SARE, Vol. 58, Issue 1 | 2021
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Isabel Acuña
Isabel Acuña Also Known As: Isabel de Nepomuceno, Doña Isabel Lived: January 28, 1904 - September 15, 1986 Worked as: art director, casting director, costume designer, film company treasurer, film company vice president, make-up supervisor, producer, production assistant, set decorator Worked In: The Philippines by Nadi Tofighian Isabel Acuña met José Nepomuceno, a Filipino film pioneer, while he was shooting his third film, Un Capello Marchito/The Wilted Rosebud (1920), in Manila in 1920. She was sixteen years old, and her younger sister, Luisa Acuña, was starring in the film. Nepomuceno founded Malayan Movies together with his brother, Jesús, in Manila in 1917, after previously having run a successful photography studio there. Two years later they made the earliest known fiction film directed by a Filipino, Dalagang Bukid/Country Maiden (1919) (Tofighian 2008, 78). Acuña and Nepomuceno married on June 6, 1920 at the Quiapo Church in Manila, a few months after their first meeting. From that time forward, Acuña was involved in the filmmaking process of Malayan Movies. Initially, she primarily worked on scouting talent, costume design, and make-up. She was instrumental in making costume design and make-up an important part of the mise-en- scene of the film, and she is reported to have spent hours on the streets, in bazaars, and in movie houses researching and getting ideas about set designs and costumes (Quirino 1983, 23). Acuña insisted on using simple words in the dialogue and intertitles in order for everyone to understand, and functioned as an informal censor at Malayan Movies as she required no dirty language or inappropriate scenes. -
Postal Mode of Voting
Republic of the Philippines COMMISSION ON ELECTIONS OFFICE FOR OVERSEAS VOTING LIST OF OVERSEAS VOTERS WHO FAILED TO VOTE IN 2013 NATIONAL ELECTIONS PER POST / COUNTRY ( POSTAL MODE OF VOTING) NORTH AND LATIN AMERICA WASHINGTON, BAHAMAS # LASTNAME FIRSTNAME MATERNALNAME 1 ABEJARON MELITON JR. BULASO 2 ALCALA ALICE BATTAD 3 ALMOITE ANNALEAH VENTURA 4 AMADO DANILO VILLAR 5 AMBID JOLIE TOLENTINO 6 APOSTOL BENEDICTA CAYABYAB 7 ARQUIZA ASTROPHEL SANGCO 8 ASUNCION DIVINA PEDRAZA 9 BACULINAO IVY CHRIS DONDOYANO 10 BAMBA JOSEFINA RAMOS 11 BARON WILLYN BENSING 12 BARRON MARIA SALVACION MADROÑAL 13 BATALLONES CORA LADORES 14 BENAVIDES ALLAN SALIBIO 15 BONIFACIO RACHEL RAFAEL 16 BOUFFARD MARIA CARMELA LIM 17 CAMACHO MYRA VALDEZ 18 CAMORONGAN CARLITO MAMARIL 19 CAMORONGAN ELUZA PERFECTO 20 CANLAS REYNALDO TABAS 21 CASTILLO ANNA LISSA MANIANITA 22 CULLADO REDENTOR CALARA 23 CUNANAN LETICIA TUMANG 24 DE GUZMAN IMELDA REMOLACIO 25 DELA CRUZ CARINA FABIAN 26 DELA PAZ FLORENCE BERNICE DUGAY 27 DOMINGO GIAN ERNEST FERNANDEZ 28 DOMINGO ROCHELLE POCALLAN 29 DUMAPAY ELVIRA BATTAD 30 EDA FELICITA GARGOLES 31 ENCARNACION FELOMINO III CABIAS 32 ERACHO EDUARDO MENDOZA 33 ESCARTIN NORA ESTREMERA 34 ESIL ANNALYN ARANETA 35 FERNANDEZ JASMIN MACATANGAY 36 FERNANDEZ MARILYN APOSTOL 37 FERNANDEZ NERISSA CONSOLACION TARINAY 38 GENIL DANICA ANNE MARANAN Republic of the Philippines COMMISSION ON ELECTIONS OFFICE FOR OVERSEAS VOTING LIST OF OVERSEAS VOTERS WHO FAILED TO VOTE IN 2013 NATIONAL ELECTIONS PER POST / COUNTRY ( POSTAL MODE OF VOTING) NORTH AND LATIN AMERICA WASHINGTON, BAHAMAS # LASTNAME FIRSTNAME MATERNALNAME 39 GOTLADERA APRIL ROSE ONG 40 GUCE MARIA RIZALINA FRANCIA GUCE 41 GUEVARRA CHYVA EMPEYNADO 42 GUMBAN CATHERINE PABILONIA 43 HOBANIL ELIZABETH ALCARAZ 44 JACINTO JULIET SARMIENTO 45 JAGDON SHELLDON IBO 46 LIMON MARILOU NARVAEZ 47 MABITO LEAH BUENO 48 MABITO VIRGINIA DAYAG 49 MAGANA ALEX RODOLFO 50 MAGANA CRISTINA RODOLFO 51 MAGANA GLENDA LORICA 52 MAGRO NERELA BAUTISTA 53 MALOCO VICENTE EVANGELISTA 54 MANGOSING ROGELIO ECLIPSE 55 MAQUINIANA CHERRY MOROTA 56 MARANAN MEYNARDO JR. -
SARE, Vol. 58, Issue 1 | 2021
SARE, Vol. 58, Issue 1 | 2021 Making Space for Myth: Worldbuilding and Interconnected Narratives in Mythspace Francis Paolo Quina University of the Philippines-Diliman, Quezon City, the Philippines Abstract The comics medium has long proven to be fertile ground for worldbuilding, spawning not only imaginary worlds but multiverses that have become international transmedial franchises. In the Philippines, komiks (as it is called locally) has provided the Filipino popular imagination with worlds populated by superheroes, super spies, supernatural detectives, and creatures from different Philippine mythologies. The komiks series Mythspace, written by Paolo Chikiamco and illustrated by several artist-collaborators, takes the latter concept, and launches it into outer space. Classified by its own writer as a “Filipino space opera” consisting of six loosely interconnected stories, Mythspace presents a storyworld where the creatures of Philippine lower mythologies are based on various alien species that visited the Philippines long ago. The article will examine the use of interconnected narratives as a strategy for worldbuilding in Mythspace. Drawing from both subcreation and comic studies, this article posits that interconnected narratives is a worldbuilding technique particularly well-suited to comics, and that the collaborative nature of the medium allows for a diversity of genres and visual styles that can be used by future komiks creators to develop more expansive storyworlds. Keywords: comics studies, subcreation studies, storyworlds, Mythspace, the Philippines The comics medium has long proven to be fertile ground for worldbuilding. It has spawned not only storyworlds in the pages of comic books and graphic novels but given birth to multiverses of storytelling across several media. -
The Heroic Archetypes and the Reinvention of Aswang Character in Segundo Matias’ Moymoy Lulumboy Ang Batang Aswang
THE HEROIC ARCHETYPES AND THE REINVENTION OF ASWANG CHARACTER IN SEGUNDO MATIAS’ MOYMOY LULUMBOY ANG BATANG ASWANG Mary Ann Alcantara Illana* School of Humanities, Ateneo de Manila University, Katipunan Avenue, Loyola Heights, Quezon City, Philippines ARTICLE INFO ABSTRACT Keywords: Marginalized and queer heroes are being recognized in the resurgence of Aswang lore various types of characters in contemporary hero narratives. In challenging Aswang reinscription the normative conventions, there are heroic values in the ambiguous Heroic archetype presentation of their character which are revived and valorized based on the Urban legend heroic archetypes presented in the story. Given this, how do we reconcile the normative conventions of hero attributed to queer and deviant representation of his character and heroic deeds? This paper analyzes the contemporary work of Segundo Matias' Moymoy Lulumboy: Ang Batang Aswang. Article History: Patterned from Joseph Campbell's normative structure of hero's journey, Received: 25/09/2020 which models the representation of various nature of character heroes and Accepted: 20/05/2021 their established heroic archetypes, this study revealed that a category of Available Online: heroic deviant exists in portraying character hero in the revival of Aswang 31/05/2021 lore in contemporary urban legend. Furthermore, this paper affirms that the resurrection of the archetypal pattern and the marginal presentation of the hero and his journey present a re-inscripted image of Aswang from a "rigidly static" to a semi-heroic ascension. 2442-305X / © 2021 The Author, this is open access article under the (CC-BY-NC) license (https://creativecommons.org/licenses/by-nc/4.0/), DOI: 10.19105/ojbs.v15i1.3828 * Corresponding Author: Email address: [email protected] (M. -
Notes on Philippine Divinities
NOTES ON PHILIPPINE DIVINITIES F. LANDA JocANO Introduction THIS PAPER IS ETHNO-HISTORICAL IN NATURE. IT IS DE- signed to put together representative pantheons of different Philippine divinities. The materials for this purpose have been gathered from historical documents, ethnographiC monographs, and Held observations conducted by the writer and other fieldworkers among different indi- genous religious groups in the various parts of the country. No sociological analysis of these cosmologies or their manifest theo- logies is made except to point out that their persistence through time - from the early Spanish contact to the present - indicates they are closely interwoven with the lifeways of the people. The divinities described here are, as they were in the past, conceived as beings with human characteristics. Some of them are good and others are evil. Many stories about the workings of these supernatural beings are told. They participate in the affairs of men. These relationships reinforce local beliefs in the power of the supernatural beings, as those people who participate in community affairs witness how these deities, invoked during complicated rituals, cure an ailing patient or bring about suc- cess in hunting, fishing, and agriculture. Some of these deities are always near; others are inhabitants of far-off realms of the skyworld who take interest in human affairs only when they are invoked during proper ceremonies which compel them to come down to earth. In this connection, the spirits who are always near, are the ones often called upon by the people for help. These supernatural beings are led by the highest ranking deity and not by any one supreme divinity, for each has specific and some independent function. -
In Pursuit of Genuine Gender Equality in the Philippine Workplace
Maurer School of Law: Indiana University Digital Repository @ Maurer Law Theses and Dissertations Student Scholarship 6-2013 Neither a Pedestal nor a Cage: In Pursuit of Genuine Gender Equality in the Philippine Workplace Emily Sanchez Salcedo Maurer School of Law - Indiana University, [email protected] Follow this and additional works at: https://www.repository.law.indiana.edu/etd Part of the Civil Rights and Discrimination Commons, Labor and Employment Law Commons, and the Law and Gender Commons Recommended Citation Salcedo, Emily Sanchez, "Neither a Pedestal nor a Cage: In Pursuit of Genuine Gender Equality in the Philippine Workplace" (2013). Theses and Dissertations. 80. https://www.repository.law.indiana.edu/etd/80 This Dissertation is brought to you for free and open access by the Student Scholarship at Digital Repository @ Maurer Law. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Digital Repository @ Maurer Law. For more information, please contact [email protected]. NEITHER A PEDESTAL NOR A CAGE: IN PURSUIT OF GENUINE GENDER EQUALITY IN THE PHILIPPINE WORKPLACE Emily Sanchez Salcedo Submitted to the faculty of Indiana University Maurer School of Law in partial fulfillment of the requirements for the degree Doctor of Juridical Science June 2013 Accepted by the faculty, Indiana University Maurer School of Law, in partial fulfillment of the requirements for the degree of Doctor of Juridical Science. Doctoral Committee /.,' /.------·-···,v~··- \ .?f:-,. ,. '.:CL ./. ,,,, j ·,..-c..-J'1!""-t~".c -- -...;;;~_, .- <.. r __ I'""=-,.,. __ .,.~·'--:-; Prof. Susan H. Williams ~ l - Prof. Deborah A. Widiss ~l Prof. Dawn E. Johnsen May 24, 2013 ii Copyright© 2013 Emily Sanchez Salcedo iii ACKNOWLEDGMENT This work would not have been possible without the generous support extended by The Fulbright Program, American Association of University Women, Delta Kappa Gamma Society International, De La Salle University - Mme. -
THE RECOVERY of EGALITARIAN LEADERSHIP by Cynthia Datu Introduction
FILLIPINAS AND THE CHURCH: THE RECOVERY OF EGALITARIAN LEADERSHIP By Cynthia Datu Introduction The Filipino Church needs to hearken back to its roots. To be Filipino and Christian is to be egalitarian. Unfortunately this is not always the case when it comes to the role of women in church leadership. Filipino leadership needs to rediscover both reasons for the loss of egalitarianism within their churches and challenge a misguided belief that that the traditional indigenous worldview supports the supremacy of the male. To assist such a search/challenge the article begins with two case studies in the Faith Evangelical Church of the Philippines, a denomination taken as representative of the larger Philippine Evangelical Church in spite of its slightly liberal position on female leadership. Tracing the historical causes of female discrimination in the Philippines, the article reveals how Western biases impinged upon the Church and carry over to the present generation. There is a discrepancy between the perceived high status of women in society and their real status as male subordinates, including certain conditions manifested in the Philippine Evangelical Church. The article closes with recommendations for granting women greater participation in church leadership and achieving balance between males and females leadership. A Narrative on Filipinas in the Church: Two Cases in the Faith Evangelical Church of the Philippines (FECP) In 1999 Joy Pabito was a fresh graduate of Faith Bible College (FBC) and about to embark on a year of internship at Faith Fellowship Ministry Center in Quezon City. When asked what degree she had earned, she replied, “Bachelor of Theology.” She was a Pastor? With a small smirk, she answered, “So they say. -
2015Suspension 2008Registere
LIST OF SEC REGISTERED CORPORATIONS FY 2008 WHICH FAILED TO SUBMIT FS AND GIS FOR PERIOD 2009 TO 2013 Date SEC Number Company Name Registered 1 CN200808877 "CASTLESPRING ELDERLY & SENIOR CITIZEN ASSOCIATION (CESCA)," INC. 06/11/2008 2 CS200719335 "GO" GENERICS SUPERDRUG INC. 01/30/2008 3 CS200802980 "JUST US" INDUSTRIAL & CONSTRUCTION SERVICES INC. 02/28/2008 4 CN200812088 "KABAGANG" NI DOC LOUIE CHUA INC. 08/05/2008 5 CN200803880 #1-PROBINSYANG MAUNLAD SANDIGAN NG BAYAN (#1-PRO-MASA NG 03/12/2008 6 CN200831927 (CEAG) CARCAR EMERGENCY ASSISTANCE GROUP RESCUE UNIT, INC. 12/10/2008 CN200830435 (D'EXTRA TOURS) DO EXCEL XENOS TEAM RIDERS ASSOCIATION AND TRACK 11/11/2008 7 OVER UNITED ROADS OR SEAS INC. 8 CN200804630 (MAZBDA) MARAGONDONZAPOTE BUS DRIVERS ASSN. INC. 03/28/2008 9 CN200813013 *CASTULE URBAN POOR ASSOCIATION INC. 08/28/2008 10 CS200830445 1 MORE ENTERTAINMENT INC. 11/12/2008 11 CN200811216 1 TULONG AT AGAPAY SA KABATAAN INC. 07/17/2008 12 CN200815933 1004 SHALOM METHODIST CHURCH, INC. 10/10/2008 13 CS200804199 1129 GOLDEN BRIDGE INTL INC. 03/19/2008 14 CS200809641 12-STAR REALTY DEVELOPMENT CORP. 06/24/2008 15 CS200828395 138 YE SEN FA INC. 07/07/2008 16 CN200801915 13TH CLUB OF ANTIPOLO INC. 02/11/2008 17 CS200818390 1415 GROUP, INC. 11/25/2008 18 CN200805092 15 LUCKY STARS OFW ASSOCIATION INC. 04/04/2008 19 CS200807505 153 METALS & MINING CORP. 05/19/2008 20 CS200828236 168 CREDIT CORPORATION 06/05/2008 21 CS200812630 168 MEGASAVE TRADING CORP. 08/14/2008 22 CS200819056 168 TAXI CORP. -
Toward a Model for Historicising Translation in Hispanic Filipino
Translation (in/of/as) history: toward a model for historicising translation in Hispanic Filipino literature The International Journal for Translation & Interpreting Research trans-int.org Marlon James Sales University of Michigan, Ann Arbor/ KU Leuven [email protected] DOI: 10.12807/ti.111202.2019.a04 Abstract: The task of researching the history of translation within the framework of a national literature overlaps with the task of interrogating the uses of translation in imagining a nation’s history. Although translation may be represented in this context as a neutral and unproblematic search for equivalence between languages, translational acts have been employed, either wittingly or unwittingly, to privilege a past and inscribe it into the accepted national narrative. Such is the role of translation in the history of Hispanic Filipino literature. In this article I argue that the endeavour of writing a translation history using Hispanic Filipino texts is called upon to examine translation in history, of history and as history, that is, how translation operates as a material, method and mode of commemoration. Translation is considered here as a fundamental component in the production and mediation of a text. It fulfils a gatekeeping function through which historical information is repatriated into the national consciousness. Keywords: history of translation, Spanish Philippines, literatura hispanofilipina, Jose Rizal, Pedro Paterno, Isabelo de los Reyes 1. Introduction The Philippines is an underrepresented area in the study of Hispanism. While there is an awareness about the interconnections between this Southeast Asian archipelago and those regions we readily identify as Hispanic, attempts to investigate Filipino Hispanism are sparse and are often tinged with colonial nostalgia. -
2013 Annual Report.Pmd
CULTURAL CENTER OF THE PHILIPPINES ANNUAL REPORT 2013 TABLE OF CONTENTS I. Vision-Mission & Objectives II. The CCP III. Chairman’s Report IV. President’s Report V. Artistic Programs 1. Performances 2. CCP Resident Companies 3. Training and Education 4. Lessees 5. Exhibitions 6. Film Showings 7. Arts Festivals 8. Arts for Transformation & Outreach Programs VI. Arts and Administration 1. Administrative and General Services 2. Human Resource Management 3. Production and Exhibition Management 4. Cultural International Exchanges 5. Arts Education VII. Financial Summary and Analysis VIII. Organizational Chart IX. Board of Trustees and Key Officials VISION Art matters to the life of every Filipino MISSION Be the leading institution for arts and culture in the Philippines by promoting artistic excellence and nurturing the broadest publics to participate in art making and appreciation. OBJECTIVES Artistic Excellence. Create, produce and present excellent and engaging artistic and cultural experiences from the Philippines and all over the world. Arts for Transformation. Nurture the next generation of artists and audiences who appreciate and support artistic and cultural work. Sustainability and Viability. Achieve organizational and financial stability for the CCP to ensure the continuity of its artistic and cultural program and contribute to the flourishing creative industry in the Philippines. Human Resource Development. Develop a loyal, competent and efficient workforce towards fulfilling a vital role in the cultural institution. HISTORY The Cultural Center of the Philippines (CCP) is the premiere showcase of the arts in the Philippines. Founded in 1969, the CCP has been producing and presenting music, dance, theater, visual arts, literary, cinematic and design events from the Philippines and all over the world for more than forty years. -
Cosmology of the Mandaya
COSMOLOGY OF THE MANDAYA Emmanuel S. Nabayra This study on Mandaya cosmology seeks to explore the following questions: What do the Mandaya understand about the composition of their cosmos or universe? How do they live this understanding about the composition of their cosmos or universe? How do they resolve conflicts among themselves and with others and with the spirits in their environment? The Mandaya believe that their one world is populated by myriads of beings; and that humans are just one of these. That some non-human beings or spirits are stronger than humans while many others are weaker, jealous, tricky, playful, wicked and harmful. I found the Mandaya did not believe that these spirits were gods, but they believe in the existence of one distant Labaw na Magbabaya—the one Source of all beings and the one who ultimately decides for everything that exists and occurs inside His dunya or realm, the world. For this belief in and respect for the existence of spirits in the same universe, missionaries branded the Mandaya and other indigenous peoples as “animists”, from the Latin word anima, spirits. This study then investigates myths, symbols and rituals developed by the Mandaya as homini religiosi (religious human beings) for the purpose of creating and maintaining harmonious relationship with all the spirits in their one and only kalibutan or world with its Langit (heaven), Lupa (land), and Ugsuban (underworld). This is then also a study on the geography of the Mandaya universe, of the Mandaya perception of the harmonious relationships between human and the other spirits populating the kalibutan (world). -
Mythological Woman and the Prose Poem in Barbara Jane Reyes’S Diwata
วารสารรามคา แหง ฉบับมนุษยศาสตร์ ปีท ี่ 37 ฉบับที่ 1 193 Book Review: Mythological Woman and the Prose Poem in Barbara Jane Reyes’s Diwata Mariejoy San Buenaventura1 Barbara Jane Reyes, a Filipino- analysts. Diwata is the Filipino term for American poet, had her collection Diwata goddess, fairy, and nature spirit, and the published in 2010 by the New York-based word is derived from devata, the Hindi word BOA Editions Ltd. as part of their American - most likely originally Sanskrit - for deity Poets Continuum series. Despite the slimness (‚Devata,‛ n.d.). Reyes employs all these of the volume – the epigraph, poems, and aspects of Diwata – goddess, fairy, and notes occupy sixty-seven A5-sized pages – it nature spirit – to portray Diwata as the contains an abundance of the worthwhile for universal, primordial, mythological Woman comparative mythologists and literary found in all mythologies, and as the 1Humanities and Languages Division, Mahidol University International College E-mail: [email protected], [email protected] Ramkhamhaeng University Journal Humanities Edition Vol. 37 No. 1 194 representative very human Woman who, Diwata is also the dryad who takes as mate a through the unfolding of the ages, continues mortal man (Reyes, 2010, p. 20). Then as the to experience the same longings and sufferings. weaver who ‚weaves words into the fabric This is of much interest to the student of of the sky‛ (Reyes, 2010, p. 14), Diwata is a myth. For the student of poetry, Reyes’s uses version of Arachne, she who competed with of the prose poem, chant-like forms, and Athena in a weaving contest (Ovid, 2009, pp.