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NUMBERS & SYMBOLS Alexander Ochs Gallery, 147 9/11, 45, 179n23, 208n4 Algeria, 21n1 217 collective, 30 Alterity, 1, 66, 83, 85 Alvarado, Janet, 44 Alvarado, Richard, 44 A Americas, 36, 48, 74, 136n11 Affirmative action, 95, 142 See also Individual countries Afghanistan, 179n23 Angel Island, CA, 35, 46–47, 60n11, Africa, 36, 74, 192 60n15, 110–112 African American art, 6, 101–102, Annotating Art Histories: Cross-­ 120–121, 186 Cultural Perspectives in the Visual , 40, 41, 43, 97, Art, 5 100, 109–110, 186 Anzaldúa, Gloria, 18, 88, 133–134 African Diaspora Museum Borderlands/La Frontera, 91n41 (MOAD), 186 Appadurai, Arjun, 17 Ai Weiwei, 168, 169 Appiah, Kwame Anthony, 179n21 At Large, 168, 173 , 45 Alarcón, Norma, 70 Arabs, 175 Alcatraz Island, CA, 168, 169 Arai, Lucy, 99

1 Note: Bold page numbers refer to figures; Page numbers followed by ‘n’ refer to notes

© The Author(s) 2018 233 L. Fantone, Local Invisibility, Postcolonial Feminisms, Critical Studies in Gender, Sexuality, and Culture, https://doi.org/10.1057/978-1-137-50670-2 234 INDEX

Arai, Tomie, 30 A Curious Affair: The Fascination Area studies, 153 between East and West, 157 Areen, Rasheed, 5, 66 Shanghai: Art of the City, 157–166 Argentina, 183 Asian Community Center, 35 Artbound, 201–202 Asian Pacific Art Triennale, 177n14 Art Deco, 161 Asian Pacific Islander Cultural Center, Art history, 104 105, 184–185 Art Scene China Warehouse, 147 Asian studies, 208n4 Asawa, Ruth, 4 Asian Women’s Shelter, 42, 106 AsianAMERICANArt: Re-Framing Asia Society, 136n16, 156, 183 the Genre, 9 Asia Week, 187 Asian American Media Collective, 30 Aulenti, Gae, 155 Asian American Modern Art: Sifting Australia, 177n14 Currents, 1900–1970, 4–5 Authenticity, 21, 67, 80, 86, 91n40, Asian American studies, 11–12, 60n10 94, 103, 121–122, 151, 175, Asian American Women Artists 179n23, 188, 195, 215, 218 Association (AAWAA), 10, 21, Autobiography, 7, 66–71, 75–76, 211 27, 60n18, 140, 147, 148, 175, 179n22, 190–191, 215, 217 Artists-in-Residence, 9 B AsianAMERICANArt: Re-Framing Bangladesh, 177n14 the Genre, 9 Barthes, Roland, 63, 91n31 Cheers to Muses, 102, 109, 119 Basement Workshop, 30, 32 Different Voices, 99 Baudry, Jean-Louis, 91n31 Emerging Curators Program, 105 Beatles, 28, 59n2 mission, 18 Becoming (concept), 17, 58 Of Our Own Voice, 99–100 “becoming American,” 140–141, pan-Asianism and, 20, 93–136, 144–145, 173, 214 151–152, 212–213 Beijing, China, 144, 147, 165, 176n2, A Place of Her Own, 53–55, 177n12 105–107, 116, 119, Beijing Teachers College, 143 123–128, 132 Revolutionary Entertainment the Quest for Space, 105 Department, 143 S(kinship?): Asian American Bemis, Polly, 141 Connections, 102 Benjamin, Walter, 8 They Hold Up Half the Sky, 102 Berkeley Art Museum/Pacific Film UnderCurrents, 105–106 Archive (BAM-PFA), 70, 90n11 The Yellow Forrest, 99 One Way or Another, 1–2, 4, 10, Asian Art Archive, 193 120, 136n16, 206 Asian Art Biennale, 177n14 Berkeley, CA, 1, 10, 90n11, 99, 135n3 Asian Art Commission, 155 See also University of California, Asian Art Museum, 155–156, 158, 164 Berkeley INDEX 235

Bhabha, Homi, 65, 88, 170 Mouth to Mouth, 77–78 “The Commitment to Theory,” 66–67 Temp Mort, 74 The Location of Culture, 5 Videoéme, 70, 84 Bhutan, 107 Voix-Aveugle, 79, 85 Bing, Bernice, 4, 99, 103, 107 Chan, Dany Black Atlantic, 153 Shanghai: Art of the City, 157–166 Black Panthers, 40 Chan, Sucheng, 113 Boer, Shari de, 96 Chang, Alexandra, 2 Border writing, 18 Chang, Gordon, 4 Bourdieu, Jean-Paul, 83, 86 Asian American Art, 4 Braudel, Fernand, 153 Chang, Jeff, 120, 130 Brazil, 183 Chan is Missing, 60n10 Brown v. Board of Education, 95 Chaudhuri, K.N., 153 Buchholtz, Larissa, 167 Cheah, Pheng, 19–20, 171–173, 215 Buddhism, 26, 39, 54–56, 58, 156 Cheung, King-Kok, 49, 52, 113 Busan Biennale, 177n14 Chiang Kai-Shek, 176n2 Bydler, Christine, 167 Chicano art, 36, 43, 121, 184, 186 The Global Art World, Inc., 178n14 Chicanos, 33, 169 Chin, Frank, 27, 59n1 Chin, Mike, 34 C Chin, Victor, 100 Cai Guo-Qiang, 179n20 China, 30, 117, 177n8, 218n1 Calligraphy, 67, 75, 122, 127, 187 art world in, 17, 139, 178n20 Capp Street Project, 142 emigration from, 15–17, 38, 43, Carli, Ann, 103 47–50, 60n15, 110–111, 113, Castro Valley, CA, 59n9 114, 140, 142, 147, 150–151 Center for Asian American Media Maoist era, 38, 40, 135n7, 146, (CAAMedia), 187 150–151, 175, 192 Central Academy of Fine Arts (CAFA), Qing dynasty, 159, 187 147, 176n2 representations of, 18, 20, 86, Cha, Theresa Hak-Kyung, 1, 10, 122, 139–177, 181, 184, 16–17, 21n2, 63–65, 67, 79–80, 193, 217 87–88, 90n11, 91n31, 132, 140, role in economic globalization, 13, 194, 199, 216 22n3, 141, 153–154, 158–167, Apparatus, 78 174–175, 182, 189, 193–194, Audience Distant Relative, 70–71 214–215 A Ble Wail, 79 Chinatown Community Development Commentaire, 70, 78, 81 Center, 187 DICTEE, 66, 68, 70, 72–76, 89 Chinatowns, 6, 30, 34–37, 51, 53, 99, Exilée, 69–70 104, 105, 110, 129, 136n12, 142, Hotel, 73, 78 171, 183–184, 186, 187, 191 236 INDEX

Chinese American artists, 4, 6, 14, Clifford, James, 5 17–18, 25–60, 63, 67, 93–133, Coevality, 17, 53, 98, 192 135n9, 136n10, 136n13, Cohn, Terry, 101 139–152, 167–169, 173–175, Cold War, 48, 153 181–184, 186–191, 212–214, 217 Collectors, 21, 33, 121, 155, 179n20, See also Individual artists 185, 187–191, 193 Chinese American Historical College Art Association, 103, 107 Society, 187 Colonialism, 1, 36, 48, 160, 163, 218 Chinese Americans, 4, 15–16, 31–37, anti-colonialism, 11, 63, 65, 67, 170 43–47, 57, 59n5, 64, 99–100, art and, 5, 63–65, 83, 86–87, 192, 110, 114–118, 141–142, 201, 204–205, 207, 218 157–158, 182–184, 186–187 British, 74 See also Chinese American artists colonial nostalgia, 161, 163, Chinese art, 12–13, 169, 211, 178n17 213–214 culture and, 157 role in US art world, 19–21, European, 153, 158, 172 152–176, 181–182, 184, 186, globalization and, 159 189–190, 214–217 language and, 72–73, 86, 88 See also Sinocentrism orientalism and, 154, 175 Chinese Civil War, 147 pan-Asian responses to, 167 Chinese Cultural Center, 44, 99, Portuguese, 74 184, 187 racialized gender and, 161–163 Chinese Exclusion Act, 46, Spanish, 74 111–114, 126 US, 44, 181, 205 Chinese for Affirmative Action, 142 See also De-colonization; Chinn, Lenore, 99 Imperialism; Neocolonialism Chiu, Melissa Communism, 47, 176n2 One Way or Another, 1–2, 4, 10, anti-Communism, 48, 57, 109, 120, 136n16, 206 134, 165 Chongbin, Zheng, 184 Communitarianism, 57 Chong-Moon Lee Center for Asian contrasted with cosmopolitanism, Art and Culture, 155 19, 183, 216 Chow, Paul, 47, 60n11 Communities of cultural imagination, 3 Chow, Rey, 64, 140–141, 179n21 Community Board Cultural Affairs Writing Diaspora, 56–57 Committee, 183 Choy, Catherine Ceniza, 103 Connery, Christopher L., 153–154, Christian, Barbara, 133 177n8 Chu, Adela, 60n12 Contemporary Jewish Museum, 186 Chua, Amy Cornell, Daniel, 4 Tiger Mother, 117–118 Asian American Modern Art, 4–5 Civil Rights Act, 95 Cosmopolitanism, 5, 13, 17, 140, Cixous, Hélène, 91n33 179n23, 186, 206–207, 215 Clichy-sous-Bois rebellion, 197, 199 cosmopolitan citizenship, 152, 164 INDEX 237

cosmopolitan modernism, 20, 166 relationship to nationalism, devaluing local/national artists, 150–151, 170 19–20, 171–174, 182–183, writing diaspora, 64, 67 188–189, 216–217 Ding, Loni, 34 Shanghai and, 161, 163 Dizon, Michelle Sinocentrism and, 214, 216 Balikbayan Box, 200 Crenshaw, Kimberlé, 20, 177n5 Civil Society, 197–199, 204 Cuban artists, 43 Drifting Islands, 203–204 Cultural hybridity, 5, 65–66, 145, Perpetual Peace, 200–204 170, 173, 191 Transcape Series 1 (TSI): Home Cushing, Lincoln, 33 F(r)ictions, 201 Djebar, Assia, 8, 143 Documentary film, 66, 86–87, 91n38, D 197, 202, 205 Dadaism, 69 Documenta XI, 165 Dance, 27–28, 51, 54–56, 58, 158, Dong, Harvey, 33 187 Dong, Jim, 32–36, 53 Dávila, Arlene Icons of Presence, 37 Latino Spin, 182–186 Davis, Mike, 178n16, 179n21 Davis, Terry Acebo, 99 E The Decade Show, 165 écriture féminine, 79, 88 De-colonization, 19, 106, 165, 170, Elitism, 20, 171 173, 196, 212 Ellis Island, NY, 47, 60n11 Degarrod, Lydia Nakashima, 96, 98, Empowerment, 25, 41–42, 53, 57, 94, 103, 108, 125–126, 129–130 105–106, 125–126, 135n1, Deleuze, Gilles, 204–205 178n17, 184, 213 Deportations, 112, 114, 185 Enwezor, Okwui, 167, 206 Deren, Maya, 91n31 Artists in Contemporary Societies, 193 Derrida, Jacques, 75, 89n1 Errance, 64, 89n1 Detention, 35, 45–47 Espiritu, Yen Le See also Japanese American Asian American Panethnicity, internment 136n15 Deterritorialization, 65, 204–205, 207 Essentialism, 6, 80, 127, 131, 166 de Young museum, 4, 9, 110, 116, strategic, 19–20, 106, 151–152, 121, 123, 125, 141, 155–156 169, 172, 174, 175, 177n7, Diaspora, 2, 57, 73–74, 162–163, 179n22, 214, 218 176, 180n23, 181, 183, Ethnic studies, 208n4 185–186, 196, 202 Ethnography, 8, 91n38, 96, 98 diasporic female artists, 13, 15, 16, auto-ethnography, 125 19–21, 26, 68–69, 103, Eurocentrism, 3, 5, 19–21, 83, 121, 140–141, 171, 192–193, 132, 134, 160, 167, 172, 189, 203–207, 211–212, 216 191–192, 216 238 INDEX

Exile, 6, 64, 67–71, 73, 75–76, , 16, 31, 36, 43, 176n2, 178n17 59n6, 59n10, 184, 186, 202 Exoticism, 10, 14, 19, 65, 122, Filipino American War, 44 143, 156, 161–163, 166, Film, 10, 65, 69, 78, 82–84, 201 174–175, 218 documentary genre, 66, 86–87, 91n38, 197, 202, 205 See also Third Cinema; Video F Fini, Leonor, 109 Facebook, 59n8, 136n12 Foo, Lora Jo, 59n9 The Fall of the I-Hotel, 60n10 Framework, 65 Fanon, Frantz Fresh Talk/Daring Glazes, Conversations Black Skin White Masks, 5 on Asian American Art, 6 Femininity, 15, 21, 41, 47, 55, 57, Fudong, Yang, 163 126–127, 147, 152 Fukuoka Asian Art Triennale, 177n14 Feminism, 18, 20, 66, 79, 89n2, Fusco, Coco, 7 107–108, 134, 135n8, 167, 212 Talking Visions, 11 in Cynthia Tom’s work, 110, 122–123 Eurocentric, 3 G feminist art, 12–13, 17, 81, 94, 98, Galería de la Raza, 36, 43, 186 100–102, 122, 130 Garcia, Roger feminist theory, 17, 21, 177n7, 207 Out of the Shadows, 12 in Flo Oy Wong’s work, 100–101 Gavino, Julianne, 33 in Hung Liu’s work, 143–144, 148, Gee, Helen, 103 150–152 Gee, Yun, 4, 135n9 in Moira Roth’s work, 94, 108 Gender in Nancy Hom’s work, 28–29, 39, otherness and, 1, 72, 161, 169, 170 53, 58 racialized, 12–13, 50, 110, 127, postcolonial, 4, 10, 14, 19, 21, 88, 129, 133–134, 161, 164 133, 148, 216 See also Femininity; Masculinity; second wave, 53, 127 Sexism in Theresa Cha’s work, 88 Gentrification, 135n8, 186 transnational, 4, 7, 10–12, 14, 133, Gilroy, Paul, 153, 170 139, 216 Glissant, Édouard, 91n30, 205, 207 in Trinh T. Minh-ha’s work, 88, 133 Globalization, 14, 17, 19–20, 153, white, 128 157–159, 163, 165, 171, in Yong Soon Min’s work, 194 178n14, 182, 194, 196, 207, Feng, Peter, 178n16 215, 218 Identities in Motion, 11–12 Godzilla (artist collective), 98–99, Filipino American artists, 44, 51, 96, 135n4 99, 196 Gold Rush, 48, 141 INDEX 239

Gomez-Peña, Guillermo, 186 Hom Shee Mock, 112–113 Gramsci, Antonio, 5, 165, 170, 217 Hong Kong, 47–49, 64, 159, 165, Graphic artists, 27 178n20 Great Britain, 65–66, 88, 122, Hooks, bell, 134 159, 178n20 Ain’t I a Woman, 21n2 British colonialism, 74 Hou Hanru, 167, 192–193 See also United Kingdom Hsiang, Bob, 32, 34, 41–42, 59n5 Guangdong, China, 47–49 Humanism, 154, 173 Guangzhou Biennial, 177n14 Hurston, Zora Neal, 8 Guattari, Félix, 205

I H Identity fatigue, 10 Hall, Stuart, 5, 65–66, 88, 179n21 Identity politics, 94, 129, 133, 172, Hart Celler Act, 104 175, 196, 206 Hawai’i, 68, 185 I-Hotel, 32, 35, 44, 51, 59n10, 107, Hayakawa, Miki, 4 183–184 Hell’s Angels, 29 Iijima, Chris, 30, 41–42, 42 Hibi, George Matsaburo, 4 Immigration, 18, 28–31, 37–38, Hibi, Hisako Shimizu, 4, 135n9 48, 66, 68, 113, 118, 126–127, Higa, Karin 185, 218 One Way or Another, 1–2, 4, 10, art and, 7, 14, 19, 43, 64, 72–76, 120, 136n16, 206 88, 112, 140–142, 148, 156, “What is an American Woman 171, 174, 181–182, 188, Artist?,” 3 191–192, 199–200 “High art,” 12, 188, 191 California’s role in, 15, 59n10, 153, , 186 171, 174 Hoang, Kimberly, 178n16 cross-ethnic relationships and, 44, Hom, Nancy, 6, 14, 17–18, 63, 67, 96, 100, 136n15 93–95, 97, 99, 102–104, exclusion laws, 46, 111–114, 126, 107–109, 118, 123–126, 136n11 129–132, 136n13, 140, 175, nostalgia and, 178n17 184, 188, 191, 212–214, 217 Orientalism and, 11–12 Colors of Memory, 50–51 processing stations, 35–36, 46–47, Dance of the Inner Spirit, 54–55 60n11, 60n15, 110–112 diasporic identity in the work of, Imperialism, 154, 160 25–60 anti-imperial movement, 63, 67, “Drinking Tea with Both Hands,” 131–132 27–28, 32 US, 20, 25, 64, 67, 131, 171, 196, Icons of Presence, 30, 37, 43 200, 212 Secret Chinese/Secret American, See also Colonialism; Neocolonialism 45–46 India, 153, 177n7, 177n14, 189 Working Women, 26 , 96 240 INDEX

Indian art, 156–157, 186 Johnson, Mark, 2, 135n9, 188, 217 Indigenous communities, 131, 161 Asian American Modern Art, 4–5 See also Native Americans Jordan, June, 82, 134 Indonesia, 86 Julien, Isaac, 5, 7, 66 Intersectionality, 3, 11, 13, 20, 40, 129, 143, 177n5, 196, 203–204, 212, 218 K Iranian artists, 179n23 Kagawa, Paul, 35 Iraqi intellectuals, 179n23 Kang, Hyun Yi, 64, 66 Ishizuka, Karen Kano, Betty, 14, 18, 95, 97–99, Serve the People, 33, 93, 118 107–108, 129–130, 135n3, Istanbul Biennial, 177n14, 194 135n4, 175, 212 Italy, 7–8, 81, 90n11, 155 Kearny Street Workshop (KSW), 32–35, 38, 43–44, 46–47, 50–53, 56, 59n6, 63, 93, 107, 130, J 183–184, 187 Jackson Street Gallery, 35 Kelley, Jeff, 142 James, C.L.R., 153, 170 Kim, Elaine, 2, 6–7, 17, 21n2, 68, 70, Japan, 100, 153–154, 165, 176n2, 108, 120, 211, 213 177n8, 179n22, 193 Fresh Talk/Daring Gazes, 6–7 emigration from, 60n15 Making Waves, 21n2 Japanese imperialism, 68, 73–74, Writing Self, Writing Nation, 70, 82 76, 147 Kim, Myung Mi, 82 representations of, 1, 86 King, Rodney, 7, 100, 197, 199 Japanese American artists, 1, 4, 6, 14, Kingston, Maxine Hong, 49, 113 30, 51–52, 96, 98–99, 103, 108, Kirby, Lynn 125–126, 129–130, 135n9, Nothing but Ways, 81–83 179n22, 190 Knight, Michael, 158, 160–161 Japanese American internment, 4, Kochiyama, Yuri, 103 126, 187 Korea, 26, 63, 67–70, 73–74, 76, , 15–16, 31, 36–37, 79–80, 88, 153–154, 193, 212 45, 58, 60n15, 99, 126, 134, , 16, 43, 64, 66–70, 155–156, 182, 185, 187, 208n2 186, 193–194 See also Japanese American artists Korean American artists, 1, 4–5, Japanese art, 179n22, 186 7–10, 14, 16–17, 21n2, 56, Japanese Commercial Center, 185 58–59, 63–91, 103, 132–133, Japanese Cultural and Community 140, 151, 194, 199, 205–206, Center for Northern California 216–217 (JCCCNC), 185 Korean art, 186 Japanese History Museum, 208n2 Korean War, 36, 68, 76 Japanese invasion of Manchuria, 147 Koshy, Susan, 11–12 Japantown Art and Media Collective, Kusama, Yayoi, 4 30, 155 Kwangju Biennale, 177n14 INDEX 241

L Matriarchy (Hung Liu’s New LaFreniere, Mary Rose, 119 Work), 147 Lai, Him Mark, 136n14 Modern Chinese Women, 143 Laotian Americans, 16, 186 Mu Nu, 143 Latin America, 65, 182, 192 Music of the Great Earth, 147 See also Individual countries Resident Alien, 142 Latin American art, 120, 186, 190 Summoning Ghosts: The Art of Hung Latino American studies, 208n4 Liu, 148 Latino artists, 6, 121, 183–186 Liu, Jianhua Latinos, 7, 36, 104, 136n11, 152, Shadows in the Water, 159 164, 169, 172, 182, 188 London, England, 7, 59n2, 161, Lê, Việt 165, 189 TransPop, 194 LongShanTang collections, 187 Lee, Chong-Moon, 155–156, 189 Lorde, Audre, 82, 128, 133–134 Lennon, John, 59n4 Sister Outside, 21n2 Leong, George, 51 Los Angeles, CA, 7, 47, 99–100, 121, Lewallen, Constance, 64, 70 152, 155, 161, 196–197, 202, 204 Lim, Genny, 6, 50–51, 103 Los Angeles MOCA, 165 Lin, Maya, 103 Los Angeles rebellion, 7, 100, Vietnam Memorial, 109 197–199 Lippard, Lucy, 120 Lowe, Lisa, 14, 214 Mixed Blessings, 27 Lu Xun (Zhou Shuren), 40 Lipsitz, George, 167 Liu, Beili, 184 Liu, Hung, 17–19, 139–140, 143, M 150–152, 154, 166, 174, 175, Machida, Margo, 2, 20–21, 27, 41, 176n1, 177n5, 192, 207, 60n12, 108, 120, 215, 217 213–214 Fresh Talk/Daring Glances, 6–7 Boxer Rebellion, 149 Icons of Presence, 37, 43–45 China Mary, 141 Unsettled Visions, 3 Chinese in America, 141 Mak, Gayle, 103 Daughters of China, 147 Manchuria, China, 68, 147 First Spring Thunder, 147 Manet, Édouard Gender Performances, 143 Olympia, 144 Goddess of Love,Goddess of Manila Heritage Center, 183 Democracy/Goddess of Liberty Manilatown Center, 107 Series, 145–146 Manilatown Heritage Foundation, 183 Golden Lotus, Red Shoe, 149 Maoism, 38, 40, 146, 150–151, Interregnum, 149 175, 192 Jiu Jin Shan, 141 Mao Zedong, 135n7 The Last Dynasty, 149 Marchetti, Gina, 178n16 Leaping, 149 Romance and the Yellow Peril, 11 242 INDEX

Martinique, 91n30 Mohanty, Chandra, 120 Marxism, 130, 170 MOMA New York, 165 Masculinity, 79, 197 Monk, Theolonious, 109 Matsumoto, Valerie, 99, 135n9 Moraga, Cherríe, 134 McCunn, Ruthann Lum Moser, Joann, 140, 177n2 Thousand Pieces of Gold, 176n3 Multiculturalism, 11–12, 15–16, 18, McGill, Forrest 20, 58, 94, 100, 109, 121, 127, A Curious Affair: The Fascination 129–134, 139, 147, 154, 171, between East and West, 157 172, 187, 204, 212, 216–217 Mercer, Kobena, 20, 120, 165, 166, critiques of, 7, 65, 95, 179n21 170, 211 Murals, 6, 33–34, 36, 140, 142, 147 Cosmopolitan Modernism, 5 Musée de l’Homme, 83, 87 Methodology, of book, 7–17, 177n4 Musée de quai Branly, 83, 85 See also Ethnography; oral history; Musée d’Orsay, 155 Speaking nearby Museo del Barrio, 182–183, 186 Metz, Christian, 91n31 Muslims, 45 , 45, 106, 143, 175 Mike Douglas Show, 59n1, 59n4 Mills College, 107–108, 139 N Min, Susette, 64 Nagoya Biennale, 177n14 One Way or Another, 1–2, 4, 10, Nakano, Emiko, 4 120, 136n16, 206 NanHai Art Gallery, 189 Min, Yong Soon Naples, Italy, 1 TransPop, 193–194 Nationalism, 6, 67, 88, 140, 152, Minjun, Yue, 178–179n20 171–174, 191, 217 Minority discourse, 27, 214 relationship to diaspora, Mirikitani, Janice, 6, 51–52 150–151, 170 Mission Cultural Center, 186 strategic, 80–81, 151 Mission Gráfica, 36 National Women’s Caucus for the Miyamoto, Nobuko, 30, 41–42 Arts, 98 Mizota, Sharon, 2, 120 Native Americans, 169 Fresh Talk/Daring Gazes, 6–7 See also Indigenous communities myth, 114, 117–118 Nelson, Keiko, 99, 179n22 Modernism, 4–5, 160–162, 167, 217 Neocolonialism, 171–172, 194, 196, cosmopolitan, 20, 166 200–201 Modernities, 5, 167, 172 Neoliberalism, 20, 95, 129, 134, 191, Modernity, 4–5, 148, 157, 160–163, 201 166, 167, 171, 193 Neo-orientalism, 1, 19, 21, 22n3, Modern Language and Literature, 166, 172, 174–175, 178n18, 208n4 214, 216 Modigliani, Amedeo, 178n20 Nepal, 107 INDEX 243

New Museum, 11, 176n4 anti-orientalism, 208n5 New York, NY, 29, 41–42, 53, 68, in art world, 10–14, 17, 94, 122, 121, 130, 136n16, 152, 156, 143–144, 152, 156, 158–172, 161, 168, 179n23, 189, 208n1 174–175, 181, 187–191, 196, artist organizations in, 30, 32, 98 212, 216–217 (See also Individual Pacific Rim discourse and, 154 organizations) terminology, 22n3 Bronx, 172 See also Neo-­orientalism; Orientalism Chinatown, 30 Oshiro, Choppy Harlem, 182–183 Icons of Presence cover, 37 Lower East Side, 36 Manhattan, 99 museums in, 11, 163–165, 176n4, P 182–183, 186 Pacific Islands, 96, 153 (See also Individual museums) Pacific Rim, 12, 16, 19, 153–158, Upper East Side, 32 165, 171, 177n8, 185, 215, 217 NGOs, 132, 135n1 Pacific Rim studies, 153–154 NGOification, 184 Paik, Nam June, 4 Nguyen, Mimi, 208n5 Painters, 4, 17, 22n3, 109–110, 122, Noguchi, Isamu, 4 139, 143, 144, 162 Nostalgia, 29, 146, 166, 175, 214 Painting, 101, 109–110, 112, 115, colonial, 161, 163, 178n17 122–124, 131, 135n3, 139–151, 157, 178n20 Pakistan, 156 O Palazzo Grassi, 155 Oakland, CA, 40, 139 Pan-Asianism, 20, 44–45, 54, 93–136, Chinatown, 186 141, 151, 167, 169, 170, Oakland Asian Cultural Center, 186 196–197, 212–213 Oakland Museum of California, 148, Pan-ethnicity, 31, 37, 118, 136n15, 186, 203 147, 170, 172, 173, 181, 216 Obama, Barack, 16, 22n4 Paris, France, 7, 83, 87, 155, 197 Obata, Chiura, 4 Peltier, Leonard, 169 Obata, Haruko, 135n9 Peruvian Japanese people, 96 Okubo, Miné, 4, 103, 135n9 Philippines, 36, 60n13, 200–202, 205 One Way or Another: Asian American Photography, 6, 33–34, 41–42, 57, Art Now, 1, 2, 4, 10, 120, 67, 70, 75–76, 82–83, 96, 136n16, 206 100–101, 111, 113, 143–148, Ono, Yoko, 1, 4, 103 153, 176n4, 195, 200, 203 Opium War (first), 159 photographers, 32, 35, 44, 51, Oral history, 8–9, 44, 146, 187 59n5, 99, 163, 187 , 185 Picasso, Pablo, 109 Orientalism, 11–12, 64, 106, 122, Pines, Jim 126, 153, 154, 163, 184, 204 Questions of Third Cinema, 65 244 INDEX

Pivot to Asia, 16 cross-racial solidarity, 37, 40, 101, 134 Poetics, 3, 13, 18–19, 68–70, 77, 80, post-raciality, 21 87–88, 89n2, 91n30, 91n32, racialization, 7, 26, 95, 103, 127, 194, 202, 206–207 132, 169, 182, 212 Poetry, 6, 25, 27–28, 30, 32, 44, 47, racialized gender, 12–13, 50, 110, 50–53, 56, 66, 68–76, 79–83, 127, 129, 133, 162–165 91n30, 102, 120, 136n10, 187 See also Racism Portugal Racism, 26, 80–81, 110, 131–132, 185 Portuguese colonialism, 74 See also Segregation Positionality, 3, 16–17 Reagan, Ronald, 95, 134 Postcolonialism, 5, 48, 78, 121, 162, Red and gold washing, 14, 139–179 165, 191–193, 204, 212 Refugees, 76, 107, 142, 202 artists and, 13, 15–16, 63–64, R.E.M., 109 80–81, 89n2, 167, 194–199, Ressler, Susan, 131–132, 135n6 205, 216 Rinder, Lawrence, 64, 72 feminist, 4, 10, 14, 19, 21, 88, 133, Ringgold, Faith, 7 148, 216 Quilt Series, 101 globalization and, 17 Rivas, Pilar Thompkins, 201–202 postcolonial theory, 7, 11–12, 21, Robles, Al, 44, 50–51 22n5, 56–57, 64–66, 87–88, Roediger, Marcus, 153 89n1, 91n30, 143, 150, Rolling Stones, 59n2 169–173, 177n7 207 Roth, Moira, 27, 94, 97, 101, See also De-colonization 107–108 Posters, 6, 26–27, 33–43, 57–58, 60n12, 161–163 Post-raciality, 21 S Prashad, Vijay, 167, 179n21 Said, Edward, 22n3, 154, 166–167 Pratt Institute, 28, 30, 50 Orientalism, 5, 178n18 Prisons, 35, 45–47, 148, 169 St. Thérèse of Lisieux, 75 ProArts, 135n4 Sam, Joe, 109–110 Puerto Ricans, 182–183 San Francisco, CA, 32–33, 42, 81, 173, Purdue University, 135n6 179n22, 184, 194, 208n2, 217 Pu Yi, Emperor, 176n2 Alcatraz Island, 169–170 art elitism in, 20, 164, 191 artist organizations in, 18, 20, 30, Q 94, 98, 102, 105–106, 142 Queer theory, 11, 22n5, 177n7, 207 (See also Individual organizations) Asian American community in, 107, 109 R Bay View-Hunter’s Point, 109 Race, 100, 118, 152, 164 Chinatown, 34–37, 51, 53, 99, 105, artists and, 10, 30, 95, 122, 110, 129, 136n12, 142, 184, 131–134, 196, 203 186, 187 INDEX 245

city development, 59n10, 136n12 Shanghai, China, 147, 183 Civic Center, 104, 155–156 San Francisco sister city, 155 cross-ethnic coalitions, 36, 43–44 Shanghai: Art of the City, 157–166 Golden Gate Park, 104 Shanghai International Culture Japantown, 30, 155 Association, 158 Manilatown, 35 Shanghai Museum, 158 Millbrae, 189 Shih, Shu Mei Mission District, 36, 104, 135n8, 186 Visuality and Identity, 11–12, 178n16 museums in, 4, 7, 9, 17, 83, 104, 116, Shimizu, Celine Parreñas, 178n16 121, 123, 125, 141, 154–167, Shohat, Ella, 120, 208n4 185, 188–189, 196, 215 Talking Visions, 11, 176n4 (See also Individual museums) Siegel, Shizue Shanghai sister city, 155 Standing Strong, 208n3 SOMA (South of Market), 27, 39, Silkscreening, 33, 35, 39–40 54, 102, 104, 107, 123, 125, Simpson, Ching, 113 135n8, 184 Singapore, 165 San Francisco Art Institute, 192 Sinocentrism, 17, 19, 21, 164, 172, San Francisco Arts Commission, 105 189, 204, 211, 214, 216–217 San Francisco Asian Pacific Islander Socialism, 142, 148 Cultural Center, 105 Society for Asian Art, 183 , 17, 63, 97, 193 SOMArts cultural center, 27, 39, art institutions in, 152, 184 135n8, 184 artist organizations, 135n4 Day of the Dead, 123–124 artists in, 121, 192, 194 Soon, Yu Guan (Kwan), 76 Asian American diaspora in, Souza, Allan de, 196 15, 140, 192 Spain, 125 See also Individual cities Spanish colonialism, 74 San Francisco Opera Speaking nearby, 8–9, 198–199 Dream of the Red Chamber, 187 Spivak, Gayatri, 128, 150, 208n4, 213 San Francisco State University, 34 “Can the Subaltern Speak?,” 57 San Jose, CA, 59n9, 105, 208n2 In Other Worlds, 177n7 Sano, Emily, 157 Stamm, Robert, 120 Santiago, Chiori, 108 Stanford, Leland, 112 S. Bernstein & Co., 187 Stereotypes, 12–13, 15, 27–28, 56, Schodt, Friedrich, 178n16 105–106, 126, 144, 150, 184, Seattle, WA, 155, 208n2 196, 206, 2018 Segregation, 6, 100, 185 Subaltern, 3, 57–58, 144, 148, Sekimachi, Kay, 4 171, 198 Senegal, 8, 86, 91n38 Sun Valley Art Center, 141 Sexism, 80–81 The Vanishing: Re-presenting the Sexuality, 28–29, 120–121, 131, 156, Chinese in the American 161, 190, 204 West, 141 Shanghai Celebration, 158 Super-diversity, 152 246 INDEX

Surrealism, 69, 109, 122 Trinh, T. Minh-ha, 7–9, 14, 16–17, Syjuco, Stephanie, 193 64–69, 72–73, 76–80, 85, 88, Money Factory: Economic Reality 89n2, 90n11, 91n32, 103, Game, 194–195 132–133, 140, 151, 205, 216 Sze, Sarah, 184 Documentary is/Not a Name, 91n40 Farmer Framed, 63 The Fourth Dimension, 1 T Inappropriate/d Other, 87, 217 Taipei Biennale, 177n14 L’Autre Marche, 84 Taiwan, 154, 179n20, 193–195, 201 Naked Spaces, 86 Tan, Suzanne, 102 The Night Passage, 86–87 Tate Gallery London, 165 Nothing but Ways, 81–83 Third Cinema, 65 Reassemblage, 86, 91n38 Third space, 65–67, 80, 83, 86–89, 172 Shoot for the Content, 86 Third Text, 5, 66 Surname Viet Given Name Nam, 86 Third Worldism, 26, 57, 94–95, 129, When the Moon Waxes Red, 206 131, 132, 154, 170, 212–213 Woman, Native, Other, 5, 56, Thoreau Center for Sustainability, 106 58–59, 86 Tibet, 156 Tseng Yuho, 4 Tom, Cynthia, 14, 18, 54, 94, 99, Tucker, Marcia, 11, 176n4 101–109, 118–127, 129–133, 151, 175, 187–188, 190, 212 AAWAA’s anniversary timeline, 96 U “Aspirations,” 110 UNESCO Discards & Variances, 111 Artists in Contemporary Societies, Mock, 113 193–194 “Transcape Series” 1 (TS1): Home United Kingdom, 159 F(r)ictions, 201 See also Great Britain Transnationalism, 15, 80–81, 113, University of California, Berkeley, 9, 129–130, 186, 212 10, 33, 40, 42, 68, 206 art and, 12, 17–20, 139, 141, 157, University of California, Irvine, 194 164–166, 169, 171, 173–174, University of California, , 140 188–189, 191–192, 197, 204, University of California, Santa Barbara 206–207, 214–216 Women’s Center, 99 Pacific Rim discourse and, 154 transnational feminism, 4, 7, 10–11, 14, 133, 139, 216 V Trans-Pacific Partnership (TPP), 153 Veiling/re-veiling/revealing, 77–79, TransPop, 194 81, 87, 91n32 Triennale of India, 177n14 Venice Biennale, 167, 192–193 INDEX 247

Venice, Italy, 7, 155 Wong, Nellie, 6, 103 Video, 17, 67–70, 76–78, 83–85, 110, Wong, Sau Ling, 49, 113 163, 199–202, 206 Woolf, Virginia, 53, 128 See also Film Works Gallery, 105 Video games, 1 World Expo (2010), 158, 160 Vietnam, 21n1, 26, 43, 63, 67, 86, World War II, 22n5, 68, 155, 208n3 88, 109, 131, 153, 212 See also Japanese American , 16, 64, 96, internment 186 Wu, Jack, 33 Vietnam Memorial, 109 , 6, 36, 177n8 Villa, Carlos, 44 X Villanueva, Alma Luz, 82 Xu Bing, 179n20

W Y Wada, Manon Bogerd, 106 Yamada, Mitsuye, 103 Walk Against Rape, 42 Yee, Debbie, 102 Wang, Mr. Liu and Ms., 178n20 Yee, Maggie, 106, 107 Wang, ShiPu, 4–5 Yemen, 86 Washington (state), 16 Yerba Buena Center for the Arts Watts rebellion, 197, 199 (YBCA), 81, 194 Wibawa, Irene, 106 Yin, Xiao-huang, 114 Willemen, Paul Questions of Third Cinema, 65 Wing Luke Asian Art Museum, 208n2 Z Women Artists of the American West, Zepke, Stephen, 205 135n5 Zhang, Jian-Jun Women United, 53 Vestiges of a Process: Shanghai Wong, Alice, 120 Garden, 159 Wong, Edward, 100 Zhang, Xu Dong, 218n1 Wong, Flo Oy, 18, 35, 47, 95, 97–98, Zhang Daqian 103, 107, 126, 151, 214 “Peach Blossom Spring,” LONG GRAIN RICE, 178n20 99–101 Zhang Xiaogang, 178n20 Wong, Kristina, 208n5 Zhang Yimou, 177n12 Wong, Leland, 33, 35, 53, 131, 136n12 Zines, 6 Icons of Presence, 37 Zolberg, Vera, 163