Jason Hafer Director of Photography 2015 Icg Emerging Cinematographer Award Honoree Iatse Local 600, Dp (323) 388-9989

Total Page:16

File Type:pdf, Size:1020Kb

Jason Hafer Director of Photography 2015 Icg Emerging Cinematographer Award Honoree Iatse Local 600, Dp (323) 388-9989 JASON HAFER DIRECTOR OF PHOTOGRAPHY 2015 ICG EMERGING CINEMATOGRAPHER AWARD HONOREE IATSE LOCAL 600, DP (323) 388-9989 www.hafervisuals.com REALITY / DOCUMENTARY MAKING THE CUT S1 AMAZON STUDIOS AMAZON PRIME VIDEO THE MASKED SINGER S3 – SUPERBOWL SHOW OPEN FOX FOX CELEBRITY ESCAPE ROOM NBC UNIVERSAL NBC BAD IDEAS WITH ADAM DEVINE MAK PICTURES QUIBI MAKING IT STARRING AMY POEHLER, S1 NBC UNIVERSAL NBC TIFFANY HADDISH PRESENTS: THEY READY NETFLIX NETFLIX THE CONTENDER S5 (REBOOT) MGM EPIX UNPROTECTED SETS (ORIGINAL SERIES) MGM EPIX EX ON THE BEACH USA S1, S2, S3 PURVEYORS OF POP MTV AMERICAN NINJA WARRIOR S10 (FIELD) A SMITH & CO. NBC TOP GOLF “WHO WILL ROCK YOU” MATADOR TOPGOLF SPARTAN ULTIMATE TEAM CHALLENGE S2 (FIELD) A SMITH & CO NBC ELLEN (FIELD) ELLEN TV NBC RADIO DISNEY MUSIC AWARDS “BIEBER SURPRISE” LIQUID THEORY RADIO DISNEY GOLD MEDAL FAMILIES THE CO. LIFETIME EXPEDTION UNKNOWN - LEGENDARY STORIES PING PONG TRAVEL CHANNEL MUSEUM MEN T GROUP HISTORY GOD, GUNS & AUTOMOBILES LIQUID THEORY HISTORY MINOR RENOVATIONS MGM BRAVO CANADA THE PROFIT (PILOT) THE CO. CNBC COMMERCIAL / PROMO EX ON THE BEACH S1 PROMOS PURVEYORS OF POP MTV NICKELODEON “HENRY DANGER” PROMOS NICKELODEON NICKELODEON BRAVO “FLIPPING OUT” CROSS PROMO RFP3 BRAVO THE NEXT FACE OF TORRID COMMERCIAL OVER EASY PRODUCTIONS TORRID HUB HALLOWEEN BASH PROMO IGNITION FILMS HUB PREP – HIV PILLS COMMERCIALS (3) KAVICH REYNOLDS ALTA MED IBM CLOUD SEATTLE ZOO COMMERCIALS (2) IGNITION FILMS IBM MONTANA LOTTERY COMMERCIAL NxNW MONTANA LOTTERY EDGE WIRELESS COMMERCIAL (2) NxNW EDGE WIRELESS MUSIC VIDEO KIMBERLY COLE “LET ME GO” COHESIVE CONTENT OXYGEN RECORDS ALL THAT REMAINS “TWO WEEKS” THE VAULT LA RAZOR & TIE ALL THAT REMAINS “CHIRON” THE VAULT LA RAZOR & TIE AS I LAY DYING “THE SOUND OF TRUTH” THE VAULT LA RAZOR & TIE AS I AY DYING “NOTHING LEFT” THE VAULT LA RAZOR & TIE KILLSWITCH ENGAGE “HOLY DIVER” THE VAULT LA ROADRUNNER MISDIRECTION “JUST GO” THE VAULT LA BC RECORDS SMALL CHANGE “BE SHY” FT. CHANI & LIL JJ THE VAULT LA RAZOR & TIE NARRATIVE WEB SERIES PROM QUEEN BIG FANTASTIC VUGURU PROMQUEEN SUMMER HEAT BIG FANTASTIC VUGURU PROM QUEEN “THE HOMECOMING” BIG FANTASTIC VUGURU SORORITY FOREVER BIG FANTASTIC THE WB KILL SPIN BIG FANTASTIC LOCKERZ SIN VERGÜENZA S1, S2 KAVICH REYNOLDS ALTAMED NARATIVE MOVIE INCIDENT ON HIGHWAY 73 (SHORT) HIGHWAY 73 PROD. **ECA AWARD WINNER – CINEMATOGRAPHY** .
Recommended publications
  • Covid-19 Media Behaviours Survey 2020
    C-19 Media Behaviour (fieldwork 15/05/2020-18/05/2020) Source: TRP Surveys 18/05/2020 Notes Based on all Adults 16+ TOTAL Sample Gender Age Region Base: All Adults 16+ Men Women 16-34s 35-54s 55+s England North England South London Nations Sample 2,000 848 1,152 468 713 819 883 546 243 328 Weighted sample (000s) 53,344 26,446 26,898 15,453 17,417 20,474 20,508 13,785 10,585 8,467 C-19 Media Behaviour (fieldwork 15/05/2020-18/05/2020) Source: TRP Surveys 18/05/2020 Notes Based on all Adults 16+ Weighted by Gender x Age Range x Area Base: All Adults 16+ Men Women 16-34s 35-54s 55+s England England London Nations North South Sample 2,000 848 1,152 468 713 819 883 546 243 328 Weighted sample (000s) 53,344 26,446 26,898 15,453 17,417 20,474 20,508 13,785 10,585 8,467 Q1. Which of these paid for online video services have you or your household EVER subscribed to? Base: All % Weighted Sample Adults 16+ Men Women 16-34s 35-54s 55+s England England London Nations North South Netflix 50.6 48.3 52.8 65.6 58.1 32.9 47.7 49.9 53.1 55.6 YouTube Premium (paid subscription service) 3.4 4.6 2.2 6.4 3.4 1.2 3.1 3.7 3.9 3.0 Amazon Prime Video 43.7 44.6 42.7 51.6 49.5 32.7 40.6 44.2 44.7 48.8 Disney+ 16.3 16.0 16.6 29.7 18.8 4.0 16.5 16.4 14.4 17.9 Apple TV+ 4.0 3.4 4.5 5.9 4.8 1.8 3.9 2.6 5.9 3.8 ITV Hub+ (paid subscription service with no ads) 2.7 3.0 2.5 4.1 3.1 1.4 4.3 2.2 2.0 0.8 Acorn TV 0.5 0.7 0.3 0.7 0.9 0.1 0.6 0.5 0.7 0.3 Quibi 0.3 0.5 0.1 0.4 0.7 0.0 0.2 0.0 0.7 0.7 Britbox 1.9 2.1 1.8 2.4 2.9 0.7 2.2 1.5 1.8 2.1 All4+ (paid subscription service
    [Show full text]
  • Streaming Yujin Luo Final
    The Streaming War During the Covid-19 Pandemic Yujin Luo The Streaming War During the Covid-19 Pandemic 2 home, which is the ideal condition for The Covid-19 pandemic has drastically binge-watching. disrupted all business sectors. The arts, culture, and entertainment industries have To understand how the pandemic is shaping been hit exceptionally hard since the virus’ the streaming industry, it is important to first outbreak in January. In response to the understand its pre-Covid and current status. crisis, businesses have taken immediate The following analysis will divide the actions: transitioning to remote work, timeline into before 2020 and in 2020 based canceling and postponing live events on Covid-19’s first outbreak in January nationwide, shutting down entertainment 2020. venues, etc., resulting in lost revenues from sales, merchandising, advertising, and The Streaming Industry’s Pre-Covid promotions. Unfortunately, the Covid-19 State of the Major Players in the pandemic’s impacts are far more Streaming War permanent for an audience-oriented industry that requires a high level of Early adopters and fast followers used to be engagement. The business model might be the main audiences of streaming services, fundamentally changed and there will or in other words, streaming used to be a certainly be a shift in how content is niche add-on to traditional TV. Now, it is produced and consumed. transitioning to a new stage as a mainstream element in the entertainment While lockdowns and social distancing industry. The major streaming services from measures to contain the pandemic have before Covid are shown in the table below, had a huge impact on the traditional movie except for HBO Max, Peacock, and Quibi industry, the video streaming model seems (RIP) that just launched in 2020.
    [Show full text]
  • Dhspring2014 DH Program
    Oren Katzeff, Head of Programming, Tastemade Digital Hollywood Spring David Karp, EVP, Business Development, SnagFilms, Inc. The Digital Future has Arrived! Jason Berger, founder & Executive Producer, Kids at Play 1 May 5th - 8th, 2014 Elizabeth Brooks, Head of Marketing, Live Nation Labs The Ritz Carlton Hotel, Marina del Rey, California Sang H. Cho, President and CEO, Mnet Ann Greenberg, Founder & Chief Tinkerer, Sceneplay, The Strategic Sessions - Let's Get Started! Moderator Monday, May 5th Track II: Poolside Tent I (FINANCE) 10:00 AM - 11:15 AM Valuing and Financing Entertainment Content: Track I:Ballroom Terrace (BrandPower) (ADVERT) Movies, Television and Online Video, From VC Native Advertising: Digital Advertising & Equity to Crowdfunding Industry Gets Serious About Better Advertising Join a group of influential players in the media, entertainment Matt Palmer, SVP and GM, Demand Media and tech finance worlds for an enlightening look at emerging Andrew Budkofsky, EVP, Sales and Partnerships, Digital growth areas in our industry. They reveal where the value and Trends opportunities are, who's investing and whether we're headed for Greg Portell, Partner, A.T. Kearney a bubble or sustained hypergrowth in the convergence space. Mike Kisseberth, Chief Revenue Officer, TechMedia Network Mike LaSalle, Partner, Shamrock Capital Advisors Roger Camp, Partner & Chief Creative Officer, CAMP + KING Marti Frucci, Managing Director, Digital Capital Advisors Aron Levitz, SVP, Wattpad René Bourdages, CEO, Elevado Media, Inc. Shawn Gold, Advisor
    [Show full text]
  • Getting a on Transmedia
    ® A PUBLICATION OF BRUNICO COMMUNICATIONS LTD. SPRING 2014 Getting a STATE OF SYN MAKES THE LEAP GRIon transmediaP + NEW RIVALRIES AT THE CSAs MUCH TURNS 30 | EXIT INTERVIEW: TOM PERLMUTTER | ACCT’S BIG BIRTHDAY PB.24462.CMPA.Ad.indd 1 2014-02-05 1:17 PM SPRING 2014 table of contents Behind-the-scenes on-set of Global’s new drama series Remedy with Dillon Casey shooting on location in Hamilton, ON (Photo: Jan Thijs) 8 Upfront 26 Unconventional and on the rise 34 Cultivating cult Brilliant biz ideas, Fort McMoney, Blue Changing media trends drive new rivalries How superfans build buzz and drive Ant’s Vanessa Case, and an exit interview at the 2014 CSAs international appeal for TV series with the NFB’s Tom Perlmutter 28 Indie and Indigenous 36 (Still) intimate & interactive 20 Transmedia: Bloody good business? Aboriginal-created content’s big year at A look back at MuchMusic’s three Canadian producers and mediacos are the Canadian Screen Awards decades of innovation building business strategies around multi- platform entertainment 30 Best picture, better box offi ce? 40 The ACCT celebrates its legacy Do the new CSA fi lm guidelines affect A tribute to the Academy of Canadian 24 Synful business marketing impact? Cinema and Television and 65 years of Going inside Smokebomb’s new Canadian screen achievements transmedia property State of Syn 32 The awards effect From books to music to TV and fi lm, 46 The Back Page a look at what cultural awards Got an idea for a transmedia project? mean for the business bottom line Arcana’s Sean Patrick O’Reilly charts a course for success Cover note: This issue’s cover features Smokebomb Entertainment’s State of Syn.
    [Show full text]
  • Quibi: State of the Landscape
    Copyright 2020 PMG Worldwide LLC. All Rights Reserved. 1 Quibi: State of the Landscape April 2020 After raising $1.75 billion by such institutions as Disney, NBCUniversal, Sony Pictures Entertainment, Viacom, WarnerMedia, and MGM, Quibi —a mobile-centric streaming platform devoted to short-form programming— made its long-awaited debut on April 6th, 2020, in the U.S. and Canada. What is Quibi? Founded by entertainment industry legend Jeffrey Katzenberg and seasoned tech executive Meg Whitman, Quibi is a subscription-based streaming platform designed to deliver short-form scripted and unscripted content to your phone. The name is a mash-up of the words “quick” and “bites,” a nod to the fact that episodes of Quibi shows will run roughly seven to ten minutes in length. Quibi’s selling point is that it’s perfect for on-the-go viewing. When episodes are short, it’s easy for users to watch an episode on their commute or during a break in their day. The true differentiator of the platform is its flagship mobile video format, “Turnstyle,” which allows users to seamlessly switch between vertical and horizontal video on their phones. To build on experiences and highlight interactive storytelling, Quibi also plans to leverage tools in a user's phone —including a phone’s clock, gyroscope, touchscreen, and even GPS— that tailors specifically to what you’re doing and how you watch video throughout the day. For example, one Quibi series, "After Dark," from Steven Spielberg, will only be available to watch after the sunset of where the phone is located.
    [Show full text]
  • The Best Broadcast Briefing in Canada
    The Best Broadcast Briefing in Canada THIS PUBLICATION MAY ONLY BE DISTRIBUTED WITHIN THE SUBSCRIBER'S LOCATION. PLEASE DO NOT FORWARD IT BEYOND YOUR STREET ADDRESS. Christensen Communications Ltd. * 18 Turtle Path * Lagoon City ON * L0K 1B0 www.broadcastdialogue.com * [email protected] Thursday, June 3, 2010 Volume 18, Number 4 Page One of Four ENERAL: Industry Minister Tony Clement and Heritage Minister James Moore introduced Bill C- G32, new copyright legislation, that would allow consumers to copy content from one device to another and to record a television program for later viewing, however not for the purpose of establishing a library. One key element concerns digital locks placed on devices by manufacturers: C-32 will make it illegal for a user to break it... Astral Media Inc. launched its new brand identity, which will be rolled out across all properties, 2010 CONFERENCE including specialty and pay television, radio, out-of-home advertising and digital. The company now operates publicly WAB's 76th Annual Conference under the Astral name while the legal corporate name remains Astral Media Inc. Astral’s new brand image June 4-6, 2010 represents the company’s diverse assets, decentralized yet disciplined business model and the knowledge, passion and Kananaskis, Alberta imagination its employees bring to the marketplace. The vibrant colour palette and creative shape of the new logo are designed to convey human warmth and emotion, within a www.wab.ca defined and responsive structure that is grounded and resilient. As a member of the Astral family, Astral Media or call Radio Sales and Astral Media Broadcast Sales in Vancouver have evolved into what is now Astral (877) 814-2719 RadioPlus.
    [Show full text]
  • Quibi May Have to Shut Down If Buyer Not Found: Report 21 October 2020
    Quibi may have to shut down if buyer not found: report 21 October 2020 Thanks to Kazenberg's reputation and the billions of dollars promised, the project won over big-name movie and TV personalities to produce films and series, including the likes of Steven Spielberg, Guillermo del Toro, Jennifer Lopez and Reese Witherspoon. Now Katzenberg wants to sell this content. According to The Information, Katzenberg has already contacted Eddy Cue, an Apple vice president and WarnerMedia CEO Jason Kilar, as well as Facebook and NBCUniversal. There was no interest, the site reported. Quibi CEO Meg Whitman speaks about the short-form video streaming service in January 2020 at the Quibi bet big, with 50 programs available from day Consumer Electronics Show in Las Vegas one. The company was paying $100,000 a minute for feature films—a rate comparable to big productions Quibi, the short video streaming service launched by Netflix, Amazon, HBO Max or Disney+, Quibi with great fanfare in April, may have to shut down if CEO Meg Whitman earlier told AFP. a buyer isn't found, specialty news site The Information reported Tuesday. Quibi also wanted to offer daily news reports, sports programs and entertainment shows, content Quibi founder and former Disney CEO Jeffrey difficult to produce while under pandemic lockdown. Katzenberg has tried to sell its catalog of programming to several companies including to Seeking to attract more customers, Quibi increased NBCUniversal and Facebook—both of which its trial offer from two weeks to 90 days, while the declined, the tech news website reported. subscription price—$5 per month with advertising or $8 without—is comparable to the Disney+ service.
    [Show full text]
  • Children's Books
    Table of Contents Lead Titles ........................................................................................2 Picture Books ................................................................................ 12 Board Books ................................................................................. 26 Middle Grade Fiction ................................................................... 39 Literature & Fiction ..................................................................... 45 Science, Nature & Technology....................................................52 History ........................................................................................... 62 Re­erence & Study Aids .............................................................. 64 Unusual Facts .................................................................................71 Hobbies, Cras & Activities ........................................................74 Humor ............................................................................................88 Puzzles & Games .........................................................................90 Sports ............................................................................................ 94 Family/Religion ............................................................................ 98 Backlist Highlights..................................................................... 100 Displays ........................................................................................102 Awards ..........................................................................................104
    [Show full text]
  • Guts + Data Slides
    Most Significant Shifts in Content Consumption 1. Movie theaters closed and are now making a comeback 2. Studios experimented with different release strategies 3. The streaming wars escalated 2 Closures National chains close around March 17, 2020. 3 Interest in Going Back to Theaters - April 2021 Segments w/Most Segments w/Least Intent to Return Intent to Return Dads Age 55+ Very religious Females Males 13-34 Lower income Republican Non-religious HBO Max users Non-parents * Figures depicted on this slide are based on Guts + Data’s EnACT project conducted between 4/1/21 and 4/29/21. 4 Interest in Going Back to Theaters - May 2020 https://www.linkedin.com/posts/gregdurkin_gutsanddata-movies-theaters-activity-6672259915446386688-EBX0 5 Most Significant Shifts in Content Consumption 1. Movie theaters closed and are now making a comeback 2. Studios experimented with different release strategies 3. The streaming wars escalated 6 Experiments ● Direct-to-video “PVOD” releases between $19.99 and $29.99 ● Shortened window between theatrical and home video (from ~100 days pre-pandemic to as few as 0 days post-pandemic) ● Sold content to streamers 7 Learnings ● Direct-to-video “PVOD” releases between $19.99 and $29.99 Narrow consumer market ● Shortened window between theatrical and home video (from ~100 days pre-pandemic to as few as 0 days post-pandemic) Wildly successful and surprisingly non-cannibalistic (yet) ● Sold content to streamers Hit and miss 8 Most Significant Shifts in Content Consumption 1. Movie theaters closed and are now making a comeback 2. Studios experimented with different release strategies 3.
    [Show full text]
  • The Streaming Experience Curated by Dan Rayburn
    The Streaming Experience Curated by Dan Rayburn April 18-22, 2020 | Exhibits April 19-22 Las Vegas, Nevada, US NABShow.com From Netflix and Hulu to new services by Disney and Apple, consumers now have many choices of where to get their video fix. But what are the REAL differences between these services from a quality, content and cost standpoint? In the largest showcase of its kind, NAB Show attendees will have the opportunity to get hands- The on with more than 40 streaming video platforms and devices, curated by Dan Rayburn. Join your industry peers in this living room environment and experience nearly every live and on-demand streaming service on the market today. From smart TVs and streaming boxes to phones and Streaming tablets, you can test the services side-by-side and get your questions answered. See and Experience compare: • Video quality: compression, HDR and 4K • Content bundling strategies • Video delivery: low-latency and QoS • Ad formats: pre/post roll in live and SVOD • Connected TV advertising • Playback and UI/UX Streaming Experience The Streaming Experience will feature hardware from Amazon, Apple, Roku, Xbox, PlayStation, LG, TCL, and Samsung -- all showcasing dozens of streaming apps including: Disney+, Apple TV+, Netflix, Amazon Prime Video, Hulu, CBS All Access, YouTube TV, AT&T TV, Sling TV, ESPN+, HBO Now, Showtime, Epix, Discovery, Fubo TV, Acorn TV, IMDb TV, Tubi, WWE, MLB.TV, NHL.TV, NBA TV, MLS, DAZN, FOX Sports, NBC Sports, The Roku Channel and many others. New services from HBO Max, Peacock and Quibi will also be showcased, depending on their launch dates.
    [Show full text]
  • OTT Streaming Wars: Raise Or Fold
    OTT Streaming Wars: Raise or Fold How Data is Reshuffling the Cards of the M&E Industry Content 01 02 03 OTT Streaming Media Players Efficient Data Use Shakes-up the Need Data Increases M&E Industry Integration for Competitivity Survival OTT is fast becoming the main The core business of media and In fact, 67% of all interviewees form of content consumption entertainment companies is declared data to be business now challenged critical for survival Multiplication of services drives fragmentation Content is King, but DATA Data as key lever for OTT business emerges as key sucess factor Streaming Wars’ players race for subscribers Advertising-based model accelerates the industry's entry into a new era Consolidation and new opportunities for aggregators 2 OTT Streaming Wars 04 05 06 Two Out of Three Best Practices of Conclusion: Players Reach Leaders Help Raise the Only Basic Levels Overcome Maturity Stakes or Fold of Data Maturity Challenges Fully leveraging the power of data Decide to set data at the core The direction is set towards requires work on multiple streams of the strategy across the full a Data-powered Media & at the same time CxO suite Entertainment Industry Despite data being business Build an environment of trust and Acceleration is required to critical, two out of three media integrate it in the brand promise stay relevant and attractive for and entertainment companies subscribers, content providers reach only a basic level of Address users not audiences or advertisers data-maturity. Work on culture and skill sets to Becoming
    [Show full text]
  • Does Sling Tv Offer Hbo
    Does Sling Tv Offer Hbo Abel remains heteroplastic after Devon mongrelizing agitato or demodulating any poplins. Rushy and hyracoid Reynolds still star his suckers structurally. Grace furls numerically? We operate independently chosen by vpn or be swayed to ensure they solve my sling does sling offer hbo But under new report claims that Sling will either get HBO thanks to lodge new wealth between Time Warner and Dish. How does sling tv offer hbo now available in. So Sling might there be under original, including of course, except with the dark written permission of Condé Nast. TV experience, local honey can impose tough to replace. Game of Thrones before a trial period interest over. Android TV boxes at dawn time. Standard allows two users at once. How do Sling TV packages compare to Hulu? Is there once for more? With force being said, you really add an to the circulation. Over time, Sling also regularly offers free content. About tv offer. Copyright The average Library Authors. Learn more flex the top TV providers we partner with to find you register best offers. Sling TV offers more ways to customize your channel lineup in any other streaming service. Orange and their different? Have a red Tip? The shows have ads, TBS, and some regional sports networks. All sling does offer any espn does sling tv offer hbo max and rewind all fees and users cannot access its domain name. Hundreds of movies and TV shows are brown, while Palantir earnings are to tap. MOVE CUSTOMER SERVICE possible to the USA. HBO renews Westworld, which group what reckless use.
    [Show full text]