Sterling Export Catalog Export Sterling

Total Page:16

File Type:pdf, Size:1020Kb

Sterling Export Catalog Export Sterling STERLING EXPORT CATALOG STERLING PUBLISHING CO., INC. 1166 Avenue o the Americas, 17 FL New York, NY 10036-2715 tel: 212.532.7160 ax: 212.213.2495 email: [email protected] Catalog ISBN: 978-1-60582-181-8 Cover and header pages art from Paris Picnic Club by Shaheen Peerbhai and Jennie Levitt. Printed in Canada Spring 2018 Export_S2018_Cover.indd 1 9/12/17 10:07 AM 1166 Avenue of the Americas, New York, NY 10036-2715 TEL 212.532.7160 FAX 212.213.2495 PRESIDENT, Theresa Thompson SENIOR MANAGER, FOREIGN & SUBSIDIARY RIGHTS, Toula Ballas DIRECTOR, SPECIAL SALES MASS MARKET & EXPORT SALES, Nicole Vines Verlin ASSISTANT MANAGER, CHINA EXPORT, Scarlett Chen sterlingpublishing.com don’tec missO Olist! FOREIGN SALES FOREIGN RIGHTS AUSTRALIA NORWAY, FINLAND, SWEDEN, BULGARIA, ROMANIA, AND KOREA NewSouth Books DENMARK, AND ICELAND SOUTHEASTERN EUROPE KCC 45 Beach St Coogee, NSW, 2034 Angell Eurosales ANA Sofia Ltd. Gyonghigung-achim Officetel The Old Whaling House Ph: +61 (2) 8936 0100 j.k. Yavorov bl.56-B, Floor 1, ap.9 Rm 520, Compound 3 The Walls Fax: +61 (2) 8936 0040 Sofia 1111 Naesu-dong 72, Chongno Berwick-Upon-Tweed TD151HP Email: [email protected] Bulgaria Seoul 110-070, Korea United Kingdom Website: www.newsouthbooks.com.au\ Contact: Mira Droumeva Contact: Seong-ah Bak Contact: Gill Angell Tel/ Fax: +359.2.986.28.19 Tel: 82.2.725.3350 Fax: 82.2.725.3612 Telephone:44.1289.332934 E-mail: [email protected] E-mail: [email protected] Email: [email protected] CHINA Telephone: (646) 688-2603 Scarlett Chen Fax: (212) 213-2495 CHINA Sterling Publishing Co, Inc. POLAND E-mail: [email protected] Andrew Nurnberg Associates Int’l Ltd. Graal Literary Agency 1166 Avenue of the Americas, 17 Fl Room 1705, Culture Square, Pruszkowska 29/252 New York, NY 10036-2715 No.59 Jia, Zhongguancun Street, SOUTH AFRICA 02-119 Warszawa, Poland Phone: 212.532.7160 Haidian District, Beijing Phambili Agencies Contact: Tomasz Berezinski Fax: 212.213.2495 100872, P.R.China P.O. Box 28680, Kensington Tel: 48.22.895.2000 Fax: 48.22.895.2001 Email: [email protected] Contact: Jackie Huang Johannesburg, South Africa E-mail: [email protected] Tel: 86.10.82504106 Fax: 86.10.82504200 page 9 page 15 page 24 Contact: Rosanna Kalogiannis E-mail: [email protected] INDIA, NEPAL, BANGLADESH, SRI LANKA Tel: 27.11.455.3537 Fax: 27.11.455.3656 RUSSIA E-mail: [email protected] Penguin India Alexander Korzhenevski Website: www.phambilibooks.co.za 11 Community Center CZECH REPUBLIC 7-th Parkovaya 28-100 Panchsheel Park Kristin Olson Literary Agency S.R.O. Moscow 105264, Russia New Delhi, 110017, India REST OF AFRICA Klimentska 24 Contact: Alexander Korzhenevski Contact: Ananth Padmadabhan Kelvin van Hasselt 110 00 Praha 1, Czech Republic Tel/Fax: 7.499.463.4412 Tel: 91.92.42.7353.750 Willow House, The Street Contact: Kristin Olson E-mail: [email protected] Fax: 91.92.42.7247.887 Briningham, Norfolk NR24 2PY, U.K. Tel: 420.2.2258.2042 Tel/Fax: 420.2.2258.0048 Mobile: 03.00.8464.747 Tel: + 44 (0) 1263 862724 E-mail: [email protected] SPAIN AND PORTUGAL E-mail: [email protected] Fax: + 44 (0) 1263 862803 Ute Körner Literary Agent, S.L. Email: [email protected] FRANCE c/Aragó 224 pral-2 JAPAN & KOREA Agence Littéraire Lora Fountain 08011 Barcelona, Spain Tim Burland THAILAND, VIETNAM, CAMBODIA, LAOS, 7 Rue de Belfort Contact: Sandra Rodericks Sangenjaya 2-38-12 MYANMAR, AND INDONESIA 75011 Paris, France Tel: 34.93.323.8970 Fax: 34.93.451.4869 Setagaya Ward Hardy Bigfoss International Co. Ltd. Contact: Lora Fountain E-mail: [email protected] Tokyo 154-0024 28 Soi 15, Rama IX Soi 43 Tel: 33.1.43.56.21.96 Fax: 33.1.43.48.22.72 Tel/Fax: 81.0.3.3424.8977 Suan Luang, Bangkok 10250, Thailand E-mail: [email protected] TAIWAN Mobile: 81.0.90.1633.6643 Contact: Keith Hardy Tel: 66.2300.5431 Fax: 66.2718.4327 Andrew Nurnberg Associates International Ltd. E-mail: [email protected] GERMANY E-mail: [email protected] Taiwan Representative Office Literarische Agentur Silke Weniger 8F, No. 129, Section 2, Zhongshan North Road, MEXICO, CENTRAL AMERICA, SOUTH Würmstrasse 11a Taipei City 10448, Taiwan 82166 Gräfelfing page 25 page 37 page 53 AMERICA, AND THE CARIBBEAN UNITED KINGDOM, EUROPE, Tel: 886-2-2562 9008 Ext:16 Contact: Silke Weniger JCC Enterprises THE MIDDLE EAST AND REST OF ASIA Fax: 886-2-2562 7712 GMC Distribution Services Tel: 49.89.89.89.949-14 Contact: Whitney Hsu Contact: Jerry Carrillo Castle Place, 166 High Street, Lewes Fax: 49.89.89.89.949-29 [email protected] Tel: 505-986-8458 East Sussex BN7 IXU, England E-Mail: [email protected] Fax: 800-948-8717 Tel: 01273.488.005 Fax: 01273.402.866 E-mail: [email protected] E-mail: [email protected] FOR ALL OTHER TERRITORIES, CONTACT: Website: www.thegmcgroup.com HUNGARY Toula Ballas Kátai & Bolza Literary Agents Senior Manager, Subsidiary Rights NEW ZEALAND H-1056 Budapest, Szerb U.17-19 Sterling Publishing Co., Inc. David Bateman Ltd. FOR ALL OTHER TERRITORIES, CONTACT: Contact: Peter Bolza 1166 Avenue of the Americas, 17 FL 30 Tarndale Grove Nicole Vines Verlin Tel: 36.1.456.0313 Fax: 36.1.456.0314 New York, NY 10036-2715 Albany Sterling Publishing Co., Inc. E-mail: [email protected] Tel: 212.532.7160 Fax: 212.532.5415 Auckland 1330, New Zealand 1166 Avenue of the Americas, 17 FL E-mail: [email protected] Contact: Bryce Gibson New York, NY 10036-2715 or: [email protected] Tel: 64.9.415.7664 Fax: 64.9.415.8892 Tel: 212.532.7160 Fax: 212.532.5415 ITALY E-mail: [email protected] E-mail: [email protected] Giuliana Bernardi Literary Agent Via Duca d’Aosta, 13/3 30171 Venezia Mestre, Italy Tel: 39.041.50.56.512 Fax: 39.041.96.22.47 E-mail: [email protected] page 59, 68 page 62 WORLD EXCLUDING UK WEX* CHECK W/AGENT IF RIGHTS OR TRANSLATION ONLY RIGHTS CODES WEX UK BOOKS ARE AVAILABLE T RIGHTS HELD BY ORIGINATING PUBLISHER, WORLD WORLD ENGLISH WENGX* CHECK W/AGENT IF RIGHTS OR BOOKS W WENG ARE AVAILABLE —NO TRANSLATIONS IF NOT OTHERWISE NOTED Export_S2018_Cover.indd 2 9/12/17 10:07 AM Table of Contents new Titles New & Notable...2 february...6 March...11 April...23 May...36 June...46 July...50 Children’s Titles February...52 March...58 April...69 May...74 june...81 July. 84 index...86 S18 EXPORT Catalog.indd 1 9/11/17 3:35 PM No Fear Literature New & Notable S18 EXPORT Catalog.indd 2 9/11/17 3:35 PM NOVEMBER NOVEMBER NOVEMBER NOVEMBER NOVEMBER NOVEMBER No Fear Literature Rituals & Sabbats Rituals & Sabbats Rituals & Sabbats Read the most important texts o our time—and understand what every word means! Whatever you’re reading, rom a classic play to an inluential historical document, the popular NO FEAR guides make it more accessible and enjoyable. Each one contains the complete text o the original work along with a line-by-line modernization and plenty o helpul commentary. $7.95 ($9.50 CAN) • Paperback • 208 pages • 5 ⁄ × 7 ⁄ • Carton Qty: 60 • Territory: W • SparkNotes NOVEMBER No Fear Shakespeare: No Fear: The Constitution NOVEMBER RichardNo Fear IIShakespeare: andNo Fear: Other The Important Constitution NOVEMBER NoRichard FearFear IIShakespeare: Shakespeare: Noand Fear: Fear:Other The Important Constitution Richard II Documentsand Other Important Richard II II andDocumentsThe Other Constitution Important and Documents JANUARYISBN 9781454928058 DocumentsOther Important JANUARY JANUARY JANUARY Documents JANUARY JANUARY 2018 JANUARYISBN 9781454928089 JANUARY 2018 The Healthy Jewish Kitchen No Fear Shakespeare: No Fear Shakespeare: The Healthy Jewish Kitchen CoriolanusNo Fear Shakespeare: MeasureNo Fear Shakespeare: for Measure The Healthy Jewish Kitchen NoCoriolanus FearFear Shakespeare: Shakespeare: NoMeasure FearFear Shakespeare: for Shakespeare: Measure The Healthy Jewish Kitchen Coriolanus Measure for Measure Coriolanus Measure for or Measure Measure NOVEMBERISBN 9781454928034 NOVEMBERISBN 9781454928041 NOVEMBER NOVEMBER NOVEMBER NOVEMBER NOVEMBER 2017 NOVEMBER NOVEMBER 2017 NOVEMBER NOVEMBER No Fear Shakespeare: No Fear Shakespeare: TheNo Fear Winter’s Shakespeare: Tale TwoNo Fear Gentlemen Shakespeare: of Verona NoThe Fear FearWinter’s Shakespeare: Shakespeare: Tale NoTwo Fear FearGentlemen Shakespeare: Shakespeare: of Verona The Winter’s Tale Two Gentlemen of Verona The Winter’s Winter’s Tale Tale Two Gentlemen Gentlemen of Verona NOVEMBERISBN 9781454928065 NOVEMBERo Verona NOVEMBER NOVEMBERISBN 9781454928072 NOVEMBER NOVEMBER NOVEMBER 2017 NOVEMBER 2017 ALSOAVAILABLE ALSOAVAILABLE ALSOAVAILABLE NEW & NOTABLE 3 S18 EXPORT Catalog.indd 3 9/11/17 3:36 PM The Ocial Dictionary o Idiocy A Lexicon For Those of Us Who Are Far Less Idiotic Than The Rest of You by James Napoli It’s clear: today, idiots are everywhere. So James Napoli, esteemed director o the National Sarcasm Society, has created a smart-aleck dictionary that deines pop-culture touchstones and throws shade on the hopelessly oolish. With copiously illustrated snarky entries on everything rom “Alternative Facts” and “Congress” to “Cable News” and “Uber,” The Ocial Dictionary o Idiocy brings much-needed laughter to these crazy days. JAMES NAPOLI is a writer, ilmmaker, and perormer who has provided drive-time comedy content or America’s top radio syndicators as well as or the live stage and television animation. His award-winning short ilms have screened at estivals worldwide. He has worked as an improvisational comedian, a Hollywood script reader, and a voice-over artist. His books include The Ocial Dictionary o Sarcasm, The Ocial Dictionary o Sarcasm: Sex & Relationships, Big Bad Ass Book o the Zodiac, and The North Pole Employee Handbook (all Sterling).
Recommended publications
  • Analysis on Chinese Traditional Cultural Elements in Modern Logo Design
    International Conference on Arts, Design and Contemporary Education (ICADCE 2015) Analysis on Chinese Traditional Cultural Elements in Modern Logo Design Xiaowei Zhang Yantai Nanshan University Longkou, Shandong, China e-mail: [email protected] Abstract—A logo is a symbolic communication mark which designers rely excessively on and overuse the traditional employs simple and concise images for the expression of specific culture, the field of logo design is isolated and sluggish. It is connotation and the dissemination of specific information. Logo the basic criteria of modern logo design to introduce new design is widely used for company’s image advertising. Modern concepts and new methods, to follow the artistic rules of logo logo design is commonly inspired by Chinese traditional cultural design, to appropriately add Chinese traditional cultural elements and it incorporates them perfectly into the design elements, to seek creative tools and techniques of artistic subject to create designs with the charm of Chinese traditional expression of logo design in order to represent the overall culture. Modern logo design is critical both for the application of aesthetic feeling of modern logo design and to obtain the best traditional cultural elements and the dynamic integration of visual effect. traditional and modern design philosophies, so it is one of the important fields of research and investigation for modern logo The systematic research has clearly indicated that designers to have a correct understanding of the relationship enterprise’s core ideology, national cultural deposits and spirit between Chinese traditional cultural elements and modern logo of the time are mostly conveyed through the beauty in form of design so as to promote the extensive and in-depth application well-known logo design, so it has realistic significance for and transmission of Chinese traditional cultural elements in reference to gain inspiration from traditional culture and modern logo design.
    [Show full text]
  • Knitting and Crochet an Illustrated Manual of Home Industry
    29 CENTS. EXTRA, NO. 62. KNITTING AND CROCHET, AN ILLUSTRATED MANUAL OF HOME INDUSTRY, CONTAINING MAKING A PLAIN, PRACTICAL DIRECTIONS FOR LARGE VARIETY OF USEFUL AND ORNAMENTAL ARTICLES, FANCY STITCHES, ETC. * CONTENTS. Paf/e Pct<7* Afghans (two patterns) 14 Lace, Narrow Knitted 10 Lace, Normandy 28 Tenby's Couvrette 33 Lace, Palm Leaf 37 Baby’s Bib 23 Lace Pattern 31 Baby’s Boot 15 Lace, Shell-Edged 15 Baby’s Knitted Boot. 21 Lace, Valenciennes -#*•- 34 Baby’s Knitted Hood 7 Bed Spread 5 Mats 2r> Bib, Knitted :* 26 Mats, Pansy 14 Buttons 22 Mittens, Lace 27 Mosaic Pattern 9 Chateloine Bag 33 Moss Mats 24 30 Child’s Pett’cra" Narro w Ed ain g P 7 . 6 Clover-Leaf Edging Narrow E Jgings •27 Counterpane or Spread 12 Counterpane, Star Pattern 35 Olive Leaf Pattern, 30 Crochet Pattern 33 Pattern for a Scrap-Bag. 16 Uaisy Pattern 18 Pinafore Stitch 27 Deep Lace 3 Point L°ce Pattern :* 34 37 Pretty Edging 34 Edging, Coral and Leaf Parses, Knitted Edgings, Crochet 23 19 37 Raised Laaf Pattern 35 Fly Fringe Raised-Leaf Tidy Knitted 31 ^4 Fringe, Rice Stitch / Fringes,Knitted 12 17 34 Scrap-Bag 38 40 Honeycomb Pattern Shell Edging Honeycomb Stitch 11 24 Snell for Knitted Counterpane 20 Shell Infant’s Crocheted Soclrs 22 Lace 8 Infant’s Knitted Shirt 25 Shell Stitch for Child’s Stockings. 6 Infant’s Sacque in Star Stitch 20 Sleeve, Crocheted 10 Infant’s Shirt 17 Sock, Knitted 6 Insertion, Handsome 16 Spread. Crochet 29 Stripe Insertion,Normandy 25 for Aunt Mamie’s Sock 11 Summer Cloud A 28 Julia Pattern 37 Table Mats 19 Knitted Edgings 3 Terms in Crochet.
    [Show full text]
  • Table of Contents: Grades
    TEXAS Table of Contents GRADES 6–8 Create Your Story 6 7 8 TEXAS Student Edition TryPearsonTexas.com/LiteracyK-8 6 7 8 TEXAS Student Edition 6 7 8 TEXAS Student Edition is a trademark of MetaMetrics, Inc., and is registered in the United States and abroad. The trademarks and names of other companies and products mentioned herein are the property of their respective owners. TEXA S TEXA S t u d e n t E d i t i o n S LitSam581L694 TEXA S t u d e n t E d i t i o n S 6 7 8 S t u d e n t E d i t i o n PearsonRealize.com 6 7 8 6 7 8 TryPearsonTexas.com/LiteracyK-8 Join the Conversation: 800-527-2701 Twitter.com/PearsonPreK12 Facebook.com/PearsonPreK12 Copyright Pearson Education, Inc., or its affiliates. All rights reserved. SAM: 9781418290467 Get Fresh Ideas for Teaching: Blog.PearsonSchool.com ADV: 9781418290603 TEXAS Table of Contents The Importance of Literature myPerspectives Texas ensures that students read and understand a variety As individuals we are the sum of the stories that we tell ourselves about of complex texts across multiple genres such as poetry, realistic fiction, ourselves—about love, about fear, about life, about longing. We are adventure stories, historical fiction, mysteries, humor, myths, fantasy, drawn to those stories outside of classrooms because those stories tell us science fiction, and short stories. something about ourselves. They affirm something inside of us. They help These texts have been carefully selected to enable students to encounter us learn more about ourselves and others.
    [Show full text]
  • Grab and Go Camera and Ipad
    Concept: Background Information: Understand how to use the Nikon CoolPix L610 camera and IPad to Technology has been integrated into virtually every facet of education. Through capture experiences and create Digital Observation Technology Skills (DOTS) youth are able to experience and digital artifacts. identify various aspects of nature through technology. Two of the tools used to make these connections with nature are the Nikon CoolPix L610 Camera and the Age level: IPad. These tools are designed to record images on the go as well as assist you in 4th- 12th creating digital artifacts that can be shared. Education Standards: How to: Digital Camera HS-PS4-2 1. Turn on the Camera by pressing the on/off button. Success Indicator: 2. The camera should be set to “easy-auto” mode, this will allow for the Youth will be able to record their easiest use of the camera. experiences through images and 3. To record an image simply press down on the big silver button on the top videos, as well as create collages, until a green rectangle appears in the middle of the screen. This will auto movies and trailers to share their focus the image. Once the green rectangle appears press down hard to take experience with others. a picture. 4. To change mode, such as landscape or portrait, press the green camera Preparation icon to the right of the screen and the toggle through the different options. 5. To record a video press the black button with the red circle in the middle. Time: This will start taking a video.
    [Show full text]
  • Mead Library Listing As of December 2019 MEAD QUILTERS LIBRARY Page 2 of 14
    MEAD QUILTERS LIBRARY Page 1 of 14 Surname Forename Title Publisher ISBN Date Adams Pauline Quiltmaking Made Easy Little Hills Press 1-86315-010-2 1990 Alderman Betty Precious Sunbonnet Quilts American Quilters Society 978-1-57432-951-3 2008 Alexander Karla Stack A New Deck Martindale 1-56477-537-2 Anderson Charlotte Warr Faces & Places C & T Publishing 1-57120-000-2 1995 Anderson F. Crewel Embroidery Octopus Books Ltd. 0-7064-0319-3 1974 Asher & Shirley & Beginner's Guide To Feltmaking Search Press 1-84448-004-6 2006 Bateman Jane Austin Mary Leman American Quilts Primedia Publications 1999 Baird Liliana The Liberty Home Contemporary Books 0-80922-988-9 1997 Balchin Judy Greetings Cards to Make & Treasure Search Press 978-1-84448-394-5 2010 Bannister & Barbara & The United States Patchwork Pattern Book Dover Publications Ltd. 0-486-23243-3 1976 Ford Edna Barnes Christine Colour- the Quilters Guide That Patchwork Place 1-56477-164-4 1997 Bell Louise 201 Quilt Blocks, Motifs, Projects & Ideas Cico Books London 0-19069-488-1 2008 Berg & Alice & Little Quilts All Through The House That Patchwork Place 1-56477-033-8 1993 Von Holt Mary Ellen Berlyn Ineke Landscape in Contemporary Quilts Batsford 0-7134-8974-X 2006 Berlyn Ineke Sketchbooks & Journal Quilts Ineke Berlyn 2009 Besley Angela Rose Windows for Quilters Guild of Master Craftsman 1-86108-163-4 2000 Bishop & Robert & Amish Quilts Laurence King 1-85669-012-1 1976 Safandia Elizabeth Bonesteel Georgia Lap Quilting Oxmoor House Inc. 0-8487-0524-6 1982 Mead Library Listing as of December 2019 MEAD QUILTERS LIBRARY Page 2 of 14 Surname Forename Title Publisher ISBN Date Bonesteel Georgia Bright Ideas for Lap Quilting Oxmoor House Inc.
    [Show full text]
  • With Dada and Pop Art Influence
    With Dada and Pop Art Influence The non-art movement • 1916-1923 • Reaction to the horror of World War I • Artists were mostly French and German. They took refuge in neutral Switzerland. • They were angry at the European society that had allowed the war to happen. • Dada was a form of protest. • It’s intention was to provoke and shock The name “Dada” was chosen because it was nonsensical. They wanted a name that made the least amount of sense. • They used any public forum to spit on: nationalism rationalism materialism and society in general Mona Lisa with a Mustache “The Fountain” “The Bride Stripped Bare by her Bachelors, Even” George Groz “Remember Uncle Augustus the Unhappy Inventor”(collage) Raoul Hausmann “ABCD” (collage) Merit Oppenheim “Luncheon in Fur” Using pre-existing objects or images with little or no transformation applied to them Artist use borrowed elements in their creation of a new work • Dada self-destructed when it was in danger of becoming “acceptable.” • The Dada movement and the Surrealists have influenced many important artists. Joseph Cornell (1903-1972) became one of the most famous artists to use assemblage. His work is both surreal and poetic. A 3-D form of using "found" objects arranged in such a way that they create a piece of art. The Pop American artist, Robert Rauschenberg, uses assemblage, painting, printmaking and collage in his work. He is directly influenced by the Dada-ists. “Canyon” “Monogram” “Bed” “Coca-cola Plan” “Retroactive” • These artist use borrowed elements in their creation to make a new work of art! • As long as those portions of copyrighted works are used to create a completely new and different work of art it was OK.
    [Show full text]
  • Brioche Stitch Knitting: Free Brioche Knitting Guide + Patterns Brioche Stitch Knitting: Free Brioche Knitting Guide + Patterns
    Brioche Stitch Knitting: Free Brioche Knitting Guide + Patterns Brioche Stitch Knitting: Free Brioche Knitting Guide + Patterns BRIOCHE STITCH is one of those pattern stitches that seems tricky, but it’s really not. The stitch uses a combination of good old knit stitches, as well as slipped stitches that are paired with yarnovers. Brioche can be worked in the round or flat, and it makes very warm and beautiful garments and accessories. Brioche really shines when worked in two colors, and it’s actually easier to work with two colors instead of one, because the two colors enable you to see the stitches really well from one row to the next. The increases and decreases in brioche knitting are very visible, and they add so much visual interest to the project. I’ve put together this eBook to teach you how to work the brioche stitch, and to give you some patterns to practice with. The patterns go from easy to more advanced, so you can go from one to the next as you become more comfortable with the stitch. Have fun learning the brioche stitch! Cheers, Kathleen Cubley Editor, KnittingDaily.com Contents BRIOCHE STITCH KNITTING: FREE BRIOCHE KNITTING How to Knit Brioche Stitch by Nancy Marchant .........................PAGE 3 GUIDE + PATTERNS A Knitting Daily eBook edited by Basic Brioche Cowl by Mercedes Tarasovich-Clark .........................PAGE 7 Kathleen Cubley EDITORIAL STAFF Brioche Bodice by Katy Ryan ..................................................................PAGE 9 EDITOR, KNITTING DAILY Kathleen Cubley CREATIVE SERVICES Bulky Brioche Raglan by Ann Budd ................................................. PAGE 12 PRODUCTION DESIGNER Nichole Mulder PHOTOGRAPHY As noted ILLUSTRATION Gayle Ford Pizzicato Scarf by Star Athena ..............................................................
    [Show full text]
  • Textile Periods in Ancient Peru: Ii Paracas Caverns and the Grand Necropolis
    TEXTILE PERIODS IN ANCIENT PERU: II PARACAS CAVERNS AND THE GRAND NECROPOLIS BY LILA M O';EALE- UNRERSITY OF CFORNIA PUBLTICATIONS IN EwasN AROOY AND ETENOLOG#Y Volnme 39, No. 2, pp. 14>202, plates 1-6, 20 figures in text ,, ,, .. vE \ . # :. UNIVERSITY 0t CALIP6RNIA PRESS BERKELEY AND tOS ANGBLES 1942 TEXTILE PERIODS IN ANCIENT PERU: II PARACAS CAVERNS AND THE GRAND NECROPOLIS BY LILA M. O'NEALE UNIVERSITY OF CALIFORNIA PRESS BERKELEY AND LOS ANGELES 1942 UNIVERSITY Or CALIFORNIA PUBLICATIONS IN AMERICAN ARCHAEOGY AND ETHNOLOGY EDITORS: A. L. KRoEBER, R. H. LoWIE, T. D. MCCowN, R. L. OLSON Volume 39, No. 2, pp. 143-202, plates 1-5, 20 figures in text Submitted by editors March 12, 1941 Issued October 23, 1942 Price, 75 cents UNIVESITY OF CALIFORNIA PRESS BERKELEY, CALIFORNIA CAM1BRDGE UNIVERSITY PRESS LONDON, ENGLAND PRINTED IN THE UNITED STATES OF AMERIOA CONTENTS PAGE METHOD AND MATERIAL ..................................................... 143 Revisions . ............................................................... 144 Paracas time periods: Caverns and Necropolis ................................ 145 TRAITS COMMON TO ALL PERIODS .............................................. 148 Paracas yarns . .......................................................... 149 Paracas loom types ....................................................... 151 Technical processes at Paracas ............................................. 152 Warp-weft techniques ................................................... 152 Plain weaves ................. ......................................
    [Show full text]
  • Free Knitting Pattern: Fishermen's Wool®
    Free Knitting Pattern Lion Brand® Fishermen's Wool® - Bonbons Storyteller's Afghan Pattern Number: L20502 As seen in our 2013 catalog (click here to view the catalog online), this afghan inspires you to be creative by telling your own story with each piece—giving this project a very personalized touch. No two afghans will ever be the same. Free Knitting Pattern from Lion Brand Yarn Lion Brand® Fishermen's Wool® - Bonbons Storyteller's Afghan Pattern Number: L20502 SKILL LEVEL: Intermediate SIZE: One Size About 45 x 48 in. (114.5 x 122 cm) CORRECTIONS: None as of Nov 5, 2013. To check for later updates, click here. MATERIALS • 150-126 Lion Brand Fishermen's Wool Yarn: Nature's Brown 3 Balls (A) • 150-123 Lion Brand Fishermen's Wool Yarn: Oatmeal 1 Ball (B) • 150-125 Lion Brand *Fishermen's Wool® (Article #150). 100% Pure Virgin Wool Fishermen's Wool Yarn: 202: 78% Pure Virgin Wool,13% Acrylic,9% Brown Heather Rayon; package size: 8 oz (227 g), 465 yards 2 Balls (C) (425 m) • 601-610 Lion Brand 202: 6 oz (170 g), 348 yards (318 m) Bonbons Yarn: Brights 1 Ball (D) • 601-620 Lion Brand Bonbons Yarn: Pastels *Bonbons (Article #601). 1 Ball (E) Cotton: 100% Cotton. Care: Machine Wash Cool, • 601-630 Lion Brand Gentle Cycle, Do Not Bleach, Dry Flat, Low Iron, Dry Clean Any Solvent Except Trichloroethylene. Bonbons Yarn: Beach Acrylic: 100% Acrylic. Care: Machine Wash and 1 Ball (F) Dry, Do Not Bleach, Do Not Iron, Tumble Dry • 601-640 Lion Brand Normal, Dry Clean and Solvent Except Bonbons Yarn: Nature Trichloroethylene.
    [Show full text]
  • Oriental Rug Knotting & Construction
    Oriental Rug Knotting & Construction Knotted, Tufted and Flat-Woven Rugs; Knot Types and Density Anatomy of A Hand Knotted Rug A. WARP - The parallel threads running through the entire length of the rug onto which the knots are tied. B. WEFT - The threads running across the width of the rug inserted between all the rows of knots. These threads pass through alternate warp threads. Their job is to secure the knots in parallel lines and to strengthen the fabric. C. KNOT - The term used for a strand of wool yarn which is looped around two adjacent warp threads and then cut to form the pile (surface of carpet). D. OVERCASTING - A simple wrapping of dyed yarn along the entire length of both sides of a handmade rug. E. FRINGE - The visible continuation of the warp threads at both ends of the carpet. F. KILIM - The pileless web of warp and weft between the rug's pile and the knotted fringe. This is also the name for a rug without pile. Types of Oriental Rug Construction Who Uses Which Knot? Line of division (dotted line): distinguishing Turkish Knot (west of line) and Persian Knot areas (east). PERSIAN KNOT WITH ALL OF THE WARP THREADS ON ONE LEVEL TURKISH KNOT WITH ALL OF THE WARP THREADS ON ONE LEVEL PERSIAN KNOT WITH THE WARP THREADS ON TWO DIFFERENT LEVELS OPEN BACK & CLOSED BACK OPEN BACK CLOSED Different methods for finishing the undersides of rugs BACK The FULL LOOP part of the In the CLOSED BACK KNOT is on the UPPER KNOT the FULL LOOP is warp thread on the LOWER warp thread .
    [Show full text]
  • How to Make Métis Hooked Rugs
    How to Make Métis Hooked Rugs There are six steps in making a hooked rug. These are: 1) Preparing Materials 2) Building a Frame 3) Preparing a Work Surface 4) Cutting and Tracing the Pattern 5) Hooking the Rug 6) Putting on the Backing and Finishing Touches 1) Preparing Materials • Use two-by-two inch pieces of wood for the frame • Make the frame slightly bigger than the rug • Use nails to attach the frame • Use burlap or jute for the frame’s backing • Use corduroy or denim to reinforce the frame’s border • Use quilting or upholstery thread to stitch the border • Use sealed wax to bind the border to the burlap/jute backing • Use wool or string to lace the burlap border to the frame • Use various big-eyed needles and a thimble for the lacing process • Use paper to make the pattern • Use paper scissors to cut out the pattern • Use small or large straight pins to pin down the pattern • Use sharp scissors to cut all fabric • Use a rug-hooking tool to begin the rug-hooking process • Rug-hooking tools can be found at craft or carpet stores, or can be made from a cork and a nail • Use various colours of cotton t-shirts for materials • Cut the seams out of the t-shirts, and then cut the material into thumb width strips • The strips can be rolled into balls for easy storage 2) Building a Frame • Make an adjustable frame by drilling holes in the wood • Use a nut and a bolt to adjust the frame’s size • If the frame is to be used only once, nail it together 3) Preparing a Work Surface • Choose either burlap or jute (which is finer grained) • Then
    [Show full text]
  • Pathein University Research Journal 2017, Vol. 7, No. 1
    Pathein University Research Journal 2017, Vol. 7, No. 1 2 Pathein University Research Journal 2017, Vol. 7, No. 1 Pathein University Research Journal 2017, Vol. 7, No. 1 3 4 Pathein University Research Journal 2017, Vol. 7, No. 1 စ Pathein University Research Journal 2017, Vol. 7, No. 1 5 6 Pathein University Research Journal 2017, Vol. 7, No. 1 Pathein University Research Journal 2017, Vol. 7, No. 1 7 8 Pathein University Research Journal 2017, Vol. 7, No. 1 Pathein University Research Journal 2017, Vol. 7, No. 1 9 10 Pathein University Research Journal 2017, Vol. 7, No. 1 Spatial Distribution Pattrens of Basic Education Schools in Pathein City Tin Tin Mya1, May Oo Nyo2 Abstract Pathein City is located in Pathein Township, western part of Ayeyarwady Region. The study area is included fifteen wards. This paper emphasizes on the spatial distribution patterns of these schools are analyzed by using appropriate data analysis methods. This study is divided into two types of schools, they are governmental schools and nongovernmental schools. Qualitative and quantitative methods are used to express the spatial distribution patterns of Basic Education Schools in Pathein City. Primary data are obtained from field surveys, informal interview, and open type interview .Secondary data are collected from the offices and departments concerned .Detailed facts are obtained from local authorities and experience persons by open type interview. Key words: spatial distribution patterns, education, schools, primary data ,secondary data Introduction The study area, Pathein City is situated in the Ayeyarwady Region. The study focuses only on the unevenly of spatial distribution patterns of basic education schools in Pathein City .
    [Show full text]