Entertainment Industry Forum
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Dhspring2014 DH Program
Oren Katzeff, Head of Programming, Tastemade Digital Hollywood Spring David Karp, EVP, Business Development, SnagFilms, Inc. The Digital Future has Arrived! Jason Berger, founder & Executive Producer, Kids at Play 1 May 5th - 8th, 2014 Elizabeth Brooks, Head of Marketing, Live Nation Labs The Ritz Carlton Hotel, Marina del Rey, California Sang H. Cho, President and CEO, Mnet Ann Greenberg, Founder & Chief Tinkerer, Sceneplay, The Strategic Sessions - Let's Get Started! Moderator Monday, May 5th Track II: Poolside Tent I (FINANCE) 10:00 AM - 11:15 AM Valuing and Financing Entertainment Content: Track I:Ballroom Terrace (BrandPower) (ADVERT) Movies, Television and Online Video, From VC Native Advertising: Digital Advertising & Equity to Crowdfunding Industry Gets Serious About Better Advertising Join a group of influential players in the media, entertainment Matt Palmer, SVP and GM, Demand Media and tech finance worlds for an enlightening look at emerging Andrew Budkofsky, EVP, Sales and Partnerships, Digital growth areas in our industry. They reveal where the value and Trends opportunities are, who's investing and whether we're headed for Greg Portell, Partner, A.T. Kearney a bubble or sustained hypergrowth in the convergence space. Mike Kisseberth, Chief Revenue Officer, TechMedia Network Mike LaSalle, Partner, Shamrock Capital Advisors Roger Camp, Partner & Chief Creative Officer, CAMP + KING Marti Frucci, Managing Director, Digital Capital Advisors Aron Levitz, SVP, Wattpad René Bourdages, CEO, Elevado Media, Inc. Shawn Gold, Advisor -
Getting a on Transmedia
® A PUBLICATION OF BRUNICO COMMUNICATIONS LTD. SPRING 2014 Getting a STATE OF SYN MAKES THE LEAP GRIon transmediaP + NEW RIVALRIES AT THE CSAs MUCH TURNS 30 | EXIT INTERVIEW: TOM PERLMUTTER | ACCT’S BIG BIRTHDAY PB.24462.CMPA.Ad.indd 1 2014-02-05 1:17 PM SPRING 2014 table of contents Behind-the-scenes on-set of Global’s new drama series Remedy with Dillon Casey shooting on location in Hamilton, ON (Photo: Jan Thijs) 8 Upfront 26 Unconventional and on the rise 34 Cultivating cult Brilliant biz ideas, Fort McMoney, Blue Changing media trends drive new rivalries How superfans build buzz and drive Ant’s Vanessa Case, and an exit interview at the 2014 CSAs international appeal for TV series with the NFB’s Tom Perlmutter 28 Indie and Indigenous 36 (Still) intimate & interactive 20 Transmedia: Bloody good business? Aboriginal-created content’s big year at A look back at MuchMusic’s three Canadian producers and mediacos are the Canadian Screen Awards decades of innovation building business strategies around multi- platform entertainment 30 Best picture, better box offi ce? 40 The ACCT celebrates its legacy Do the new CSA fi lm guidelines affect A tribute to the Academy of Canadian 24 Synful business marketing impact? Cinema and Television and 65 years of Going inside Smokebomb’s new Canadian screen achievements transmedia property State of Syn 32 The awards effect From books to music to TV and fi lm, 46 The Back Page a look at what cultural awards Got an idea for a transmedia project? mean for the business bottom line Arcana’s Sean Patrick O’Reilly charts a course for success Cover note: This issue’s cover features Smokebomb Entertainment’s State of Syn. -
The Best Broadcast Briefing in Canada
The Best Broadcast Briefing in Canada THIS PUBLICATION MAY ONLY BE DISTRIBUTED WITHIN THE SUBSCRIBER'S LOCATION. PLEASE DO NOT FORWARD IT BEYOND YOUR STREET ADDRESS. Christensen Communications Ltd. * 18 Turtle Path * Lagoon City ON * L0K 1B0 www.broadcastdialogue.com * [email protected] Thursday, June 3, 2010 Volume 18, Number 4 Page One of Four ENERAL: Industry Minister Tony Clement and Heritage Minister James Moore introduced Bill C- G32, new copyright legislation, that would allow consumers to copy content from one device to another and to record a television program for later viewing, however not for the purpose of establishing a library. One key element concerns digital locks placed on devices by manufacturers: C-32 will make it illegal for a user to break it... Astral Media Inc. launched its new brand identity, which will be rolled out across all properties, 2010 CONFERENCE including specialty and pay television, radio, out-of-home advertising and digital. The company now operates publicly WAB's 76th Annual Conference under the Astral name while the legal corporate name remains Astral Media Inc. Astral’s new brand image June 4-6, 2010 represents the company’s diverse assets, decentralized yet disciplined business model and the knowledge, passion and Kananaskis, Alberta imagination its employees bring to the marketplace. The vibrant colour palette and creative shape of the new logo are designed to convey human warmth and emotion, within a www.wab.ca defined and responsive structure that is grounded and resilient. As a member of the Astral family, Astral Media or call Radio Sales and Astral Media Broadcast Sales in Vancouver have evolved into what is now Astral (877) 814-2719 RadioPlus. -
Children's Books
Table of Contents Lead Titles ........................................................................................2 Picture Books ................................................................................ 12 Board Books ................................................................................. 26 Middle Grade Fiction ................................................................... 39 Literature & Fiction ..................................................................... 45 Science, Nature & Technology....................................................52 History ........................................................................................... 62 Reerence & Study Aids .............................................................. 64 Unusual Facts .................................................................................71 Hobbies, Cras & Activities ........................................................74 Humor ............................................................................................88 Puzzles & Games .........................................................................90 Sports ............................................................................................ 94 Family/Religion ............................................................................ 98 Backlist Highlights..................................................................... 100 Displays ........................................................................................102 Awards ..........................................................................................104 -
Jason Hafer Director of Photography 2015 Icg Emerging Cinematographer Award Honoree Iatse Local 600, Dp (323) 388-9989
JASON HAFER DIRECTOR OF PHOTOGRAPHY 2015 ICG EMERGING CINEMATOGRAPHER AWARD HONOREE IATSE LOCAL 600, DP (323) 388-9989 www.hafervisuals.com REALITY / DOCUMENTARY MAKING THE CUT S1 AMAZON STUDIOS AMAZON PRIME VIDEO THE MASKED SINGER S3 – SUPERBOWL SHOW OPEN FOX FOX CELEBRITY ESCAPE ROOM NBC UNIVERSAL NBC BAD IDEAS WITH ADAM DEVINE MAK PICTURES QUIBI MAKING IT STARRING AMY POEHLER, S1 NBC UNIVERSAL NBC TIFFANY HADDISH PRESENTS: THEY READY NETFLIX NETFLIX THE CONTENDER S5 (REBOOT) MGM EPIX UNPROTECTED SETS (ORIGINAL SERIES) MGM EPIX EX ON THE BEACH USA S1, S2, S3 PURVEYORS OF POP MTV AMERICAN NINJA WARRIOR S10 (FIELD) A SMITH & CO. NBC TOP GOLF “WHO WILL ROCK YOU” MATADOR TOPGOLF SPARTAN ULTIMATE TEAM CHALLENGE S2 (FIELD) A SMITH & CO NBC ELLEN (FIELD) ELLEN TV NBC RADIO DISNEY MUSIC AWARDS “BIEBER SURPRISE” LIQUID THEORY RADIO DISNEY GOLD MEDAL FAMILIES THE CO. LIFETIME EXPEDTION UNKNOWN - LEGENDARY STORIES PING PONG TRAVEL CHANNEL MUSEUM MEN T GROUP HISTORY GOD, GUNS & AUTOMOBILES LIQUID THEORY HISTORY MINOR RENOVATIONS MGM BRAVO CANADA THE PROFIT (PILOT) THE CO. CNBC COMMERCIAL / PROMO EX ON THE BEACH S1 PROMOS PURVEYORS OF POP MTV NICKELODEON “HENRY DANGER” PROMOS NICKELODEON NICKELODEON BRAVO “FLIPPING OUT” CROSS PROMO RFP3 BRAVO THE NEXT FACE OF TORRID COMMERCIAL OVER EASY PRODUCTIONS TORRID HUB HALLOWEEN BASH PROMO IGNITION FILMS HUB PREP – HIV PILLS COMMERCIALS (3) KAVICH REYNOLDS ALTA MED IBM CLOUD SEATTLE ZOO COMMERCIALS (2) IGNITION FILMS IBM MONTANA LOTTERY COMMERCIAL NxNW MONTANA LOTTERY EDGE WIRELESS COMMERCIAL (2) NxNW EDGE WIRELESS MUSIC VIDEO KIMBERLY COLE “LET ME GO” COHESIVE CONTENT OXYGEN RECORDS ALL THAT REMAINS “TWO WEEKS” THE VAULT LA RAZOR & TIE ALL THAT REMAINS “CHIRON” THE VAULT LA RAZOR & TIE AS I LAY DYING “THE SOUND OF TRUTH” THE VAULT LA RAZOR & TIE AS I AY DYING “NOTHING LEFT” THE VAULT LA RAZOR & TIE KILLSWITCH ENGAGE “HOLY DIVER” THE VAULT LA ROADRUNNER MISDIRECTION “JUST GO” THE VAULT LA BC RECORDS SMALL CHANGE “BE SHY” FT. -
Writing the Web Series ARONIVES
Byte-Sized TV: Writing the Web Series ARONIVES MASACHUSETTS INSTME By OF TECHNOLOGY Katherine Edgerton MAY 1 4 2013 B.A. Theatre and History, Williams College, 2008 LIBRARIES SUBMITTED TO THE PROGRAM IN COMPARATIVE MEDIA STUDIES/WRITING IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN COMPARATIVE MEDIA STUDIES AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY JUNE 2013 © Katherine Edgerton, All Rights Reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. Signature of Author: / /I - -11-11 Program in Comparative Media Studies/Writing May 10,2013 Certified by: Heather Hendershot Professor of Comparative Media Studies Thesis Supervisor Accepted by: Heather Hendershot Professor of Comparative Media Studies Director of Comparative Media Studies Graduate Program Byte-Sized TV: Writing the Web Series By Katherine Edgerton Submitted to the Program in Comparative Media Studies/Writing on May 10, 2013 in Partial Fulfillment of the Requirements for the Degree of Master of Science in Comparative Media Studies ABSTRACT Web series or "webisodes" are a transitional storytelling form bridging the production practices of broadcast television and Internet video. Shorter than most television episodes and distributed on online platforms like YouTube, web series both draw on and deviate from traditional TV storytelling strategies. In this thesis, I compare the production and storytelling strategies of "derivative" web series based on broadcast television shows with "original" web series created for the Internet, focusing on the evolution of scripted entertainment content online. -
Michael D. Eisner
Michael D. Eisner Chairman & CEO, The Walt Disney Company (1984-2005) Owner and Non-Executive Chairman, The Topps Company, Inc. Founder & CEO, The Tornante Company Michael Eisner teaches audiences how to develop corporate creativity and strategically invest in innovation, based on his experiences as CEO of Disney and as Founder of The Tornante Company, a fund to invest in and develop companies in the media and entertainment sector. Both Fortune 500 CEO and entrepreneur, Mr. Eisner knows that even large global companies can innovate and adapt to new markets, new economies and new technologies. Through his remarks, he not only inspires corporate innovation, he gives parameters for successful execution such as brand building, establishing strategic partnerships and employee work teams. Eisner joined The Walt Disney Company as Chairman and CEO in 1984. In twenty-one years at its helm, he revitalized and reinvented Disney into a full spectrum entertainment enterprise. Under his leadership, the company began implementation of a continuing series of creative growth strategies that resulted in its annual revenues rising from $1.7 billion to more than $30 billion. Michael Eisner continues to be an Entertainment Innovator. His investment company Tornante launched Vuguru, a studio producing original programming for the Internet, portable media devices and cellphones. During his stewardship, Disney animation experienced a renaissance with hits including The Little Mermaid, Beauty and the Beast, The Lion King, Toy Story, Finding Nemo and The Incredibles. -
Digital Distribution Report
Digital Distribution Report THE PERFORMANCE OF DOCUMENTARIES ON DIGITAL SERVICES IN CANADA Digital Distribution Report THE PERFORMANCE OF DOCUMENTARIES ON DIGITAL SERVICES IN CANADA EXecutive SummarY . 5 Introduction . 7 D I G I TA L Canada . .11 . Broadcaster Digital Services. 17 NFB Platforms . .25 . Rogers ON Demand Online. 35 ITunes. 39 Trends in DocumentarY Distribution . 45. NEXT Steps . .51 . list of definitions. 55 List of Acronyms BDU Broadcasting distribution undertaking CBC Canadian Broadcasting Corporation CMF Canada Media Fund, formerly the Canadian Television Fund CMPA Canadian Media Production Association, formerly the Canadian Film and Television Production Association CRTC Canadian Radio-television and Telecommunications Commission DOC Documentary Organization of Canada MBPS Megabits per second NFB National Film Board RODO Rogers On Demand Online SRC Société Radio Canada SVOD Subscription video-on-demand TVO TV Ontario VOD Video-on-demand Executive Summary More Canadians are using digital platforms to access professionally produced video content. Over the course of the last 5 years: • Reported usage of video-on-demand among the French market rose from 7% to reach 17%, whereas reported usage in the English market increased by 6% to reach 15%. • Reported usage of Internet video in the French market jumped from 26% to 29%, and reported usage in the English market also rose substantially, from 30% to 51%. • Reported usage of mobile video in the English market increased from 2% to 9%, while reported usage in the French market climbed from 1% to 4%. As part of an expansive audiovisual offer, documentaries are available on a wide range of services with differing results. -
Network Television and the Digital Threat
UCLA UCLA Entertainment Law Review Title Network Television and the Digital Threat Permalink https://escholarship.org/uc/item/4mc8v9j3 Journal UCLA Entertainment Law Review, 16(2) ISSN 1073-2896 Author Lapan, Lisa Publication Date 2009 DOI 10.5070/LR8162027129 Peer reviewed eScholarship.org Powered by the California Digital Library University of California NETWORK TELEVISION AND THE DIGITAL THREAT Lisa Lapan* I. INTRODUCTION .............................................. 344 II. THE IMPACT OF DIGITAL TECHNOLOGY ON TELEVISION DISTRIBUTION AND CONTENT ............................ 345 A. Television Distribution and the Loss of Network C ontrol .............................................. 345 B. Content is King: Focus on Content Creation.......... 346 C. Democratization of Content Creation ................ 348 D. Proliferationof Content and Loss of Network Control .............................................. 350 E. Fragmented Audiences and Declining Revenues ...... 354 F. Ugly Town ........................................... 359 III. TV/INTERNET CONVERGENCE ............................ 360 A. TV/Internet Convergence: What it is and Why it M atters ............................................... 360 B . On the Verge ......................................... 361 1. Set-Top-Box Technology ......................... 362 2. STB Bypass Technology .................. ... 363 3. Internet Enabled Television Sets ................. 364 4. Home Theatre PC ............................... 364 5. Internet Protocol Television ..................... 365 C. -
PRENSARIO INTERNATIONAL INTERNATIONAL PRENSARIO PRENSARIO INTERNATIONAL INTERNATIONAL Commentary
PRENSARIO PRENSARIO INTERNATIONAL INTERNATIONAL PRENSARIO PRENSARIO INTERNATIONAL INTERNATIONAL Commentary WELCOME TO ISTANBUL One year ago, Patrick Jucaud, CEO at Basic Lead, the organizer of Discop West Asia, said: ‘Today, the worldwide content market is worth of about 228 billions of euros, where 80% of this amount is only handled by 17 countries, with USA and UK on top. But their economies are fl at… on the other hand, Middle East, Africa and Western Asia only have 1,5% of that market, but they double their growth per year. And they have 40% of the global population… where the industry leaders Prensario have to make focus on?’ International That’s why Discop West Asia is the fastest grow- international market. We’ve been attending MIPTV ©2013 EDITORIAL PRENSARIO SRL PAYMENTS TO THE ORDER OF ing market of the content industry, and promises and MIPCOM, Discop Budapest, ATF Asia, Natpe EDITORIAL PRENSARIO SRL to provide very good new opportunities this year. Miami, LA Screenings for a long time, and this is our OR BY CREDIT CARD. REGISTRO NACIONAL DE DERECHO Through this special edition for the show, we are debut in Discop West Asia, with a full local content DE AUTOR Nº 10878 committed to show what’s up in the content market, special edition, as we always generate at every market from global trends to local issues. It is really dynamic we attend. the content market, full of news and twists to pay We make the big difference being focused on local attention. We are sure you will be surprised many buyers and producers: the main reports and interviews PUBLISHED BY times reading this edition. -
£ '.(2' ,%' ' Councilmember Eric Garcetti
MICHAEL D. EISNER WHEREAS, Michael D. Eisner has received a star on the World Famous Hollywood Walle of Fame on April 25,2008; and 'WHEREAS, For four decades, Michael Eisner has been a leader in the American entertainment industry. He began his career at ABC, where he helped take the network from number three to number one inprimetime, daytime and children's television with such landmark shows as Happy Days, Barney Miller, Rich Man, Poor Man, and Roots. In 1976, he became president of Paramount Pictures. Ieading the studio to become number one in box office and profitability in both theatrical movies and network television production. In i984 Michael assumed the position of Chairman and Chief Executive Officer of The Walt Disney Company and, in the ensuing 21 years, transformed it from a film and theme park company.with $1,8 billion in enterprise value into a global media empire valued at $80 billion; and WHEREAS, In 2005, Michael began the "next act" of his remarkable career, by founding the Tomante Company; a privately held company that makes investments in and incubates companies and opportunities in the media and entertainment space. Through the Tomante Company, he created Vuguru, a new media studio that produces world class content for the internet and emerging digital platforms. Vuguru's first production, "Prom Queen," quickly became an internet sensation and was later nominated for a Broadband Emmy. The series was such a huge success it spawned a fifteen episode spin-off series "Prom Queen: Summer Heat" which combined, garnered over 20 million views over the course of its initial run; and WHEREAS, TIle Tomante Company holds an ownership stake in Veoh Networks, Inc .• an innovative, new independent Internet television broadcasting system and wholly owns Team Baby Entertainment, the premier producer of an award-winning series of officially licensed sports themed children's DVD's; and 'WHEREAS, In October 2007, The Tornante Company and Madison Dearborn Partners. -
Network Television and the Digital Threat
NETWORK TELEVISION AND THE DIGITAL THREAT Lisa Lapan* I. INTRODUCTION .............................................. 344 II. THE IMPACT OF DIGITAL TECHNOLOGY ON TELEVISION DISTRIBUTION AND CONTENT ............................ 345 A. Television Distribution and the Loss of Network C ontrol .............................................. 345 B. Content is King: Focus on Content Creation.......... 346 C. Democratization of Content Creation ................ 348 D. Proliferationof Content and Loss of Network Control .............................................. 350 E. Fragmented Audiences and Declining Revenues ...... 354 F. Ugly Town ........................................... 359 III. TV/INTERNET CONVERGENCE ............................ 360 A. TV/Internet Convergence: What it is and Why it M atters ............................................... 360 B . On the Verge ......................................... 361 1. Set-Top-Box Technology ......................... 362 2. STB Bypass Technology .................. ... 363 3. Internet Enabled Television Sets ................. 364 4. Home Theatre PC ............................... 364 5. Internet Protocol Television ..................... 365 C. The Tipping Point .................................... 365 IV. HOLLYWOOD'S RESPONSE TO THE DIGITAL THREAT .... 366 A. The Music Industry and the Piracy Problem ......... 366 B. Reclaiming Control of Distribution................... 368 C. Fighting Content with Content ....................... 370 * J.D. Candidate, 2010, University of California, Los Angeles