. However, the first recorded professional fight director in Canada was Douglas Campbell at the Stratford Festival in 1953. The fight director has been part of a long theatrical tradition that demands attention to both artistic interpretation of dramatic texts as well as practical skill sets. To date there has not been a thorough investigation of the history of the fight director. Chapter One defines the role and function of the fight director and introduces the people interviewed as part of my research. Chapter Two explores the origins of modern stage combat. Chapter Three concerns the roles that Douglas Campbell and Patrick Crean played in the establishment of professional stage combat through their experience and involvement with the Stratford Festival. Chapters Four and Five explore the emergence of the two major fight associations in Canada and the training syllabi they created to properly train actor combatants. Chapter Six focuses on the role of the fight director as artist, dramaturg, instructor and choreographer through a series of interviews with fight directors John Stead, J.P. Fournier, John Nelles, Daniel Levinson, James Binkley, Steve Wilsher and F. -
Rehearsal, Performance, and Management Practices by the Oregon Shakespeare Festival
Six Companies in Search of Shakespeare: Rehearsal, Performance, and Management Practices by The Oregon Shakespeare Festival, The Stratford Shakespeare Festival, The Royal Shakespeare Company, Shakespeare & Company, Shakespeare‘s Globe and The American Shakespeare Center DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University By Andrew Michael Blasenak, M.F.A. Graduate Program in Theatre The Ohio State University 2012 Dissertation Committee: Professor Stratos Constantinidis, Advisor Professor Nena Couch Professor Beth Kattelman i Copyright by Andrew Michael Blasenak 2012 ii Abstract This dissertation examines the artistic and managerial visions of six "non-profit" theatre companies which have been dedicated to the revitalization of Shakespeare‘s plays in performance from 1935 to 2012. These six companies were The Oregon Shakespeare Festival, the Stratford Shakespeare Festival, The Royal Shakespeare Company, Shakespeare & Company, Shakespeare‘s Globe and The American Shakespeare Center. The following questions are considered in the eight chapters of this study:1) Did the re- staging of Shakespeare's plays in six "non-profit" theatre companies introduce new stagecraft and managerial strategies to these companies? 2) To what degree did the directors who re-staged Shakespeare's plays in these six "non-profit" theatre companies successfully integrate the audience in the performance? 3) How important was the coaching of actors in these six "non-profit" -
Shakespeare on Film and Television in the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress
SHAKESPEARE ON FILM AND TELEVISION IN THE MOTION PICTURE, BROADCASTING AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by Zoran Sinobad January 2012 Introduction This is an annotated guide to moving image materials related to the life and works of William Shakespeare in the collections of the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. While the guide encompasses a wide variety of items spanning the history of film, TV and video, it does not attempt to list every reference to Shakespeare or every quote from his plays and sonnets which have over the years appeared in hundreds (if not thousands) of motion pictures and TV shows. For titles with only a marginal connection to the Bard or one of his works, the decision what to include and what to leave out was often difficult, even when based on their inclusion or omission from other reference works on the subject (see below). For example, listing every film about ill-fated lovers separated by feuding families or other outside forces, a narrative which can arguably always be traced back to Romeo and Juliet, would be a massive undertaking on its own and as such is outside of the present guide's scope and purpose. Consequently, if looking for a cinematic spin-off, derivative, plot borrowing or a simple citation, and not finding it in the guide, users are advised to contact the Moving Image Reference staff for additional information. How to Use this Guide Entries are grouped by titles of plays and listed chronologically within the group by release/broadcast date. -
16Th Edition
16TH EDITION OUR FILMS IN OUR SCHOOLS II CELEBRATING FILM EVERYWHERE We’re finally back to the big screen, but we never stopped showing your favourite films along the way. We believe the magic of movies continues to inspire anywhere. Whether you’re visiting us or watching from home, enjoy the unforgettable stories while they move you. 1 ACKNOWLEDGMENT OF INDIGENOUS TERRITORY REEL CANADA’s offices are located on the treaty lands and territory of the Mississaugas of the Credit First Nation, which is also the traditional territory of the Anishinaabe, Haudenosaunee and Huron Wendat nations. This territory is subject to the Dish With One Spoon Covenant, a sacred agreement between the Haudenosaunee Confederacy, the Anishinaabe, and allied nations to peaceably share and care for the land and waters of the Great Lakes regions. REEL CANADA also conducts activities and presents programming across Canada. We acknowledge the treaty lands and traditional territories of Indigenous nations across the country. We acknowledge that the relationship between these Indigenous nations and their lands has existed since time immemorial and is ongoing. We make these acknowledgments as a sign of respect, in the spirit of reconciliation, and in recognition of Indigenous sovereignty. TABLE OF CONTENTS Who We Are p. 4 Message from the Founders p. 10 Our Team p. 11 Letters p. 12 Guests, Educational Partners & Consultants p. 16 Feature Films p. 19 Elementary School Programme p. 55 Canada On TV p. 56 Short Films p. 61 2020 Catalogue Additions p. 71 Reference Guide p. 73 Festival Partners, Donors and Supporters p. 102 Index p.