Europadisc February 2008 List
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Jubilee Pack3
Contents The Queen’s Golden Jubilee 2002 Introduction . .2 BBC Television Documentaries . 4 News . 7 Celebrations and Ceremonials . 8 The Queen’s Concerts . 9 Children’s . 10 Entertainment . 11 Religion . 12 BBCi . 13 BBC Radio BBC Radio 2 . 13 BBC Radio 3 . 14 BBC Radio 4 . 15 Jubilee 2002 Introduction The Queen’s Golden Jubilee 2002 This year, Her Majesty The Queen celebrates The BBC brings powerful documentaries, telling her 50th year on the British Throne. From the story of The Queen and of the evolution of dedicated programmes commemorating the life the Monarchy during her reign. The landmark of one of the longest-reigning monarchs, to documentary series Queen & Country on BBC coverage of all the major ceremonial events and One, written and presented by William two unique concerts at Buckingham Palace, the Shawcross, the award-winning writer and Royal BBC has a wide range of programmes to mark commentator, tells the definitive history of The this important occasion and examine the role of Queen’s 50-year reign. With rare access to the Monarchy in the 21st century. senior Royals, close friends and colleagues, Shawcross explores the complex public roles BBC cameras will be at all the major ceremonial The Queen plays, as well as uncovering her events during the Jubilee celebrations, beginning private passions to present a compelling picture with The Queen’s Address To Parliament on 30 of the woman behind the Monarch. April. Over the Jubilee weekend itself, the BBC brings viewers and listeners the hottest ticket in Other programmes take a more nostalgic view town, with full coverage of all the celebrations. -
National Theatre
WITH EMMA BEATTIE OLIVER BOOT CRYSTAL CONDIE EMMA-JANE GOODWIN JULIE HALE JOSHUA JENKINS BRUCE MCGREGOR DAVID MICHAELS DEBRA MICHAELS SAM NEWTON AMANDA POSENER JOE RISING KIERAN GARLAND MATT WILMAN DANIELLE YOUNG 11 JAN – 25 FEB 2018 ARTS CENTRE MELBOURNE, PLAYHOUSE Presented by Melbourne Theatre Company and Arts Centre Melbourne This production runs for approximately 2 hours and 30 minutes, including a 20 minute interval. The Curious Incident of the Dog in the Night-Time is presented with kind permission of Warner Bros. Entertainment. World premiere: The National Theatre’s Cottesloe Theatre, 2 August 2012; at the Apollo Theatre from 1 March 2013; at the Gielgud Theatre from 24 June 2014; UK tour from 21 January 2017; international tour from 20 September 2017 Melbourne Theatre Company and Arts Centre Melbourne acknowledge the Yalukit Willam Peoples of the Boon Wurrung, the Traditional Owners of the land on which this performance takes place, and we pay our respects to Melbourne’s First Peoples, to their ancestors past and present, and to our shared future. DIRECTOR MARIANNE ELLIOTT DESIGNER LIGHTING DESIGNER VIDEO DESIGNER BUNNY CHRISTIE PAULE CONSTABLE FINN ROSS MOVEMENT DIRECTORS MUSIC SOUND DESIGNER SCOTT GRAHAM AND ADRIAN SUTTON IAN DICKINSON STEVEN HOGGETT FOR AUTOGRAPH FOR FRANTIC ASSEMBLY ASSOCIATE DIRECTOR RESIDENT DIRECTOR ELLE WHILE KIM PEARCE COMPANY VOICE WORK DIALECT COACH CASTING CHARMIAN HOARE JEANNETTE NELSON JILL GREEN CDG The Cast Christopher Boone JOSHUA JENKINS SAM NEWTON* Siobhan JULIE HALE Ed DAVID MICHAELS Judy -
W.A. Mozart Quartets Kv370 Kv421 Sonata Kv377 Bart Schneemann Oboe Paolo Giacometti Piano Rombouts Quartet
CHANNEL CLASSICS CCS SA 23906 W.A. Mozart quartets kv370 kv421 sonata kv377 Bart Schneemann oboe Paolo Giacometti piano Rombouts Quartet on period instruments Bart Schneemann performed as soloist with conductors including Frans Brüggen, Roy Goodman, Ton Koopman, Edo de Waart, and Valery Gergiev. Oboist and artistic director of the Netherlands Wind Ensemble, and winner in 1991 of the prestigious 3m Music prize. In addition to his performances of standard repertoire, Bart Schneemann strives for expansion and renewal of the oboe repertoire. He attracted the attention of many composers: Gija Kantsjeli, Wolfgang Rihm, Tristan Keuris, Otto Ketting, John Zorn, Kevin Volans and Louis Andriessen are among those who have written new pieces for him. He teaches at the Royal Conservatory at the Hague. Paolo Giacometti performs all over the world as a soloist and as a chamber musician, both on period and on modern instruments. He was born in Milan in 1970. He studied with Jan Wijn, won the Steinway Competition, the Parke-Davis Förder Preis, the Brahms Competition in Hamburg and the Postbank Sweelinck Competition. In addition to his solo concert career, he is also active in chamber music. With Bart Schneemann and with the cellist Pieter Wispelwey he toured all over the world. In april 1988 he started working on a project to record all of Rossini’s piano compositions. The cd’s where a great success and the press reports were, if possible, even more enthusiastic. In May 2001 he received an Edison Award for best Dutch performing artist. 2 Kees Hulsmann studied in Amsterdam with Jo Juda and in London with Manoug Parikian. -
Biography Bart Schneemann Artistic Director - Netherlands Wind Ensemble
Biography Bart Schneemann artistic director - Netherlands Wind Ensemble Bart Schneemann (born 1954, in Melbourne) is a oboist, teacher and the artistic director for the Netherlands Wind Ensemble. In 1977 he graduated from the Conservatory in Amsterdam. From 1976 to 1996, he was the first chair oboist in the Radio Filharmonisch Orkest and the Rotterdam Philharmonic Orchestra. He retired from playing in the orchestra to put all his time towards his solo career and his activities in the Netherlands Wind Ensemble. In 1988, Schneemann was asked to breathe new life into the Netherlands Wind Ensemble (NBE), founded in 1961. His arrival transformed the ensemble into an enthusiastic group of musicians with an open-minded ear for various music genres. Together they established the NBE as a flexible company in the Dutch music world, a point of reference being the New Year’s concerts in the Royal Concertgebouw in Amsterdam, which are aired live on TV. As the NBE concert programmer, Schneemann has developed his own special signature. Apart from the high quality in the ensemble’s playing and infectious amusement, he aims for a dramatic line bringing music genres (and people) from different backgrounds together in every programme. With various educational programmes, the NBE provides guidance for young wind players and composers on their way to concert stages and conservatory. The NBE has a special connection with the Dutch Royal Family. The ensemble accompanied Queen Beatrix on three state visits (to Thailand, India and Turkey). On 30 April 2013, the NBE played at Prince Willem-Alexander’s coronation. Schneemann has also put together the music programme for the celebrations for Queen Beatrix in Ahoy in Rotterdam on 14 September 2014. -
Currier Time Machines
Boosey & Hawkes Music Publishers Limited October 2011 2011/3 Currier Time Machines Britten Included in this issue: Sebastian Currier’s concerto for Anne-Sophie Mutter, notes from an opening movement, eschews what Pagodas in MacMillan is obvious, and goes straight toward a quantum Clemency staged at premiered by the New York Philharmonic in June, was leap of space and time… Like the finest of modern The Royal Opera in London recently released by DG and travels to Europe in January. painters, Mr. Currier has a variety of counterpoints Japan in the background, instruments enjoying their own dialogues and intriguing conversations, as Ms. Benjamin Britten’s only ballet, The Prince of Mutter plunged ahead.” ConcertoNet the Pagodas, travels back to its roots in the Currier’s harp concerto, Traces, received its Far East this autumn with its first Japanese US premiere at the Grand Teton Festival in staging. The new choreography by David July with soloist Naoko Yoshino and Bintley is unveiled on 30 October at the New conductor Osmo Vänskä. The work was National Theatre in Tokyo with Paul Murphy composed for Marie-Pierre Langlamet and conducting the Tokyo Philharmonic premiered in 2009 by the Berliner Orchestra. The staging is a co-production Philharmoniker and Donald Runnicles. with Birmingham Royal Ballet, who will present the ballet in the UK in January/ Next Atlantis, combining strings (quartet or February 2014 as one of the closing orchestral), electronics and video by Pawel highlights of the Britten centenary (2013). Wojtaski, receives performances in Miami David Bintley’s choreography of The Prince Dean and New York this autumn. -
Presidential Documents
Weekly Compilation of Presidential Documents Monday, June 13, 1994 Volume 30ÐNumber 23 Pages 1209±1267 1 VerDate 14-MAY-98 15:10 May 18, 1998 Jkt 010199 PO 00001 Frm 00001 Fmt 1249 Sfmt 1249 C:\TERRI\P23JN4.000 INET03 Contents Addresses and Remarks Communications to CongressÐContinued France Commodity Credit Corporation, message Dinner hosted by President Mitterrand in transmitting reportÐ1258 ParisÐ1255 Elections in South Africa, messageÐ1258 National Assembly in ParisÐ1247 Haiti, messageÐ1262 Pointe du Hoc in Normandy, 50th Iraq, letterÐ1241 anniversary of D-DayÐ1237 Role of the U.S. Navy in the Normandy Communications to Federal Agencies invasionÐ1236 Haiti, memorandumÐ1264 U.S. cemetery in Colleville-sur-Mer, 50th Executive Orders anniversary of D-DayÐ1240 National Defense Industrial Resources Utah Beach in Normandy, 50th anniversary PreparednessÐ1228 of D-DayÐ1238 Prohibiting Certain Transactions With Respect Haiti, sanctionsÐ1259 to HaitiÐ1261 Italy, dinner hosted by President ScalfaroÐ 1209 Interviews With the News Media Radio addressÐ1214 Exchanges with reporters Senator Edward M. Kennedy, telephone North Aylesbury, United KingdomÐ1212 conversationÐ1259 Paris, FranceÐ1245 Senator James M. Jeffords, telephone Interviews conversationÐ1260 French mediaÐ1251 United Kingdom Harry Smith, CBSÐ1220 ArrivalÐ1210 Sam Donaldson, ABCÐ1222 Crew of the U.S.S. George Washington in Tom Brokaw, NBCÐ1225 PortsmouthÐ1216 Wolf Blitzer, CNNÐ1217 Oxford University, Doctorate in Civil LawÐ1256 Meetings With Foreign Leaders U.S. cemetery in CambridgeÐ1210 France Appointments and Nominations Mayor Chirac of ParisÐ1245 President MitterrandÐ1255 U.S. Court of Appeals, judgeÐ1258 Prime Minister BalladurÐ1245 U.S. District Court, judgesÐ1258 Italy, President ScalfaroÐ1209 Communications to Congress United Kingdom, Prime Minister MajorÐ Budget deferrals, messageÐ1258 1212 (Continued on the inside back cover.) WEEKLY COMPILATION OF regulations prescribed by the Administrative Committee of the Federal Register, approved by the President (37 FR 23607; 1 CFR Part 10). -
For Immediate Release April 17, 2009
PITTBURGHOPERA page 1 For Immediate Release April 17, 2009 Contact: Kesha M. Pate, Public Relations Manager [email protected] or (412) 281-0912 ext 248 Photos: Allison M. Ruppert, Marketing and Community Relations Manager [email protected] or (412) 281-0912 ext 262 Pittsburgh Opera presents The Italian Girl in Algiers May 2-10 What: Gioachino Rossini’s opera The Italian Girl in Algiers (L'italiana in Algeri) Where: Benedum Center for the Performing Arts Experience is Everything 7th Street and Penn Avenue, Downtown Pittsburgh 2008-2009 Season When: Saturday, May 2, 8:00 PM Tuesday, May 5, 7:00 PM Friday, May 8, 8:00 PM Sunday, May 10, 2:00 PM Run Time: Two hours, 45 minutes, including one intermission Language: Sung in Italian with English titles projected above the stage Tickets: Start at $16. Call 412-456-6666 for more information or visit www.pittsburghopera.org Pittsburgh, PA… Pittsburgh Opera presents Gioachino Rossini’s opera The Italian Girl in Algiers (L’italiana in Algeri) at the Benedum Center May 2 – 10. This effervescent comedy gets a 1930s-style makeover and takes us behind the beaded curtain of a sultan’s harem. Hilarity ensues when the Amelia Earhart-style heroine Isabella crash-lands on the Algerian coast while attempting to rescue her beloved Lindoro from the Bey of Algiers, Mustafà. Pittsburgh Opera’s updated production includes an elaborate storybook set, bold costumes and a hot air balloon that provides the heroine’s dramatic departure in the finale. Music Director Antony Walker conducts. Vivica Genaux returns to Pittsburgh Opera in one of her signature roles as the feisty heroine Isabella. -
KOSMAS 25.1 Spring 2011
N° 25.1 by the Czechoslovak Society of Arts and Sciences (SVU) KOSMAS ISSN 1056-005X © 2011 by the Czechoslovak Society of Arts and Sciences (SVU) Kosmas: Czechoslovak and Central European Journal (Formerly Kosmas: Journal of Czechoslovak and Central European Studies, Vols. 1-7, 1982-88, and Czechoslovak and Central European Journal, Vols. 8-11, 1989-93). Kosmas is a peer-reviewed, multidisciplinary journal that focuses on Czech, Slovak, and Central European Studies. It is published bi-annually by the Czechoslovak Society of Arts and Sciences (SVU). Editor: Clinton Machann (Texas A&M University) Managing Editor: David Z. Chroust (Texas A&M University) Book Review Editor: Mary Hrabík Šámal (Oakland University) Assistant Editor: Sofia C. Prado (Texas A&M University) Design Advisor: Roger H. Kolar (Cotera, Kolar & Negrete Architects) Editorial Board: Ivo Budil (University of West Bohemia), Zdenk V. David (Woodrow Wilson International Center for Scholars), Peter Demetz (Yale University), L’ubomír u- rovič (Lunds Universitet, Sweden), David R. Holeton (Charles University, Prague), H. Alan Houtchens (Texas A&M University), Jeremy Iggers (University of St. Thomas), Wilma Abeles Iggers (Canisius College), Owen Johnson (Indiana University), Daniel Miller (University of West Florida), Jaroslav Opat (T. G. Masaryk Institute, AV, Prague, Czech Republic), Leopold Pospisil (Yale University), Mojmír Povolný (Lawrence University), Francis D. Raška (Charles University, Prague) Miloslav Rechcígl, Jr. (Rockville, Mary- land), Charles Townsend (Princeton University), Antonie van den Beld (Universiteit Utrecht, The Netherlands), Bronislava Volková (Indiana University), Sharon Wolcik (George Washington University). The editors assume no responsibility for statements of fact or opinion made by contributors. Subscription orders and inquiries and address changes should be sent to Frank Safertal, Subscriptions Editor, at 5529 Whitley Park Terrace, Bethesda, MD 20814, USA Tel: 301- 564-9081 Fax: 301-564-9069, E-mail address: <[email protected]>. -
Bart Schneemann David Kuyken
Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. BART SCHNEEMANN - Oborsta • Australia Nacido en Australia y radicado en Holanda, Bart Schneemann terminó sus estudios de oboe en 1977 bajo la orientación de Han de Vries. Desde entonces ha consolidado su reputación como uno de los más destacados intérpretes del instrumento, gracias a su intensa actividad como recitalista, oboista principal de la Orquesta Filarmónica de Rotterdam, miembro cofundador del Fodor Quintet y director artfstico del Netherlands Wind Ensamble. Desde 1989 es profesor de oboe en el Conservatorio Real de La Haya. Maestro de varias disciplinas, en 1991 obtuvo el prestigioso 3M Music Laureate Prize, que antes había sido concedido a Theo Loevendie y Ton Koopman. Regularmente adelanta extensas giras por Europa, Estados Unidos y Australia. Su repertorio incluye tanto las obras del perrodo barroco, que interpreta en instrumento de época, como las de los siglos XIX Y XX. Figuran en él J.S. Bach, C.P.E. Bach, J. Haydn, A. Salieri, L.A. Lebrun, W.A. Mozart, F. Krommer, V. Bellini, J.N. Hummel, R. Strauss, R. Vaughan Williams, B. Martinu, K. Penderecki, B. Maderna, L. Andriessen y G. Ligeti, entre otros. Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. DAVID KUYKEN . Pianista· Holanda David Kuyken inició sus estudios con Karel Hilsum. En 1980 se trasladó a Londres para estudiar con Peter Feuchtwanger con una beca del Ministerio de Cultura de Holanda. Fue invitado, además, a realizar un estudio de posgrado sobre música contemporánea con el profesor Ton Hartsuiker en el Conserva torio de Utrecht, donde se graduó con Mención de Honor. -
I~E~E~Ence Dopy
I~e~e~enCe dopy THE EPISCOPAL DIOCESE OF CALIFORNIA The 154th Diocesan Convention October. l~, 2003 Grace Cathedral San Francisco, California DioCal 004159 6~e~e~ence CoP~ AGENDA OF THE 154th DIOCESAN CONVENTION October 18, 2003 Moving Forward with Jubilate Deo! Location 8:00 - 10:00 AM Registration Cathedral Nave 9:00 Call to Order Gresham Hall ~ Secretary's Announcements Introduction of New Clergy, Interims; Necrology Report of Committee on Dispatch of Business Morning Prayer Report of Committee on Nominations Second Report of Resolutions Committee Report of Committee on Canons 10:15 Bishop's Address Instruction on First Ballot Vote 1st Ballot —Registration Tables Cathedral Nave 11:15 Reconvene Gresham Hall Plenary Session with Bishop Swing General Convention Deputation Episcopal Church Women 12:00 PM Report on Grace Cathedral 12:15 Noonday Prayer 12:25 Announcements 12:30 - 1:30 LUNCH PLAZA 1:30 Reconvene Gresham Hall Discussion and Action on the Bishop's Address Report on Jubilate Deo Report and Action on Resolutions 2:45 Report on Church Divinity School of the Pacific Report and Action on Canon Changes Report of ls` Ballot Vote 2"d Ballot Gresham Hall 3:00 Report on Diocesan Council Report of the Diocesan Treasurer Report and Action of the Personnel Practices Committee Report of the Division of Program and Budget Action on the Proposed 2004 Operating Budget nd Report on 2 Ballot Bishop's Appointments and Announcements 3:30 Adjourn DioCal 004160 The Bishop's Appointments to Convention Committees For the 154`h Diocesan Convention Committee on Credentials: Mr. Dennis Delman, Ballots Mr. -
The Jazz and Improvised Music Scene in Vienna After Ossiach (1971-2011)
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2013 Free from Jazz: The Jazz and Improvised Music Scene in Vienna after Ossiach (1971-2011) Thomas Albert Zlabinger Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1684 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] FREE FROM JAZZ: THE JAZZ AND IMPROVISED MUSIC SCENE IN VIENNA AFTER OSSIACH (1971-2011) by THOMAS ALBERT ZLABINGER A dissertation submitted to the Graduate Faculty in Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2013 ii 2013 THOMAS ALBERT ZLABINGER All Rights Reserved iii This manuscript has been read and accepted for the Graduate Faculty in Music in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Prof. Jeffrey Taylor Date Chair of Examining Committee Prof. David Olan Date Executive Officer Prof. Peter Manuel Prof. Stephen Blum Prof. Reinhold Wagnleitner (Universität Salzburg) Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iv ABSTRACT Free from Jazz: The Jazz and Improvised Music Scene in Vienna after Ossiach (1971-2011) by Thomas Albert Zlabinger Advisor: Prof. Peter Manuel Focusing on a diverse and eclectic scene that is under-documented, this dissertation investigates the historical, social, and cultural aspects of jazz and improvised music in Vienna over the last four decades. -
Red Note New Music Festival Program, 2017 School of Music Illinois State University
Illinois State University ISU ReD: Research and eData Red Note New Music Festival Music 2017 Red Note New Music Festival Program, 2017 School of Music Illinois State University Follow this and additional works at: https://ir.library.illinoisstate.edu/rnf Part of the Music Commons Recommended Citation School of Music, "Red Note New Music Festival Program, 2017" (2017). Red Note New Music Festival. 4. https://ir.library.illinoisstate.edu/rnf/4 This Book is brought to you for free and open access by the Music at ISU ReD: Research and eData. It has been accepted for inclusion in Red Note New Music Festival by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. CALENDAR OF EVENTS SUNDAY, MARCH 26TH 7 pm, Center for the Performing Arts The Festival opens with a concert featuring the Illinois State University large ensembles. Dr. Glenn Block conducts the ISU Symphony Orchestra in a performance of the winning work in this year’s Composition Competition for Full Orchestra, Melody Eötvös’ The Saqqara Bird. The Symphony will also perform Carl Schimmel’s There Was, and There Was Not with cello soloist Adriana Ransom. The ISU Concert Choir, conducted by Dr. Karyl Carlson, performs the winning piece in the Composition Competition for Chorus, Gaudete by Jorge Andrés Ballasteros. Guest composer Sydney Hodkinson is represented on the remainder of the program by his Symphony No. 10, performed by the ISU Wind Symphony (Dr. Joseph Manfredo, conductor), and his Drawings No. 8 for young string orchestra, which will be performed by students in the ISU String Project.