British Poetry of the Long Nineteenth Century

Total Page:16

File Type:pdf, Size:1020Kb

British Poetry of the Long Nineteenth Century University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Zea E-Books Zea E-Books 12-1-2019 British Poetry of the Long Nineteenth Century Beverley Rilett University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/zeabook Part of the Literature in English, British Isles Commons Recommended Citation Rilett, Beverley, "British Poetry of the Long Nineteenth Century" (2019). Zea E-Books. 81. https://digitalcommons.unl.edu/zeabook/81 This Book is brought to you for free and open access by the Zea E-Books at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Zea E-Books by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. British Poetry of the Long Nineteenth Century A Selection for College Students Edited by Beverley Park Rilett, PhD. CHARLOTTE SMITH WILLIAM BLAKE WILLIAM WORDSWORTH SAMUEL TAYLOR COLERIDGE GEORGE GORDON BYRON PERCY BYSSHE SHELLEY JOHN KEATS ELIZABETH BARRETT BROWNING ALFRED TENNYSON ROBERT BROWNING EMILY BRONTË GEORGE ELIOT MATTHEW ARNOLD GEORGE MEREDITH DANTE GABRIEL ROSSETTI CHRISTINA ROSSETTI OSCAR WILDE MARY ELIZABETH COLERIDGE ZEA BOOKS LINCOLN, NEBRASKA ISBN 978-1-60962-163-6 DOI 10.32873/UNL.DC.ZEA.1096 British Poetry of the Long Nineteenth Century A Selection for College Students Edited by Beverley Park Rilett, PhD. University of Nebraska —Lincoln Zea Books Lincoln, Nebraska Collection, notes, preface, and biographical sketches copyright © 2017 by Beverly Park Rilett. All poetry and images reproduced in this volume are in the public domain. ISBN: 978-1-60962-163-6 doi 10.32873/unl.dc.zea.1096 Cover image: The Lady of Shalott by John William Waterhouse, 1888 Zea Books are published by the University of Nebraska–Lincoln Libraries. Electronic (pdf) ebook edition available online at https://digitalcommons.unl.edu/zeabook/ Print edition available from http://www.lulu.com/spotlight/unllib UNL does not discriminate based upon any protected status. Please go to http://www.unl.edu/equity/notice-nondiscrimination i Contents vii Preface 1 Charlotte Smith (1749-1806) 2 Written at the Close of Spring 3 To Sleep 4 To Night 5 Written in the Church-yard at Middleton, in Sussex 6 On Being Cautioned against Walking over a Headland Overlooking the Sea, Because It Was Frequented by a Lunatic 7 The Sea View 8 Huge Vapours Brood above the Clifted Shore 9 To Hope 10 On the Departure of the Nightengale 11 To the Shade of Burns 12 Thirty-Eight 14 from Beachy Head 18 William Blake (1757-1827) from Songs of Innocence 19 The Ecchoing Green 20 The Lamb 21 The Little Black Boy 22 The Chimney Sweeper 23 The Divine Image 24 Holy Thursday 25 Nurse’s Song 26 Infant Joy 26 The Shepherd from Songs of Experience 27 Earth’s Answer 28 The Clod and the Pebble 29 Holy Thursday ii 30 The Chimney Sweeper 31 Nurse’s Song 31 The Sick Rose 32 The Tyger 33 London 34 A Poison Tree 35 A Divine Image 35 Love’s Secret 36 Auguries of Innocence 40 William Wordsworth (1770-1850) 41 We Are Seven 44 Lines Composed a Few Miles Above Tintern Abbey 49 Strange Fits of Passion I Have Known 50 She Dwelt among the Untrodden Ways 50 My Heart Leaps Up 51 A Slumber Did My Spirit Seal 51 Lucy Gray 54 I Travelled among Unknown Men 55 I Wandered Lonely as a Cloud 56 Ode to Duty 58 Character of the Happy Warrior 61 The World Is Too Much with Us 62 Mutability 62 Scorn Not the Sonnet 63 Samuel Taylor Coleridge (1772-1834) 64 This Lime-tree Bower My Prison 67 The Rime of the Ancient Mariner 88 Kubla Khan 90 The Pains of Sleep 92 Frost at Midnight 95 George Gordon Byron (1788-1824) 96 When We Two Parted 97 Girl of Cadiz iii 99 Adieu, Adieu! My Native Shore 100 She Walks in Beauty 101 Prometheus 103 Darkness 105 So We’ll Go No More a Roving 106 The Isles of Greece 109 On This Day I Complete My Thirty-Sixth Year 111 Stanzas to Augusta 113 Percy Bysshe Shelley (1792-1822) 114 Hymn to Intellectual Beauty 117 Mutability 118 To Wordsworth 119 Mont Blanc 124 Ozymandias 125 England in 1819 126 Ode to the West Wind 129 Love’s Philosophy 130 To a Skylark 134 To Night 135 Music, When Soft Voices Die (To —) 136 To the Moon 136 The Waning Moon 137 Stanzas Written in Dejection, Near Naples 139 Lift Not the Painted Veil 140 John Keats (1795-1821) 141 Ode to a Nightingale 144 Ode to Psyche 146 Ode to a Grecian Urn 148 Ode to Indolence 150 La Belle Dame sans Merci: A Ballad 152 To Autumn 153 To Homer 154 To Sleep 155 When I Have Fears That I May Cease to Be 156 Bright Star 157 On Seeing the Elgin Marbles iv 158 Elizabeth Barrett Browning (1806-1861) 159 Grief 160 To George Sand: A Desire 161 To George Sand: A Recognition from Sonnets from the Portuguese 162 1: I Thought Once How Theocritus Had Sung 163 5: I Lift My Heavy Heart up Solemnly 164 14: If Thou Must Love Me, Let It Be for Nought 165 20: Beloved, My Beloved, When I Think 166 22: When Our Two Souls Stand Up Erect and Strong 167 35: If I Leave All for Thee, Wilt Thou Exchange 168 43: How Do I Love Thee? Let Me Count the Ways 169 44: Beloved, Thou Hast Brought Me Many Flowers 170 from Aurora Leigh: Book One 174 from Aurora Leigh: Book Five 177 A Musical Instrument 179 Alfred Tennyson (1809-1892) 180 The Kraken 181 Mariana 184 The Lady of Shalott 190 Ulysses 192 Break, Break, Break 193 Locksley Hall 201 Tears, Idle Tears 202 In Memoriam A.H.H. 203 Charge of the Light Brigade 205 Crossing the Bar 206 Robert Browning (1812-1889) 207 The Real and Sure and True 208 Porphyria’s Lover 210 My Last Duchess 212 Soliloquy of the Spanish Cloister 215 The Lost Leader 216 The Bishop Orders His Tomb at Saint Praxed’s Church 220 Fra Lippo Lippi v 232 Emily Brontë (1818-1848) 233 Remembrance 234 Song 235 The Prisoner 238 The Old Stoic 239 Hope 240 How Clear She Shines 242 The Night-Wind 243 No Coward Soul is Mine 244 Ah! Why, Because the Dazzling Sun 246 Fall, Leaves, Fall 247 I Am the Only Being Whose Doom 248 Long Neglect Has Worn Away 249 Love and Friendship 250 The Night Is Darkening Round Me 251 Often Rebuked, yet Always Back Returning 252 Plead for Me 254 Shall Earth No More Inspire Thee 255 Stanzas 256 The Two Children 258 George Eliot (1819-1880) 259 I Grant You Ample Leave 260 In a London Drawingroom 261 Count That Day Lost 262 Brother and Sister 268 Stradivarius 271 Two Lovers 272 Arion 274 O May I Join the Choir Invisible 276 Bright, O Bright Fedalma 277 Sweet Springtime 278 Matthew Arnold (1822-1888) 279 To a Friend 280 The Forsaken Merman 284 Lines Written in Kensington Garden 286 The Buried Life vi 289 Isolation: To Marguerite 291 The Scholar-Gipsy 299 The Last Word 300 Dover Beach 302 George Meredith (1828-1909) 303 Love in the Valley 309 Lucifer in Starlight 310 The Woods of Westermain 324 Dante Gabriel Rossetti (1828-1882) 325 The Blessed Damozel 330 My Sister’s Sleep 332 Soul’s Beauty 333 Body’s Beauty 334 Nuptial Sleep 335 The Woodspurge 336 Penumbra 337 The Sea Limits 338 The Sonnet from House of Life 339 3: Love’s Testament 340 4: Lovesight 341 11: The Love-Letter 342 19: Silent Noon 343 22: Heart’s Haven 344 27: Heart’s Compass 345 36: Life-in-Love 346 41: Through Death to Love 347 43: Love and Hope 348 48: Death-in-Love 349 49: Willowwood 1 350 50: Willowwood 2 351 51: Willowwood 3 352 52: Willowwood 4 353 53: Without Her 354 66: The Heart of the Night 355 71: The Choice 1 356 72: The Choice 2 vii 357 73: The Choice 3 358 97: A Superscription 359 Christina Rossetti (1830-1894) 360 A Triad 361 A Birthday 362 Remember 363 After Death 364 An Apple Gathering 365 Winter: My Secret 366 No, Thank You, John 368 Song 369 She Sat and Sang Always 370 A Portrait 371 Cobwebs 372 In an Artist’s Studio 372 Later Life: Sonnet 17 373 Sleeping at Last 374 Promises like Pie Crust 375 Oscar Wilde (1854-1900) 376 Impressions 377 Her Voice 379 E Tenebis 380 Endymion 381 Amor Intellectualis 382 Ava Maria Plena Gratia 383 Garden of Eros 392 To Milton 393 The Harlot’s House 395 House of Judgement 397 The Disciple 398 The Artist 399 The Master 400 The Ballad of the Reading Gaol 421 Flower of Love 423 Symphony in Yellow viii 424 Mary Elizabeth Coleridge (1861-1907) 425 The Other Side of a Mirror 426 A Moment 426 In Dispraise of the Moon 427 The Poison Flower 428 An Insincere Wish Addressed to a Beggar 429 Marriage 430 Affection 431 The White Women 432 To Memory 433 The Deserted House 434 The Witch 435 I Ask of Thee, Love, Nothing but Relief 435 My True Love Hath My Heart and I Have His 436 L’Oiseau Bleu ix Preface British Poetry of the Long Nineteenth Century was created specifically for a university English course that introduces students to influential texts of nineteenth- century British literature. While there are suitable anthologies available, they are either inconveniently divided into separate volumes for “Romantic” and “Victorian” poets, or far more comprehensive (and expensive) than necessary for the relatively short span of time my students study the poetry of the period.
Recommended publications
  • Tony Roberts
    Tony Roberts Living with Browning: an appreciation of the poet in his bicentennial year I sometimes feel that Robert Browning and I were related, distant cousins perhaps. It stems from the ghostly intimacy of having read nine biographies of the man. His poetry and the books that feed on it have taken up five feet of my bookshelves for many years. Of course I frequently reread the poems, too, and quote Randall Jarrell in my defence. Celebrating Wallace Stevens’ work, in Poetry and the Age , Jarrell concluded: A good poet is someone who manages, in a lifetime of standing out in thunderstorms, to be struck by lightning five or six times; a dozen or two dozen times and he is great. By that measure Robert Browning is a great poet. On my count there are a dozen or more lightning strikes among the thicket of collections written by this most relentless of Victorians i. What I have loved of Browning is the plain speaking, “hip to haunch”, intimacy of the dramas. We are there with the watch seizing “brother Lippo”; at dinner with the worldly prelate, Bishop Blougram; gathered with the sons at the deathbed of the bishop of Saint Praxed’s; attending on the dry, sadistic duke at Ferrara; eavesdropping on the cuckolded “faultless painter”. Here and elsewhere, Browning exhibits his genius for character and atmosphere – and for fine detail (“the ferrel of his stick/Trying the mortar’s temper ‘tween the chinks”), the perfect image ii , sensuality (upper iii and lower caste iv ), the memorable aphorism (“incentives come from the soul's self;/ The rest avail not.”) adroit rhythms and rhymes and – in lighter moments – a sometimes knockabout sense of humour v.
    [Show full text]
  • Transverse02.Pdf
    The April 2004 Centre for Comparative Literature’s Graduate Student Colloquium was a great success in that it was able to synthesize divergent fields of study into a forum which not only encouraged dialogue, but encouraged a deeper understanding of various literary disciplines, as well. I am honoured to present several of those papers given at this recent colloquium in the second issue of Transverse. Stay tuned for a third isse of Transverse this coming winter which will focus on the visual interpretations of various artists (photographers, graphic designers, illustrators, painters...) in and around the University of To- ronto campus, and various other campuses in the city. Thank you for your continued support. Sincerely, Annarita Primier CONTENTS 1 Myth as Metaphor: The Reflection of the Sacred in the Secular in A River Sutra julie mehta 9 2 Hypertextual Jealousy –The Option of Non-linearity in Robbe-Grillet’s Novel martin zeilinger 19 3 The Sterility of the Individual Ontological Search Versus the Fecundity of the Relational Ontological Search in Saramago’s The Year of the Death of Ricardo Reis irene marques 31 4 The Afterlife of the Berlin Wall: Monika Maron’s Life-writing on the Hyphen alma christova 44 5 COINCIDENTIA OPPOSITORUM in Der Steppenwolf pouneeh saeedi 54 6 The Zero Soul: Godot’s Waiting Selves in Dante’s Waiting Rooms ioana sion 63 7 A Synthetic Mind at Work: Eriugena’ Reinterpretation of Dionysius the Ps.-Areopagite in the 9th Century timothy budde 81 MYTH AS METAPHOR: THE REFLECTION OF THE SACRED IN THE SECULAR IN A RIVER SUTRA julie mehta (A River Sutra was on the list for the Booker Prize the same year Roddy Doyle got the booker for Paddy Clarke Ha Ha Ha and Salman Rushdie received the Booker of Bookers.
    [Show full text]
  • SUNSCREEN FILM FESTIVAL 2016 , |FL1 SECTION SECTION SECTION SECTION Table of TABLE OF
    11 th ANNUAL SECTION SECTION CONTENT sunscreenCONTENT FILM FESTIVAL Presented by 2016 PROGRAM GUIDE SOUTH BAY - LOS ANGELES April 28 - May 1 ST. PETERSBURGSUNSCREEN FILM FESTIVAL 2016 , |FL1 SECTION SECTION SECTION SECTION Table of OF TABLE WHEN ALL OF YOU GET CONTENTS CONTENT BIG AND FAMOUS AND CONTENTS Welcome 4 CONTENT Box Office Information 5 Box Offices GO TO HOLLYWOOD Tickets & Passes Special Events Workshops PARTIES AND DRIVE Awards Ceremony & After Party AD Festival Schedule 6 - 7 Workshops & Panels 8 - 10 FLASHY CARS, Special Events Schedule 12 Opening Night Gala 13 Celebrity Guests 14 JUSTPAGE REMEMBER, Special Guests 15 - 20 Film Info and Schedule 22 - 48 Thursday • April 28 23 • 24 YOU’LL GET MORE FOR Friday • April 29 25 • 31 Saturday • April 30 32 • 40 YOUR MOVIE HERE. Sundauy • May 1 41 • 47 Sponsors 49 - 51 Get more for your movie here. PROUD SPONSOR OF THE SUNSCREEN FILM FESTIVAL 2 SUNSCREEN FILM FESTIVAL 2016 | 3 Sunscreen Film Festival ad 5x8.indd 1 4/7/2016 4:24:18 PM BOX OFFICE INFORMATION BOX OFFICE Regular Box Office opens Thursday, April 28 at the primary venue: American Stage, 163 3rd Street, North., St. Petersburg, Florida 33701. WELCOME BOX OFFICES INFORMATION Online Book tickets anytime day or night! Visit our website: www.SunscreenFilmFestival.com Festival Office American Stage. 163 3rd Street, North., St. Petersburg, Florida 33701 SOUTH BAY - LOS ANGELES Telephone Call (727) 259-8417 • Hours: 9:00 am - 5:00 pm • Monday - Sunday Visa and Mastercard, AMEX, Discover accepted at box office (at door) and Paypal accepted for advanced, online tickets and pass purchases.
    [Show full text]
  • Articles Set in Albuquerque and Wolfgang Von Goethe, Friedrich Schiller, Ludwig Tieck, Some in Rochester
    N E W S De-Faced Blake Blake/An Illustrated Quarterly, Volume 20, Issue 3, Winter 1986-87, p. 110 PAGE 110 BLAKE/AN ILLUSTRATED QUARTERLY WINTER 1986-87 CALL FOR PLAYS NEWSLETTER Actors Theatre of Louisville is now conducting a nation- wide search for unpublished translations and adapta- tions of plays for next season's (1987-88) Classics in Con- text Festival — "The Romantics," which will celebrate DE-FACED BLAKE the ideals and influence of Romanticism on the stage. Readers may have noticed a certain patchiness in the Though plays by any dramatist whose work is associated type of our fall issue, the unfortunate but unavoidable with Romanticism will be considered, plays byjohann result of having some articles set in Albuquerque and Wolfgang von Goethe, Friedrich Schiller, Ludwig Tieck, some in Rochester. The patchiness will continue until all Alexander Pushkin, and Michael Lermontov are of par- articles set in New Mexico have been published, perhaps ticular interest. New plays (either original or adapta- as late as the summer and fall issues next year. tions of novels) that deal with the people, ideas, and events connected with Romanticism will also be con- ERRATA'S ERRATA sidered. Please submit plays by 1 November 1987 to Actors Theatre of Louisville, Literary Department, 316 Our readers might like to note these corrections to "Im- West Main Street, Louisville, KY 40202. proving the Text of The Complete Poetry & Prose of William Blake' {Blake, fall 1986): Blake p. 50: ENERGY AND THE IMAGINATION p. xvii canterbury should read Canterbury Morton D. Paley would like to purchase a clean, un- *p.
    [Show full text]
  • List of Poems Used in Literary Criticism Contests, 2009
    UIL Literary Criticism Poetry Selections 2021 William Wordsworth's "Strange Fits of Passion Have I Known" Percy Bysshe Shelley "To Wordsworth" Mark Hoult's clerihew "[Edmund Clerihew Bentley]" unattributed clerihew "[Lady Gaga—]" 2021 A 2021 Richard Wilbur's "The Catch" William Wordsworth's "[Most sweet it is with unuplifted eyes]" William Wordsworth's "She Dwelt among Untrodden Ways" Marge Piercy's "What's That Smell in the Kitchen?" Robert Browning's "Meeting at Night" Donald Justice's "Sonnet: The Poet at Seven" 2021 B 2021 William Wordsworth's "To Sleep" William Wordsworth's "Lucy Gray" William Wordsworth's "The Solitary Reaper" Richard Wilbur's "Boy at the Window" Alfred, Lord Tennyson's "Tears, Idle Tears" 2021 D 2021 Christina Rossetti's "Sleeping at Last" William Wordsworth's "[My heart leaps up when I behold]" William Wordsworth's "I Wandered Lonely as a Cloud" William Wordsworth's "The World Is Too Much with Us" John Keats's "On Seeing the Elgin Marbles" Anthony Hecht's "The End of the Weekend" 2021 R 2021 Elizabeth Bishop's "Little Exercise" Billy Collins's "Dharma" William Wordsworth's "Expostulation and Reply" William Wordsworth's "Matthew" Charles Lamb's "The Old Familiar Faces" Louis Untermeyer's "The Victory of the Beet-Fields" 2021 S 2021 Ralph Waldo Emerson's "Bramha" Elinor Wylie's "Pretty Words" italics indicate that the poem is found in Part 4 UIL Literary Criticism Poetry Selections 2020 Percy Bysshe Shelley's "Ozymandias" Percy Bysshe Shelley's "Song: To the Men of England" William Shakespeare's Sonnet 73 A Alanis Morissette's "Head over Feet" Mary Holtby's "Milk-cart" Emily Dickinson's "[A Bird came down the Walk]" 2020 Percy Bysshe Shelley's "Ozymandias" and Sheikh Sa'di's "[A Vision of the Sultan Mahmud]" Percy Bysshe Shelley's "England in 1819" Percy Bysshe Shelley's "One word is too often profaned" B William Shakespeare's Sonnet 2 John Updike's "Player Piano" 2020 Thomas Hardy's "Transformations" Percy Bysshe Shelley's "[Tell me thou Star, whose wings of light]" Percy Bysshe Shelley's "To Wordsworth" Percy Bysshe Shelley's "To Jane.
    [Show full text]
  • William Blake 1 William Blake
    William Blake 1 William Blake William Blake William Blake in a portrait by Thomas Phillips (1807) Born 28 November 1757 London, England Died 12 August 1827 (aged 69) London, England Occupation Poet, painter, printmaker Genres Visionary, poetry Literary Romanticism movement Notable work(s) Songs of Innocence and of Experience, The Marriage of Heaven and Hell, The Four Zoas, Jerusalem, Milton a Poem, And did those feet in ancient time Spouse(s) Catherine Blake (1782–1827) Signature William Blake (28 November 1757 – 12 August 1827) was an English poet, painter, and printmaker. Largely unrecognised during his lifetime, Blake is now considered a seminal figure in the history of the poetry and visual arts of the Romantic Age. His prophetic poetry has been said to form "what is in proportion to its merits the least read body of poetry in the English language".[1] His visual artistry led one contemporary art critic to proclaim him "far and away the greatest artist Britain has ever produced".[2] In 2002, Blake was placed at number 38 in the BBC's poll of the 100 Greatest Britons.[3] Although he lived in London his entire life except for three years spent in Felpham[4] he produced a diverse and symbolically rich corpus, which embraced the imagination as "the body of God",[5] or "Human existence itself".[6] Considered mad by contemporaries for his idiosyncratic views, Blake is held in high regard by later critics for his expressiveness and creativity, and for the philosophical and mystical undercurrents within his work. His paintings William Blake 2 and poetry have been characterised as part of the Romantic movement and "Pre-Romantic",[7] for its large appearance in the 18th century.
    [Show full text]
  • Charlotte Smith’S Own Death
    Charlotte (Turner) Smith (1749-1806) by Ruth Facer Soon after I was 11 years old, I was removed to London, to an house where there were no books...But I found out by accident a circulating library; and, subscribing out of my own pocket money, unknown to the relation with whom I lived, I passed the hours destined to repose, in running through all the trash it contained. My head was full of Sir Charles, Sir Edwards, Lord Belmonts, and Colonel Somervilles, while Lady Elizas and Lady Aramintas, with many nymphs of inferior rank, but with names equally beautiful, occupied my dreams.[1] As she ran through the ‘trash’ of the circulating library, little could the eleven-year Charlotte Turner have imagined that she was to become one of the best-known poets and novelists of the late eighteenth century. In all, she was to write eleven novels, three volumes of poetry, four educational books for young people, a natural history of birds, and a history of England. Charlotte was born in 1749 to Nicholas Turner, a well-to-do country gentleman, and his wife, Anna. Her early years were spent at Stoke Place, near Guildford in Surrey and Bignor Park on the Arun in Sussex. The idyllic landscape of the South Downs was well known to her and was to recur in her novels and poetry time and again: Spring’s dewy hand on this fair summit weaves The downy grass, with tufts of Alpine flowers, And shades the beechen slopes with tender leaves, And leads the Shepherd to his upland bowers, Strewn with wild thyme; while slow-descending showers, Feed the green ear, and nurse the future sheaves! Sonnet XXXI (written in Farm Wood, South Downs in May 1784) Sadly this idyllic life was to end abruptly with the death of Anna Turner, leaving the four-year old Charlotte to be brought up by her aunt Lucy in London.
    [Show full text]
  • June 1924) James Francis Cooke
    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 6-1-1924 Volume 42, Number 06 (June 1924) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 42, Number 06 (June 1924)." , (1924). https://digitalcommons.gardner-webb.edu/etude/713 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. MVSIC “ETVDE MAGA ZINE Price 25 cents JUNE, 1924 $2.00 a Year JUNE 1924 Page 363 THE ETUDE New Publications that will serve Many Schools and Colleges Noteworthy Announcements in this Issue on Pages 363, 384, 366, 367, 368 _ Branches of the Music Profession \AMERICAN INSTITUTE ^njumitr g>rluml of JHuBiral Ir-Buralton Professional The Presser Policy is to Issue Only Those Book Publications that have Merit and are of Real Value \0F APPLIED MUSIC Music taught thru the awakening of the inner consciousness Directory to the Profession. With Compilations and Teaching Works the Aim is to Make Each Work One of \ Metropolitan College of Music High Standing in its Particular Classification.
    [Show full text]
  • Northeastern Loggers Handrook
    ./ NORTHEASTERN LOGGERS HANDROOK U. S. Deportment of Agricnitnre Hondbook No. 6 r L ii- ^ y ,^--i==â crk ■^ --> v-'/C'^ ¿'x'&So, Âfy % zr. j*' i-.nif.*- -^«L- V^ UNITED STATES DEPARTMENT OF AGRICULTURE AGRICULTURE HANDBOOK NO. 6 JANUARY 1951 NORTHEASTERN LOGGERS' HANDBOOK by FRED C. SIMMONS, logging specialist NORTHEASTERN FOREST EXPERIMENT STATION FOREST SERVICE UNITED STATES GOVERNMENT PRINTING OFFICE - - - WASHINGTON, D. C, 1951 For sale by the Superintendent of Documents, Washington, D. C. Price 75 cents Preface THOSE who want to be successful in any line of work or business must learn the tricks of the trade one way or another. For most occupations there is a wealth of published information that explains how the job can best be done without taking too many knocks in the hard school of experience. For logging, however, there has been no ade- quate source of information that could be understood and used by the man who actually does the work in the woods. This NORTHEASTERN LOGGERS' HANDBOOK brings to- gether what the young or inexperienced woodsman needs to know about the care and use of logging tools and about the best of the old and new devices and techniques for logging under the conditions existing in the northeastern part of the United States. Emphasis has been given to the matter of workers' safety because the accident rate in logging is much higher than it should be. Sections of the handbook have previously been circulated in a pre- liminary edition. Scores of suggestions have been made to the author by logging operators, equipment manufacturers, and professional forest- ers.
    [Show full text]
  • Women Poets in Romanticism
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by International Burch University 1st International Conference on Foreign Language Teaching and Applied Linguistics May 5-7 2011 Sarajevo Women Poets in Romanticism Alma Ţero English Department, Faculty of Philosophy University of Sarajevo, Bosnia and Herzegovina [email protected] Abstract: In Bosnia, modern university literary courses usually do not even include Romantic women poets into their syllabuses, which is a huge shortcoming for every student interested in gender studies as such. That is why this paper focuses on the Romantic Era 1790s-1840s and those women who had broken out of their prisons and into the literary world of poetry. Many events, such as the French Revolution, political and social turbulences in Britain, rising female reading audiences, and public coteries have influenced the scope of women poets‘ development and reach. Due to great tensions, male and female Romantic poetry progressed in two contrary currents with opposite ideas regarding many a problem and issue. However, almost every Romantic artist at that time produced works of approval regarding social reforms. Women continued writing, which gained them greater acknowledgment and economic success after all. Poets such as Charlotte Smith and Anna Barbauld were true Romantic representatives of female poets and this is why we shall mostly focus on specific display of their poetic works, language, and lives. Key Words: Romantic poetry, Women poets, Charlotte Smith, Anna Barbauld Introduction The canon of British Romantic writing has traditionally been focused on the main male representatives of the era, which highly contributed to the distortion of our understanding of its literary culture.
    [Show full text]
  • View to More General Losses and the Attempts by the Subjects and the Poet to Navigate Those Events
    UNIVERSITY OF CINCINNATI DATE: May 12, 2003 I, Cynthia Nitz Ris , hereby submit this as part of the requirements for the degree of: Doctor of Philosophy (Ph.D.) in: English It is entitled: Imagined Lives Approved by: Don Bogen, Ph.D. John Drury Jim Cummins IMAGINED LIVES A dissertation submitted to the Division of Research and Advanced Studies of the University of Cincinnati in partial fulfillment of the requirements of the degree of DOCTORATE OF PHILOSOPHY (Ph.D.) in the Department of English Composition and Comparative Literature of the College of Arts and Sciences 2003 by Cynthia Nitz Ris B.A., Texas A&M University, 1978 J.D., University of Michigan, 1982 M.A., University of Cincinnati, 1998 Committee Chair: Don Bogen, Ph.D. ABSTRACT This dissertation consists of a collection of original poetry by Cynthia Nitz Ris and a critical essay regarding William Gaddis’s novel A Frolic of His Own. Both sections are united by reflecting the difficulties of utilizing past experiences to produce a fixed understanding of lives or provide predictability for the future; all lives and events are in flux and in need of continual reimagining or recharting to provide meaning. The poetry includes a variety of forms, including free verse, sonnets, blank verse, sapphics, rhymed couplets, stanzaic forms including mad-song stanzas and rhymed tercets, variations on regular forms, and nonce forms. Poems are predominantly lyrical expressions, though many employ narrative strategies to a greater or lesser degree. The first of four units begins with a long-poem sequence which serves as prologue by examining general issues of loss through a Freudian lens.
    [Show full text]
  • Mead Annual Report 2018-2020
    ANNUAL REPORT DOUBLE ISSUE 2018–2019 2019–2020 Paneled room with light-filled stained-glass background; sculpted figure with a world globe as a head wears a mul- ticolored dress and stands on one leg, a stack of books balanced on the other C O N T E N T S 5 Foreword Paul Schnell 6 Introduction Nichole Bridges 8 Letter from the Director David E. Little PART 1: 2018–19 10 Education 22 Exhibitions On the cover: 40 Engagement Matthew Day Jackson (American, born 1974). Sacajawea (American Martyr Series) (detail), 2005. Anonymous Gift Learn about the artwork » ACQUISITIONS 54 2018–19 This page: Rotherwas Project 89 2019–20 No. 4: Yinka Shonibare CBE, 92 Trinkett Clark Memorial The American Library Student Acquisition Project Collection (Activists). PART 2: 2019–20 100 Education 114 Exhibitions 134 Engagement 146 Staff News and Notes 152 Financial Report 155 Advisory Board 156 Friends of the Mead F O R E W O R D Today, the Museum crackles with vitality—an energy one can sense Paul Schnell, ’76 P’11 whether visiting in person or Chair of the Mead Advisory Board connecting online. The Mead has become integral to the curriculum and to building community at the College. It is recognized as one of I have felt a strong connection to the Mead Art Museum the leading, most innovative college since my first year at Amherst, when I lived a few “ steps away in Stearns Hall. Back then, I thought of the art museums in the country." Museum as a quiet, underutilized and underappreciated place.
    [Show full text]