Writing the Web Series ARONIVES
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STEPHEN MARK, ACE Editor
STEPHEN MARK, ACE Editor Television PROJECT DIRECTOR STUDIO / PRODUCTION CO. DELILAH (series) Various OWN / Warner Bros. Television EP: Craig Wright, Oprah Winfrey, Charles Randolph-Wright NEXT (series) Various Fox / 20th Century Fox Television EP: Manny Coto, Charlie Gogolak, Glenn Ficarra, John Requa SNEAKY PETE (series) Various Amazon / Sony Pictures Television EP: Blake Masters, Bryan Cranston, Jon Avnet, James Degus GREENLEAF (series) Various OWN / Lionsgate Television EP: Oprah Winfrey, Clement Virgo, Craig Wright HELL ON WHEELS (series) Various AMC / Entertainment One Television EP: Mark Richard, John Wirth, Jeremy Gold BLACK SAILS (series) Various Starz / Platinum Dunes EP: Michael Bay, Jonathan Steinberg, Robert Levine, Dan Shotz LEGENDS (pilot)* David Semel TNT / Fox 21 Prod: Howard Gordon, Jonathan Levin, Cyrus Voris, Ethan Reiff DEFIANCE (series) Various Syfy / Universal Cable Productions Prod: Kevin Murphy GAME OF THRONES** (season 2, ep.10) Alan Taylor HBO EP: Devid Benioff, D.B. Weiss BOSS (pilot* + series) Various Starz / Lionsgate Television EP: Farhad Safinia, Gus Van Sant, THE LINE (pilot) Michael Dinner CBS / CBS Television Studios EP: Carl Beverly, Sarah Timberman CANE (series) Various CBS / ABC Studios Prod: Jimmy Smits, Cynthia Cidre, MASTERS OF SCIENCE FICTION (anthology series) Michael Tolkin ABC / IDT Entertainment Jonathan Frakes Prod: Keith Addis, Sam Egan 3 LBS. (series) Various CBS / The Levinson-Fontana Company Prod: Peter Ocko DEADWOOD (series) Various HBO 2007 ACE Eddie Award Nominee | 2006 ACE Eddie Award Winner Prod: David Milch, Gregg Fienberg, Davis Guggenheim 2005 Emmy Nomination WITHOUT A TRACE (pilot) David Nutter CBS / Warner Bros. Television / Jerry Bruckheimer TV Prod: Jerry Bruckheimer, Hank Steinberg SMALLVILLE (pilot + series) David Nutter (pilot) CW / Warner Bros. -
SAG/AFTRA FILM (Partial List) Scare Package Supporting/ “Officer Ragen” Paper Street Pictures/ Aaron B. Koontz Dir. Human Pl
SAG/AFTRA FILM (Partial List) Scare Package Supporting/ “Officer Ragen” Paper Street Pictures/ Aaron B. Koontz Dir. Human Play Lead/ “James” Paper Street Pictures/ Mathieu Ricordi Dir. Little Woods Supporting/ "Man" Buffalo Picture House/ Nia DaCosta Dir. Elephone Man Lead/ "Bobby" Global Films/ Magarditch Halvadjian Dir. The Cable Men Starring/ "Barney" McShane Films/ Robin Conly Dir. Bitch (Short) Supporting/ "Will" Edgen Films/ Robin Conly Dir. Small Packages (Short) Starring/ "Porter" Grade A Films/ Anthony Faust Dir. An American In Texas Lead/ "Earl Doonan" Film Exchange/ Anthony Pedone Dir. Overcast (Short) Lead/ "Paulie" Atomic Productions/ Ben Adams Dir. Bomb City Supporting/ "Officer Chuck" 3rd Identity Films/ Jamie Brooks Dir. As Far As The Eye Can See Supporting/ "Bob Tanner" AFATECS LLC/ David Franklin Dir. Entity Starring/ "Eugene" Screengage LLC/ Michael Yurinko Dir. Human Play Lead/ "James" Paper Street Pictures/ Mathieu Ricordi Dir. Hard Reset 3-D Lead/ "Det. Wright" Buk Films/ Deepak Chetty Dir. The Doo Dah Man Supporting/ "Frank" Flatiron Pictures/ Claude Green Dir. Adventures of Pepper and Paula Lead/ "Ricky" The Nations/ Kevin & Robin Nations Dir. Sin City 2 Supporting/ "Tourist" Troublemaker/ Robert Rodriguez Dir. TELEVISION The Pact (Mini Series) Lead/ ”Drummer” Katara Studios/ Michael Phillips EP. Three Knee Deep (Mini Series) Lead/ "Jack" Luna/Luca Bercovichi Dir. The Leftovers Recurring/ "Sam" HBO/ Damon Lindelof EP. Queen of the South Co-Star/ "Donald Henry" USA/ Matthew Penn EP. From Dusk Til Dawn Co-Star/ "Chester" El Rey/ Eduardo Sanchez Dir. In An Instant Starring/ "Pete Soulis" ABC/ Todd Cobery Dir. American Crime Co-Star/ "Patrol Officer" ABC/ John Ridley Dir. -
L'équipe Des Scénaristes De Lost Comme Un Auteur Pluriel Ou Quelques Propositions Méthodologiques Pour Analyser L'auctorialité Des Séries Télévisées
Lost in serial television authorship : l’équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l’auctorialité des séries télévisées Quentin Fischer To cite this version: Quentin Fischer. Lost in serial television authorship : l’équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l’auctorialité des séries télévisées. Sciences de l’Homme et Société. 2017. dumas-02368575 HAL Id: dumas-02368575 https://dumas.ccsd.cnrs.fr/dumas-02368575 Submitted on 18 Nov 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution - NonCommercial - NoDerivatives| 4.0 International License UNIVERSITÉ RENNES 2 Master Recherche ELECTRA – CELLAM Lost in serial television authorship : L'équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l'auctorialité des séries télévisées Mémoire de Recherche Discipline : Littératures comparées Présenté et soutenu par Quentin FISCHER en septembre 2017 Directeurs de recherche : Jean Cléder et Charline Pluvinet 1 « Créer une série, c'est d'abord imaginer son histoire, se réunir avec des auteurs, la coucher sur le papier. Puis accepter de lâcher prise, de la laisser vivre une deuxième vie. -
David Hume Kennerly Archive Creation Project
DAVID HUME KENNERLY ARCHIVE CREATION PROJECT 50 YEARS BEHIND THE SCENES OF HISTORY The David Hume Kennerly Archive is an extraordinary collection of images, objects and recollections created and collected by a great American photographer, journalist, artist and historian documenting 50 years of United States and world history. The goal of the DAVID HUME KENNERLY ARCHIVE CREATION PROJECT is to protect, organize and share its rare and historic objects – and to transform its half-century of images into a cutting-edge digital educational tool that is fully searchable and available to the public for research and artistic appreciation. 2 DAVID HUME KENNERLY Pulitzer Prize-winning photojournalist David Hume Kennerly has spent his career documenting the people and events that have defined the world. The last photographer hired by Life Magazine, he has also worked for Time, People, Newsweek, Paris Match, Der Spiegel, Politico, ABC, NBC, CNN and served as Chief White House Photographer for President Gerald R. Ford. Kennerly’s images convey a deep understanding of the forces shaping history and are a peerless repository of exclusive primary source records that will help educate future generations. His collection comprises a sweeping record of a half-century of history and culture – as if Margaret Bourke-White had continued her work through the present day. 3 HISTORICAL SIGNIFICANCE The David Hume Kennerly collection of photography, historic artifacts, letters and objects might be one of the largest and most historically significant private collections ever produced and collected by a single individual. Its 50-year span of images and objects tells the complete story of the baby boom generation. -
LAFF Program Schedule Listings in Eastern Time
LAFF Program Schedule Listings in Eastern Time Week Of 10-01-2018 LAFF 10/1 Mon 10/2 Tue 10/3 Wed 10/4 Thu 10/5 Fri 10/6 Sat 10/7 Sun LAFF 06:00A Movie: Dear God Movie: Double Take Movie: Funny About Love Movie: Milk Money Movie: Superstar Cybill: TV-PG D, L; CC Movie: All I Want For Christmas 06:00A 06:30A TV-PG L, V; 1996 TV-14 D, L, V; 2001 TV-14 D, S; 1990 TV-PG D, L, S, V; 1994 TV-14 D, L, V; 1999 Cybill: TV-PG D, L; CC TV-PG; 1991 06:30A 07:00A CC CC CC CC CC Cybill: TV-14 D, L; CC CC 07:00A 07:30A Cybill: TV-PG D, L; CC 07:30A 08:00A Grounded For Life: TV-PG D, L; CC Grounded For Life: TV-14 L, V; CC Grounded For Life: TV-14 D, L, S; CC Grounded For Life: TV-PG L, S; CC Grounded For Life: TV-14 D, L, S; CC Movie: Dear God 08:00A 08:30A Grounded For Life: TV-14 L, V; CC Grounded For Life: TV-14 D, L, V; CC Grounded For Life: TV-PG L; CC Grounded For Life: TV-PG D, L; CC Grounded For Life: TV-14 D, L; CC Grounded For Life: TV-14 L; CC TV-PG L, V; 1996 08:30A 09:00A Grounded For Life: TV-14 L; CC Grounded For Life: TV-14 D, L; CC Grounded For Life: TV-14 L, S; CC Grounded For Life: TV-PG L; CC Grounded For Life: TV-14 L; CC Grounded For Life: TV-PG L; CC CC 09:00A 09:30A Grounded For Life: TV-14 D, L, V; CC Grounded For Life: TV-14 D, L; CC Grounded For Life: TV-PG L, V; CC Grounded For Life: TV-14 D; CC Grounded For Life: TV-14 D, L, S; CC Grounded For Life: TV-14 D, S; CC 09:30A 10:00A Spin City: TV-14 D, L; CC Spin City: TV-14 D, L; CC Spin City: TV-14 D, L; CC Spin City: TV-14 D, L; CC Spin City: TV-14 D, L; CC E/I: Jack Hanna's -
ANNUAL REPORT 2015 16 A70 TV Acad Ad.Qxp Layout 1 7/8/16 11:43 AM Page 1
ANNUAL REPORT 2015 16_A70_TV_Acad_Ad.qxp_Layout 1 7/8/16 11:43 AM Page 1 PROUD MEMBER OF »CBS THE TELEVISION ACADEMY 2 ©2016 CBS Broadcasting Inc. MESSAGE FROM THE CHAIRMAN AND CHIEF EXECUTIVE OFFICER AS THE QUANTITY AND QUALITY OF CONTENT HAVE INCREASED in what is widely regarded as television’s second Golden Age, so have employment opportunities for the talented men and women who create that programming. And as our industry, and the content we produce, have become more relevant, so has the relevance of the Television Academy increased as an essential resource for television professionals. In 2015, this was reflected in the steady rise in our membership — surpassing 20,000 for the first time in our history — as well as the expanding slate of Academy-sponsored activities and the heightened attention paid to such high-profile events as the Television Academy Honors and, of course, the Creative Arts Awards and the Emmy Awards. Navigating an industry in the midst of such profound change is both exciting and, at times, a bit daunting. Reimagined models of production and distribution — along with technological innovations and the emergence of new over-the-top platforms — have led to a seemingly endless surge of creativity, and an array of viewing options. As the leading membership organization for television professionals and home to the industry’s most prestigious award, the Academy is committed to remaining at the vanguard of all aspects of television. Toward that end, we are always evaluating our own practices in order to stay ahead of industry changes, and we are proud to guide the conversation for television’s future generations. -
Women's Experimental Autobiography from Counterculture Comics to Transmedia Storytelling: Staging Encounters Across Time, Space, and Medium
Women's Experimental Autobiography from Counterculture Comics to Transmedia Storytelling: Staging Encounters Across Time, Space, and Medium Dissertation Presented in partial fulfillment of the requirement for the Degree Doctor of Philosophy in the Graduate School of Ohio State University Alexandra Mary Jenkins, M.A. Graduate Program in English The Ohio State University 2014 Dissertation Committee: Jared Gardner, Advisor Sean O’Sullivan Robyn Warhol Copyright by Alexandra Mary Jenkins 2014 Abstract Feminist activism in the United States and Europe during the 1960s and 1970s harnessed radical social thought and used innovative expressive forms in order to disrupt the “grand perspective” espoused by men in every field (Adorno 206). Feminist student activists often put their own female bodies on display to disrupt the disembodied “objective” thinking that still seemed to dominate the academy. The philosopher Theodor Adorno responded to one such action, the “bared breasts incident,” carried out by his radical students in Germany in 1969, in an essay, “Marginalia to Theory and Praxis.” In that essay, he defends himself against the students’ claim that he proved his lack of relevance to contemporary students when he failed to respond to the spectacle of their liberated bodies. He acknowledged that the protest movements seemed to offer thoughtful people a way “out of their self-isolation,” but ultimately, to replace philosophy with bodily spectacle would mean to miss the “infinitely progressive aspect of the separation of theory and praxis” (259, 266). Lisa Yun Lee argues that this separation continues to animate contemporary feminist debates, and that it is worth returning to Adorno’s reasoning, if we wish to understand women’s particular modes of theoretical ii insight in conversation with “grand perspectives” on cultural theory in the twenty-first century. -
52 Officially-Selected Pilots and Series
WOMEN OF COLOR, LATINO COMMUNITIES, MILLENNIALS, AND LESBIAN NUNS: THE NYTVF SELECTS 52 PILOTS FEATURING DIVERSE AND INDEPENDENT VOICES IN A MODERN WORLD *** As Official Artists, pilot creators will enjoy opportunities to pitch, network with, and learn from executives representing the top networks, studios, digital platforms and agencies Official Selections – including 37 World Festival Premieres – to be screened for the public from October 23-28; Industry Passes now on sale [NEW YORK, NY, August 15, 2017] – The NYTVF (www.nytvf.com) today announced the Official Selections for its flagship Independent Pilot Competition (IPC). 52 original television and digital pilots and series will be presented for industry executives and TV fans at the 13th Annual New York Television Festival, October 23-28, 2017 at The Helen Mills Theater and Event Space, with additional Festival events at SVA Theatre. This includes 37 World Festival Premieres. • The slate of in-competition projects represents the NYTVF's most diverse on record, with 56% of all selected pilots featuring persons of color above the line, and 44% with a person of color on the core creative team (creator, writer, director); • 71% of these pilots include a woman in a core creative role - including 50% with a female creator and 38% with a female director (up from 25% in 2016, and the largest number in the Festival’s history); • Nearly a third of selected projects (31%) hail from outside New York or Los Angeles, with international entries from the U.K., Canada, South Africa, and Israel; • Additionally, slightly less than half (46%) of these projects enter competition with no representation. -
KATHRINE GORDON Hair Stylist IATSE 798 and 706
KATHRINE GORDON Hair Stylist IATSE 798 and 706 FILM DOLLFACE Department Head Hair/ Hulu Personal Hair Stylist To Kat Dennings THE HUSTLE Personal Hair Stylist and Hair Designer To Anne Hathaway Camp Sugar Director: Chris Addison SERENITY Personal Hair Stylist and Hair Designer To Anne Hathaway Global Road Entertainment Director: Steven Knight ALPHA Department Head Studio 8 Director: Albert Hughes Cast: Kodi Smit-McPhee, Jóhannes Haukur Jóhannesson, Jens Hultén THE CIRCLE Department Head 1978 Films Director: James Ponsoldt Cast: Emma Watson, Tom Hanks LOVE THE COOPERS Hair Designer To Marisa Tomei CBS Films Director: Jessie Nelson CONCUSSION Department Head LStar Capital Director: Peter Landesman Cast: Gugu Mbatha-Raw, David Morse, Alec Baldwin, Luke Wilson, Paul Reiser, Arliss Howard BLACKHAT Department Head Forward Pass Director: Michael Mann Cast: Viola Davis, Wei Tang, Leehom Wang, John Ortiz, Ritchie Coster FOXCATCHER Department Head Annapurna Pictures Director: Bennett Miller Cast: Steve Carell, Channing Tatum, Mark Ruffalo, Siena Miller, Vanessa Redgrave Winner: Variety Artisan Award for Outstanding Work in Hair and Make-Up THE MILTON AGENCY Kathrine Gordon 6715 Hollywood Blvd #206, Los Angeles, CA 90028 Hair Stylist Telephone: 323.466.4441 Facsimile: 323.460.4442 IATSE 706 and 798 [email protected] www.miltonagency.com Page 1 of 6 AMERICAN HUSTLE Personal Hair Stylist to Christian Bale, Amy Adams/ Columbia Pictures Corporation Hair/Wig Designer for Jennifer Lawrence/ Hair Designer for Jeremy Renner Director: David O. Russell -
TELEVISION NOMINEES DRAMA SERIES Breaking Bad, Written By
TELEVISION NOMINEES DRAMA SERIES Breaking Bad, Written by Sam Catlin, Vince Gilligan, Peter Gould, Gennifer Hutchison, George Mastras, Thomas Schnauz, Moira Walley-Beckett; AMC The Good Wife, Written by Meredith Averill, Leonard Dick, Keith Eisner, Jacqueline Hoyt, Ted Humphrey, Michelle King, Robert King, Erica Shelton Kodish, Matthew Montoya, J.C. Nolan, Luke Schelhaas, Nichelle Tramble Spellman, Craig Turk, Julie Wolfe; CBS Homeland, Written by Henry Bromell, William E. Bromell, Alexander Cary, Alex Gansa, Howard Gordon, Barbara Hall, Patrick Harbinson, Chip Johannessen, Meredith Stiehm, Charlotte Stoudt, James Yoshimura; Showtime House Of Cards, Written by Kate Barnow, Rick Cleveland, Sam R. Forman, Gina Gionfriddo, Keith Huff, Sarah Treem, Beau Willimon; Netflix Mad Men, Written by Lisa Albert, Semi Chellas, Jason Grote, Jonathan Igla, Andre Jacquemetton, Maria Jacquemetton, Janet Leahy, Erin Levy, Michael Saltzman, Tom Smuts, Matthew Weiner, Carly Wray; AMC COMEDY SERIES 30 Rock, Written by Jack Burditt, Robert Carlock, Tom Ceraulo, Luke Del Tredici, Tina Fey, Lang Fisher, Matt Hubbard, Colleen McGuinness, Sam Means, Dylan Morgan, Nina Pedrad, Josh Siegal, Tracey Wigfield; NBC Modern Family, Written by Paul Corrigan, Bianca Douglas, Megan Ganz, Abraham Higginbotham, Ben Karlin, Elaine Ko, Steven Levitan, Christopher Lloyd, Dan O’Shannon, Jeffrey Richman, Audra Sielaff, Emily Spivey, Brad Walsh, Bill Wrubel, Danny Zuker; ABC Parks And Recreation, Written by Megan Amram, Donick Cary, Greg Daniels, Nate DiMeo, Emma Fletcher, Rachna -
The Future of Sea Mines in the Indo-Pacific
Issue 18, 2020 BREACHING THE SURFACE: THE FUTURE OF SEA MINES IN THE INDO-PACIFIC Alia Huberman, The Australian National Internships Program Issue 18, 2020 EXECUTIVE SUMMARY This report argues that several dynamics of the coming few decades in the Indo-Pacific will see naval mines used once again in the region. It suggests they will form the basis of anti-access strategies for some Indo-Pacific states in a way that will be deeply transformative for the region’s strategic balance and for which Australia is thoroughly unprepared. It seeks to draw attention to the often- underappreciated nature of sea mines as a uniquely powerful strategic tool, offering the user an unparalleled asymmetric ability to engage high-value enemy targets while posing a minimal-risk, low- expense, and continuous threat. In the increasingly contested strategic environment of the contemporary Indo-Pacific - a region in which the threats to free navigation and the maritime economy are existential ones - there is considerable appetite for anti-access and sea denial weapons as defensive, offensive, and coercive tools. Naval strategists must,, prepare for the resurgence of mine warfare in the Indo-Pacific, and for the grand-scale and rapid timeline in which it can transform an operational environment. This report first seeks to collate and outline those characteristics of sea mines and of their interaction with an operational environment that make them attractive for use. It then discusses the states most likely to employ mine warfare and the different scenarios in which they might do so, presenting five individual contingencies: China, Taiwan, North Korea, non-state actors, and Southeast Asian states. -
Chlorine: the Achilles Heel?
Chlorine: the Achilles Heel? John McNabb Cohasset Water Commissioner Cohasset, Massachusetts Water Security Congress Washington DC, April 8-10, 2008 1 Cohasset Water Dept. • I have been an elected Water Commissioner in Cohasset, Mass. Since 1997. Just reelected to 5th term. • We serve about 7,000 residents, 2,500 accounts, 400 hydrants, 750 valves, 2 tanks, 1 wellfield, 2 reservoirs. Lily Pond Water Treatment Plant uses conventional filtration, fluoridation, and chlorination. • I am not an “expert” on water infrastructure security; this is more an essay than a formal analysis. • From 1999-Jan. 2009 I worked for Clean Water Action. • Now I work in IT security, where responsible disclosure of potential threats, not ‘security by obscurity” is the preferred method. 2 Cohasset – security measures • Vulnerability assessment as required • Fences & gates • Locks • Alarms, especially on storage tanks • Motion detectors • Video surveillance • Isolate SCADA from the internet • We think we’ve done everything that is reasonably necessary. 3 Water system interdependencies • But, the protection of our water system depends also on may factors outside of our control • The treatment chemicals we use is a critical factor. 4 Chlorine - Positives • Chlorination of drinking water is one of the top 5 engineering accomplishments of the modern age. • Chlorination of the US drinking water supply wiped out typhoid and cholera, and reduced the overall mortality rate in the US. 5 Chlorine - Negatives • Chlorine is very toxic, used as weapon in WWI. • Disinfection Byproducts (DPBs) • Occupational exposure on the job • Chlorine explosions on site at the plant • Terrorist use of chlorine as an explosive • Vector of attack? 6 Chlorine Explosions & Accidents • The Chlorine Institute estimates a chlorine tanker terrorist attack could release a toxic cloud up to 15 miles.