Arts & Classical Music Spring/Summer 2002
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Pity the Poor Citizen Complainant
ADVICE, INFORMATION. RESEARCH & TRAINING ON MEDIA ETHICS „Press freedom is a responsibility exercised by journalists on behalf of the public‟ PITY THE POOR CITIZEN COMPLAINANT Formal statement of evidence to The Leveson Inquiry into the Culture, Practice & Ethics of the Press The MediaWise Trust University of the West of England, Bristol BS16 2JP 0117 93 99 333 www.mediawise.org.uk Documents previously submitted i. Freedom and Responsibility of the Press: Report of Special Parliamentary Hearings (M Jempson, Crantock Communications, 1993) ii. Stop the Rot, (MediaWise submission to Culture, Media & Sport Select Committee hearings on privacy, 2003) iii. Satisfaction Guaranteed? Press complaints systems under scrutiny (R Cookson & M Jempson (eds.), PressWise, 2004) iv. The RAM Report: Campaigning for fair and accurate coverage of refugees and asylum-seekers (MediaWise, 2005) v. Getting it Right for Now (MediaWise submission to PCC review, 2010) vi. Mapping Media Accountability - in Europe and Beyond (Fengler et al (eds.), Herbert von Halem, 2011) The MediaWise Trust evidence to the Leveson Inquiry PITY THE POOR CITIZEN COMPLAINANT CONTENTS 1. The MediaWise Trust: Origins, purpose & activities p.3 2. Working with complainants p.7 3. Third party complaints p.13 4. Press misbehaviour p.24 5. Cheque-book journalism, copyright and photographs p.31 6. ‗Self-regulation‘, the ‗conscience clause‘, the Press Complaints Commission and the Right of Reply p.44 7. Regulating for the future p.53 8. Corporate social responsibility p.59 APPENDICES pp.61-76 1. Trustees, Patrons & Funders p.61 2. Clients & partners p.62 3. Publications p.64 4. Guidelines on health, children & suicide p.65 5. -
Gamesmanship and PR
Public Relations: Rules, Gamesmanship and the Professional Project – Why academics must confront the realities of practice CAMILLA NOTHHAFT, HOWARD NOTHHAFT, SARA VON PLATEN, PHILIP YOUNG Lund University Department of Strategic Communication Working Papers in Strategic Communication · 2014:1 Contents PR as gamesmanship 5! Doing it by the book 8! What PR ‘really’ does: Non-fiction accounts 10! What PR ‘really’ does: Accounts in fiction 14! Conclusion 19! References 20! 2 Since my intention is to say something that will prove of practical use to the inquirer, I have thought it prop- er to represent things as they are in real truth, rather than as they are imagined. Niccolo Machiavelli (quoted in Shea, 1988). Some textbooks treat PR as though it is a branch of moral philosophy. Such an approach leaves most PR practitioners bemused and is of limited practical use. Trevor Morris & Simon Goldsworthy, PR Today, The Authoritative Guide to Public Relations, p.41 Many would agree the grand narrative of modern public relations is that of professionali- zation. The story presented by professional associations and academics alike tells of a discipline that, in the course of the 20th century, groped its way out of the darkness of unethical, undemocratic, manipulative practice into the light of mature understanding, where strict adherence to values such as transparency, honesty, and integrity, as well as devotion to public and societal values, is recognized as the only viable long-term strategy (cf. Hoy, Raaz & Wehmeier 2007). Professional associations, such as the PRSA (USA), the CIPR (UK), the DPRG (Germany), and Sveriges Kommunikatörer (Sweden), assure us that professional behaviour in PR is not only desirable, but is the key to success. -
Jubilee Pack3
Contents The Queen’s Golden Jubilee 2002 Introduction . .2 BBC Television Documentaries . 4 News . 7 Celebrations and Ceremonials . 8 The Queen’s Concerts . 9 Children’s . 10 Entertainment . 11 Religion . 12 BBCi . 13 BBC Radio BBC Radio 2 . 13 BBC Radio 3 . 14 BBC Radio 4 . 15 Jubilee 2002 Introduction The Queen’s Golden Jubilee 2002 This year, Her Majesty The Queen celebrates The BBC brings powerful documentaries, telling her 50th year on the British Throne. From the story of The Queen and of the evolution of dedicated programmes commemorating the life the Monarchy during her reign. The landmark of one of the longest-reigning monarchs, to documentary series Queen & Country on BBC coverage of all the major ceremonial events and One, written and presented by William two unique concerts at Buckingham Palace, the Shawcross, the award-winning writer and Royal BBC has a wide range of programmes to mark commentator, tells the definitive history of The this important occasion and examine the role of Queen’s 50-year reign. With rare access to the Monarchy in the 21st century. senior Royals, close friends and colleagues, Shawcross explores the complex public roles BBC cameras will be at all the major ceremonial The Queen plays, as well as uncovering her events during the Jubilee celebrations, beginning private passions to present a compelling picture with The Queen’s Address To Parliament on 30 of the woman behind the Monarch. April. Over the Jubilee weekend itself, the BBC brings viewers and listeners the hottest ticket in Other programmes take a more nostalgic view town, with full coverage of all the celebrations. -
To Download the Full Archive
Complete Concerts and Recording Sessions Brighton Festival Chorus 27 Apr 1968 Concert Dome Concert Hall, Brighton Brighton Festival Belshazzar's Feast Walton William Walton Royal Philharmonic Orchestra Baritone Thomas Hemsley 11 May 1968 Concert Dome Concert Hall, Brighton Brighton Festival Kyrie in D minor, K 341 Mozart Colin Davis BBC Symphony Orchestra 27 Oct 1968 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Budavari Te Deum Kodály Laszlo Heltay Brighton Philharmonic Orchestra Soprano Doreen Price Mezzo-Soprano Sarah Walker Tenor Paul Taylor Bass Brian Kay 23 Feb 1969 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Symphony No. 9 in D minor, op.125 Beethoven Herbert Menges Brighton Philharmonic Orchestra Soprano Elizabeth Harwood Mezzo-Soprano Barbara Robotham Tenor Kenneth MacDonald Bass Raimund Herincx 09 May 1969 Concert Dome Concert Hall, Brighton Brighton Festival Mass in D Dvorák Václav Smetáček Czech Philharmonic Orchestra Soprano Doreen Price Mezzo-Soprano Valerie Baulard Tenor Paul Taylor Bass Michael Rippon Sussex University Choir 11 May 1969 Concert Dome Concert Hall, Brighton Brighton Festival Liebeslieder-Walzer Brahms Laszlo Heltay Piano Courtney Kenny Piano Roy Langridge 25 Jan 1970 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Requiem Fauré Laszlo Heltay Brighton Philharmonic Orchestra Soprano Maureen Keetch Baritone Robert Bateman Organ Roy Langridge 09 May 1970 Concert Dome Concert Hall, Brighton Brighton Festival Mass in B Minor Bach Karl Richter English Chamber Orchestra Soprano Ann Pashley Mezzo-Soprano Meriel Dickinson Tenor Paul Taylor Bass Stafford Dean Bass Michael Rippon Sussex University Choir 1 Brighton Festival Chorus 17 May 1970 Concert Dome Concert Hall, Brighton Brighton Festival Fantasia for Piano, Chorus and Orchestra in C minor Beethoven Symphony No. -
Beatin' the Queer Into the Broadsheets: a Semiotic Analysis of News Reports on Crimes Involving Queer Social Actors
Felipe Leandro de Jesus BEATIN’ THE QUEER INTO THE BROADSHEETS: A SEMIOTIC ANALYSIS OF NEWS REPORTS ON CRIMES INVOLVING QUEER SOCIAL ACTORS Dissertação submetida ao Programa de Pós-graduação em Inglês: Estudos Linguísticos e Literários da Universidade Federal de Santa Catarina para a obtenção do Grau de Mestre em Inglês. Orientadora: Profª Drª Carmen Rosa Caldas-Coulthard. Florianópolis 2015 Felipe Leandro de Jesus BEATIN’ THE QUEER INTO THE BROADSHEETS: A SEMIOTIC ANALYSIS OF NEWS REPORTS ON CRIMES INVOLVING QUEER SOCIAL ACTORS Esta Dissertação foi julgada adequada para obtenção do Título de “Mestre”, e aprovada em sua forma final pelo Programa de Pós Graduação em Inglês: Estudos Linguísticos e Literários. Florianópolis, 11 de agosto de 2015. ________________________ Prof.ª Anelise Reich Corseuil, Dr.ª Coordenadora do Curso Banca Examinadora: ________________________ Prof.ª Carmen Rosa Caldas-Coulthard, Dr.ª Orientadora Universidade Federal de Santa Catarina ________________________ Prof.ª Viviane Maria Heberle, Dr.ª Universidade Federal de Santa Catarina ________________________ Prof.ª Débora de Carvalho Figueiredo, Dr. ª Universidade Federal de Santa Catarina ________________________ Prof.ª Ana Cristina Ostermann, Dr. ª Universidade do Vale do Rio dos Sinos I dedicate this work to all those who feel prejudice slashing their skins through the utterance of words. AGRADECIMENTOS Sempre fiquei em dúvida como esta seção deveria ser escrita. A obrigatoriedade de escrever a dissertação em inglês sempre gerou uma pergunta dentro de mim: devo eu escrever os agradecimentos em qual idioma? Quando escrevo em inglês, tenho a impressão que as palavras nunca saem com carinho e afeto, desta maneira reservo a estes sentimentos a língua do meu coração. -
J.E. Gardiner (SDG
Johann Sebastian Bach 1685-1750 Cantatas Vol 27: Blythburgh/Kirkwall SDG138 COVER SDG138 CD 1 50:01 For Whit Tuesday Brandenburg Concerto No.3 BWV 1048 Erwünschtes Freudenlicht BWV 184 Er rufet seinen Schafen mit Namen BWV 175 Lisa Larsson soprano, Nathalie Stutzmann alto Christoph Genz tenor, Stephen Loges bass CD 2 61:26 For Trinity Sunday Höchsterwünschtes Freudenfest BWV 194 C Es ist ein trotzig und verzagt Ding BWV 176 M O heil’ges Geist- und Wasserbad BWV 165 Y Gelobet sei der Herr, mein Gott BWV 129 K Ruth Holton soprano, Daniel Taylor alto Paul Agnew tenor, Peter Harvey bass The Monteverdi Choir The English Baroque Soloists John Eliot Gardiner Live recordings from the Bach Cantata Pilgrimage Holy Trinity, Blythburgh, 13 June 2000 St Magnus Cathedral, Kirkwall, 18 June 2000 Soli Deo Gloria Volume 27 SDG 138 P 2008 Monteverdi Productions Ltd C 2008 Monteverdi Productions Ltd www.solideogloria.co.uk Edition by Reinhold Kubik, Breitkopf & Härtel Manufactured in Italy LC13772 8 43183 01382 1 27 SDG 138 Bach Cantatas Gardiner Bach Cantatas Gardiner CD 1 50:01 For Whit Tuesday The Monteverdi Choir The English Flutes 1-3 12:07 Brandenburg Concerto No.3 BWV 1048 Baroque Soloists Marten Root Sopranos Rachel Beckett in G major / G-dur Suzanne Flowers First Violins 4-9 21:47 Erwünschtes Freudenlicht BWV 184 Gillian Keith Kati Debretzeni Recorders Emma Preston-Dunlop Penelope Spencer Rachel Beckett 10-16 15:51 Er rufet seinen Schafen mit Namen BWV 175 Katharine Fuge Sarah Bealby-Wright Marion Scott Elisabeth Priday Matthew Truscott Catherine -
Books I've Read Since 2002
Tracy Chevalier – Books I’ve read since 2002 2019 January The Mars Room Rachel Kushner My Sister, the Serial Killer Oyinkan Braithwaite Ma'am Darling: 99 Glimpses of Princess Margaret Craig Brown Liar Ayelet Gundar-Goshen Less Andrew Sean Greer War and Peace Leo Tolstoy (continued) February How to Own the Room Viv Groskop The Doll Factory Elizabeth Macneal The Cut Out Girl Bart van Es The Gifted, the Talented and Me Will Sutcliffe War and Peace Leo Tolstoy (continued) March Late in the Day Tessa Hadley The Cleaner of Chartres Salley Vickers War and Peace Leo Tolstoy (finished!) April Sweet Sorrow David Nicholls The Familiars Stacey Halls Pillars of the Earth Ken Follett May The Mercies Kiran Millwood Hargraves (published Jan 2020) Ghost Wall Sarah Moss Two Girls Down Louisa Luna The Carer Deborah Moggach Holy Disorders Edmund Crispin June Ordinary People Diana Evans The Dutch House Ann Patchett The Tenant of Wildfell Hall Anne Bronte (reread) Miss Garnet's Angel Salley Vickers (reread) Glass Town Isabel Greenberg July American Dirt Jeanine Cummins How to Change Your Mind Michael Pollan A Month in the Country J.L. Carr Venice Jan Morris The White Road Edmund de Waal August Fleishman Is in Trouble Taffy Brodesser-Akner Kindred Octavia Butler Another Fine Mess Tim Moore Three Women Lisa Taddeo Flaubert's Parrot Julian Barnes September The Nickel Boys Colson Whitehead The Testaments Margaret Atwood Mothership Francesca Segal The Secret Commonwealth Philip Pullman October Notes to Self Emilie Pine The Water Cure Sophie Mackintosh Hamnet Maggie O'Farrell The Country Girls Edna O'Brien November Midnight's Children Salman Rushdie (reread) The Wych Elm Tana French On Earth We're Briefly Gorgeous Ocean Vuong December Olive, Again Elizabeth Strout* Drive Your Plow Over the Bones of the Dead Olga Tokarczuk And Then There Were None Agatha Christie Girl Edna O'Brien My Dark Vanessa Kate Elizabeth Russell *my book of the year. -
National Theatre
WITH EMMA BEATTIE OLIVER BOOT CRYSTAL CONDIE EMMA-JANE GOODWIN JULIE HALE JOSHUA JENKINS BRUCE MCGREGOR DAVID MICHAELS DEBRA MICHAELS SAM NEWTON AMANDA POSENER JOE RISING KIERAN GARLAND MATT WILMAN DANIELLE YOUNG 11 JAN – 25 FEB 2018 ARTS CENTRE MELBOURNE, PLAYHOUSE Presented by Melbourne Theatre Company and Arts Centre Melbourne This production runs for approximately 2 hours and 30 minutes, including a 20 minute interval. The Curious Incident of the Dog in the Night-Time is presented with kind permission of Warner Bros. Entertainment. World premiere: The National Theatre’s Cottesloe Theatre, 2 August 2012; at the Apollo Theatre from 1 March 2013; at the Gielgud Theatre from 24 June 2014; UK tour from 21 January 2017; international tour from 20 September 2017 Melbourne Theatre Company and Arts Centre Melbourne acknowledge the Yalukit Willam Peoples of the Boon Wurrung, the Traditional Owners of the land on which this performance takes place, and we pay our respects to Melbourne’s First Peoples, to their ancestors past and present, and to our shared future. DIRECTOR MARIANNE ELLIOTT DESIGNER LIGHTING DESIGNER VIDEO DESIGNER BUNNY CHRISTIE PAULE CONSTABLE FINN ROSS MOVEMENT DIRECTORS MUSIC SOUND DESIGNER SCOTT GRAHAM AND ADRIAN SUTTON IAN DICKINSON STEVEN HOGGETT FOR AUTOGRAPH FOR FRANTIC ASSEMBLY ASSOCIATE DIRECTOR RESIDENT DIRECTOR ELLE WHILE KIM PEARCE COMPANY VOICE WORK DIALECT COACH CASTING CHARMIAN HOARE JEANNETTE NELSON JILL GREEN CDG The Cast Christopher Boone JOSHUA JENKINS SAM NEWTON* Siobhan JULIE HALE Ed DAVID MICHAELS Judy -
Historicity in Peter Ackroyd's Novels
Masaryk University Faculty of Education Department of English Language and Literature Historicity in Peter Ackroyd's Novels Diploma Thesis Brno 2014 Written by: Bc. Jana Neterdová Supervisor: Mgr. Lucie Podroužková, Ph.D. Bibliografický záznam Neterdová, Jana. Historicity in Peter Ackroyd's novels. Brno: Masarykova univerzita, Fakulta pedagogická, Katedra anglického jazyka a literatury, 2014. 56l. Vedoucí diplomové práce Mgr. Lucie Podroužková, Ph.D. Anotace Cílem diplomové práce Historicity in Peter Ackroyd's novels je analyzovat roli historicity v románech daného autora a zhodnotit jakým způsobem a za jakým účelem autor zachází s historickými daty. Práce je rozdělena na dva oddíly, část teoretickou a část analytickou. V teoretické části se práce věnuje definování postmodernismu a postmoderní literatury, protože Peter Ackroyd jako současný autor je považován za představitelé postmodernismu v literatuře. Dále je zde definován pojem historiografická metafikce jako označení pro historický román období postmodernismu. Další část práce je věnována Peteru Ackroydovi a podává základní informace o jeho životě a bližší pohled na jeho dílo, především romány. V analytické části jsou rozebírány čtyři romány: The Lambs of London, The Fall of Troy, The Last Testament of Oscar Wilde a Chatterton. Analýza zahrnuje identifikování prvků, které jsou relevantní pro historicitu románů a vychází z teorie historiografické metafikce. Zabývá se především intertextualitou a způsobem jakým Ackroyd "přepisuje" historii. Poznatky analýzy jsou shrnuty v poslední části práce, ve které jsou vyvozeny závěry, které odpovídají na otázku jak Peter Ackroyd ve svých románech zachází s historií. Abstract Diploma thesis Historicity in Peter Ackroyd's novels aims to analyse the role of historicity in the author's novels and to evaluate how and for what purpose the author deals with history. -
Introduction: Questions of Class in the Contemporary British Novel
Notes Introduction: Questions of Class in the Contemporary British Novel 1. Martin Amis, London Fields (New York: Harmony Books, 1989), 24. 2. The full text of Tony Blair’s 1999 speech can be found at http://news.bbc. co.uk/2/hi/uk_news/politics/460009.stm (accessed on December 9, 2008). 3. Terry Eagleton, After Theory (New York: Perseus Books, 2003), 16. 4. Ibid. 5. Peter Hitchcock, “ ‘They Must Be Represented’: Problems in Theories of Working-Class Representation,” PMLA Special Topic: Rereading Class 115 no. 1 January (2000): 20. Savage, Bagnall, and Longhurst have also pointed out that “Over the past twenty-five years, this sense that the working class ‘matters’ has ebbed. It is now difficult to detect sustained research interest in the nature of working class culture” (97). 6. Gary Day, Class (London and New York: Routledge, 2001), 202. This point is also echoed by Ebert and Zavarzadeh: “By advancing singularity, hetero- geneity, anti-totality, and supplementarity, for instance, deconstruction has, among other things, demolished ‘history’ itself as an articulation of class relations. In doing so, it has constructed a cognitive environment in which the economic interests of capital are seen as natural and not the effect of a particular historical situation. Deconstruction continues to produce some of the most effective discourses to normalize capitalism and contribute to the construction of a capitalist-friendly cultural common sense . .” (8). 7. Slavoj Žižek, In Defence of Lost Causes (London and New York: Verso, 2008), 404–405 (Hereafter, Lost Causes). 8. Andrew Milner, Class (London: Sage, 1999), 9. 9. Gavin Keulks, ed., Martin Amis: Postmodernism and Beyond (New York: Palgrave Macmillan, 2006), 73. -
CLERMONT MUSIC 67 Commons Road | Germantown NY | 12526 USA | +1.518.755.5089 | [email protected]
CLERMONT MUSIC 67 Commons Road | Germantown NY | 12526 USA | +1.518.755.5089 | [email protected] www.clermontmusic.com Catalog: CLE024 Album Title: Niafunké Artist: Hama Sankaré Format: LP, CD, DI UPC LP (US): 711574868216 UPC CD (US): 711574868223 UPC LP (EU): N/A UPC CD (EU): N/A UPC DI: 192562968970 US Release Date: 12 April 2019 EU Release Date: 26 April 2019 Cover Art: CLERMONT MUSIC 67 Commons Road | Germantown NY | 12526 USA | +1.518.755.5089 | [email protected] www.clermontmusic.com SALES NOTES: Hama Sankare, legend of Mali’s desert blues, releases Niafunke, his second brilliant album recorded March 2018 in Bamako. Sankare brought into the studio dynamic young headliners, Oumar Konate, Dramane Toure and Makan Camara along with long time colleagues Afel Bocoum, Yoro Cisse and Kande Sissoko to forge a set of blazing tracks that breath new energy into the genre and breaking old formulas all the while honoring traditional roots. Niafunke, a city in Mali along the Niger River near Timbuktu is where Sankare continues to live with his family. He, Bocoum and Cisse were contemporary collaborators with Ali Farka Toure whose home was also there and they can be heard on many of Farka’s albums. Sankare’s spirit engages everyone he meets. He has absorbed musical influences from around the world which he brings to these 10 tracks. This is his second release on the Clermont Music label. The album is available in CD and vinyl. Some of the tracks were edited for radio and vinyl formats. The vinyl includes an instrumental version of the track Baba Gomni in which the blazing musicians are featured in full force. -
Mass in C Minor Performances of Two Academy of St Martin Fine Choral Works from in the Fields Two Masters of the Baroque Era
CORO CORO Vivaldi: Gloria in D Fauré: Requiem Bach: Magnificat in D Mozart: Vespers Harry Christophers Elin Manahan Thomas MOZART The Sixteen Roderick Williams Harry Christophers Resounding The Sixteen Mass in C minor performances of two Academy of St Martin fine choral works from in the Fields two masters of the Baroque era. “…the sense of an ecstatic movement towards cor16057 cor16042 cor16057 Paradise is tangible.” the times Handel: Messiah Barber: Agnus Dei 3 CDs (Special Edition) An American Collection Carolyn Sampson Barber, Bernstein, Catherine Wyn-Rogers Copland, Fine, Reich, Mark Padmore del Tredici Christopher Purves “The Sixteen are, as “…this inspiriting new usual, in excellent form performance becomes here. Recording and a first choice.” remastering are top- notch.” Gillian Keith the daily telegraph notch.” cor16062 cor16031 american record guide Tove Dahlberg Harry Christophers Thomas Cooley To find out more about CORO and to buy CDs visit Handel and Haydn Society Nathan Berg www.thesixteen.com cor16084 ne of the many delights of being of your seat” suspense that one feels in the exquisite ‘Et incarnatus est’ and it OArtistic Director of America’s is well worth that risk. One can never achieve this degree of concentration and oldest continuously performing arts total immersion in the music whilst in the recording studio; whatever mood is organization, the Handel and Haydn set, subconsciously we always know we can have another go at it. Society, is that I am given the opportunity to present most of our concert season at I feel very privileged to take this august Society towards its Bicentennial; yes, the Handel and Haydn Society was founded in 1815.