June 1924) James Francis Cooke

Total Page:16

File Type:pdf, Size:1020Kb

June 1924) James Francis Cooke Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 6-1-1924 Volume 42, Number 06 (June 1924) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 42, Number 06 (June 1924)." , (1924). https://digitalcommons.gardner-webb.edu/etude/713 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. MVSIC “ETVDE MAGA ZINE Price 25 cents JUNE, 1924 $2.00 a Year JUNE 1924 Page 363 THE ETUDE New Publications that will serve Many Schools and Colleges Noteworthy Announcements in this Issue on Pages 363, 384, 366, 367, 368 _ Branches of the Music Profession \AMERICAN INSTITUTE ^njumitr g>rluml of JHuBiral Ir-Buralton Professional The Presser Policy is to Issue Only Those Book Publications that have Merit and are of Real Value \0F APPLIED MUSIC Music taught thru the awakening of the inner consciousness Directory to the Profession. With Compilations and Teaching Works the Aim is to Make Each Work One of \ Metropolitan College of Music High Standing in its Particular Classification. YOU MAY PROVE THE MERIT OF ANY OF \ THIRTY-EIGHTH YEAR SUMMER NORMAL COURSE THE NEW WORKS ON THIS PAGE BY SECURING A COPY FOR EXAMINATION. Piano KateS. Chittenden, Dean JULY 6th to AUGUST 15th ALBERT ‘”wsi NEW PIANO TEACHING WORKS Favorite Musical Readings and A VIOLIN WORK RECENTLY ISSUED Pedagogy \ FACULTY OF Piano Conducting Conservatory Dept. Strong Normal Class for Teachers faculty of ten teachers. Jenk- Courses \ SPECIALISTS mtnnrr, P. enhurh nf Philft Album of Trills PianologuesofCoylaMaySpring 25 Selected Studies from H. E. Voice Song Leading BEECHWOOD Written and Compiled by Clay Smith Lead to \ teaching Elementary Harmony Op. : Certificates and DiplomX Music in 57 West 48th Street CONIBS “,’r Special \ 3,1 its New York City Summer Session \ branche« DUNNING §£ isSlIsis? June 16th \ THE NEW SUCCESS MUSIC METHOD sbs sjss Ssss^Tt%ss!t!SR EiMipcE/'T A NEW PIPE ORGAN ALBUM GOOD METHODS BRING GOOD RETURNS 2 W. 59th St. New York City Lemare Organ Album FABRIZI s^s^mm‘LarssTS VIRGIL PORTABLE KEYBOARD GUICHARD”^:-—" MUSICIANSHIP HAWTHORNE .:'ss;rv.. (-not “do re mi” MOULTON IMadison Ave. (30th St.) NEW YORK New York City SPSS'S? ““SShrfiSE Add to Your Musical Power nesting from a musical standpoint By Studying k TREIffON-^si-grls^ HARMONY AND COMPOSITION Write F. L. Willgoose, Mus.Bac. (Durham Univ.) VEON SrS“»- VIRGIL Stories Notes Can Tell SPECIAL NOTICES and ANNOUNCEMENTS VIRGIL A Departr VIRGIL SCHOOL OF MUSIC sliSigps Founded by the late A. K. Virgil rates fort In Foreign Lands Originator of the Virgil Method, Inventor of the Virgil Practice Clavier ■WeSLSS" •' r-“ summer session ’^s^ssa^ssss^J;";mh- INTERESTING NEW PIANO ALBUMS Price, 40 cents This is virtually a cycle of four delightful two- AMERICANSfg"-"5^ Young Folks’ Opera Gems Sfiain Egyptian M f e,entitled On to BURROWES’ SssSffik. Price, 75 cents DUNNING SYSTEM °nTt“dy by a. Ugiin, Eductor. ■>. World. CHICAGO ggSS womens club ”Umber °” the Prc™ of a A CLEVER MUSICAL COMEDY CINCJ§ATIf^5» Knight of Dreams DETROIT The Three Players Contemporary March Album rr;ssrcESFoR Adda C. Eddy, U6 W. Sanduaky At.., B.IWontaine^Ohio, May 20th; Columbus, Ohio, June 24th. TOMUNSONJIggi ETUDE COVER WESTERN DESIGN CONTEST $250.00 CONVERSE COLLEGBSSaS !issiis£Err“— IN PRIZES ■ffWEBK. THE ETUDE Page 364 JUNE 1924 SUMMER MASTER SCHOOL June 30 to August 9, 1924 (Six Weeks) TEACHERS’ CERTIFICATES AND a feature of the Palace of the Legion ol Honor presented by Adolph B. Spreckelsto San Francisco to the memory of the Califor¬ nia soldiers who enlisted in the World War. The organ is the gift of John D. Spreckels. Teachers’ Certificates and the Degrees of Bachelor of Music, Master of Music, Doctor of Music, Bachelor of Oratory and Master of Oratory will be conferred at the end of the Summer Session upon Artists, Directors, Teachers and Advanced Students who show sufficient knowledge and take the required studies. Requirements in Summer Catalog Chicago musical College 620 S. Michigan Avenue, Chicago, Ill. WSSSSSREESr* VICTOR HEINZE STUDY IIM AUGUST EMINENT TEACHER of many SECOND SESSION—SUMMER SCHOOL well known pianists, will conduct a SUMMER CLASS for teachers and AUGUST 4 TO SEPTEMBER 6 (fonserdatorfc 4ttusic pianists in Munich. The work will GUEST TEACHERS COMPLETE COURSES DIPLOMAS AND DEGREES Over Fifty Years of Musical Leadership FREE CATALOGS fall term starts September 8 A Complete School of Music Master, Artist and Normal Courses Address by registered letter MacPHAIL SCHOOL OF MUSIC VICTOR HEINZE, Now Building, LaSalle at 12th Street MINNEAPOLIS, MINN. Richard Wagner Str. 39, Schools of Opera and Ballet Pasing, Munich, Orchestra and Chorus Germany PERCY FULLINWIDER VIOLINIST LAWRENCE CONSERVATORY FREE SCHOLARSHIPS American Correspondent Head of Violin Department rmitories on beautiful tcn-acrc campus only fifteen min Franklyn Carnahan, LAWRENCE CONSERVATORY from Cincinnati s Music ani Art Attractions. 204 Fine Arts Bldg., APPLETON, WIS, Pupils may enter at any time. A MASTER TEACHER Cleveland, Ohio Jnusual opportunity for the se- ries. Free Catalog. SEND FOR CATALOG TO ious student of violin. Write for ree catalog and information. CARL J. WATERMAN, D< BERTHA BAUR, Director Highland Ave. and Oak St. Cincinnati, O. Minneapolis School of Music Oratory and Dramatic Art Michigan State Normal College Conservatory of Music 60-62 11th St. S. at La Salle Courses in singing, piano, organ, violin and theory. Minneapolis, Minn. Courses for training supervisors and teachers of public school music. VALPARAISO UNIVERSITY WILLIAM H. PONTIUS, Director Graduation leads to a life certificate valid in most states of the union. Fall term opens Sept. 2 Total living expenses need not exceed six dollars per weeL Tuition and fees exceptionally low. School of Music Large Faculty of Artist Teachers (Accredited) Michigan State Normal College Conservatory of Music, Dept. 9, Ypsilanti, Mich. VALPARAISO, INDIANA I DANA’S MUSICAL INSTITUTE WARREN, OHIO J’HE EXPENSES ARE THE LOWEST I A University of Music with Daily Instruction in All Branches of Musical Education DetaLkdfigurslS-'e .SUMMER SESSION OPENS JUNE 16th Address Lynn B. Dana, Pres. Desk E, Warren, Ohio paraiso^Umvershy,—Dept. 6> Valparaiso, Indiana. of 35 specialists. High school course or equivalent IN required. Courses lead to degree of Mus.B. Pall IH NO TEACHER BEETHOVEN w c ' THEO. PRESSER CO., Philadelphia^ Pa. CONSERVATORY Please mention THE ETUDE w It,' JUNE 192U Page 367 THE THE ETUDE Page 366 'JUNE 192£ m,m, u„......m, ■„. - __ __ — SUMMER MASTER SCHOOL SUMMER MASTER SCHOOL June 23 to July 26, 1924 For Artists, Directors, Teachers and Advanced Stndents June 30 to August 9 (Six Weeks) MME. FANNIE ——=*i UMMER FACULTY- BLOOMFIELD Richard Hageman ZEISLER s&VALERI Herbert Witherspoon William S. Brady Prof. Leopold Auer Celebrated Vocal Instructor Noted Coach and Accompanist Famous New York Expert Master Violin Instructor of the World Famous Singer and Teacher Renowned Pianist and Instructor on Tone Production Graham Reed PRIVATE LESSONS Percy Rector Stephens Private Lessons—Repertoire—Teacher’s Classes Sergei Klibansky Prof. Xaver Scharwenka Authority on Voice Production Repertoire—Teacher’s Classes—Auditor Classes World’s Greatest Piano Instructor Notable Teacher of Teachers if a nrrT a TkT director of public school music Leon Sametini Clarence Eddy Dr. Georg Schumann GEORGE H. G ARTL AN of new york city Florence Hinkle Renowned Violinist and Teacher Dean of American Organists Illustrious Composer and Theorist America’s Foremost Soprano EMINENT FACULTY OF 100 ARTIST-INSTRUCTORS And the Regular Faculty of Over 100 Artist-teachers SUMMER SESSION of Six weeks from June 23rd to August 2nd, 1924. Special courses for Teachers and Advanced Students in all branches of Music and Dramatic Art. Special Courses for Supervisors of Public School Music, Recitals by distinguished Artists. Lectures by eminent Educators._ The American Conservatory awards Teacher’s Certificates, Diplomas and Degrees by authority of the State of Illinois TEACHERS’ CERTIFICATES AND DEGREES FREE SCHOLARSHIP awarded by Delia Valeri and Fannie Bloomfield Zeisler Send for Ap¬ Tochers’Certifi^tes^rthe DegTell of Bachelor of Music, Master of Music, Doctor of Music, Bachelor of Oratory and Master of Oratory will be plication Blank. Excellent Dormitory Accommodations. Rates of tuition moderate. Summer Session Teachers summer seSsion upon candidates who show sufficient knowledge and booklet mailed free on application. For detailed information address Full details in Summer Catalog. _Complete summer catalog on request._ Lesson periods should be engaged now. Complete Catalog on Request j Dormitory Accommodations Fall Session Opens September IS American Conservatory of Music CHICAGO MUSICAL COLLEGE J571 Kimball Hall, Chicago, Ill. John J* Hattstaedt, President i /'ll • in The Leading and Largest College
Recommended publications
  • The Family of Leopold Auer in Reminiscences and Letters
    The Family of Leopold Auer in Memories and Letters by Marina Akimova I In 2018 it will be 150 years since Leopold Auer began his teaching career at the St. Petersburg Conservatory. Since his death his name has become synonymous with that of an incomparable pedagogue of violin in the same way as Paganini’s name has become identical to that of a supreme violinist. By now no one knows for certain how exactly he taught his students. Sometimes he is described as merely an adroit manager who helped to organise the concert life of the already accomplished musicians. This opinion can be contradicted by the words of Heifetz who worshipped Auer all his life: “Professor Auer was an extraordinary and incomparable teacher. I do not think that there has ever been anyone to touch him in the whole world. Ask me not how he taught. I know not how to tell you about it because he taught every student entirely differently. Perhaps it was because of this supremely individual approach that he was such a marvellous teacher. For me even half an hour with Auer was sufficient to provide me with emotional and intellectual stimulus. He was possessed of a first class brain, superb sense of humour, marvellous nervous system, and tremendous magnetism. As you see everything in him was superlative.” Of late, interest in Auer and his teaching seems to be everywhere. One can come across his name in the most unusual places, for instance on an internet site or in a new book by Dina Rubin, a contemporary writer in the Russian language.
    [Show full text]
  • Repor 1 Resumes
    REPOR 1RESUMES ED 018 277 PS 000 871 TEACHING GENERAL MUSIC, A RESOURCE HANDBOOK FOR GRADES 7 AND 8. BY- SAETVEIT, JOSEPH G. AND OTHERS NEW YORK STATE EDUCATION DEPT., ALBANY PUB DATE 66 EDRS PRICEMF$0.75 HC -$7.52 186P. DESCRIPTORS *MUSIC EDUCATION, *PROGRAM CONTENT, *COURSE ORGANIZATION, UNIT PLAN, *GRADE 7, *GRADE 8, INSTRUCTIONAL MATERIALS; BIBLIOGRAPHIES, MUSIC TECHNIQUES, NEW YORK, THIS HANDBOOK PRESENTS SPECIFIC SUGGESTIONS CONCERNING CONTENT, METHODS, AND MATERIALS APPROPRIATE FOR USE IN THE IMPLEMENTATION OF AN INSTRUCTIONAL PROGRAM IN GENERAL MUSIC FOR GRADES 7 AND 8. TWENTY -FIVE TEACHING UNITS ARE PROVIDED AND ARE RECOMMENDED FOR ADAPTATION TO MEET SITUATIONAL CONDITIONS. THE TEACHING UNITS ARE GROUPED UNDER THE GENERAL TOPIC HEADINGS OF(1) ELEMENTS OF MUSIC,(2) THE SCIENCE OF SOUND,(3) MUSICAL INSTRUMENTS,(4) AMERICAN FOLK MUSIC, (5) MUSIC IN NEW YORK STATE,(6) MUSIC OF THE THEATER,(7) MUSIC FOR INSTRUMENTAL GROUPS,(8) OPERA,(9) MUSIC OF OTHER CULTURES, AND (10) HISTORICAL PERIODS IN MUSIC. THE PRESENTATION OF EACH UNIT CONSISTS OF SUGGESTIONS FOR (1) SETTING THE STAGE' (2) INTRODUCTORY DISCUSSION,(3) INITIAL MUSICAL EXPERIENCES,(4) DISCUSSION AND DEMONSTRATION, (5) APPLICATION OF SKILLS AND UNDERSTANDINGS,(6) RELATED PUPIL ACTIVITIES, AND(7) CULMINATING CLASS ACTIVITY (WHERE APPROPRIATE). SUITABLE PERFORMANCE LITERATURE, RECORDINGS, AND FILMS ARE CITED FOR USE WITH EACH OF THE UNITS. SEVEN EXTENSIVE BE.LIOGRAPHIES ARE INCLUDED' AND SOURCES OF BIBLIOGRAPHICAL ENTRIES, RECORDINGS, AND FILMS ARE LISTED. (JS) ,; \\',,N.k-*:V:.`.$',,N,':;:''-,",.;,1,4 / , .; s" r . ....,,'IA, '','''N,-'0%')',", ' '4' ,,?.',At.: \.,:,, - ',,,' :.'v.'',A''''',:'- :*,''''.:':1;,- s - 0,- - 41tl,-''''s"-,-N 'Ai -OeC...1%.3k.±..... -,'rik,,I.k4,-.&,- ,',V,,kW...4- ,ILt'," s','.:- ,..' 0,4'',A;:`,..,""k --'' .',''.- '' ''-.
    [Show full text]
  • British Poetry of the Long Nineteenth Century
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Zea E-Books Zea E-Books 12-1-2019 British Poetry of the Long Nineteenth Century Beverley Rilett University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/zeabook Part of the Literature in English, British Isles Commons Recommended Citation Rilett, Beverley, "British Poetry of the Long Nineteenth Century" (2019). Zea E-Books. 81. https://digitalcommons.unl.edu/zeabook/81 This Book is brought to you for free and open access by the Zea E-Books at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Zea E-Books by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. British Poetry of the Long Nineteenth Century A Selection for College Students Edited by Beverley Park Rilett, PhD. CHARLOTTE SMITH WILLIAM BLAKE WILLIAM WORDSWORTH SAMUEL TAYLOR COLERIDGE GEORGE GORDON BYRON PERCY BYSSHE SHELLEY JOHN KEATS ELIZABETH BARRETT BROWNING ALFRED TENNYSON ROBERT BROWNING EMILY BRONTË GEORGE ELIOT MATTHEW ARNOLD GEORGE MEREDITH DANTE GABRIEL ROSSETTI CHRISTINA ROSSETTI OSCAR WILDE MARY ELIZABETH COLERIDGE ZEA BOOKS LINCOLN, NEBRASKA ISBN 978-1-60962-163-6 DOI 10.32873/UNL.DC.ZEA.1096 British Poetry of the Long Nineteenth Century A Selection for College Students Edited by Beverley Park Rilett, PhD. University of Nebraska —Lincoln Zea Books Lincoln, Nebraska Collection, notes, preface, and biographical sketches copyright © 2017 by Beverly Park Rilett. All poetry and images reproduced in this volume are in the public domain. ISBN: 978-1-60962-163-6 doi 10.32873/unl.dc.zea.1096 Cover image: The Lady of Shalott by John William Waterhouse, 1888 Zea Books are published by the University of Nebraska–Lincoln Libraries.
    [Show full text]
  • Marie Collier: a Life
    Marie Collier: a life Kim Kemmis A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Department of History The University of Sydney 2018 Figure 1. Publicity photo: the housewife diva, 3 July 1965 (Alamy) i Abstract The Australian soprano Marie Collier (1927-1971) is generally remembered for two things: for her performance of the title role in Puccini’s Tosca, especially when she replaced the controversial singer Maria Callas at late notice in 1965; and her tragic death in a fall from a window at the age of forty-four. The focus on Tosca, and the mythology that has grown around the manner of her death, have obscured Collier’s considerable achievements. She sang traditional repertoire with great success in the major opera houses of Europe, North and South America and Australia, and became celebrated for her pioneering performances of twentieth-century works now regularly performed alongside the traditional canon. Collier’s experiences reveal much about post-World War II Australian identity and cultural values, about the ways in which the making of opera changed throughout the world in the 1950s and 1960s, and how women negotiated their changing status and prospects through that period. She exercised her profession in an era when the opera industry became globalised, creating and controlling an image of herself as the ‘housewife-diva’, maintaining her identity as an Australian artist on the international scene, and developing a successful career at the highest level of her artform while creating a fulfilling home life. This study considers the circumstances and mythology of Marie Collier’s death, but more importantly shows her as a woman of the mid-twentieth century navigating the professional and personal spheres to achieve her vision of a life that included art, work and family.
    [Show full text]
  • There's a Real Buzz and Sense of Purpose About What This Company Is Doing
    15 FEBRUARY 7.15PM & 17 FEBRUARY 2PM “There’s a real buzz and sense of purpose about what this company is doing” ~ The Guardian www.niopera.com Grand Opera House, Belfast Welcome to The Grand Opera House for this new production of The Flying Dutchman. This is, by some way, NI Opera’s biggest production to date. Our very first opera (Menotti’s The Medium, coincidentally staged two years ago this month) utilised just five singers and a chamber band, and to go from this to a grand opera demanding 50 singers and a full symphony orchestra in such a short space of time indicates impressive progress. Similarly, our performances of Noye’s Fludde at the Beijing Music Festival in October, and our recent Irish Times Theatre Award nominations for The Turn of the Screw, demonstrate that our focus on bringing high quality, innovative opera to the widest possible audience continues to bear fruit. It feels appropriate for us to be staging our first Wagner opera in the bicentenary of the composer’s birth, but this production marks more than just a historical anniversary. Unsurprisingly, given the cost and complexities involved in performing Wagner, this will be the first fully staged Dutchman to be seen in Northern Ireland for generations. More unexpectedly, perhaps, this is the first ever new production of a Wagner opera by a Northern Irish company. Northern Ireland features heavily in this production. The opera begins and ends with ships and the sea, and it does not take too much imagination to link this back to Belfast’s industrial heritage and the recent Titanic commemorations.
    [Show full text]
  • June 1911) James Francis Cooke
    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 6-1-1911 Volume 29, Number 06 (June 1911) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 29, Number 06 (June 1911)." , (1911). https://digitalcommons.gardner-webb.edu/etude/570 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. 361 THE ETUDE -4 m UP-TO-DATE PREMIUMS _OF STANDARD QUALITY__ K MONTHLY JOURNAL FOR THE MUSICIAN, THE MUSIC STUDENT, AND ALL MUSIC LOVERS. Edited by JAMES FRANCIS COOKE », Alaska, Cuba, Porto Kieo, 50 WEBSTER’S NEW STANDARD 4 DICTIONARY Illustrated. NEW U. S. CENSUS In Combination with THE ETUDE money orders, bank check letter. United States postage ips^are always received for cash. Money sent gerous, and iponsible for its safe T&ke Your THE LAST WORD IN DICTIONARIES Contains DISCONTINUANCE isli the journal Choice o! the THE NEW WORDS Explicit directions Books: as well as ime of expiration, RENEWAL.—No is sent for renewals. The $2.50 Simplified Spelling, „„ ...c next issue sent you will lie printed tile date on wliicli your Webster’s Synonyms and Antonyms, subscription is paid up, which serves as a New Standard receipt for your subscription.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 33,1913-1914, Trip
    SANDERS THEATRE . CAMBRIDGE HARVARD UNIVERSITY Thirty-third Season, 1913-1914 Dr. KARL MUCK, Conductor WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE THURSDAY EVENING, MARCH 26 AT 8.00 COPYRIGHT, 1914, BY C. A. ELLIS PUBLISHED BY C, A. ELLIS, MANAGER M MELBA KUBELTK These world famous artists prefer and use exclusively Everywhere acknowledged to be, musically, the most beautiful piano the world has ever known. Send for a description of the MASON & HAM- LIN TENSION RESONATOR, the greatest discovery in pianoforte construction in the last fifty years. ESTABLISHED 1854 492-494 BOYLSTON STREET. BOSTON SANDERS THEATRE CAMBRIDGE HARVARD UNIVERSITY Thirty-third Season, 1913-1914 Dr. KARL MUCK, Conductor SEVENTH CONCERT THURSDAY EVENING, MARCH 26 AT 8.00 PROGRAMME Chadwick Symphony No. 3, F major I, Allegro sostenuto. II. Larghetto. III. Vivace non troppo: L'istesso tempo. IV. Finale : Allegro molto energico. Wagner "A Siegfried Idyl Tschaikowsky . Concerto in D major, for Violin, Op. 35 I. Allegro moderato. II. Canzonetta: Andante. III. Finale: Allegro vivacissimo. Wagner • • Overture, "Tannhauser" SOLOIST FRITZ KREISLER There will be an intermission of ten minutes after the symphony 3 Victrolas $15 to $200 at Steinert's If you have a Victrola you should know how convenient and satis- factory it is to buy records at our stores. You can make selections from very large stocks. You will be pleased with the prompt, cour- teous and intelligent service. Mail orders promptly filled Accounts solicited Records delivered anywhere in New England We invite you to call and hear at either of our Boston stores 35 ARCH STREET STEINERT HALL Largest Exclusive Victor Store 162 BOYLSTON STREET in New England Piano and Victor Departments Branches in Bangor, Portland, Brockton, Fall River, New Bedford, Fitchburg, Worcester, Springfield, Lowell, Haverhill, Providence, Pawtucket, Manchester, New Haven, Bridgeport, and other principal cities.
    [Show full text]
  • LEEDSLIEDER+ Friday 2 October – Sunday 4 October 2009 Filling the City with Song!
    LEEDSLIEDER+ Friday 2 October – Sunday 4 October 2009 Filling the city with song! Festival Programme 2009 The Grammar School at Leeds inspiring individuals is pleased to support the Leeds Lieder+ Festival Our pupils aren’t just pupils. singers, They’re also actors, musicians, stagehands, light & sound technicians, comedians, , impressionists, producers, graphic artists, playwrightsbox office managers… ...sometimes they even sit exams! www.gsal.org.uk For admissions please call 0113 228 5121 Come along and see for yourself... or email [email protected] OPENING MORNING Saturday 17 October 9am - 12noon LEEDSLIEDER+ Friday 2 October – Sunday 4 October 2009 Biennial Festival of Art Song Artistic Director Julius Drake 3 Lord Harewood Elly Ameling If you, like me, have collected old gramophone records from Dear Friends of Leeds Lieder+ the time you were at school, you will undoubtedly have a large I am sure that you will have a great experience listening to this number of Lieder performances amongst them. Each one year’s rich choice of concerts and classes. It has become a is subtly different from its neighbour and that is part of the certainty! attraction. I know what I miss: alas, circumstances at home prevent me The same will be apparent in the performances which you this time from being with you and from nourishing my soul with will hear under the banner of Leeds Lieder+ and I hope this the music in Leeds. variety continues to give you the same sort of pleasure as Lieder singing always has in the past. I feel pretty sure that it To the musicians and to the audience as well I would like to will and that if you have any luck the memorable will become repeat the words that the old Josef Krips said to me right indistinguishable from the category of ‘great’.
    [Show full text]
  • TWENTIETH REHEARSAL and CONCERT
    Boston Symphony Orchestra* SYMPHONY HALL, BOSTON, HUNTINGTON AND MASSACHUSETTS AVENUES. (Telepkene, M92 Back Bay.) TWENTY-FOURTH SEASON, J904-J905. WILHELM GERICKE, CONDUCTOR programme OF THE TWENTIETH REHEARSAL and CONCERT WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE. FRIDAY AFTERNOON, MARCH 31, AT 2.30 O'CLOCK. SATURDAY EVENING, APRIL J, AT 8.00 O'CLOCK. Published by C A. ELLIS^ Manager. 1293 "THE MAKERS OF THESE INSTRUMENTS have shown that genius for piano-, forte making that has been defined as 'an infinite capacity for taking pains'. The result of over eighty- one years of application of this genius to the production of musical tone is shown in the Chickering of to-day." Catalogue upon Application CHICKERING & SONS EttaHisAed iSaj 79, Tremont St, Boston U94 : TWENTY-FOURTH SEASON, I904-J905. Twentieth Rehearsal and Concert* FRIDAY AFTERNOON, MARCH 3J, at 2.30 o'clock. SATURDAY EVENING, APRIL J, at 8.00 o'clock. PROGRAMME. Brahms . Tragic Overture, Op. 8i . Violin, Tschaikowsky . Concerto in D major, for Op. 35 I. Allegro moderato. II. Canzonetta. III. Allegro vivacissimo. Hugo Wolf ..... Italian Serenade, First time Huber ..... Symphony No. 2, E minor, Op. 115 I. Allegro con fuoco. II. Allegro con fuoco non troppo. III. Adagio ma non troppo. " IV. Finale : Metamorphoses suggested by pictures by Bocklin." SOLOIST Mr. KARL BARLEBEN. There will be an intermission of ten minutes before ttie symphony. The doors of the hall will be closed during the performance of each number on the programme. Those who wish to leave before the end of the concert are requested to do so in an interval 6e- tween the numbers.
    [Show full text]
  • Undergraduate Student Recital Noelle Barr, Violin Erik Lawrence, Piano May 21, 2021 | 6 Pm PDT | Virtual Event Program
    Undergraduate Student Recital Noelle Barr, violin Erik Lawrence, piano May 21, 2021 | 6 pm PDT | Virtual Event program Partita No. 1 in B minor, for solo violin, BWV 1002 Johann Sebastian Bach Allemande - Double (German, 1685-1750) Sarabande - Double Sonata No. 1 in D Major, for violin and piano, Op. 12 Ludwig van Beethoven Allegro con brio (German, 1770-1827) Tema con variazioni: Andante con moto Rondo: Allegro Concerto in D Major, for violin, Op. 35 Pyotr Ilyich Tchaikovsky Allegro moderato (Russian, 1840-1893) *** Noelle Barr is a student of UC Santa Barbara Lecturer Ertan Torgul Presented by the University of California, Santa Barbara Division of Humanities and Fine Arts in the College of Letters and Science and the UC Santa Barbara Department of Music in partial fulfillment of the Bachelor of Arts degree. About the Artist Noelle started playing the violin at the age of 9 in a public school program. After participating in the local community orchestra throughout elementary and middle school, she became a member of the Claremont Young Musicians Orchestra (CYMO), where she was exposed to an expansive list of symphonic repertoire, coachings led by musicians of the Los Angeles Philharmonic, and a rehearsal with Gustavo Dudamel in 2015. Since continuing her violin studies as a double major in Music Studies and the History of Art and Architecture at UCSB, she has participated in the music department’s chamber ensembles as a student of Ertan Torgul. Receiving masterclasses from the Danish String Quartet in 2019 and Sheryl Staples of the NY Philharmonic in 2020, she extends her gratitude to the UCSB string faculty and musicologists, her parents, and friends.
    [Show full text]
  • City Research Online
    Askin, C. (1996). Early Recorded Violinists. (Unpublished Doctoral thesis, City University London) City Research Online Original citation: Askin, C. (1996). Early Recorded Violinists. (Unpublished Doctoral thesis, City University London) Permanent City Research Online URL: http://openaccess.city.ac.uk/7937/ Copyright & reuse City University London has developed City Research Online so that its users may access the research outputs of City University London's staff. Copyright © and Moral Rights for this paper are retained by the individual author(s) and/ or other copyright holders. All material in City Research Online is checked for eligibility for copyright before being made available in the live archive. URLs from City Research Online may be freely distributed and linked to from other web pages. Versions of research The version in City Research Online may differ from the final published version. Users are advised to check the Permanent City Research Online URL above for the status of the paper. Enquiries If you have any enquiries about any aspect of City Research Online, or if you wish to make contact with the author(s) of this paper, please email the team at [email protected]. EARLY RECORDED VIOLINISTS CIHAT AS KIN 1996 EARLY RECORDED VIOLINISTS Cihat Askin Thesis submitted in partial fulfilment of the requirements for the degree of Doctorate of Musical Arts City University Music Department April 1996 2 CONTENTS Acknowledgements 25 Abstract 26 Preface 27 Introduction 29 Abbreviations & Symbols 32 1. Joseph Joachim 33 1.1 A Short Biography 34 1.2 Joachim: Beethoven and Brahms Concertos 35 1.3 Joachim as Performer 39 1.4 Joachim as Teacher 40 1.5 Analysis of Joachim's Recordings 43 1.5.1 Bach Adagio and Tempo di Borea 44 1.5.2 Vibrato 60 1.5.3 Chords 61 1.5.4 Perfect Rubato 62 1.5.5 Agogic Accents 62 1.5.6 Intonation 63 1.6 Conclusion 66 2.
    [Show full text]
  • Synopses, Comparisons, and Evaluation of the Leopold Auer and Erich Doflein Iolinv Methods
    Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1974 Synopses, Comparisons, and Evaluation of the Leopold Auer and Erich Doflein iolinV Methods. Allan Riggs Fuller Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Part of the Music Commons Recommended Citation Fuller, Allan Riggs, "Synopses, Comparisons, and Evaluation of the Leopold Auer and Erich Doflein ioV lin Methods." (1974). LSU Historical Dissertations and Theses. 8156. https://digitalcommons.lsu.edu/gradschool_disstheses/8156 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. ^'SYNOPSES, COMPARISONS, AND EVALUATIONS OF THE LEOPOLD AUER AND ERICH DOFLEIN VIOLIN METHODS / A Monograph Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The School of Music by Allan Riggs Fuller B.M., Central College, 1953 M.M,, University of Rochester, 1956 December, 1974 UMI Number: DP69543 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMI Dissertation Publishing UMI DP69543 Published by ProQuest LLC (2015).
    [Show full text]