(Censorship) in Iran

Total Page:16

File Type:pdf, Size:1020Kb

(Censorship) in Iran TextScreening(Censorship)inIran:A Historical Perspective HusseinMollanazar AllamehTabataba’iUniversity,Iran [email protected] Abstract Censorshiphasa longhistoryinIranthathasinterferedwithtextproduction, i.e., original writing as well as translation. This phenomenon seems to have marked the borderline between the government and the ‘enlightened’ intellectuals throughout history in Iran. Different governments have delineated ‘redlines’ for authors and translators and dealt with these constructorsofculturebasedonthedefinitionstheysetforthose‘redlines’. Thishistoricalresearchaimsatexploringandfindingoutthefeaturesofthese ‘redlines’aswellasthemechanismsandrulesoftextscreening(censorship) throughoutIran’smodernerasincetheimportingoftheprintingpress. Keywords: Censorship, Self-censorship, Bowdlerization, Text Screening, Mobtazal,Moh/reb,Z/lleh,Sanctities,SensitiveTexts,Taboos Received:January2010; Accepted:December2010 IranianJournalofAppliedLanguageStudies,Vol3,No2,2011 1. Introduction InanarticlepublishedintheEconomist, ananonymousauthorwrites, TwodecadesafterthefatwawasimposedonMrRushdie,itappearsthat manyWesternartists,publishersandgovernmentsaremorewillingtoday tosacrificesomeoftheirfreedomofspeechthanwasthecasein1989.To manycriticsthatwillbeseenasself-censorshipthathasgonetoofar.Buta difficultbalancemustbestruck:nocountrypermitscompletelyfreespeech. Typically,itislimitedbyprohibitionsagainstlibel,defamation,obscenity, judicialorparliamentaryprivilegeandthelike.Protectingfreeexpression willoftenrequirehurtingthefeelingsofindividualsorgroups;equallythe useoffreespeechshouldbetemperedbya senseofresponsibility.1 Inanarticle2, AliMazrui(1997),professorattheStateUniversityofNewYork atBighamton,talksofthewesternhypocrisyinthecaseofRushdie, CensorshipisoneissueonwhichtheculturaldividebetweentheWestand Islam turns out to be less wide than Westerners ordinarily assume. The mostcelebratedcaseofthelastdecade– thatofSalmanRushdie’snovel The Satanic Verses, published in Britain in 1988 but banned in most Muslimcountries – brought the Westernworld and the Muslim world in conflict,butalsouncoveredsomesurprisingsimilaritiesandlargehelpings ofWesternhypocrisy.Furtherscrutinyrevealswidespreadcensorshipinthe West,ifimposedbydifferentforcesthaninMuslimsocieties.[…] ManydevoutMuslimsfeltthatRushdiehadnorighttopokefunatand twistintoobscenitysomeofthemostsacredsymbolsofIslam.MostMuslim countries banned the novel because officials there considered it morally 1 ‘Self-CensorshipintheWest:SpeechImpediments’,theEconomist, February14,2009. 2Ali Mazrui, “Islamic Values, the Liberal Ethic and the West,” Foreign Affairs (1997, September/October,Vol.76,No.5,pp.118–132) 160 TextScreening(Censorship)inIran…. repugnant.Westernintellectualsarguedthatasanartist,Rushdiehadthe sacredrightandevendutytogowhereverhisimaginationledhiminhis writing. Yet until the 1960s Lady Chatterley’s Lover was regarded as morallyrepugnantunderBritishlawfordaringtodepictanaffairbetween a marriedmemberofthegentryanda workerontheestate.[…] ComparingcensorshipinMuslimandWesterncountries,healsoadds, Targets,sources,andmethodsofcensorshipdiffer,butcensorshipisjustas mucha factoflifeinWesternsocietiesasintheMuslimworld.Censorship inthelatterisoftencrude,imposedbygovernments,mullahsandimams, and,morerecently,militantIslamicmovements.Censorshipinthe West, ontheotherhand,ismorepolishedanddecentralized.Itspractitionersare financialbackersofculturalactivityandentertainment,advertiserswhobuy time on commercial television, subscribers of the Public Broadcasting System(PBS),influentialinterestgroupsincludingethnicpressuregroups, and editors, publishers, and other controllers of the means of communication. In Europe, governments, too, sometimes get into the businessofcensorship. Censorshiporscreeninghasa longhistoryallovertheworld.Itismingled withinquisitionintheCatholicEuropeintheMiddleAges. AccordingtoRajabzadeh,thebirthofcensorshipinthewestgoesbackto AncientRomeinwhichtwocensorshipcenters(referredtoastwocensorsin Khosravi’sresearch)wereinchargeofcontrollingpeople’slives,givingthem dutiesandcheckingtoseehowwelltheyobeytheorders.Thepowerofthese censorship authorities was even sometimes more than the king. Later in the MiddleAges,newtypesofcensorshipcameintobeing.Writerswereobligedto hand a copy of their work to higher authorities first in order to show their respect and second in order to let them censor what they determine to be 161 IranianJournalofAppliedLanguageStudies,Vol3,No2,2011 harmfulorunnecessary.Catholiccathedralinthethirteenthcenturyseta court forinvestigatingbeliefsandnoonewasoutofit.Theyevenhadtherightto accusebookswhichwerepreviouslyallowedbythepopehimself. Systematiccensorshipstartedwiththeinventionofprintmachine.Inthe First World War, there existed no specific rule for censoring the press. An informal and internal agreement had been formed between government and thepressfornotprintinginformationwhichmighthavecausedsensitivity. Censorship has always had its ups and downs in the west. Though these daysitisclaimedthatcensorshipislimitedandfreeexpressionofthoughtisthe currenttrendofwesterncountries,stillonecanseecasesofformalandmany informalcensorshipcases.Consideringthateventheterm“censorship”isitself consideredtobetaboo,inwesterncountries,therearenoregulationscovering particularstrategiesorcasesofcensorshipclearly. There are different types of censorship. The World Book Encyclopedia (1976,p.258)classifiesmajortypesofcensorshipasfollows:moral,military, political, and religious. Khosravi (1378 AH/1999, p. 73) classifies censorship types as follows: socio-political, ethical, and religious. Rajabzadeh (1380 AH/2001,p.18)addsanothertypetotheaboveones,i.e.,economiccensorship. Rajabzadeh (ibid.) writes that other types of censorship can also exist, for instance, cultural censorship which refers to self-censorship and academic censorship which refers to obstacles and limitations to the publication of scientificresearches’conclusions. Religionsandpoliticalregimestrytoprotecttheirveryexistenceagainstall sortsofhostilitiesandthreats.Duringcrises,thesepowerfulbodiestreatquite harshly,particularlywhentheircontrolisshaky. Translationisanongoingconflictbetweenloyaltytotheoriginaltextandits agendaorpurposeontheonehand,andloyaltytothetargetlanguage,culture, 162 TextScreening(Censorship)inIran…. society and their norms on the other. In each country, or more precisely, in eachculture,thereexistsa numberofnormsthatdeterminethestrategiesfor translating. Thesenormsaregeneratedfromtheideologyandvaluesdominantinthat society, all together forming its culture. Based on society’s norms, the commissioner,initiator, publisher andothers, who arein fact determiners of norms,convertthesenormstosocialregularities.Socialregularitiesshapeour mindinallaspectsoflife.Theybeardifferentlevelsofstrengthanddepthand are era-specific. One of the most controversial issues in translation, and to some extent other human sciences, are cultural differences including taboos, sensitivereligious,moral,politicalpointsofconcernandvariousapproachesto lifeandreality;a majorconcernhereishowtodealwiththemwiththeleast negativeeffect. Asa conventionalandinextricablyintertwinedactwithwriters,publishers andtranslators,censorshipperformsa verydiscreetthoughsignificantrolein our society, by filtering data and letting in the pre-defined material which is safe to the culture and social regularities. So far little attention has been devotedtothecommonlyusedcensorshipstrategiesintranslation. 2. HistoryofCensorshipinIran Inanannouncementpublishedinissuenumber552(of22December1863)of theROzn/me-yeDowlat-e‘PlQye-yeIran(‘thejournaloftheExaltedStateof Iran’), censorship (the need to inhibit publication of material harmful to moralityandthe stateand alsocontraryto religiouslaw) startedofficially in 163 IranianJournalofAppliedLanguageStudies,Vol3,No2,2011 Iran.3 Sani’ol-MolkorSani’od-Dowle(1840–96)(laternamedE’atemados- Saltane4) who was in charge of the newspaper as well as the head of the Governmental Translation, Printing, and Publishing Office was appointed to supervisethematerialstobeprinted.Heorderedthatallthematerialstobe printedhadtobestampedbyhimandcalledthisprocedure‘theestablishment ofinternalcensorship’.5 However,thefirstcodeofcensorshipwasissuedwithina statuteofcriminal lawsin1879proposedbytheCountdeMonteFarte,anItalianadventurerwho served as the commander of the police (or NazmQye) of the Naser od-Din Shah’scourt.Inthesectionconcerningthefreedomofexpressionandwritingit prescribes: Ifsomeonepublishesa bookthatisagainstthereligion,orgovernmentor people,hewillbeimprisonedfrom5 monthstofiveyears.(…)Ifsomeone darestostickannouncementsoranykindofwrittenmaterialsinthestreets againsttheking,whoeverheis,(…)hewillbeimprisonedfromonemonth 3 Asregardstheincidentthatinstigatedthisannouncement,ithasbeensaid,‘Censorshipwasfirst introduced in Nasir al-Din Shah’s time when he became incensed over a verse satire published in Bombay.Theauthorwasa ShaikhHasan-iShirazi,whoridiculedtheaspirantstolearningpatronized by the Court. The Shah demanded of the I’timad al-Saltana how such pernicious attacks printed abroadandcriticalofhisregimemightbestoppedenteringIran.TheI‘timadal-Saltanaexplained how European states had an arrangement called s/nsOr, “censor”. The Shah commanded the establishment of such a system so that “henceforth the way of this vice might be blocked and the threatofthistrafficbroken”.’ (Avery,inTheCambridgeHistoryofIran, vol.7, p.828) 4 Concerninggentlemen’stitlesinIranduringtheQajardynasty,EdwardBrownewrites, EverybodyofanyconsequenceinPersiahasa
Recommended publications
  • Translation and Manipulation
    5785 Forough Rahimi et al./ Elixir Ling. & Trans. 41 (2011) 5785-5790 Available online at www.elixirpublishers.com (Elixir International Journal) Linguistics and Translation Elixir Ling. & Trans. 41 (2011) 5785-5790 Translation and manipulation: a critical discourse analysis case study Forough Rahimi and Mohammad Javad Riasati Department of Foreign Languages, Shiraz Branch, Islamic Azad University, Shiraz, Iran. ARTICLE INFO ABSTRACT Article history: This paper seeks to delineate the constraints imposed on translators of movie dialogues in Received: 20 September 2011; the context of Iran. The movie ''Platoon'' is selected for this purpose. In this situation a Received in revised form: myriad of external constraints, that is, cultural, religious, and political, lead to rewriting or 16 November 2011; manipulation of movie texts. This is an effective means for creating and naturalizing Accepted: 28 November 2011; ideologies, through expurgation, derogation, etc. The movie translations in Iran are scenes of ideological incursions in translation, that is, suppression of dialectal features. They are sites Keywords of ideological clashes in which certain realities are constructed and challenged and Translation, xenophobic attitudes are propagated. The translators counterfeit realities and inculcate them Censorship, in the innocent audience. This paper explores the ideological and socio-political factors Ideological manipulation. which determine the strategies applied in the translation of western movies. © 2011 Elixir All rights reserved. Introduction language is an irreducible part of social life. The dialectic During the past decade educational researchers increasingly relation between language and social reality is realized through have turned to Critical Discourse Analysis (CDA) as a set of social events (texts), social practices (orders of discourse) and approaches to answer questions about the relationships between social structures (languages) [3].
    [Show full text]
  • The Poetics of Commitment in Modern Persian: a Case of Three Revolutionary Poets in Iran
    The Poetics of Commitment in Modern Persian: A Case of Three Revolutionary Poets in Iran by Samad Josef Alavi A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Near Eastern Studies in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor Shahwali Ahmadi, Chair Professor Muhammad Siddiq Professor Robert Kaufman Fall 2013 Abstract The Poetics of Commitment in Modern Persian: A Case of Three Revolutionary Poets in Iran by Samad Josef Alavi Doctor of Philosophy in Near Eastern Studies University of California, Berkeley Professor Shahwali Ahmadi, Chair Modern Persian literary histories generally characterize the decades leading up to the Iranian Revolution of 1979 as a single episode of accumulating political anxieties in Persian poetics, as in other areas of cultural production. According to the dominant literary-historical narrative, calls for “committed poetry” (she‘r-e mota‘ahhed) grew louder over the course of the radical 1970s, crescendoed with the monarch’s ouster, and then faded shortly thereafter as the consolidation of the Islamic Republic shattered any hopes among the once-influential Iranian Left for a secular, socio-economically equitable political order. Such a narrative has proven useful for locating general trends in poetic discourses of the last five decades, but it does not account for the complex and often divergent ways in which poets and critics have reconciled their political and aesthetic commitments. This dissertation begins with the historical assumption that in Iran a question of how poetry must serve society and vice versa did in fact acquire a heightened sense of urgency sometime during the ideologically-charged years surrounding the revolution.
    [Show full text]
  • Faith and Literature: a Look at Book Censorship
    Ouachita Baptist University Scholarly Commons @ Ouachita Honors Theses Carl Goodson Honors Program 2009 Faith and Literature: A Look at Book Censorship Laura Cox Ouachita Baptist University Follow this and additional works at: https://scholarlycommons.obu.edu/honors_theses Part of the Christianity Commons, and the Information Literacy Commons Recommended Citation Cox, Laura, "Faith and Literature: A Look at Book Censorship" (2009). Honors Theses. 238. https://scholarlycommons.obu.edu/honors_theses/238 This Thesis is brought to you for free and open access by the Carl Goodson Honors Program at Scholarly Commons @ Ouachita. It has been accepted for inclusion in Honors Theses by an authorized administrator of Scholarly Commons @ Ouachita. For more information, please contact [email protected]. 1 INTRO For centuries, society has debated the issue of book censorship. Before Johannes Gutenberg introduced the printing press in 1455, the burning ofhand-scribed books destroyed limited copies and guaranteed they would not be read. With the printing press, books could be produced in greater numbers; yet, printed speech was still a commodity that could be controlled. In 1517, Pope Leo X condemned Martin Luther's Ninety Five Theses, an early example of religious censorship of materials deemed dangerous or subversive. Political censorship quickly followed when Emperor Charles V issued the Edict ofWorms, containing a "Law ofPrinting" which banned the printing, copying, sale, or reading of Luther's writings (Foerstel xi). Beginning in 1564, the Catholic papacy promulgated its Index Librorum Prohibitorum (Index of Prohibited Books). Compiled by the Holy Inquisition in Rome, the Index listed the books and authors Catholics were prohibited from printing or reading.
    [Show full text]
  • Women Musicians and Dancers in Post-Revolution Iran
    Negotiating a Position: Women Musicians and Dancers in Post-Revolution Iran Parmis Mozafari Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of Music January 2011 The candidate confIrms that the work submitted is her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. 2011 The University of Leeds Parmis Mozafari Acknowledgment I would like to express my gratitude to ORSAS scholarship committee and the University of Leeds Tetly and Lupton funding committee for offering the financial support that enabled me to do this research. I would also like to thank my supervisors Professor Kevin Dawe and Dr Sita Popat for their constructive suggestions and patience. Abstract This research examines the changes in conditions of music and dance after the 1979 revolution in Iran. My focus is the restrictions imposed on women instrumentalists, dancers and singers and the ways that have confronted them. I study the social, religious, and political factors that cause restrictive attitudes towards female performers. I pay particular attention to changes in some specific musical genres and the attitudes of the government officials towards them in pre and post-revolution Iran. I have tried to demonstrate the emotional and professional effects of post-revolution boundaries on female musicians and dancers. Chapter one of this thesis is a historical overview of the position of female performers in pre-modern and contemporary Iran.
    [Show full text]
  • Censorship!Censorship!
    CENSORSHIP!CENSORSHIP! LDF BANNED CB K HAN BOO EE FiGhT fOr tHeD B K W FrEeDoM tO rEaD! OOK S STAFF DIRECTOR’S NOTE Charles Brownstein, Executive Director Alex Cox, Deputy Director Samantha Johns, Development Manager Happy Banned Books Week! Every year, communities come together in Kate Jones, Office Manager this national celebration of the freedom to read! This year, Banned Books Betsy Gomez, Editorial Director Maren Williams, Contributing Editor Week spotlights young adult books, which is by far the category most Caitlin McCabe, Contributing Editor commonly targeted for censorship. Stand up for the right to read for all Robert Corn-Revere, Legal Counsel readers by becoming a part of the Banned Books Week celebration that will take place September 27 through October 3, 2015! BOARD OF DIRECTORS Larry Marder, President Milton Griepp, Vice President Launched in 1982 to draw attention to the problem of book censorship Jeff Abraham, Treasurer in the United States, Banned Books Week is held during the last week of Dale Cendali, Secretary Jennifer L. Holm September. By being a part of it, you can make a difference in protecting Reginald Hudlin the freedom to read! Katherine Keller Paul Levitz In this handbook, Comic Book Legal Defense Fund provides you with Christina Merkler Chris Powell all the tools you need to prepare your Banned Books Week celebration. Jeff Smith We’ll talk about how books are banned, show you some specific cases ADVISORY BOARD in which comics were challenged, and provide you with hands on tips to Neil Gaiman & Denis Kitchen, Co-Chairs celebrate Banned Books Week in your community.
    [Show full text]
  • Libraries, Censors, and Self-Censorship
    PBCore (PBCore Public Broadcasting Metadata Dictionary Project). (2005). Background of the PBCore Public Broadcasting Metadata Dictionary Project. Available: http://www.pbcore.org/PBCore/PBCore_background.html PBCore (PBCore Public Broadcasting Metadata Dictionary Project) (December, 2008). Announcements and news about the PBCore Public Broadcasting Metadata Dictionary: PBCore v1.2 is on the Horizon!!! Available: http://www.pbcore.org/announcements.html#pbcore1-2soon Smith, J.R. (2002). MPEG-7 Industry Use v.2.0 [Electronic version]. International Organization for Standardization/ Organization Internationale Normalisation ISO/IEC JTC 1/SC 29/WG 11/ Coding of Moving Pictures and Audio, 3-4. Zhang, Y., & Li. Y. (2008). A User-Centered Functional Metadata Evaluation of Moving Image Collections. Journal of the American Society for Information Science and Technology 59: 1331-1346. Libraries, Censors, and Self-Censorship CORA MCANDREWS MOELLENDICK Cora McAndrews Moellendick has been teaching for eleven years and currently works for the Department of Defense School system, teaching at Zama American Middle School in Japan. She has Bachelors of Science in Education with a Mathematics Specialization from the University of Texas at Austin and a Masters of Arts in Educational Technology from Michigan State University. She is currently taking Independent Study classes through the University of Idaho in Library Science and hopes to obtain her MLS in the future. She and her husband of five years are expecting their first child in December and love teaching overseas. She can be reached at: [email protected] Introduction Censorship is a concept that has a close association with libraries. A Google search of the two words resulted in 1,260,000 hits as of June 2009.
    [Show full text]
  • An Exploration of Pre-Censorship of Children’S Books: Perceptions and Experiences of Canadian Authors and Illustrators
    AN EXPLORATION OF PRE-CENSORSHIP OF CHILDREN’S BOOKS: PERCEPTIONS AND EXPERIENCES OF CANADIAN AUTHORS AND ILLUSTRATORS by CHERIE LYNN GIVENS A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE STUDIES (Library, Archival and Information Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) September 2009 © Cherie Lynn Givens, 2009 Abstract There is little documentation of pre-censorship of children’s literature. The discussion of pre-censorship is often submerged within more general censorship discussions and not specifically identified. It is addressed in snippets of information revealed in interviews and responses to questionnaires concerning censorship. This study was designed to examine in detail the phenomenon of pre-censorship as experienced by Canadian children’s and young adult authors and illustrators. A qualitative, naturalistic methodology was selected to explore participants’ experiences through in-depth interviews with open-ended questions designed to encourage participants to speak at length and share thoughts, feelings, and insights. Seventeen Canadian authors and illustrators, who self-identified as having experienced pre-censorship, participated in this study. Face-to-face interviews were conducted with all but one of the participants, whose interview was conducted by telephone and a follow-up in-person meeting. Most participants requested confidentiality, wishing to keep their names and the titles of the books undisclosed. Participants provided concrete examples of how pre-censorship was experienced by authors and illustrators. Types of pre-censorship were identified. Reasons given for pre- censorship make clear that marketing and sales concerns as well as a fear of censorship after publication are dominant motivating factors.
    [Show full text]
  • Islamic Republic of Iran (Persian)
    Coor din ates: 3 2 °N 5 3 °E Iran Irān [ʔiːˈɾɒːn] ( listen)), also known اﯾﺮان :Iran (Persian [11] [12] Islamic Republic of Iran as Persia (/ˈpɜːrʒə/), officially the Islamic (Persian) ﺟﻣﮫوری اﺳﻼﻣﯽ اﯾران Jomhuri-ye ﺟﻤﮭﻮری اﺳﻼﻣﯽ اﯾﺮان :Republic of Iran (Persian Eslāmi-ye Irān ( listen)),[13] is a sovereign state in Jomhuri-ye Eslāmi-ye Irān Western Asia.[14][15] With over 81 million inhabitants,[7] Iran is the world's 18th-most-populous country.[16] Comprising a land area of 1,648,195 km2 (636,37 2 sq mi), it is the second-largest country in the Middle East and the 17 th-largest in the world. Iran is Flag Emblem bordered to the northwest by Armenia and the Republic of Azerbaijan,[a] to the north by the Caspian Sea, to the Motto: اﺳﺗﻘﻼل، آزادی، ﺟﻣﮫوری اﺳﻼﻣﯽ northeast by Turkmenistan, to the east by Afghanistan Esteqlāl, Āzādi, Jomhuri-ye Eslāmi and Pakistan, to the south by the Persian Gulf and the Gulf ("Independence, freedom, the Islamic of Oman, and to the west by Turkey and Iraq. The Republic") [1] country's central location in Eurasia and Western Asia, (de facto) and its proximity to the Strait of Hormuz, give it Anthem: ﺳرود ﻣﻠﯽ ﺟﻣﮫوری اﺳﻼﻣﯽ اﯾران geostrategic importance.[17] Tehran is the country's capital and largest city, as well as its leading economic Sorud-e Melli-ye Jomhuri-ye Eslāmi-ye Irān ("National Anthem of the Islamic Republic of Iran") and cultural center. 0:00 MENU Iran is home to one of the world's oldest civilizations,[18][19] beginning with the formation of the Elamite kingdoms in the fourth millennium BCE.
    [Show full text]
  • "Censorship from Rulers, Censorship from Book Piracy: the Strategies Of
    Laursen, John Christian. "Censorship from Rulers, Censorship from Book Piracy: The Strategies of Immanuel Kant." Censorship Moments: Reading Texts in the History of Censorship and Freedom of Expression. Ed. Geoff Kemp. London: Bloomsbury Academic, 2015. 103–108. Textual Moments in the History of Political Thought. Bloomsbury Collections. Web. 28 Sep. 2021. <http://dx.doi.org/10.5040/9781472593078.ch-014>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 28 September 2021, 23:38 UTC. Copyright © Geoff Kemp and contributors 2015. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 13 Censorship from Rulers, Censorship from Book Piracy: The Strategies of Immanuel Kant John Christian Laursen I have placed the main point of enlightenment – mankind’s exit from its self- imposed immaturity – primarily on religious matters since our rulers have no interest in playing the role of guardian to their subjects with regard to the arts and sciences and because this type of immaturity is the most harmful as well as the most dishonourable. But the manner of thinking of a head of state who favours such enlightenment goes even further and sees that even with regard to his own legislation there is no danger in allowing his subjects to make public use of their reason and to lay publicly before the world their thoughts about a better formulation of this legislation as well as a candid criticism of laws already given. We have a shining example of this, in which no monarch has yet surpassed the one we honour.
    [Show full text]
  • Weblogistan: a New Path to Self-Expression in Iran
    Occasional paper MÄRZ 2008 KONRAD- ADENAUER- STIFTUNG WASHINGTON, D.C. Weblogistan: a new path to self-expression in Iran by Sepideh Parsa While official US- My weblog is an opportunity for me to be heard...a free microphone that doesn’t need speakers…a Iranian relations con- blank page…Sometimes I stretch out on this page in the nude…now and again I hide behind it. tinue to be at a low Occasionally I dance on it…Once in a while I tear it up…and from time to time I draw a picture of point, American pop my childhood on it…I think…I live…I weblog …therefore I…exist.[1] culture remains surpri- In recent years the blogosphere in the Middle East has experienced significant growth. singly popular with the Weblogs have become a primary medium for dissidence against the autocratic regime Iranian population itself. with its state-controlled media. Iran is one of the countries with the strictest censorship The Konrad Adenauer policy in the Middle East. Thus, weblogs offer Iranians the only platform to peacefully exchange their policy thoughts, emotions and opinions by overcoming the boundaries of Foundation has therefore gender and social class that have been imposed by the government. Hence, the Iranian asked researcher Sepideh people can enjoy such democratic pillars as freedom of speech and self-determination al- Parsa to provide a sketch beit to a limited extent. of the vibrant Iranian blogosphere. While Having surveyed approximately one hundred weblogs the author has chosen to center her “Weblogistan” is par- research on the three most discussed topics by concentrating on 20 weblogs.
    [Show full text]
  • A Review of Journalism in Iran
    University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 1996 A review of journalism in Iran: the functions of the press and traditional communication channels in the Constitutional Revolution of Iran Ali Asghar Kia University of Wollongong Recommended Citation Kia, Ali Asghar, A review of journalism in Iran: the functions of the press and traditional communication channels in the Constitutional Revolution of Iran, Doctor of Philosophy thesis, Graduate School of Journalism, University of Wollongong, 1996. http://ro.uow.edu.au/theses/1882 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] A REVIEW OF JOURNALISM IN IRAN: THE FUNCTIONS OF THE PRESS AND TRADITIONAL COMMUNICATION CHANNELS IN THE CONSTITUTIONAL REVOLUTION OF IRAN A thesis submitted in fulfilment of the requirements for the award of the degree DOCTOR OF PHILOSOPHY from UNIVERSITY OF WOLLONGONG by ALI ASGHAR KIA FACULTY OF CREATIVE ARTS GRADUATE SCHOOL OF JOURNALISM 1996 ii CERTIFICATION I certify that the work analysed in the functions of the press and traditional communication channels in the Constitutional revolution of 1906 in Iran is entirely my own work. References to the work of others are indicated in the text. This work has not been submitted for the award of any other degree or diploma at any other university. AH AsgharKia August 1996 iii ABSTRACT THE FUNCTIONS OF THE PRESS AND TRADITIONAL COMMUNICATION CHANNELS IN THE CONSTITUTIONAL REVOLUTION OF IRAN This thesis is essentially a study of the development of the Iranian press, principally in the latter 19th Century and early 20th Century, and its relationship with traditional Communications systems during the broad period of the Constitutional Revolution, a seminal event in contemporary Iranian history.
    [Show full text]
  • From the Butcher Shop to the Peaceful Pill: a History of Book Censorship in New Zealand
    From The Butcher Shop to The Peaceful Pill: A history of book censorship in New Zealand. - Paper presented at the LIANZA 2010 Conference in November 2010. The media which our society produces and consumes has always been cause for debate about the effects, positive or negative (though more often than not focussing on the negative), on its audience. From the influence of the written word on perceptions of religion and politics, to the concerns over films chipping away at society‟s moral fibre, to the debates over whether video games make people violent – the media, who accesses it and who stops them has been a constantly evolving and ongoing story both in New Zealand and around the world. Today, I‟m going to share a chapter of that story with you by looking at how censorship in New Zealand has evolved over the last 100 years or so. We‟ll look at the sort of content that has been subject to censorship, the various systems and bodies that have been created over the years to deal with this, and how the issue of book censorship has fitted into the broader story of censorship in New Zealand. I should begin by saying that we don‟t have a lot of information about the censorship of non- film publications prior to the creation of the Indecent Publications Tribunal in 1963. The main reason for this is that prior to 1963 book censorship was not the primary function of any organisation – instead it was the responsibility of New Zealand Customs operating under the Indecent Publications Act of 1910.
    [Show full text]