ARCHIVES and SPECIAL COLLECTIONS QUEEN ELIZABETH II LIBRARY MEMORIAL UNIVERSITY, ST
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Confederation and Conspiracy: an Extended Essay on Greg Malone’S Don’T Tell the Newfoundlanders]
Document generated on 09/30/2021 11:52 p.m. Newfoundland and Labrador Studies Confederation and Conspiracy An Extended Essay on Greg Malone’s Don’t Tell the Newfoundlanders Raymond B. Blake Volume 29, Number 2, Fall 2014 URI: https://id.erudit.org/iderudit/nflds29_2re01 See table of contents Publisher(s) Faculty of Arts, Memorial University ISSN 1719-1726 (print) 1715-1430 (digital) Explore this journal Cite this review Blake, R. B. (2014). Review of [Confederation and Conspiracy: An Extended Essay on Greg Malone’s Don’t Tell the Newfoundlanders]. Newfoundland and Labrador Studies, 29(2), 303–317. All rights reserved © Memorial University, 2014 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ REVIEW ESSAY Confederation and Conspiracy: An Extended Essay on Greg Malone’s Don’t Tell the Newfoundlanders RaymOND B. BlakE Greg Malone. Don’t Tell the Newfoundlanders: The True Story of Newfound- land’s Confederation with Canada. Toronto: Knopf Canada, 2012. ISBN 978-0307401335 The contemporary award-winning British folk band Mumford & Sons poses an important question for all those who venture into history searching for an abso- lute truth. They poignantly ask in one of their popular lyrics, “How can you say that your truth is better than ours?” The true story is an elusive commodity in the retelling of the past, and perhaps the best we can hope for is some version of a truth. -
Celebrate Reading at the 2018 Conference
42nd Annual Language Arts Conference Thursday, February 22nd & Friday, February 23rd Sheraton Centre Hotel, Toronto, Ontario Mary Walsh Thursday Special Opening Presentation THE FOTOGRAPHERZ Humble The Poet Laura Numeroff Thursday Luncheon Keynote Friday Breakfast Keynote JOE PASSARETTI Linden MacIntyre Candy Palmater Thursday Banquet Keynote Friday Luncheon Keynote REGISTRATION INFORMATION/FORM Celebrate Reading at the 2018 Conference SPECIAL OPENING PRESENTATION featuring Canadian icon Mary Walsh sharing Crying for The Moon: the Road to Becoming an Author Acclaimed comedian Mary Walsh is best known for her multi-Gemini-Award- winning work on CBC’s This Hour Has 22 Minutes, the long-running satiric current events program she created, and which showcases her dynamic range of hilarious characters. Outside of her work in television and film, Mary is also a respected mental health and addiction awareness advocate who shares her prior experience with alcoholism in an effort to create change in the lives of others. Mary wrote, produced and starred in the Gemini award-winning show Hatching, Matching and Dispatching, and was nominated for two Genie Awards for her performances in the feature films Crackie and New Waterford Girl. Her recent television credits include appearances on Republic of Doyle, Rookie Blue, and on HBO Canada’s Sensitive Skin, which garnered her a 2017 Canadian Screen Award nomination. Mary is also known for appearing in the films Mambo Italiano; The Divine Ryans with Pete Postlethwaite; Violet, in which she played the title role; and most recently in The Grand Seduction and Closet Monster, which were official selections at TIFF 2014 and 2015, respectively. Among her many awards and honorary doctorates, Mary is also the recipient of the Order of Canada and the Governor General’s Lifetime Achievement Award in the Performing Arts. -
Exerpt from Joey Smallwood
This painting entitled We Filled ‘Em To The Gunnells by Sheila Hollander shows what life possibly may have been like in XXX circa XXX. Fig. 3.4 499 TOPIC 6.1 Did Newfoundland make the right choice when it joined Canada in 1949? If Newfoundland had remained on its own as a country, what might be different today? 6.1 Smallwood campaigning for Confederation 6.2 Steps in the Confederation process, 1946-1949 THE CONFEDERATION PROCESS Sept. 11, 1946: The April 24, 1947: June 19, 1947: Jan. 28, 1948: March 11, 1948: Overriding National Convention The London The Ottawa The National Convention the National Convention’s opens. delegation departs. delegation departs. decides not to put decision, Britain announces confederation as an option that confederation will be on on the referendum ballot. the ballot after all. 1946 1947 1948 1949 June 3, 1948: July 22, 1948: Dec. 11, 1948: Terms March 31, 1949: April 1, 1949: Joseph R. First referendum Second referendum of Union are signed Newfoundland Smallwood and his cabinet is held. is held. between Canada officially becomes are sworn in as an interim and Newfoundland. the tenth province government until the first of Canada. provincial election can be held. 500 The Referendum Campaigns: The Confederates Despite the decision by the National Convention on The Confederate Association was well-funded, well- January 28, 1948 not to include Confederation on the organized, and had an effective island-wide network. referendum ballot, the British government announced It focused on the material advantages of confederation, on March 11 that it would be placed on the ballot as especially in terms of improved social services – family an option after all. -
The Canadian Broadcasting Corporation's Annual Report For
ANNUAL REPORT 2001-2002 Valuable Canadian Innovative Complete Creative Invigorating Trusted Complete Distinctive Relevant News People Trust Arts Sports Innovative Efficient Canadian Complete Excellence People Creative Inv Sports Efficient Culture Complete Efficien Efficient Creative Relevant Canadian Arts Renewed Excellence Relevant Peopl Canadian Culture Complete Valuable Complete Trusted Arts Excellence Culture CBC/RADIO-CANADA ANNUAL REPORT 2001-2002 2001-2002 at a Glance CONNECTING CANADIANS DISTINCTIVELY CANADIAN CBC/Radio-Canada reflects Canada to CBC/Radio-Canada informs, enlightens Canadians by bringing diverse regional and entertains Canadians with unique, and cultural perspectives into their daily high-impact programming BY, FOR and lives, in English and French, on Television, ABOUT Canadians. Radio and the Internet. • Almost 90 per cent of prime time This past year, • CBC English Television has been programming on our English and French transformed to enhance distinctiveness Television networks was Canadian. Our CBC/Radio-Canada continued and reinforce regional presence and CBC Newsworld and RDI schedules were reflection. Our audience successes over 95 per cent Canadian. to set the standard for show we have re-connected with • The monumental Canada: A People’s Canadians – almost two-thirds watched broadcasting excellence History / Le Canada : Une histoire CBC English Television each week, populaire enthralled 15 million Canadian delivering 9.4 per cent of prime time in Canada, while innovating viewers, nearly half Canada’s population. and 7.6 per cent share of all-day viewing. and taking risks to deliver • The Last Chapter / Le Dernier chapitre • Through programming renewal, we have reached close to 5 million viewers for its even greater value to reinforced CBC French Television’s role first episode. -
Stars, Genres, and the Question of Constructing a Popular Anglophone Canadian Cinema in the Twenty First Century
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 8-20-2012 12:00 AM Fighting, Screaming, and Laughing for an Audience: Stars, Genres, and the Question of Constructing a Popular Anglophone Canadian Cinema in the Twenty First Century Sean C. Fitzpatrick The University of Western Ontario Supervisor Dr. Christopher E. Gittings The University of Western Ontario Graduate Program in Film Studies A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Sean C. Fitzpatrick 2012 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Film and Media Studies Commons Recommended Citation Fitzpatrick, Sean C., "Fighting, Screaming, and Laughing for an Audience: Stars, Genres, and the Question of Constructing a Popular Anglophone Canadian Cinema in the Twenty First Century" (2012). Electronic Thesis and Dissertation Repository. 784. https://ir.lib.uwo.ca/etd/784 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. FIGHTING, SCREAMING, AND LAUGHING FOR AN AUDIENCE: STARS, GENRE, AND THE QUESTION OF CONSTRUCTING A POPULAR ANGLOPHONE CANADIAN CINEMA IN THE TWENTY-FIRST CENTURY (Spine title: Fighting, Screaming, and Laughing for an Audience) (Thesis format: Monograph OR Integrated-Article) by Sean Fitzpatrick Graduate Program in Film Studies A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Sean Fitzpatrick 2012 THE UNIVERSITY OF WESTERN ONTARIO School of Graduate and Postdoctoral Studies CERTIFICATE OF EXAMINATION Supervisor Examiners ______________________________ ______________________________ Dr. -
LGBTQ Role Models & Symbols
LGBTQ ROLE MODELS & SYMBOLS lgbtq Role Models Advocacy 4 Education 28 Stella Christie-Cooke Costa Kasimos Denise Cole Susan Rose Nancy Ruth Math & Science 31 Arts & Entertainment 9 Rachel Carson Trey Anthony Magnus Hirschfeld Jacinda Beals Alan Turing Georgina Beyer Leon Chisholm Religion 35 Portia DeGeneres Rev. Dr. Brent Hawkes, Christopher House C.M. Robert Joy Jane Lynch Sports 37 Greg Malone Rick Mercer John Amaechi Seamus O’Regan Martina Navratilova Gerry Rogers Mark Tewksbury Tommy Sexton Lucas Silveira Wanda Sykes This section includes profiles of a number of people who are active locally and nationally, or who have made contributions to history, or who are well-known personalities. Many have links to Newfoundland and Labrador. Public figures who are open about being members of the LGBTQ communities help to raise awareness of LGBTQ issues and foster acceptance in the general population. AdvocAcy Stella returned to Happy Valley-Goose Bay at the beginning of her career as a social worker in 2007. It soon became very clear to her that, despite Canada’s progress in legally recognizing the rights of queer individuals, there continued to be many gaps in the system and many individuals continued to struggle with a sense of isolation. Identifying as a queer person of Aboriginal ancestry, Stella continued to experience this first hand. Witnessing the impact this was having on her community, she became very motivated to bring others together to help address these gaps and create a sense of unity b. April 23, 1984 throughout Labrador. In 2009, Stella co-founded Labrador’s Safe Alliance, a group focused Stella Christie-Cooke was born in Winnipeg, on providing support and Manitoba. -
Program Summer Institute the Pierre Elliott Trudeau
SUMMER INSTITUTE THE PIERRE ELLIOTT TRUDEAU FOUNDATION 3-6 JUNE 2018 ST. JOHN’S, NEWFOUNDLAND-AND-LABRADOR PROGRAM We respectfully acknowledge the territory in which we gather as the ancestral homelands of the Beothuk. Today, these lands are home to a diverse population of Indigenous and other peoples. We would also like to acknowledge with respect the diverse histories and cultures of the Mi’kmaq, Innu, Inuit and southern Inuit of this province. * Sessions with simultaneous interpretation SUNDAY 3 JUNE 2018 8:00 – 9:00 am Breakfast Court Garden, Sheraton Hotel 9:00 am – 12:30 pm Induction of the 2018 scholars Confederation Boardroom, 7th floor, Sheraton Hotel 10:30 am Coffee break Confederation Boardroom, 7th floor, Sheraton Hotel 12:30 – 1:30 pm Lunch for the 2018 scholars and staff Court Garden, Sheraton Hotel 12:45 – 1:45 pm Lunch for the 2018 fellows with Sarah Saublet, Director of Fellowships, and Pascale Fournier, President and CEO effective 9 July 2018 Bivver (hotel restaurant), Sheraton Hotel 2:00 – 3:00 pm Workshop: How to Use FLUXX for expense reimbursements Garrison and Signal Rooms, Sheraton Hotel 3:00 pm Health Break Court Garden, Sheraton Hotel 3:00 - 4:00 pm Workshop: What to do with your mentor? What to do with your mentee? Avalon Room, Sheraton Hotel 3:00 – 4:00 pm Fellow-to-fellow session: Calling all fellows Battery Room, Sheraton Hotel 4:00 – 6:00 pm Free Time 6:00 pm Departure on foot for The Rooms (20 minutes’ walk) 6:30 pm Opening reception The Rooms, 9 Bonaventure Avenue, St. -
20 Years of Inspiration
20 years of inspiration The arts engage and inspire us 20 years of inspiration National Arts Centre | Ottawa | May 5, 2012 20 years of inspiration Welcome to the 20th anniversary Governor General’s In 2007 the National Film Board of Canada (NFB) Performing Arts Awards Gala! joined the Awards Foundation as a creative partner, and agreed to produce a short film about each Award The Governor General’s Performing Arts Awards recipient (beginning with the 2008 laureates). After (GGPAA) were created in 1992 under the patronage of the late Right Honourable Ramon John Hnatyshyn premiering at the GGPAA Gala, these original and (1934–2002), 24th Governor General of Canada, engaging films are made available to all Canadians and his wife Gerda. on the Web and in a variety of digital formats. The idea for the GGPAA goes back to the late 2008 marked the launch of the GGPAA Mentorship 1980s and a discussion between Peter Herrndorf Program, a unique partnership between the Awards (now President and CEO of the National Arts Centre) Foundation and the National Arts Centre that pairs and entertainment industry executive Brian Robertson, a past award recipient with a talented artist in both of whom were involved at the time with the mid-career. (See page 34.) Toronto Arts Awards Foundation. When they “The Governor General’s Performing Arts Awards approached Governor General Hnatyshyn with are the highest tribute we can offer Canadian artists,” their proposal for a national performing arts awards said Judith LaRocque, former Deputy Minister of program, they received his enthusiastic support. Canadian Heritage and former Secretary to the “He became a tremendous fan of the artists receiving Governor General, in an interview on the occasion the awards each year, the perfect cheerleader in the of the 15th anniversary of the Awards. -
Making Meatballs: Canadian Film and Television Comedy by Monica M
Making Meatballs: Canadian Film and Television Comedy by Monica M. Champagne A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Master of Arts in Film Studies Carleton University OTTAWA, Ontario September 13,2005 Copyright © 2005, Monica M. Champagne Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Library and Bibliotheque et Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-18243-7 Our file Notre reference ISBN: 978-0-494-18243-7 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce,Canada de reproduire, publier, archiver, publish, archive, preserve, conserve,sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet,distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non sur support microforme, papier, electronique commercial purposes, in microform,et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. this thesis. Neither the thesis Ni la these ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent etre imprimes ou autrement may be printed or otherwise reproduits sans son autorisation. -
Canadian Television by Jennifer Burwell
Canadian Television by Jennifer Burwell Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2002, glbtq, Inc. Reprinted from http://www.glbtq.com The portrayal of gay, lesbian, bisexual, transgendered, and queer people in English Canadian television programming has been sporadic. There have been several significant appearances of glbtq characters on the Canadian Broadcasting Corporation (CBC), Canada's national public broadcasting system. The recent advent of PrideVision, a digital cable television network with a mandate to air glbtq Canadian content, will certainly lead to an increase not only in the presence of gays and lesbians on television, but also in the number of shows developed for a glbtq audience. Canadian Broadcasting Corporation Perhaps because it is a public broadcaster with a mandate to inform and enlighten as well as entertain, CBC has aired more television programs with glbtq content than Canada's other national network, CTV. CBC's Degrassi Jr. High (1987-1989), part of the youth-centered Degrassi series, dealt with abortion, single parenthood, sex, death, racism, AIDS, feminism, and gay issues as situations that the characters had to work through within the serialized narrative structures, while avoiding the "topic of the week" feel that is endemic to the genre. One episode, for example, featured the pre-adolescent character Caitlin discussing lesbianism with her English teacher, Miss Avery. A spin-off of the Degrassi series, Liberty Street (CBC, 1995-1996), featured Billy Merasty as Nathan Jones, a gay native ex-bicycle courier. The producers of Liberty Street went on to create Riverdale (CBC, 1997-2000), with gay character George Patillo. In early 2003, CBC announced that gay playwright Michel Tremblay will write Quebec's first television show to feature an on-going gay relationship, Le Coeur Découvert. -
John Crosbie Collection COLL-073
ARCHIVES and SPECIAL COLLECTIONS QUEEN ELIZABETH II LIBRARY MEMORIAL UNIVERSITY, ST. JOHN'S, NL John Crosbie collection COLL-073 Website: http://www.library.mun.ca/qeii/cns/archives/cnsarch.php Author: Melvin Baker and Linda White Date: 1986 and 2014 Scope and Content: The collection consists of John Crosbie's political papers and related government documents he gathered as a municipal politician from 1965 to 1966 and as a provincial politician from 1966 to 1976. The Collection included mostly correspondence, but it also contained maps, photographs and audiovisual materials. It will provide a rich resource for the students of Newfoundland political history. Custodial History: On 27 October 1983 the Hon. John Carnell Crosbie deposited his papers to the Archives and Special Collections. Restrictions: The Crosbie Collection is restricted for five years from 27 November 1983. This restrictions were reviewed in 1988 by the Archives and Special Collections and Mr. Crosbie, no restrictions remain on said material.There are no restrictions on access. Copyright laws and regulations may apply to all or to parts of this collection. All patrons should be aware that copyright regulations state that any copy of archival material is to be used solely for the purpose of research or private study. Any use of the copy for any other purpose may require the authorization of the copyright owner. It is the patron's responsibility to obtain such authorization. Extent: 12.5 metres of textual, photographic, and cartographic material. Biography or History: John Carnell Crosbie (1931-), politician, was born in St. John's on 30 January 1931. Crosbie married Jane Ellen Furneaux 8 September 1952. -
During the Second World War, Newfoundland Was an Occupied
The Gibraltar of America: The Establishment of American and Canadian Military Bases in Newfoundland during the Second World War and Their Impact on the People and Future of the Province of Newfoundland and Labrador © Paul W Collins, PhD. www.drpaulwcollins.com Prepared for: The Provincial Historic Commemorations Program Department of Business, Tourism, Culture, and Rural Development Government of Newfoundland and Labrador Box 8700, St. John’s, NL A1B 4J6 September 18, 2015 “The time will come when England will regard this island as the Gibraltar of America.”1 -Sir Robert Bond Newfoundland Prime Minister 1890 The Second World War and the subsequent arrival of thousands of American and Canadian military personnel marked a tremendous turning point in Newfoundland’s history. On the day the war began in September 1939, Newfoundland was a dispirited British dominion-in-abeyance off the east coast of Canada. The Colony was ruled by a London-appointed Commission of Government and kept afloat by loans and grants from the British Treasury.2 However, Newfoundland’s standing changed dramatically in the spring of 1940 with Nazi Germany’s victorious Blitzkrieg through Western Europe. Only Britain stood defiant, and on the other side of the Atlantic, Newfoundland was now viewed, not only as Canada’s “first line of defence,” but actually “the key to the western defence system.”3 In a very short time, Newfoundland boasted five military and civilian 1 Bond to the House of Assembly, 30 May 1890, as recorded in Proceedings, the St. John’s Evening Telegram, 13 June 1890. He is, of course, referring to the strategically invaluable British outpost at the Western entrance to the Mediterranean Sea.