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Ioften Ask My Students at the Beginning of My Writing
WHERE HAVE ALL OUR MONSTERS GONE?: Using Philippine Lower Mythology in Children’s Literature Carla M. Pacis often ask my students at the beginning of my Writing for Children class who their favorite storybook characters were when Ithey were kids. The answers are usually the same and very predictable – Snow White, Sleeping Beauty, Peter Pan et. al. semester upon semester. One day, however, a student from Mindanao said that her favorite characters were the creatures her mother had told her about. These creatures, she said, lived in the forests and mountains that surrounded their town. The whole class and I perked up. What were these creatures, we all wanted to know? She told us of the wak-wak that came out at night to suck the fetus from pregnant sleeping mothers or the tianak that took the form of a cute little baby but was really an ugly dwarf. Ahh, we all nodded, we had also heard of these and many other creatures. Thus ensued an entire session of remembering and recounting of fascinating creatures long forgotten and all our very own. In his book The Uses of Enchantment, Bruno Bettelheim explains the importance of monsters in fairytales and stories. He says that “the monster the child knows best and is most concerned with is the monster he feels or fears himself to be, and which also sometimes, persecutes him. By keeping this monster within the child unspoken of, hidden in his unconscious, adults prevent the child from spinning fantasies around it in the image of the fairytales he knows. -
Philippine Folklore: Engkanto Beliefs
PHILIPPINE FOLKLORE: ENGKANTO BELIEFS HISTORICAL BACKGROUND: Philippine mythology is derived from Philippine folk literature, which is the traditional oral literature of the Filipino people. This refers to a wide range of material due to the ethnic mix of the Philippines. Each unique ethnic group has its own stories and myths to tell. While the oral and thus changeable aspect of folk literature is an important defining characteristic, much of this oral tradition had been written into a print format. University of the Philippines professor, Damiana Eugenio, classified Philippines Folk Literature into three major groups: folk narratives, folk speech, and folk songs. Folk narratives can either be in prose: the myth, the alamat (legend), and the kuwentong bayan (folktale), or in verse, as in the case of the folk epic. Folk speech includes the bugtong (riddle) and the salawikain (proverbs). Folk songs that can be sub-classified into those that tell a story (folk ballads) are a relative rarity in Philippine folk literature.1[1] Before the coming of Christianity, the people of these lands had some kind of religion. For no people however primitive is ever devoid of religion. This religion might have been animism. Like any other religion, this one was a complex of religious phenomena. It consisted of myths, legends, rituals and sacrifices, beliefs in the high gods as well as low; noble concepts and practices as well as degenerate ones; worship and adoration as well as magic and control. But these religious phenomena supplied the early peoples of this land what religion has always meant to supply: satisfaction of their existential needs. -
SARE, Vol. 58, Issue 1 | 2021
SARE, Vol. 58, Issue 1 | 2021 Making Space for Myth: Worldbuilding and Interconnected Narratives in Mythspace Francis Paolo Quina University of the Philippines-Diliman, Quezon City, the Philippines Abstract The comics medium has long proven to be fertile ground for worldbuilding, spawning not only imaginary worlds but multiverses that have become international transmedial franchises. In the Philippines, komiks (as it is called locally) has provided the Filipino popular imagination with worlds populated by superheroes, super spies, supernatural detectives, and creatures from different Philippine mythologies. The komiks series Mythspace, written by Paolo Chikiamco and illustrated by several artist-collaborators, takes the latter concept, and launches it into outer space. Classified by its own writer as a “Filipino space opera” consisting of six loosely interconnected stories, Mythspace presents a storyworld where the creatures of Philippine lower mythologies are based on various alien species that visited the Philippines long ago. The article will examine the use of interconnected narratives as a strategy for worldbuilding in Mythspace. Drawing from both subcreation and comic studies, this article posits that interconnected narratives is a worldbuilding technique particularly well-suited to comics, and that the collaborative nature of the medium allows for a diversity of genres and visual styles that can be used by future komiks creators to develop more expansive storyworlds. Keywords: comics studies, subcreation studies, storyworlds, Mythspace, the Philippines The comics medium has long proven to be fertile ground for worldbuilding. It has spawned not only storyworlds in the pages of comic books and graphic novels but given birth to multiverses of storytelling across several media. -
(PDF) Sipi Ng Lumbay Ng Dila
FICTION IDEYA: Journal of the Humanities 10.2 (2009): 47-67 Sipi mula sa Nobelang Ang Lumbay ng Dila Genevieve L. Asenjo [email protected] 1 kong maniwala sa muling pagkaluntian ng bukid. Hindi niya ito naipagpapatuloy. anghaling-tapat ngayon. Kalagitnaan ng Tumunog ang kanyang cellphone. Isang Hunyo.Taong 2007. T breaking news ang mensahe na kaagad din narinig Nakatayo siya — si Sadyah Zapanta Lopez — ng buong baryo sa Bombo Radyo. Ito rin ang sa isang burol sa kanilang baryo, ang Barasanan, bumati sa kanya sa Inquirer7.net. at Philstar.com. sa bayan ng Dao. Nasa dulong timog ito ng Antique, Nasisiguro niyang ito rin ang ibinabalita sa mga isang probinsya sa Panay na ayon sa isang paring istasyon ng TV. Marahil may nakatatak pang musikero nito, ay ang lugar kung saan nagtatagpo eksklusibo. ang dagat at bundok. Lupa at dagat sa pinggan Antique former Assemblyman Marcelo N. naman ito para sa isa niyang babaeng makata na Lopez, acquitted after 21 years of trial! kasalukuyang nasa Amerika. Nakilala niya ang pagkamangha, higit kaysa Nasa dibdib niya ang alinsangan ng tag-init, nasa pagkabigla, na lumukob sa kanya. May anyo ng talampakan ang lamig ng tag-ulan. kaligtasan. Sinuklay niya ng mga daliri ang lampas-balikat na buhok. Inamoy ang bango nito. Isang pag- aanyaya sa banal sa kanyang paligid na dumapo 2 sa kanyang ulo. Katulad kaninang umaga. Umaaso-aso ang kanin na sinandomeng. Nakalapag ito sa mesa sa iya si Sadyah Zapanta Lopez. Apat na taon kanyang gilid katabi ang pinggan ng piniritong Sang nakararaan, nauso ang Friendster. -
Page 1 DOCUMENT RESUME ED 335 965 FL 019 564 AUTHOR
DOCUMENT RESUME ED 335 965 FL 019 564 AUTHOR Riego de Rios, Maria Isabelita TITLE A Composite Dictionary of Philippine Creole Spanish (PCS). INSTITUTION Linguistic Society of the Philippines, Manila.; Summer Inst. of Linguistics, Manila (Philippines). REPORT NO ISBN-971-1059-09-6; ISSN-0116-0516 PUB DATE 89 NOTE 218p.; Dissertation, Ateneo de Manila University. The editor of "Studies in Philippine Linguistics" is Fe T. Otanes. The author is a Sister in the R.V.M. order. PUB TYPE Reference Materials - Vocabularies/Classifications/Dictionaries (134)-- Dissertations/Theses - Doctoral Dissertations (041) JOURNAL CIT Studies in Philippine Linguistics; v7 n2 1989 EDRS PRICE MF01/PC09 Plus Postage. DESCRIPTORS *Creoles; Dialect Studies; Dictionaries; English; Foreign Countries; *Language Classification; Language Research; *Language Variation; Linguistic Theory; *Spanish IDENTIFIERS *Cotabato Chabacano; *Philippines ABSTRACT This dictionary is a composite of four Philippine Creole Spanish dialects: Cotabato Chabacano and variants spoken in Ternate, Cavite City, and Zamboanga City. The volume contains 6,542 main lexical entries with corresponding entries with contrasting data from the three other variants. A concludins section summarizes findings of the dialect study that led to the dictionary's writing. Appended materials include a 99-item bibliography and materials related to the structural analysis of the dialects. An index also contains three alphabetical word lists of the variants. The research underlying the dictionary's construction is -
2011 Winter Mabuhay Newsletter
TheThe MabuhayMabuhay StarStar Official Newsletter of Mabuhay, Inc. A Filipino-American Association Winter 2011 www.mabuhayinc-md.org Inside this issue: What I learned at Mabuhay Culture School by Kayla Argente Get Into the MICS 2 Mabuhay Culture School is a Americans are Cristeta crosses and eggs are made great, fun, and educational Comerford a chef at the and decorated for Easter; Mabuhay, Inc. 2 place to learn about our White House; Manny tales and stories about Senior Events Filipino language and Pacquiao, a famous champion creatures and monsters like Mabuhay, Inc. 3 heritage. I have been with boxer; Vanessa Hudgens, an the Duwende, Kapre, Cultural Mabuhay for about 3 or 4 actor and singer; and Nonito Manananggal, Tikbalang, and Performances years now and I learned a lot Daniare (known as the flash), the Tiyanak (or impakto)for about my heritage. I like a flyweight champion boxer Halloween. 2011 Dental 3 learning about Filipino (some say he is the next Mission dances, famous Filipinos and Manny Pacquiao). Some The Mabuhay Culture School King and Queen of 4 famous Filipino-Americans, Filipino foods I learned about is the place to be to learn Hearts Filipino food, and more. are Adobo, Sinigang, Filipino dances, language, Hamonado, lechon, torta, our heritage, and more. I Mabuhay, Inc. 4 Filipino dances I’ve learned puto, pancit, kare-kare, and encourage all Filipino- Carolers and performed at various more. American kids out there to events are the Subli hat, come and join me at Silent Auction 4 Pandanggo sa Ilaw, Itik Itik, We also have crafts and Mabuhay, Inc. -
SARE, Vol. 58, Issue 1 | 2021
SARE, Vol. 58, Issue 1 | 2021 A Convergence of Filipino Worlds: An Onomastic Reading of Edgar Calabia Samar’s Janus Silang Novels Maria Rhodora G. Ancheta University of the Philippines-Diliman, Quezon City, the Philippines Abstract Edgar Calabia Samar’s Janus Silang book series is a significant body of contemporary young adult fantasy novels in the Philippines. Samar’s ambitious series that successfully melds alternate online tech -worlds, everyday Filipino life, and ancient supernatural, god-inhabited worlds, is worthy of study. In creating this fantasy world, the Janus Silang series underscores the richness of Filipino mythology and lore by cohesively layering these lived worlds by way of spatial and temporal play. This paper wishes to study the value of this “world(s)-building”, entering this by way of the study of onomastics, the study of proper names of all kinds and the origins of names. Using both toponomastics and anthroponomastics, or the study of place names and human naming, respectively, this inventive, powerful focus on naming solidifies the Janus Silang series’ development of unique Filipino characters and narratives and its reintroduction of the cultures of its imaginary worlds for young, contemporary Filipino and global readers. Keywords: Janus Silang, Filipino mythology, literary onomastics, anthroponyms, toponyms Edgar Calabia Samar’s Janus Silang book series is a significant body of contemporary young adult fantasy novels in the Philippines. Samar’s ambitious series that successfully melds alternate online tech -worlds, -
Chapter 4 Safety in the Philippines
Table of Contents Chapter 1 Philippine Regions ...................................................................................................................................... Chapter 2 Philippine Visa............................................................................................................................................. Chapter 3 Philippine Culture........................................................................................................................................ Chapter 4 Safety in the Philippines.............................................................................................................................. Chapter 5 Health & Wellness in the Philippines........................................................................................................... Chapter 6 Philippines Transportation........................................................................................................................... Chapter 7 Philippines Dating – Marriage..................................................................................................................... Chapter 8 Making a Living (Working & Investing) .................................................................................................... Chapter 9 Philippine Real Estate.................................................................................................................................. Chapter 10 Retiring in the Philippines........................................................................................................................... -
Managing the Mountain and the Monkeys: Philippine Millenarian Movement and the Local Dynamics of Community-Based Wildlife Management in Mt
Draft. Please inform the author when citing parts of the paper. Managing the mountain and the monkeys: Philippine millenarian movement and the local dynamics of community-based wildlife management in Mt. Apo Natural Park (Mindanao, Philippines)α Myfel Joseph D. Paluga Department of Social Sciences, CHSS University of the Philippines in Mindanao [email protected] Abstract The paper presents a case study of the role of mountain-dwelling millenarian settlers (Moncadistas) of Mt. Apo Natural Park [MANP] (Mindanao, Philippines) in wildlife conservation—especially the Philippine macaques (Macaca fascicularis philippinensis)—and in the management of the area of the natural park in general. The present village of New Israel (Makilala, North Cotabato: western region of the MANP) is a Moncadista community that has developed unique responses and adaptations to the socio-ecological context of Mt. Apo. As an iconic example, since the middle of the last century (1950s), the village has evolved a case of human-macaque co- dwelling where wild/tamed troops of monkeys are actively taken-cared of, provisioned and given a wider degree of tolerance in roaming the village spaces. Internal and external challenges both constrain and sustain such practices and invite comparison and contrast with the practices of other mountain-dwelling groups and indigenous peoples vis-à-vis the wildlife of their area. Foremost of such challenge is the tension between maintaining their religious and culturally-based conservationist visions for the place (like provisioning the monkeys) and the possibility of breeding monkeys as agricultural pests for contiguous areas of the protected area. The paper focuses on three important dimensions in the emergence and dynamics of their local resources management: the conservationist by-products of their millenarian religious visions, their inter-ethnic relations with the indigenous groups of the place (Tagabawa Bagobo), and the ecological context offered by the natural-cultural settings of Mt. -
Philippine Mystic Dwarfs LUIS, Armand and Angel Meet Healing and Psychic Judge Florentino Floro
Philippine Mystic Dwarfs LUIS, Armand and Angel Meet Healing and Psychic Judge Florentino Floro by FLORENTINO V. FLORO, JR ., Part I - 2010 First Edition Published & Distributed by: FLORENTINO V. FLORO, JR . 1 Philippine Copyright© 2010 [Certificate of Copyright Registration and Deposit: Name of Copyright Owner and Author – Florentino V. Floro, Jr .; Date of Creation, Publication, Registration and Deposit – _________________, 2010, respectively; Registration No. __________, issued by the Republic of the Philippines, National Commission for Culture and the Arts, THE NATIONAL LIBRARY, Manila, Philippines, signed by Virginio V. Arrriero, Acting Chief, Publication and Special Services Division, for Director Prudencia C. Cruz, and Attested by Michelle A. Flor, 1 Copyright Examiner] By FLORENTINO V. FLORO, JR. Email: [email protected], 123 Dahlia, Alido, Bulihan, Malolos City, 3000 Bulacan, Philippines , Asia - Cel. # 0915 - 553008, Robert V. Floro All Rights Reserved This book is fully protected by copyright, and no part of it, with the exception of brief quotations embodied in critical articles and reviews, may be reproduced, recorded, photocopied, or distributed in any form or by any electronic or mechanical means, or stored in a database or retrieved system, without the written consent of the Author/publisher. Any copy of this book not bearing a number and the signature of the Author on this page shall be denounced as proceeding from an illegal source, or is in possession of one who has no authority to dispose of the same. First Printing, 2010 Serial No. _____________ LCCCN, Library of Congress Catalog Card Number: Floro, Florentino V., 2006, " Philippine Mystic Dwarves LUIS, Armand and Angel Meet Fortune-telling Judge", 1st edition, ____ p., FIL / ______ / ______ / 2010 2 ISBN ____________________ 3 Printed & Published by: FLORENTINO V. -
VIRGIN LABFEST 13: WAGAS! June 28 – July 16 2017 Cultural Center of the Philippines
VIRGIN LABFEST 13: WAGAS! June 28 – July 16 2017 Cultural Center of the Philippines SYNOPSES OF THE PLAYS FEATURED WORKS Tanghalang Aurelio Tolentino (CCP Little Theater) SET A June 28, July 7, 12, 16 – 3:00PM | June 28, July 6, 11, 15 – 8:00PM Loveteam Playwright: Oggie Arcenas; Director: Michael Williams To earn his place among the stars in show business, Allen is willing to pay any price and to commit to any sacrifice. But what if it is not his sacrifice that the gods of fame and fortune demand, but that of his only friend’s? Cast: Alex Yasuda Andrei Vegas Stage Manager: Mara Agleham Oggie Arcenas Oggie is an active member of the Writer’s Bloc, an organization of playwrights that is based in Metro Manila. Although this is his 4th trip to the VLF and is now considered a VLF “veteran”, he still regards himself as a newbie when it comes to playwrighting, and feels that he still has an enormous amount of learning and writing to do before he can consider himself a “true” playwright. Oggie has a PhD in Agricultural Economics from Michigan State University, with Environmental and Natural Resource Economics as his area of specialization. After completing his graduate degree, he worked for the World Bank in Washington D.C., but decided to move back to the Philippines in 2005 after living in the United States for thirteen years. Currently, Oggie is a member of the faculty of the U.P. School of Economics in Diliman, and just recently discovered the joys of owning a pet dog. -
Philippines Legends and Myths
Philippines Legends and Myths Do spirits and divinities live in the remote hills? Do fairies bless and fulfill innocent wishes? Are these myths and legends entwine with Philippines? Which of these stories are inseparably related with Philippines and believed from generations to generations? To know, read on... The Philippines is a country in Southeast Asia comprising of 7,107 islands in the western Pacific Ocean. As it has many islands and is inhabited by different ethnic groups, Philippines legends and myths are very diverse. Its mythology includes a collection of tales and superstitions about mythical creatures and entities, which are still believed by many Filipinos. Philippines Mythology Filipinos believe in many mythological creatures, one of them is the Aswang, a ghoul or vampire, an eater of the dead and a werewolf. They also believe in the Dila (the tongue), a spirit that passes through the bamboo flooring of provincial houses and licks certain humans to death. Filipinos also have some other mythological entities like Diwata and Engkanto (fairies), Kapre (a tree-residing giant), Sirena (mermaids), Tikbalang (demon-horses), Siyokoy (mermen), Mambabarang (spirit-summoners), Tiyanak (demon-infants) and Duwende (dwarfs). The prevalence of beliefs in these entities are more strong in the provinces. Some of the common myths are: • According to Philippine myths, ancient people believed in one supreme God, who is the creator of the world. But contradictory to this, there was another myth that said the creation of the world was not the work of a supreme being but rather the outcome of a struggle between hostile forces. • According to the different regional groups, once upon a time the sky was low and the universe was made up of many layers, with each layer inhabited by different kinds of beings.