Brisbane Music Family Tree 2005
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Visionsplendidfilmfest.Com
Australia’s only outback film festival visionsplendidfilmfest.comFor more information visit visionsplendidfilmfest.com Vision Splendid Outback Film Festival 2017 WELCOME TO OUTBACK HOLLYWOOD Welcome to Winton’s fourth annual Vision Splendid Outback Film Festival. This year we honour and celebrate Women in Film. The program includes the latest in Australian contemporary, award winning, classic and cult films inspired by the Australian outback. I invite you to join me at this very special Australian Film Festival as we experience films under the stars each evening in the Royal Open Air Theatre and by day at the Winton Shire Hall. Festival Patron, Actor, Mr Roy Billing OAM MESSAGE FROM THE MINISTER FOR TOURISM AND MAJOR EVENTS THE HON KATE JONES MP It is my great pleasure to welcome you to Winton’s Vision Splendid Outback Film Festival, one of Queensland’s many great event experiences here in outback Queensland. Events like the Vision Splendid Outback Film Festival are vital to Queensland’s tourism prosperity, engaging visitors with the locals and the community, and creating memorable experiences. The Palaszczuk Government is proud to support this event through Tourism and Events Queensland’s Destination Events Program, which helps drive visitors to the destination, increase expenditure, support jobs and foster community pride. There is a story to tell in every Queensland event and I hope these stories help inspire you to experience more of what this great State has to offer. Congratulations to the event organisers and all those involved in delivering the outback film festival and I encourage you to take some time to explore the diverse visitor experiences in Outback Queensland. -
Annual Report 2018
2018 ANNUAL REPORT CONTENTS President’s Report 4 Treasurer’s Report 6 QMusic Program Report 8 QMusic Management Committee 14 QMusic Staff 17 Income & Expenditure Statement 22 Assets & Liabilities Statement 23 Statement of Cash Flows 24 3/374 Brunswick Street PO Box 878 Notes to the Financial Statements 25 Fortitude Valley QLD 4006 Australia Statement by Members of the Committee 30 T (07) 3257 0013 E [email protected] www.qmusic.com.au Independent Audit Report 31 Queensland Music Network Incorporated ABN 14 083 014 720 Disclaimer to the Detailed Income & Expenditure Statement 33 Promoting the artistic value, cultural worth and commercial potential of Queensland music. Detailed Income and Expenditure Statement 34 QMusic - The Queensland Music Network - is a registered non-profit association dedicated to developing, servicing and representing the Queensland music industry. QMusic acknowledges that Aboriginal and Torres Strait Islanders are the custodians of the land and recognise the disadvantage caused by colonisation and dispossession. Aboriginal and Torres Strait Islander music plays a critical role in the broader Australian music context and Australian culture overall. QMusic is committed to working with community to build opportunities for Aboriginal and Torres Strait Islander artists and music businesses. QMusic acknowledges the support and funding of the Queensland Government, Australia Council for the Arts and APRA AMCOS. 2018 ANNUAL REPORT 3 PRESIDENT’S REPORT QMusic marked its 24th year of operation in 2018 – making us older than some of the many music industry participants whom we are fortunate to engage with across Queensland. Like any 24-year-old, there have been great years and some years that presented more challenges than most. -
Beats of Your Town
BEATS OF YOUR TOWN On the eve of the release of their new album ‘Ocean’s Apart’, Grant McLennan, co-leader of watershed Brisbane pop group, The Go-Betweens, takes the time to grant Robiter an interview. Matthew ‘The Rock Lobbster’ Lobb reports The Clowns Come To Town – Film School Rejections and UQ Librarians Long before Queensland art tangled at a pretty summit with pop music (the years prior to LP wonderworks such as Before Hollywood, Liberty Belle And The Black Diamond Express and 16 Lovers Lane) , one Grant McLennan had been knocked back from film and television school on account of his 16 years. Enrolment in an arts program at the University of Queensland came, therefore, as a sort of edifying compromise. Once at St. Lucia, the undergraduate - a brainy eldest child from rural Queensland - befriended a gracefully mincing eccentric named Robert Forster who played guitar and wrote his own songs. The two bonded over shared tastes in skewered pop culture and spent a lot of time at the Humanities library reading, in import copies of The Village Voice, about emerging bands like Television and Talking Heads. Go-Betweens circa '78: Librarians Beware No doubt McLennan was more OCEAN’S APART PICKED APART Grant talks Robiter through the new studious than his pal who failed both at arts and at convincing him to album form a rock group. While a disciplined McLennan passed classes with focused endeavour, Forster was crashing heavily and channelling his ‘Here Comes A City’ (the first vigour into composing songs about would-be love interests. -
Chemidlin Has Nuptials Mr
...and Fanwood Independent VOL 6 NO. 30 .. SCOTCH PLAINS-FANWOOD, N.J., THURSDAY, FEBRUARY 11, 1965 10 CENTS A COPY >oy Scout Talk of the Towns. Pg. 4 Latter To Editor . , . Pg. 7 JOAN MQNAHAN tells the story of BOY SCOUT WEEK FEBRUARY 7-13 is kicked off by American Y.M.C.A. Corner. .Pg. 70 Legion Post Troop No. 209 of Scotch Plains. Mayor Russell Patter- two "Nutty" women (See Page 7) and ? S.R.O.. ....... .Pg. 3 son stands by as Hans Ehml, Scoutmaster prepares to ratio Lou Warshow writes a profile of a guy Church Schedul&s . Pg. 24 flag to the top of the flag pole in front of City Hall.last Saturday. named Howard (See Page 6) Ruth Scout News. ..... Pg. 28 Mayor Patterson spoke to assembled Scouts. (Staff Photo) Gilbert writes the story of a young scientist (Sae Page 7). (Sme Story Page 3) 2...S00TCH PLAINS TIMES, February 11, 1965 Van Dyke Pollift Heads Heart Fund OPEN LETTER The Fanwood Heart Fund drive Dr, Paul Rossey Advises Parents On coincides with the nationally re- cognized Heart Sunday. It Is part Weather Emergencies of the Union County Heart Ass'n, whose goal is $90,000 this year, From time to time it becomes well-being we urgently request necessary to close schools due that you do not call the police "We divided the Borough into to weather emergencies. The de- at any time regarding school its seven election districts, and cision to close schools is based closing since the officer in charge subdivided these districts into solely upon the safety of young- is no longer authorized to give reasonable segments for a team sters travelling between home out this information. -
Digital Playlist
Title Artist Title Artist Boogie Wonderland- "Earth, Wind & Fire" Ironic- Alanis Morissette Does Your Mother Know- Abba Thank U Alanis Morissette Fernando- Abba UR Alanis Morissette Knowing Me Knowing You- Abba You Learn Alanis Morissette Lay All Your Love On Me- Abba You Oughta Know Alanis Morissette Mamma Mia Abba Black Velvet- Alannah Myles Money Money Money Abba Crying At The Discotheque Alcazar One Of Us Abba Wild 12 Megamix Alex K Ring Ring Abba Amazing Alex Lloyd Rock Me Abba Lucky Star Alex Lloyd S.O.S. Abba Billion Dollar Babies- Alice Cooper Take A Chance On Me Abba I'm Eighteen- Alice Cooper The Name Of The Game Abba School's Out Alice Cooper The Winner Takes It All Abba Under My Wheels Alice Cooper Voulez Vous Abba Back In My Life Alice Deejay Waterloo Abba Better Off Alone- Alice Deejay Absolutely Fabulous absolutely fabulous I Love The Nightlife- Alicia Bridges Are You Ready AC-DC Smooth Criminal Alien Ant Farm Back In Black AC-DC Smooth Criminal(v) Alien Ant Farm Fire Your Guns AC-DC Bootie Call- All Saints Giving The Dog A Bone AC-DC I Know Where It's At- All Saints Goodbye & Good Riddance To Bad Luck AC-DC Never Ever All Saints Got You By The Balls AC-DC Pure Shores All Saints Have A Drink On Me AC-DC Angel Amanda Perez Hells Bells AC-DC Vibe-Rator Amen Highway To Hell(v) AC-DC Angel In My Heart Amen vs Alex K If You Dare AC-DC I Can't Wait Amen vs Alex K Let Me Put My Love Into You AC-DC Knock On Wood- Ami Stewart Let's Make It AC-DC Baby Baby- Amy Grant Mistress For Christmas AC-DC I’m Outta Love- Anastacia Moneytalks -
Newsletter Week 6 Term 2 Friday 31 May 2019
Newsletter Week 6 Term 2 Friday 31 May 2019 2019 Senior Dramatic Production – Richard III In this issue BGSEntrepreneurship Newsletter | Lead Article GPS Cross Country Last chance for tickets Executive Director – Advancement and Community Relations Heather Hamilton Building on Brisbane Grammar School's philanthropic heritage Since Brisbane Grammar School's foundation in 1868, the School has developed and inspired generations of well- rounded boys who have succeeded at home and abroad. From our early beginnings, it was through the generosity of our community that BGS derived the ability to provide an outstanding education for boys. This tradition of generosity continues to this day thanks to our community of parents, Old Boys, staff, volunteers and donors. Over the past few years, the BGS community has rallied together to support Campaign 2020, with the goal to raise $20M by 2020 for our Bursary Fund, which enables boys in financial need to attend Brisbane Grammar School. Our aspirations for a sustainable Bursary Fund, with the capacity to provide needs-based bursarial support for 10% of the student population (170 boys), is close to being achieved. With $14.5M raised, we are moving into the final phase of this campaign – Our 2020 Vision – with $5.5M to go. In 2018, BGS provided bursarial assistance for 44 boys without having to draw on either the School’s operational budget or the capital of the fund. The entire community supported this endeavour, with contributions from parents, Old Boys and staff vital to the continued growth of the fund. I extend a heartfelt thanks to the P&F Auxiliary for their generous ongoing support, pledging $500,000 for a bursary in perpetuity, and to our 332 parent and Old Boy donors who continue to support BGS initiatives. -
“THEY WASN't MAKIN' MY KINDA MUSIC”: HIP-HOP, SCHOOLING, and MUSIC EDUCATION by Adam J. Kruse a DISSERTATION Submitted T
“THEY WASN’T MAKIN’ MY KINDA MUSIC”: HIP-HOP, SCHOOLING, AND MUSIC EDUCATION By Adam J. Kruse A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of Music Education—Doctor of Philosophy 2014 ABSTRACT “THEY WASN’T MAKIN’ MY KINDA MUSIC”: HIP-HOP, SCHOOLING, AND MUSIC EDUCATION By Adam J. Kruse With the ambition of informing place consciousness in music education by better understanding the social contexts of hip-hop music education and illuminating potential applications of hip-hop to school music settings, the purpose of this research is to explore the sociocultural aspects of hip-hop musicians’ experiences in music education and music schooling. In particular, this study is informed by the following questions: 1. How do sociocultural contexts (particularly issues of race, space, place, and class) impact hip-hop musicians and their music? 2. What are hip-hop musicians’ perceptions of school and schooling? 3. Where, when, how, and with whom do hip-hop musicians develop and explore their musical skills and understandings? The use of an emergent design in this work allowed for the application of ethnographic techniques within the framework of a multiple case study. One case is an amateur hip-hop musician named Terrence (pseudonym), and the other is myself (previously inexperienced as a hip-hop musician) acting as participant observer. By placing Terrence and myself within our various contexts and exploring these contexts’ influences on our roles as hip-hop musicians, it is possible to understand better who we are, where and when our musical experiences exist(ed), and the complex relationships between our contexts, our experiences, and our perceptions. -
Issue 16 AUGUST 17Th 2011
HONI SOIT Issue 16 AUGUST 17th 2011 12-10pm The revue madness continues with THE ARTS REVUE OR HOW WE LEARNT TO LOVE AGAIN and, from the law faculty, THE SOCIALLY AWKWARD NETWORK opening tonight. Head to the Seymour Centre for two great shows! Arts is on til Fri, Law til Sat. Get in quick! $12-23. 7.30PM If you want to get your comedy fix off campus, WED then get down to the Comedy Store at Moore Park for a very special show, STAND UP FOR THE HOPE OF CAMBODIAN CHILDREN. Featuring P52’s own Michael Hing, as well as a host of local talent, the show will raise $$ for children in need. $25 17th 3-5PM And joining the party, THE ED REVUE, GLADIATAR.. $12- 18, also at the Seymour. Go! Enjoy! These people will one day be responsible for our kids! 7PM-9AM One of Humanitarian Week’s highlights is the annual YOUNG VINNIES SLEEP OUT. Camp out on Gadigal Green tonight and experience what homelessness can feel like. With inspiring speakers and talented musicians on hand to educate and entertain, PICK OF it’s sure to be a fulfilling night. Make some likeminded friends! THE WEEK Register at the ACCESS Desk. $5/15, dinner and b/fast provided. • 5pm-8pm After a week of enlightenment, share the love at the Humanitarian Week WRAP UP PARTY. Bevvies, pizza, • hypnotic interactive lightshows from Punk Monk Propaganda. HUG EVERYONE is our only request. FREE. 8pm Those ironic enough to fork out over 100 nuggets for a ticket to WINTERBEATZ should don their gold Diva hoops and hi- tops to break it down with 50 Cent and G Unit, Mario, Lil Kim and FRI Fabolous at Sydney Ent Cent. -
That Ain't Bad (The Main Single Off Tingles), the Band Are Drowned out by the Crowd Singing Along
THAT AIN’T BAD A ZINE DEDICATED TO SYDNEY INDIE POP FROM THE EARLY 90’S BY ANDY PAINE INTROduction In the late 1980's and early 1990's, a group of bands emerged from Sydney who all played fuzzy distorted guitars juxtaposed with poppy melodies and harmonies. They released some wonderful music, had a brief period of remarkable mainstream success, and then faded from the memory of Australia's 'alternative' music world. I was too young to catch any of this music the first time around – by the time I heard any of these bands the 90’s were well and truly over. It's hard to say how I first heard or heard about the bands in this zine. As a teenage music nerd I devoured the history of music like a mechanical harvester ploughing through a field of vegetables - rarely pausing to stop and think, somethings were discarded, some kept with you. I discovered music in a haphazard way, not helped by living in a country town where there were few others who shared my passion for obscure bands and scenes. The internet was an incredible resource, but it was different back then too. There was no wikipedia, no youtube, no streaming, and slow dial-up speeds. Besides the net, the main ways my teenage self had access to alternative music was triple j and Saturday nights spent staying up watching guest programmers on rage. It was probably a mixture of all these that led to me discovering what I am, for the purposes of this zine, lumping together as "early 90's Sydney indie pop". -
The Byron Shire Echo
THE BYRON SHIRE Volume 28 #39 The Tuesday, March 11, 2014 Phone 02 6684 1777 Fax 02 6684 1719 [email protected] [email protected] Arts www.echo.net.au CAB 23,200 copies every week AUDIT HISTORY IS A RACE BETWEEN EDUCATION AND DISASTER: HG WELLS Inside Mungo Ex-Byron More Belongil Newest of It’s not The best Byron Shire this speaks president talks kerfuffl e the new for Mandy’s damn gig Council Notices week – p8 bypass – p5 – p10 you – p12 fault – p15 guide – p19 Page 32–33 Bikies face crackdown It’s a nude pedal! Police have asked the Tweed and in light of the announcement. Byron Bay liquor accords to not Mr Secord said, ‘Th e comments admit motorcycle gang members by senior police are very embarrass- who wear gang colours or related ing for National Party parliamentar- paraphernalia to their venues. ians, who said that have repeatedly It’s a move that appears to be denied the presence of bikie gangs.’ aimed not just at local gang members Inspector Jim Kain from Tweed/ but those coming down from QLD. Byron Local Area Command told Byron Accord chair, Hannah The Echo the push was part of a Spalding, told The Echo that some statewide general trend. venues already have such policies He confi rmed that two club hous- in place, and that ‘members of the es remaining in the region belong to Accord that were asked were happy the Mongols at Chinderah and Odin’s to support the request.’ Warriors in South Tweed Heads. -
Revolution Rock
REVOLUTION ROCK A celebration of Brisbane’s music history 1942–2002 1.The Concept Abstract Based on research, there are about 209,000 live performers of music in Australia. Queensland accounts for 16% of this total, which is the third highest in Australia. The music industry contributed $266m to Australia’s gross product in 1995–96. REVOLUTION ROCK Attending live music concerts accounts for the majority of time spent by consumers on A celebration of Brisbane’s entertainment, closely followed by attending museums and galleries. music history 1942–2002 In one year in Australia there are: ★ 12 million attendances at public art galleries ★ 6.7 million admissions to live theatre Concept ★ 5 million admissions to musical theatre (including opera) Through collaboration with individual artists and the community, the Revolution Rock ★ 3.4 million attendances at dance performances project will examine key events in Brisbane’s social history which have galvanised residents ★ 4 million attendances at classical music concerts, and and artists to creative action in order to protect, preserve and enhance their cultural identity. ★ 19 million attendances at popular music concerts. Format Source: Australia Council Website Music Industry development and Brisbane’s future as a creative city. Revolution Rock is a multimedia project, which will include recording of oral history, film, (Flew et al. Nov 2001, QUT Creative Industries Research and Application Centre.) video and print media, live concert, exhibit, book and memorabilia, focussing on the Background Brisbane music phenomena from the 1940s to the present day. 5.1 Music has been identified as a major growth industry worldwide. The development of the Music industry provides significant wealth generating and export opportunities for Revolution Rock contents Brisbane, Queensland and Australian economies. -
NMI R the INTERNATIONAL NEWSWEEKLY of MUSIC, VIDEO, and HOME ENTERTAINMENT JULY 10, 1999
$5.95 (U.S.), $6.95 (CAN.), £4.95 (U.K.), Y2,500 (JAPAN) 11.1..11...1..1,11.1...1..11..1..111 I Iln.11 908 #BXNCCVR 3-DIGIT BLBD 690 A06 B0059 #90807GEE374EM002# 001 032500 2 MONTY GREENLY 3740 ELM AVE # A LONG BEACH CA 90807 -3402 Elmo/ NMI r THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO, AND HOME ENTERTAINMENT JULY 10, 1999 Z 2 GEORGE Top Court Ruling As Used -CD Biz O Vid Biz In Transition Spurs Concerns Grows, Chains IAMOND Internet, DVD, Chains Among factors Reshaping Landscape Over Copyright BY SETH GOLDSTEIN of those rental fixtures in the U.S., Get In On Act Ills first SALSA production and EILEEN FITZPATRICK the neighborhood stores. "I hate to BY BILL HOLLAND NEW YORK -Independent video say it, but I believe" the small indies BY ED CHRISTMAN WASHINGTON, D.C. -The retailers used to control video retail- are an endangered species, says con- NEW YORK -With the used- containsENNANCED CE with June 23 U.S. Supreme Court rul- ing. No longer. sultant Richard Kelly CD business apparently on an video and interview ing that gives states immunity The growth of of Cambridge Associ- upswing at independent stores, from private lawsuits seeking chains like Blockbuster ates in Stamford, Conn. more U.S. chains are beginning His first single damages for patent and trade- and Hollywood Enter- Rentrak, the rev- to add the prod- mark violations tainment, the emer- enue-sharing specialist uct category to "QUE 111 VAS" NEWS does not yet gence of the Internet that regularly collects their stores.