Red Note New Music Festival Program, 2017 School of Music Illinois State University
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American Composers Orchestra Presents Next Composer to Composer Talks in January
FOR IMMEDIATE RELEASE Press Contact: Christina Jensen, Jensen Artists 646.536.7864 x1 [email protected] American Composers Orchestra Presents Next Composer to Composer Talks in January William Bolcom & Gabriela Lena Frank Wednesday, January 13, 2021 at 5pm ET – Online Registration & Information: http://bit.ly/ComposerToComposerBolcom John Corigliano & Mason Bates Wednesday, January 27, 2021 at 5pm ET – Online Registration & Information: http://bit.ly/ComposerToComposerCorigliano Free, registration recommended. New York, NY – American Composers Orchestra (ACO) presents its next Composer to Composer Talks online in January, with composers William Bolcom and Gabriela Lena Frank on Wednesday, January 13, 2021 at 5pm ET, and John Corigliano and Mason Bates on Wednesday, January 27, 2021 at 5pm ET. The talks will be live-streamed and available for on-demand viewing for seven days. Tickets are free; registration is highly encouraged. Registrants will receive links to recordings of featured works in advance of the event. ACO’s Composer to Composer series features major American composers in conversation with each other about their work and leading a creative life. The intergenerational discussions begin by exploring a single orchestral piece, with one composer interviewing the other. Attendees will gain insight into the work’s genesis, sound, influence on the American orchestral canon, and will be invited to ask questions of the artists. On January 13, Gabriela Lena Frank talks with William Bolcom about his Symphony No. 9, from 2012, of which Bolcom writes, “Today our greatest enemy is our inability to listen to each other, which seems to worsen with time. All we hear now is shouting, and nobody is listening because the din is so great. -
I Just Love This Orchestra! Berkeley Symphony Photo by David S
My life here Bette Ferguson, joined in 2006 My Life Here Is INDEPENDENT The people who live here are well-traveled and engaged with life. Their independent lifestyle is enhanced with our Continuing Care and contract options so they have all levels of healthcare under one roof. Find out why our established reputation as one of the very best not-for-profit communities is just one more reason people like Bette Ferguson know a good thing when they live it. To learn more, or for your personal visit, please call 510.891.8542. stpaulstowers-esc.org Making you feel right, at home. A fully accredited, non-denominational, not-for-profit community owned and operated by Episcopal Senior Communities. Lic. No. 011400627 COA #92 EPSP1616-01CJ 100111 CLIENT ESC / St. Paul’s Towers PUBLICATION Berkeley Symphony AD NAME Bette Ferguson REFERENCE NUMBER EPSP616-01cj_Bette_01_mech TYPE Full Page Color - Inside Front Cover TRIM SIZE 4.75” x 7.25” ISSUE 2011/12 Season MAT’LS DUE 9.01.11 DATE 08.22.11 VERSION 01 mech AGENCY MUD WORLDWIDE 415 332 3350 Berkeley Symphony 2011-12 Season 5 Message from the Executive Director 7 Board of Directors & Advisory Council 9 Message from the Music Director 11 Joana Carneiro 13 Berkeley Symphony 16 January 26 Orchestra 19 January 26 Program 21 January 26 Program Notes 31 January 26 Guest Artists 41 April 26 Program 43 April 26 Program Notes 55 April 26 Guest Artists 60 Music in the Schools 63 Under Construction 65 Contributed Support 74 Advertiser Index Season Sponsors: Kathleen G. Henschel and Official Wine Sponsor of Berkeley Symphony: Presentation bouquets are graciously provided by Jutta’s Flowers, the Official Florist of Berkeley Symphony. -
559317 Bk Schuman 18/12/06 3:38 PM Page 4
559322bk HuangRuo:559317 bk Schuman 18/12/06 3:38 PM Page 4 Huang Ruo MERICAN LASSICS Chinese-American composer Huang Ruo was born in Hainan Island, China in 1976, the year the Chinese A C Revolution ended. Growing up in the ’80s and ’90s, when China was steadily opening up its gate to the Western world, Huang Ruo received both traditional and western education in the Shanghai Conservatory of Music at age twelve. Witnessing the dramatic cultural and economic changes in China, his education ranged from Bach, Mozart, Stravinsky, Lutosławski, to Beatles, rock n’ roll, heavy metal, and jazz, all of which were allowed to enter cultural life in China approximately the same time after the culture revolution. All these ‘new’ western influences enable HUANG RUO him to absorb them without any hierarchy and limitation of styles. Huang Ruo moved to the United States in 1995. (b. 1976) He earned a B.M. degree from the Oberlin Conservatory of Music and a M.M. degree from the Juilliard School, where he is now pursuing his D.M.A. degree and studies with Samuel Adler. Hailed by The Wall Street Journal as “strikingly assured”, Huang’s music has been performed by the Philadelphia Orchestra under Wolfgang Sawallisch, Chamber Concerto Cycle the Juilliard Symphony under James Conlon, the American Composers Orchestra under Dennis Russell Davies, the ASKO Ensemble, the Nieuw Ensemble, and the Chamber Music Society of Lincoln Center, as well as by violinist (2000–2002) Cho-Liang Lin and cellist Jian Wang. He has also collaborated with the New York City Ballet and choreographers Damian Woetzel and Christopher Wheeldon. -
Cabrillo Festival of Contemporarymusic of Contemporarymusic Marin Alsop Music Director |Conductor Marin Alsop Music Director |Conductor 2015
CABRILLO FESTIVAL OFOF CONTEMPORARYCONTEMPORARY MUSICMUSIC 2015 MARINMARIN ALSOPALSOP MUSICMUSIC DIRECTOR DIRECTOR | | CONDUCTOR CONDUCTOR SANTA CRUZ CIVIC AUDITORIUM CRUZ CIVIC AUDITORIUM SANTA BAUTISTA MISSION SAN JUAN PROGRAM GUIDE art for all OPEN<STUDIOS ART TOUR 2015 “when i came i didn’t even feel like i was capable of learning. i have learned so much here at HGP about farming and our food systems and about living a productive life.” First 3 Weekends – Mary Cherry, PrograM graduate in October Chances are you have heard our name, but what exactly is the Homeless Garden Project? on our natural Bridges organic 300 Artists farm, we provide job training, transitional employment and support services to people who are homeless. we invite you to stop by and see our beautiful farm. You can Good Times pick up some tools and garden along with us on volunteer + September 30th Issue days or come pick and buy delicious, organically grown vegetables, fruits, herbs and flowers. = FREE Artist Guide Good for the community. Good for you. share the love. homelessgardenproject.org | 831-426-3609 Visit our Downtown Gift store! artscouncilsc.org unique, Local, organic and Handmade Gifts 831.475.9600 oPen: fridays & saturdays 12-7pm, sundays 12-6 pm Cooper House Breezeway ft 110 Cooper/Pacific Ave, ste 100G AC_CF_2015_FP_ad_4C_v2.indd 1 6/26/15 2:11 PM CABRILLO FESTIVAL OF CONTEMPORARY MUSIC SANTA CRUZ, CA AUGUST 2-16, 2015 PROGRAM BOOK C ONTENT S For information contact: www.cabrillomusic.org 3 Calendar of Events 831.426.6966 Cabrillo Festival of Contemporary -
Currier Time Machines
Boosey & Hawkes Music Publishers Limited October 2011 2011/3 Currier Time Machines Britten Included in this issue: Sebastian Currier’s concerto for Anne-Sophie Mutter, notes from an opening movement, eschews what Pagodas in MacMillan is obvious, and goes straight toward a quantum Clemency staged at premiered by the New York Philharmonic in June, was leap of space and time… Like the finest of modern The Royal Opera in London recently released by DG and travels to Europe in January. painters, Mr. Currier has a variety of counterpoints Japan in the background, instruments enjoying their own dialogues and intriguing conversations, as Ms. Benjamin Britten’s only ballet, The Prince of Mutter plunged ahead.” ConcertoNet the Pagodas, travels back to its roots in the Currier’s harp concerto, Traces, received its Far East this autumn with its first Japanese US premiere at the Grand Teton Festival in staging. The new choreography by David July with soloist Naoko Yoshino and Bintley is unveiled on 30 October at the New conductor Osmo Vänskä. The work was National Theatre in Tokyo with Paul Murphy composed for Marie-Pierre Langlamet and conducting the Tokyo Philharmonic premiered in 2009 by the Berliner Orchestra. The staging is a co-production Philharmoniker and Donald Runnicles. with Birmingham Royal Ballet, who will present the ballet in the UK in January/ Next Atlantis, combining strings (quartet or February 2014 as one of the closing orchestral), electronics and video by Pawel highlights of the Britten centenary (2013). Wojtaski, receives performances in Miami David Bintley’s choreography of The Prince Dean and New York this autumn. -
Peter Sculthorpe’S Pieces with Stephen Kent (Didjeridu) Is Both One of the Most Unusual and Fulfilling
1 CD 1 1 String Quartet No. 12 “From Ubirr” [12:22] String Quartet No. 14 “Quamby” 2 I. Prelude [3:24] 3 II. In the Valley [3:49] 4 III. On High Hills [4:45] 5 IV. At Quamby Bluff [8:00] CD 2 String Quartet No. 16 1 *(6) I. Loneliness [4:10] 2 *(7) II. Anger [3:58] 3 *(8) III. Yearning [5:49] 4 *(9) IV. Trauma [4:18] 5 *(10) V. Freedom [5:30] String Quartet No. 18 6 *(11) I. Prelude [2:04] 7 *(12) II. A Land Singing [4:27] 8 *(13) III. A Dying Land [7:32] 9 *(14) IV. A Lost Land [6:43] 6 *(15) V. Postlude [5:20] Complete Program Time: 82:11 SCULTHORPE The Complete String Quartets with Didjeridu 1 *(Blu-ray™ Tracks) 2 Amongst the amazing artistic collaborations that Del Sol has had in our 22-years of music making, playing Peter Sculthorpe’s pieces with Stephen Kent (didjeridu) is both one of the most unusual and fulfilling. The breathtaking power and beauty of Peter’s music is enhanced by the juxtaposition of these contrasting wooden instruments and traditions - the ones delicately carved by master craftsmen in Europe and the other naturally hollowed out by termites in Australia. Stephen’s artistry envelops us in sonorities that border between the earth and the divine. These sonic waves lift the entire quartet, even changing the role of the cello from harmonic ground to the floor of an airship. We take flight together. We have journeyed to places dark and wondrous during the process of learning these masterworks and hope you will join us there now. -
Orchestra of St. Luke's Expands Its 2018–2019 Orchestral Season With
Press Release ORCHESTRA OF ST. LUKE’S EXPANDS ITS 2018–2019 ORCHESTRAL SEASON WITH MULTIPLE CHAMBER MUSIC PERFORMANCES, NEW COLLABORATIONS, AND FREE COMMUNITY CONCERTS Bernard Labadie’s Inaugural Season as OSL’s Principal Conductor Kicks Off with Opening Carnegie Hall Series Concert on October 25, 2018 Featuring Haydn’s “Nelson Mass” and Mozart’s Requiem Chamber Music Season Opens December 2018 with Baroque Program Focused on Italian Composers, Continues with an All-Mozart Program in February 2019, and All-Mendelssohn Program in May 2019 Maestro Labadie to Receive Honorary Doctor of Musical Arts Degree from Manhattan School of Music and is Named Distinguished Artist in Conducting and Orchestral Activities The 42nd Season of Free School Concerts Introduces Public School Students to the Life and Work of Jerome Robbins, and to Music in Color's 2019 Composer Gabriela Lena Frank New York, NY, May 7, 2018 — Orchestra of St. Luke’s (OSL) today announced additional details of its 2018–2019 season—the Orchestra’s 44th—including its signature Chamber Music Series, Music in Color, and Free School Concerts celebrating the Jerome Robbins centenary. The previously announced 32nd– annual subscription series presented by Carnegie Hall opening on October 25 will mark the official start of Bernard Labadie’s tenure as Principal Conductor of the Orchestra. The series will feature a season-long focus on Haydn, a specialty of both the conductor and the Orchestra. The Chamber Music series features three programs that will be presented this year at The Brooklyn Museum, Merkin Concert Hall, The Morgan Library and Museum, and The DiMenna Center for Classical Music. -
John Donald Robb Composers' Symposium
The University of New Mexico The College of Fine Arts, Department of Music Presents the Thirty-sixth Annual JOHN DONALD ROBB COMPOSERS’ SYMPOSIUM March 25-28, 2007 Featured Composer: Robert Ashley Curt Cacioppo Paul Lombardi Raven Chacon Brady McElligott Jack Douthett Sam Merciers Neil Haverstick Hyo-shin Na Richard Hermann Patricia Repar Hee Sook Kim Christopher Shultis Richard Krantz John Starrett Thomas Licata Joseph Turrin Peter Lieuwen Scott Wilkinson Artists in Residence Sam Ashley, Jacqueline Humbert Ensembles in Residence Del Sol Quartet: Kate Stenberg, Rick Shinozaki, Charlton Lee, Hannah Addario-Berry PARTCH: John Schneider, David Johnson, Erin Barnes Symposium events are held at the University of New Mexico, Center for the Arts All events are free and open to the public Dr. Christopher Mead, Dean, College of Fine Arts Dr. Steven Block, Chair, Department of Music Composers’ Symposium Staff Dr. Christopher Shultis, Artistic Director Doris Williams, Managing Director; Program Coordinator, John D. Robb Musical Trust Ethan Smith, Graduate Assistant, John D. Robb Musical Trust Victoria Weller, Keller Hall Manager Manny Rettinger, Audio Engineer Cover art: from CD “Foreign Experiences” copyright 1994 photo by Philip Makanna entitled: “Sunset Gas Station.” John Donald Robb John Donald Robb John Donald Robb (1892-1989) led a rich and varied life as an attorney, composer, arts administrator, and ethnomusicologist. He composed an impressive body of work including symphonies, concertos for viola and piano, sonatas, chamber and other instrumental music, choral works, songs, and arrangements of folk songs, two operas, including Little Jo, a musical comedy, Joy Comes to Deadhorse, and more than sixty- five electronic works. -
Berksymphfall11.Pdf
My life here Bette Ferguson, joined in 2006 My Life Here Is INDEPENDENT The people who live here are well-traveled and engaged with life. Their independent lifestyle is enhanced with our Continuing Care and contract options so they have all levels of healthcare under one roof. Find out why our established reputation as one of the very best not-for-profit communities is just one more reason people like Bette Ferguson know a good thing when they live it. To learn more, or for your personal visit, please call 510.891.8542. stpaulstowers-esc.org Making you feel right, at home. A fully accredited, non-denominational, not-for-profit community owned and operated by Episcopal Senior Communities. Lic. No. 011400627 COA #92 EPSP1616-01CJ 100111 CLIENT ESC / St. Paul’s Towers PUBLICATION Berkeley Symphony AD NAME Bette Ferguson REFERENCE NUMBER EPSP616-01cj_Bette_01_mech TYPE Full Page Color - Inside Front Cover TRIM SIZE 4.75” x 7.25” ISSUE 2011/12 Season MAT’LS DUE 9.01.11 DATE 08.22.11 VERSION 01 mech AGENCY MUD WORLDWIDE 415 332 3350 Berkeley Symphony 2011-12 Season 5 Message from the President 7 Board of Directors & Advisory Council 9 Message from the Music Director 11 Joana Carneiro 13 Berkeley Symphony 16 October 27 Orchestra 19 October 27 Program 21 October 27 Program Notes 31 October 27 Guest Artists 41 December 8 Program 43 December 8 Program Notes 53 December 8 Guest Conductor Jayce Ogren 55 December 8 Guest Artists 57 Meet the Orchestra 60 Music in the Schools 63 Under Construction 65 Contributed Support 72 Advertiser Index Season Sponsors: Kathleen G. -
Europadisc February 2008 List
FEBRUARY 2008 LIST See inside for valid dates Dear Customer You will no doubt have read the speculation surrounding the EMI situation and the financial difficulties they face in today’s rapidly changing market. This is by no means unique to them. In this digital age, one wonders just how the record companies will meet the challenges brought about by ‘downloading’ and consequently the reduction in the numbers of music CDs being bought worldwide. In the classical music market, there remains amongst most buyers a requirement for not only the music - in high quality sound to be played in the comfort of the listening environment - but also the material that goes with it. This would suggest that the current CD complete with libretti/booklet format will be with us for some time yet. However, monetary pressures do mean that the funds available for new classical recordings, particularly large scale works, are declining, leading to a constant search for the ‘re-cycling’ of material previously recorded and issued. So here’s the good news. Whilst this development has its detractors, it does mean that we can enjoy, often at a bargain price, the work of truly great artists in a new light and with the benefit of enhanced sound quality and illuminating background material. The recent re-issues featuring Karajan, Pavarotti, Callas, and offerings on the Lyrita and Naxos Historical labels amply illustrate the point. So, enjoy the fruits of the ‘financial squeeze’ whilst you can - there may never be a better time! Mark, Richard & Mike NAXOS OFFER £4.00 per disc - see inside! DON’T FORGET - UK Carriage is FREE over £30 Please note: American Express From January 1st 2008, we will no longer be accepting payment by American Express. -
A Thousand Mountains a Million Streams SATURDAY APRIL 21, 2018 8:00 a Thousand Mountains, a Million Streams
A Thousand Mountains A Million Streams SATURDAY APRIL 21, 2018 8:00 A Thousand Mountains, A Million Streams SATURDAY APRIL 21, 2018 8:00 JORDAN HALL AT NEW ENGLAND CONSERVATORY Pre-concert talk by Robert Kirzinger at 7:00 YU-HUI CHANG Pixelandia (2015) (world premiere) I. 1943 II. HoMM3 III. The Boss IV. Game Over Made possible through a grant from The Fromm Foundation HUANG RUO Unscrolled, Concerto for solo piano and orchestra (2015) Vivian Choi, piano INTERMISSION ANTHONY PAUL DE RITIS The Legend of Cowherd and Weaver Girl, Concerto for Percussion and Orchestra (2018) Beibei Wang, percussion (world premiere) Chinese percussion instruments provided by Chi-Sun Chan of the Greater Boston Chinese Cultural Association Chinese Music Ensemble LEI LIANG A Thousand Mountains, A Million Streams (2017) (world premiere) Part I: A Thousand Mountains Part II: A Million Streams Made possible through a grant from The Jebediah Foundation GIL ROSE, conductor PROGRAM NOTES 5 By Robert Kirzinger China is a vast place, encompassing an infinite array of intercultural connections. Tonight’s Boston Modern Orchestra Project concert makes no pretense of presenting anything like an overview or cross-section or any other all-embracing idea of what “Chinese music” might mean, but the program shows, in its diversity, some of the many possible ways Chinese music has affected four very different composers from the same generation. Among the three composers of Chinese heritage, three different native languages are represented: Lei Liang and Huang Ruo were both born in the People’s Republic of China, Liang on the mainland near Beijing (where Mandarin is dominant) and Huang Ruo on the southern, Hainanese-speaking island of Hainan. -
21C Liederabend , Op 3
BAM 2013 Next Wave Festival #21cLiederabend Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board Adam E. Max, Vice Chairman of the Board Karen Brooks Hopkins, President Joseph V. Melillo, Executive Producer 21c Liederabend, op. 3 Festival of Contemporary Art Song Creative direction by Beth Morrison and Paola Prestini Music direction by Julian Wachner Featuring New York’s finest solo singers, NOVUS NY, and The Choir of Trinity Wall Street BAM Harvey Theater Nov 22 at 7:30pm—Program 1 Nov 23 at 7:30pm—Program 2 Approximate running time: two hours, no intermission Composer in residence Anna Clyne Librettist in residence Royce Vavrek Scenic and lighting design by Maruti Evans BAM 2013 Next Wave Festival sponsor Projection and video design by S. Katy Tucker Featuring compositions by: Thomas Cabaniss, Christopher Ceronne, Thomas Cipullo, Anna Clyne, Mohammed Fairouz, Judd Greenstein, David Handler, Viacom is the BAM 2013 Music Sponsor Ted Hearne, Marie Incontrera, David T. Little, Tod Machover, Missy Mazzoli, Nico Muhly, Major support for music at BAM provided by The Virginia B. Toulmin Foundation Olga Neuwirth, Paola Prestini, Huang Ruo, Michel van der Aa, Aleksandra Vrebalov, Endowment funding has been provided by Julian Wachner, Eric Whitacre, Du Yun, and The Andrew W. Mellon Foundation Fund for Netsayi & Black Pressure Opera and Music-Theater Co-commisioned and co-produced by Beth Morrison Projects Additional endowment support provided by and VisionIntoArt, presented in association with Trinity Wall the BAM Fund to Support Emerging and Street. Local Musicians 21c Liederabend Op. 3 Being educated in a classical conservatory, the Liederabend (literally “Song Night” and pronounced “leader-ah-bent”) was a major part of our vocal educations.