British Poetry of the Long Nineteenth Century
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Tony Roberts
Tony Roberts Living with Browning: an appreciation of the poet in his bicentennial year I sometimes feel that Robert Browning and I were related, distant cousins perhaps. It stems from the ghostly intimacy of having read nine biographies of the man. His poetry and the books that feed on it have taken up five feet of my bookshelves for many years. Of course I frequently reread the poems, too, and quote Randall Jarrell in my defence. Celebrating Wallace Stevens’ work, in Poetry and the Age , Jarrell concluded: A good poet is someone who manages, in a lifetime of standing out in thunderstorms, to be struck by lightning five or six times; a dozen or two dozen times and he is great. By that measure Robert Browning is a great poet. On my count there are a dozen or more lightning strikes among the thicket of collections written by this most relentless of Victorians i. What I have loved of Browning is the plain speaking, “hip to haunch”, intimacy of the dramas. We are there with the watch seizing “brother Lippo”; at dinner with the worldly prelate, Bishop Blougram; gathered with the sons at the deathbed of the bishop of Saint Praxed’s; attending on the dry, sadistic duke at Ferrara; eavesdropping on the cuckolded “faultless painter”. Here and elsewhere, Browning exhibits his genius for character and atmosphere – and for fine detail (“the ferrel of his stick/Trying the mortar’s temper ‘tween the chinks”), the perfect image ii , sensuality (upper iii and lower caste iv ), the memorable aphorism (“incentives come from the soul's self;/ The rest avail not.”) adroit rhythms and rhymes and – in lighter moments – a sometimes knockabout sense of humour v. -
Transverse02.Pdf
The April 2004 Centre for Comparative Literature’s Graduate Student Colloquium was a great success in that it was able to synthesize divergent fields of study into a forum which not only encouraged dialogue, but encouraged a deeper understanding of various literary disciplines, as well. I am honoured to present several of those papers given at this recent colloquium in the second issue of Transverse. Stay tuned for a third isse of Transverse this coming winter which will focus on the visual interpretations of various artists (photographers, graphic designers, illustrators, painters...) in and around the University of To- ronto campus, and various other campuses in the city. Thank you for your continued support. Sincerely, Annarita Primier CONTENTS 1 Myth as Metaphor: The Reflection of the Sacred in the Secular in A River Sutra julie mehta 9 2 Hypertextual Jealousy –The Option of Non-linearity in Robbe-Grillet’s Novel martin zeilinger 19 3 The Sterility of the Individual Ontological Search Versus the Fecundity of the Relational Ontological Search in Saramago’s The Year of the Death of Ricardo Reis irene marques 31 4 The Afterlife of the Berlin Wall: Monika Maron’s Life-writing on the Hyphen alma christova 44 5 COINCIDENTIA OPPOSITORUM in Der Steppenwolf pouneeh saeedi 54 6 The Zero Soul: Godot’s Waiting Selves in Dante’s Waiting Rooms ioana sion 63 7 A Synthetic Mind at Work: Eriugena’ Reinterpretation of Dionysius the Ps.-Areopagite in the 9th Century timothy budde 81 MYTH AS METAPHOR: THE REFLECTION OF THE SACRED IN THE SECULAR IN A RIVER SUTRA julie mehta (A River Sutra was on the list for the Booker Prize the same year Roddy Doyle got the booker for Paddy Clarke Ha Ha Ha and Salman Rushdie received the Booker of Bookers. -
SUNSCREEN FILM FESTIVAL 2016 , |FL1 SECTION SECTION SECTION SECTION Table of TABLE OF
11 th ANNUAL SECTION SECTION CONTENT sunscreenCONTENT FILM FESTIVAL Presented by 2016 PROGRAM GUIDE SOUTH BAY - LOS ANGELES April 28 - May 1 ST. PETERSBURGSUNSCREEN FILM FESTIVAL 2016 , |FL1 SECTION SECTION SECTION SECTION Table of OF TABLE WHEN ALL OF YOU GET CONTENTS CONTENT BIG AND FAMOUS AND CONTENTS Welcome 4 CONTENT Box Office Information 5 Box Offices GO TO HOLLYWOOD Tickets & Passes Special Events Workshops PARTIES AND DRIVE Awards Ceremony & After Party AD Festival Schedule 6 - 7 Workshops & Panels 8 - 10 FLASHY CARS, Special Events Schedule 12 Opening Night Gala 13 Celebrity Guests 14 JUSTPAGE REMEMBER, Special Guests 15 - 20 Film Info and Schedule 22 - 48 Thursday • April 28 23 • 24 YOU’LL GET MORE FOR Friday • April 29 25 • 31 Saturday • April 30 32 • 40 YOUR MOVIE HERE. Sundauy • May 1 41 • 47 Sponsors 49 - 51 Get more for your movie here. PROUD SPONSOR OF THE SUNSCREEN FILM FESTIVAL 2 SUNSCREEN FILM FESTIVAL 2016 | 3 Sunscreen Film Festival ad 5x8.indd 1 4/7/2016 4:24:18 PM BOX OFFICE INFORMATION BOX OFFICE Regular Box Office opens Thursday, April 28 at the primary venue: American Stage, 163 3rd Street, North., St. Petersburg, Florida 33701. WELCOME BOX OFFICES INFORMATION Online Book tickets anytime day or night! Visit our website: www.SunscreenFilmFestival.com Festival Office American Stage. 163 3rd Street, North., St. Petersburg, Florida 33701 SOUTH BAY - LOS ANGELES Telephone Call (727) 259-8417 • Hours: 9:00 am - 5:00 pm • Monday - Sunday Visa and Mastercard, AMEX, Discover accepted at box office (at door) and Paypal accepted for advanced, online tickets and pass purchases. -
Articles Set in Albuquerque and Wolfgang Von Goethe, Friedrich Schiller, Ludwig Tieck, Some in Rochester
N E W S De-Faced Blake Blake/An Illustrated Quarterly, Volume 20, Issue 3, Winter 1986-87, p. 110 PAGE 110 BLAKE/AN ILLUSTRATED QUARTERLY WINTER 1986-87 CALL FOR PLAYS NEWSLETTER Actors Theatre of Louisville is now conducting a nation- wide search for unpublished translations and adapta- tions of plays for next season's (1987-88) Classics in Con- text Festival — "The Romantics," which will celebrate DE-FACED BLAKE the ideals and influence of Romanticism on the stage. Readers may have noticed a certain patchiness in the Though plays by any dramatist whose work is associated type of our fall issue, the unfortunate but unavoidable with Romanticism will be considered, plays byjohann result of having some articles set in Albuquerque and Wolfgang von Goethe, Friedrich Schiller, Ludwig Tieck, some in Rochester. The patchiness will continue until all Alexander Pushkin, and Michael Lermontov are of par- articles set in New Mexico have been published, perhaps ticular interest. New plays (either original or adapta- as late as the summer and fall issues next year. tions of novels) that deal with the people, ideas, and events connected with Romanticism will also be con- ERRATA'S ERRATA sidered. Please submit plays by 1 November 1987 to Actors Theatre of Louisville, Literary Department, 316 Our readers might like to note these corrections to "Im- West Main Street, Louisville, KY 40202. proving the Text of The Complete Poetry & Prose of William Blake' {Blake, fall 1986): Blake p. 50: ENERGY AND THE IMAGINATION p. xvii canterbury should read Canterbury Morton D. Paley would like to purchase a clean, un- *p. -
List of Poems Used in Literary Criticism Contests, 2009
UIL Literary Criticism Poetry Selections 2021 William Wordsworth's "Strange Fits of Passion Have I Known" Percy Bysshe Shelley "To Wordsworth" Mark Hoult's clerihew "[Edmund Clerihew Bentley]" unattributed clerihew "[Lady Gaga—]" 2021 A 2021 Richard Wilbur's "The Catch" William Wordsworth's "[Most sweet it is with unuplifted eyes]" William Wordsworth's "She Dwelt among Untrodden Ways" Marge Piercy's "What's That Smell in the Kitchen?" Robert Browning's "Meeting at Night" Donald Justice's "Sonnet: The Poet at Seven" 2021 B 2021 William Wordsworth's "To Sleep" William Wordsworth's "Lucy Gray" William Wordsworth's "The Solitary Reaper" Richard Wilbur's "Boy at the Window" Alfred, Lord Tennyson's "Tears, Idle Tears" 2021 D 2021 Christina Rossetti's "Sleeping at Last" William Wordsworth's "[My heart leaps up when I behold]" William Wordsworth's "I Wandered Lonely as a Cloud" William Wordsworth's "The World Is Too Much with Us" John Keats's "On Seeing the Elgin Marbles" Anthony Hecht's "The End of the Weekend" 2021 R 2021 Elizabeth Bishop's "Little Exercise" Billy Collins's "Dharma" William Wordsworth's "Expostulation and Reply" William Wordsworth's "Matthew" Charles Lamb's "The Old Familiar Faces" Louis Untermeyer's "The Victory of the Beet-Fields" 2021 S 2021 Ralph Waldo Emerson's "Bramha" Elinor Wylie's "Pretty Words" italics indicate that the poem is found in Part 4 UIL Literary Criticism Poetry Selections 2020 Percy Bysshe Shelley's "Ozymandias" Percy Bysshe Shelley's "Song: To the Men of England" William Shakespeare's Sonnet 73 A Alanis Morissette's "Head over Feet" Mary Holtby's "Milk-cart" Emily Dickinson's "[A Bird came down the Walk]" 2020 Percy Bysshe Shelley's "Ozymandias" and Sheikh Sa'di's "[A Vision of the Sultan Mahmud]" Percy Bysshe Shelley's "England in 1819" Percy Bysshe Shelley's "One word is too often profaned" B William Shakespeare's Sonnet 2 John Updike's "Player Piano" 2020 Thomas Hardy's "Transformations" Percy Bysshe Shelley's "[Tell me thou Star, whose wings of light]" Percy Bysshe Shelley's "To Wordsworth" Percy Bysshe Shelley's "To Jane. -
William Blake 1 William Blake
William Blake 1 William Blake William Blake William Blake in a portrait by Thomas Phillips (1807) Born 28 November 1757 London, England Died 12 August 1827 (aged 69) London, England Occupation Poet, painter, printmaker Genres Visionary, poetry Literary Romanticism movement Notable work(s) Songs of Innocence and of Experience, The Marriage of Heaven and Hell, The Four Zoas, Jerusalem, Milton a Poem, And did those feet in ancient time Spouse(s) Catherine Blake (1782–1827) Signature William Blake (28 November 1757 – 12 August 1827) was an English poet, painter, and printmaker. Largely unrecognised during his lifetime, Blake is now considered a seminal figure in the history of the poetry and visual arts of the Romantic Age. His prophetic poetry has been said to form "what is in proportion to its merits the least read body of poetry in the English language".[1] His visual artistry led one contemporary art critic to proclaim him "far and away the greatest artist Britain has ever produced".[2] In 2002, Blake was placed at number 38 in the BBC's poll of the 100 Greatest Britons.[3] Although he lived in London his entire life except for three years spent in Felpham[4] he produced a diverse and symbolically rich corpus, which embraced the imagination as "the body of God",[5] or "Human existence itself".[6] Considered mad by contemporaries for his idiosyncratic views, Blake is held in high regard by later critics for his expressiveness and creativity, and for the philosophical and mystical undercurrents within his work. His paintings William Blake 2 and poetry have been characterised as part of the Romantic movement and "Pre-Romantic",[7] for its large appearance in the 18th century. -
Charlotte Smith’S Own Death
Charlotte (Turner) Smith (1749-1806) by Ruth Facer Soon after I was 11 years old, I was removed to London, to an house where there were no books...But I found out by accident a circulating library; and, subscribing out of my own pocket money, unknown to the relation with whom I lived, I passed the hours destined to repose, in running through all the trash it contained. My head was full of Sir Charles, Sir Edwards, Lord Belmonts, and Colonel Somervilles, while Lady Elizas and Lady Aramintas, with many nymphs of inferior rank, but with names equally beautiful, occupied my dreams.[1] As she ran through the ‘trash’ of the circulating library, little could the eleven-year Charlotte Turner have imagined that she was to become one of the best-known poets and novelists of the late eighteenth century. In all, she was to write eleven novels, three volumes of poetry, four educational books for young people, a natural history of birds, and a history of England. Charlotte was born in 1749 to Nicholas Turner, a well-to-do country gentleman, and his wife, Anna. Her early years were spent at Stoke Place, near Guildford in Surrey and Bignor Park on the Arun in Sussex. The idyllic landscape of the South Downs was well known to her and was to recur in her novels and poetry time and again: Spring’s dewy hand on this fair summit weaves The downy grass, with tufts of Alpine flowers, And shades the beechen slopes with tender leaves, And leads the Shepherd to his upland bowers, Strewn with wild thyme; while slow-descending showers, Feed the green ear, and nurse the future sheaves! Sonnet XXXI (written in Farm Wood, South Downs in May 1784) Sadly this idyllic life was to end abruptly with the death of Anna Turner, leaving the four-year old Charlotte to be brought up by her aunt Lucy in London. -
June 1924) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 6-1-1924 Volume 42, Number 06 (June 1924) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 42, Number 06 (June 1924)." , (1924). https://digitalcommons.gardner-webb.edu/etude/713 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. MVSIC “ETVDE MAGA ZINE Price 25 cents JUNE, 1924 $2.00 a Year JUNE 1924 Page 363 THE ETUDE New Publications that will serve Many Schools and Colleges Noteworthy Announcements in this Issue on Pages 363, 384, 366, 367, 368 _ Branches of the Music Profession \AMERICAN INSTITUTE ^njumitr g>rluml of JHuBiral Ir-Buralton Professional The Presser Policy is to Issue Only Those Book Publications that have Merit and are of Real Value \0F APPLIED MUSIC Music taught thru the awakening of the inner consciousness Directory to the Profession. With Compilations and Teaching Works the Aim is to Make Each Work One of \ Metropolitan College of Music High Standing in its Particular Classification. -
Northeastern Loggers Handrook
./ NORTHEASTERN LOGGERS HANDROOK U. S. Deportment of Agricnitnre Hondbook No. 6 r L ii- ^ y ,^--i==â crk ■^ --> v-'/C'^ ¿'x'&So, Âfy % zr. j*' i-.nif.*- -^«L- V^ UNITED STATES DEPARTMENT OF AGRICULTURE AGRICULTURE HANDBOOK NO. 6 JANUARY 1951 NORTHEASTERN LOGGERS' HANDBOOK by FRED C. SIMMONS, logging specialist NORTHEASTERN FOREST EXPERIMENT STATION FOREST SERVICE UNITED STATES GOVERNMENT PRINTING OFFICE - - - WASHINGTON, D. C, 1951 For sale by the Superintendent of Documents, Washington, D. C. Price 75 cents Preface THOSE who want to be successful in any line of work or business must learn the tricks of the trade one way or another. For most occupations there is a wealth of published information that explains how the job can best be done without taking too many knocks in the hard school of experience. For logging, however, there has been no ade- quate source of information that could be understood and used by the man who actually does the work in the woods. This NORTHEASTERN LOGGERS' HANDBOOK brings to- gether what the young or inexperienced woodsman needs to know about the care and use of logging tools and about the best of the old and new devices and techniques for logging under the conditions existing in the northeastern part of the United States. Emphasis has been given to the matter of workers' safety because the accident rate in logging is much higher than it should be. Sections of the handbook have previously been circulated in a pre- liminary edition. Scores of suggestions have been made to the author by logging operators, equipment manufacturers, and professional forest- ers. -
Women Poets in Romanticism
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by International Burch University 1st International Conference on Foreign Language Teaching and Applied Linguistics May 5-7 2011 Sarajevo Women Poets in Romanticism Alma Ţero English Department, Faculty of Philosophy University of Sarajevo, Bosnia and Herzegovina [email protected] Abstract: In Bosnia, modern university literary courses usually do not even include Romantic women poets into their syllabuses, which is a huge shortcoming for every student interested in gender studies as such. That is why this paper focuses on the Romantic Era 1790s-1840s and those women who had broken out of their prisons and into the literary world of poetry. Many events, such as the French Revolution, political and social turbulences in Britain, rising female reading audiences, and public coteries have influenced the scope of women poets‘ development and reach. Due to great tensions, male and female Romantic poetry progressed in two contrary currents with opposite ideas regarding many a problem and issue. However, almost every Romantic artist at that time produced works of approval regarding social reforms. Women continued writing, which gained them greater acknowledgment and economic success after all. Poets such as Charlotte Smith and Anna Barbauld were true Romantic representatives of female poets and this is why we shall mostly focus on specific display of their poetic works, language, and lives. Key Words: Romantic poetry, Women poets, Charlotte Smith, Anna Barbauld Introduction The canon of British Romantic writing has traditionally been focused on the main male representatives of the era, which highly contributed to the distortion of our understanding of its literary culture. -
View to More General Losses and the Attempts by the Subjects and the Poet to Navigate Those Events
UNIVERSITY OF CINCINNATI DATE: May 12, 2003 I, Cynthia Nitz Ris , hereby submit this as part of the requirements for the degree of: Doctor of Philosophy (Ph.D.) in: English It is entitled: Imagined Lives Approved by: Don Bogen, Ph.D. John Drury Jim Cummins IMAGINED LIVES A dissertation submitted to the Division of Research and Advanced Studies of the University of Cincinnati in partial fulfillment of the requirements of the degree of DOCTORATE OF PHILOSOPHY (Ph.D.) in the Department of English Composition and Comparative Literature of the College of Arts and Sciences 2003 by Cynthia Nitz Ris B.A., Texas A&M University, 1978 J.D., University of Michigan, 1982 M.A., University of Cincinnati, 1998 Committee Chair: Don Bogen, Ph.D. ABSTRACT This dissertation consists of a collection of original poetry by Cynthia Nitz Ris and a critical essay regarding William Gaddis’s novel A Frolic of His Own. Both sections are united by reflecting the difficulties of utilizing past experiences to produce a fixed understanding of lives or provide predictability for the future; all lives and events are in flux and in need of continual reimagining or recharting to provide meaning. The poetry includes a variety of forms, including free verse, sonnets, blank verse, sapphics, rhymed couplets, stanzaic forms including mad-song stanzas and rhymed tercets, variations on regular forms, and nonce forms. Poems are predominantly lyrical expressions, though many employ narrative strategies to a greater or lesser degree. The first of four units begins with a long-poem sequence which serves as prologue by examining general issues of loss through a Freudian lens. -
Mead Annual Report 2018-2020
ANNUAL REPORT DOUBLE ISSUE 2018–2019 2019–2020 Paneled room with light-filled stained-glass background; sculpted figure with a world globe as a head wears a mul- ticolored dress and stands on one leg, a stack of books balanced on the other C O N T E N T S 5 Foreword Paul Schnell 6 Introduction Nichole Bridges 8 Letter from the Director David E. Little PART 1: 2018–19 10 Education 22 Exhibitions On the cover: 40 Engagement Matthew Day Jackson (American, born 1974). Sacajawea (American Martyr Series) (detail), 2005. Anonymous Gift Learn about the artwork » ACQUISITIONS 54 2018–19 This page: Rotherwas Project 89 2019–20 No. 4: Yinka Shonibare CBE, 92 Trinkett Clark Memorial The American Library Student Acquisition Project Collection (Activists). PART 2: 2019–20 100 Education 114 Exhibitions 134 Engagement 146 Staff News and Notes 152 Financial Report 155 Advisory Board 156 Friends of the Mead F O R E W O R D Today, the Museum crackles with vitality—an energy one can sense Paul Schnell, ’76 P’11 whether visiting in person or Chair of the Mead Advisory Board connecting online. The Mead has become integral to the curriculum and to building community at the College. It is recognized as one of I have felt a strong connection to the Mead Art Museum the leading, most innovative college since my first year at Amherst, when I lived a few “ steps away in Stearns Hall. Back then, I thought of the art museums in the country." Museum as a quiet, underutilized and underappreciated place.