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Griffin 74.2 – Dec 2016
The Griffin Vol. 74 No. 2 December 2016 Free to Members Nadolig Llawen The Christmas Social Romany’s Sequin Theatre Podcast of the Month The Chester Guild of Magicians News Reviews And More Cylchlythyr Hud Gogledd Cymru The North Wales Magic Circular 74.2/12.2016 The Griffin In This Issue Vol 74 No 2 18 The Christmas Social I thought that went well. 20 Podcast of the Month The Magicians’ Podcast 21 The Chester Guild of Magicians How the other half lives. 23 Profile We welcome our new President Gatling, yes again. 25 In Review 3 From the Lectern 2 reviews by Coberman Thoughts you never wanted in a way you never wanted them. 29 Competition Rules 4 Hail to the Chief(s) They’ll be here before you know it. A seasonal message from our 32 Diary Presidents, Sarah and Jay Gatling. Keep up to date on what’s happening 5 Magic News in your society and others. What’s new in the world of magic and mystery. 8 Next NWMC Lecture Taz Marlowe talks entertaining little people (not leprechauns). 9 The Sequin Theatre How to build your own performance space, Romany style. 16 From the Vault A magical Christmas Carol 2 74.2/12.2016 The Griffin From the Lectern year, the time of year when magicians can feel both wanted and surplus to requirements at one and the same time. How do you feel professionally at Christmas? Write and let us know! I want a letters page like in the Leader! Which brings us on to.. -
Digital Playlist
Title Artist Title Artist Boogie Wonderland- "Earth, Wind & Fire" Ironic- Alanis Morissette Does Your Mother Know- Abba Thank U Alanis Morissette Fernando- Abba UR Alanis Morissette Knowing Me Knowing You- Abba You Learn Alanis Morissette Lay All Your Love On Me- Abba You Oughta Know Alanis Morissette Mamma Mia Abba Black Velvet- Alannah Myles Money Money Money Abba Crying At The Discotheque Alcazar One Of Us Abba Wild 12 Megamix Alex K Ring Ring Abba Amazing Alex Lloyd Rock Me Abba Lucky Star Alex Lloyd S.O.S. Abba Billion Dollar Babies- Alice Cooper Take A Chance On Me Abba I'm Eighteen- Alice Cooper The Name Of The Game Abba School's Out Alice Cooper The Winner Takes It All Abba Under My Wheels Alice Cooper Voulez Vous Abba Back In My Life Alice Deejay Waterloo Abba Better Off Alone- Alice Deejay Absolutely Fabulous absolutely fabulous I Love The Nightlife- Alicia Bridges Are You Ready AC-DC Smooth Criminal Alien Ant Farm Back In Black AC-DC Smooth Criminal(v) Alien Ant Farm Fire Your Guns AC-DC Bootie Call- All Saints Giving The Dog A Bone AC-DC I Know Where It's At- All Saints Goodbye & Good Riddance To Bad Luck AC-DC Never Ever All Saints Got You By The Balls AC-DC Pure Shores All Saints Have A Drink On Me AC-DC Angel Amanda Perez Hells Bells AC-DC Vibe-Rator Amen Highway To Hell(v) AC-DC Angel In My Heart Amen vs Alex K If You Dare AC-DC I Can't Wait Amen vs Alex K Let Me Put My Love Into You AC-DC Knock On Wood- Ami Stewart Let's Make It AC-DC Baby Baby- Amy Grant Mistress For Christmas AC-DC I’m Outta Love- Anastacia Moneytalks -
“THEY WASN't MAKIN' MY KINDA MUSIC”: HIP-HOP, SCHOOLING, and MUSIC EDUCATION by Adam J. Kruse a DISSERTATION Submitted T
“THEY WASN’T MAKIN’ MY KINDA MUSIC”: HIP-HOP, SCHOOLING, AND MUSIC EDUCATION By Adam J. Kruse A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of Music Education—Doctor of Philosophy 2014 ABSTRACT “THEY WASN’T MAKIN’ MY KINDA MUSIC”: HIP-HOP, SCHOOLING, AND MUSIC EDUCATION By Adam J. Kruse With the ambition of informing place consciousness in music education by better understanding the social contexts of hip-hop music education and illuminating potential applications of hip-hop to school music settings, the purpose of this research is to explore the sociocultural aspects of hip-hop musicians’ experiences in music education and music schooling. In particular, this study is informed by the following questions: 1. How do sociocultural contexts (particularly issues of race, space, place, and class) impact hip-hop musicians and their music? 2. What are hip-hop musicians’ perceptions of school and schooling? 3. Where, when, how, and with whom do hip-hop musicians develop and explore their musical skills and understandings? The use of an emergent design in this work allowed for the application of ethnographic techniques within the framework of a multiple case study. One case is an amateur hip-hop musician named Terrence (pseudonym), and the other is myself (previously inexperienced as a hip-hop musician) acting as participant observer. By placing Terrence and myself within our various contexts and exploring these contexts’ influences on our roles as hip-hop musicians, it is possible to understand better who we are, where and when our musical experiences exist(ed), and the complex relationships between our contexts, our experiences, and our perceptions. -
NMI R the INTERNATIONAL NEWSWEEKLY of MUSIC, VIDEO, and HOME ENTERTAINMENT JULY 10, 1999
$5.95 (U.S.), $6.95 (CAN.), £4.95 (U.K.), Y2,500 (JAPAN) 11.1..11...1..1,11.1...1..11..1..111 I Iln.11 908 #BXNCCVR 3-DIGIT BLBD 690 A06 B0059 #90807GEE374EM002# 001 032500 2 MONTY GREENLY 3740 ELM AVE # A LONG BEACH CA 90807 -3402 Elmo/ NMI r THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO, AND HOME ENTERTAINMENT JULY 10, 1999 Z 2 GEORGE Top Court Ruling As Used -CD Biz O Vid Biz In Transition Spurs Concerns Grows, Chains IAMOND Internet, DVD, Chains Among factors Reshaping Landscape Over Copyright BY SETH GOLDSTEIN of those rental fixtures in the U.S., Get In On Act Ills first SALSA production and EILEEN FITZPATRICK the neighborhood stores. "I hate to BY BILL HOLLAND NEW YORK -Independent video say it, but I believe" the small indies BY ED CHRISTMAN WASHINGTON, D.C. -The retailers used to control video retail- are an endangered species, says con- NEW YORK -With the used- containsENNANCED CE with June 23 U.S. Supreme Court rul- ing. No longer. sultant Richard Kelly CD business apparently on an video and interview ing that gives states immunity The growth of of Cambridge Associ- upswing at independent stores, from private lawsuits seeking chains like Blockbuster ates in Stamford, Conn. more U.S. chains are beginning His first single damages for patent and trade- and Hollywood Enter- Rentrak, the rev- to add the prod- mark violations tainment, the emer- enue-sharing specialist uct category to "QUE 111 VAS" NEWS does not yet gence of the Internet that regularly collects their stores. -
SMPR SPCE Artist's Page
.:-.;-:tv^ •• ,.• SMPR SPCE artist's page Chris Comer Polspakfilla, 2001 Size variable £01 TORI AL '?-S-'¥-JJ7Ml3S5S®i4SE3SS*3SS?^«'«'^'3^'"'*®*«"'^^ Pigs in spaaaaaaace. Or not... When Semper decided to do space, our intial thoughts didn't take to the sides, to the outer. We assumed space was the stuff between buildings, between mornings, between sinews and synapses, not that ofthe many-mooned variety. For many of our contributors, though, the appeal of astronauts and oxygen masks stiD holds. And why not? As our city, seemingly always under contruction, laps up and redevelops its last uninhibited stretches for office space, luxury apartments and billboards, one can't help but feel a little claustrophobic. And maybe this quest for the outer, exhibited by so many of our contributors, is due somewhat to an increasing dismay at the availability of appropriate spaces on this earth. Some nights the XXXX is brighter than the moon. Shuttles it is, then. i Smce leaving our childhood bedrooms we've all had to pay for the space we inhabit: our sleeping space, study space, •"'•'^<—^JtiiiiaJiJSi^ recreational space, and the space for the spaces in-between. The only space we truly own is the space inside ourselves: anywhere else and you have to pay rent, purchase a ticket or swap a fiver for a watery latte. Read Naomi Klein's No Logo PEOPLE WHO ROCK... and you may come to suspect the notion of public space is inherantiy flawed. Hell, you probably suspect it anyway. Big apologies to Rachel Burton who we somehow neglected to credit for our wonderful cover last All this is admittedly a bit ace at the moment, this disection of month. -
Brisbane Music Family Tree 2005
Overseas Bands Texas Tea Common bandmember Tripod (QLD) Kate Jacobson, THe Pop Star International Pug Butterfly Benjamin Dougherty (Vegas Kings), Greg Hilliard Strontium Cowboy Bob (Vaginabillies, Massage units Rescue Jon Ryan The Grates Prix Divers Heavyweight Dirtcatchers, Gin Club etc.) Michael Elliot, Roland Bisshop Dog Alana Skyring, Rober Lukins, Kate Jacobson, Sugadust champion Greg Hilliard Patience Hodgeson, Patience Hodgeson Interstate Bands Evelyn Golding, Blood idols/ Greg Hilliard Gail Hardgraves John Patterson METROSEXUALS Mirko (Sekiden) Common bandmember bantha fodder THE SLIGHT Matthew Lobb THe Mess hall Angus Chapman, PARADE Trevor Ludlow Cec Condon Paul Coleman (Van Lustbader) Alana Skyring, Turtlebox PEOPLE Nick Naughton Holster = band Conan Thorogood, Ed Henty, is defunct Roland Bisshop OF EARTH Robert Lukins Lee Griffin, Burnside the Winters Jason Cassidy, Patrick McDermott, Clifton Robert Lukins, Kate Bradley Xavier Poropat (Eat Laser Scumbag, The B-sides Alana Skyring, Partkertron etc) Alana Skyring, Ed Henty, = hub John Swingle, Ian Campbell Kilgore Stag Conan Thorogood, Damian Radford Trevor Ludlow, Clone Dan Baebler, John Patterson Trout Jason Cassidy Jason Cassidy, Joss Berrett Maureen Hansen, Roshambo Greg Charles Suzi Hansen, STANding 8 Tony Giacca ZOMBIE Computor Tim Brennan , Teen Period John Lowery, Mexico City David McCormack, Angus Chapman, counts Collective Crime Boss Mark Lowery Jason Cassidy, Bre O’Neil, Will Cec Condon, Bob Moore Paul Coleman, John Patterson, Alana Skyring, Fowles, Tam Patton,Tom Beaumont, Simon Raditch, James Straker Mark Perry Lee Fletcher, D-KO Blonde Ben Dougherty, Greg Hilliard, Michael Elliot John Patterson Kris Swales, Roland Bisshop, Walter Gentle Ben & Cobra Cunningham Simon Dennes, Formoso his sensitive side Evelyn Golding, Joss Berrett, Greg Brady, Ben Corbett, Arbuckle Simon Lilley. -
Standard Resolution 21MB
The e-journal of analog and digital sound. no.23 2009 Ladies and gentlemen, the Beatles. Bob Gendron Reviews the Beatles Remasters TONE A 1 NO.23 2 0 0 9 PUBLISHER Jeff Dorgay EDITOR Bob Golfen ART DIRECTOR Jean Dorgay r MUSIC EDITOR Ben Fong-Torres ASSISTANT Bob Gendron MUSIC EDITOR M USIC VISIONARY Terry Currier STYLE EDITOR Scott Tetzlaff C O N T R I B U T I N G Tom Caselli WRITERS Kurt Doslu Anne Farnsworth Joe Golfen Jesse Hamlin Rich Kent Ken Kessler Hood McTiernan Rick Moore Jerold O’Brien Michele Rundgren Todd Sageser Richard Simmons Jaan Uhelszki Randy Wells UBER CARTOONIST Liza Donnelly ADVERTISING Jeff Dorgay WEBSITE bloodymonster.com tonepublications.com Editor Questions and Comments: [email protected] 800.432.4569 © 2009 Tone MAGAZIne, LLC All rights reserved. TONE A 2 NO.23 2 0 0 9 features Old School: Love Those LED’s 10 The SAE 2200 By Jerold O’Brien Please Please Me: 21 The Beatles Remasters Reviewed By Bob Gendron 104 Simon Drake Talks About 40 Naim’s Music Label: Embracing Past and Future Technologies By Jeff Dorgay Dealers That Mean Business: 21 85 We visit Nuts About HiFi (on the cover) By Jeff Dorgay Budget Gear: 90 Rotel RA-1520 Integrated Amplifier and RDC-1520 CD Player By Mark Marcantonio A Visit to Rega: 104 Roy Gandy’s Model of Efficiency By Jeff Dorgay 7. NEW CONTRIBUTORS 8. PUBLISHER’S LETTER 9. TONE TOON By Liza Donnelly TONE A 3 NO.23 2 0 0 9 tone style An Afternoon With the Focal 67 Grande Utopia EM By Jeff Dorgay The B&W Panorama 71 The Fantastic Soundbar By Jeff Dorgay The Olympus E-P1 74 DSLR Performance, Compact Size By Jeff Dorgay TomTom for the iPhone 78 Let Your iPhone be Your Guide By Jeff Dorgay 67 The Sound of the Future 79 of Radio: WiFi Is Here By Ben Fong-Torres RedEye’s Remote System 81 Grab This All In One By Jeff Dorgay Little City Coffee: 82 Austin’s Best Roast. -
After Dark - Series One 2 - 7
Contents After Dark - Series One 2 - 7 After Dark - Series Two 8 - 21 After Dark - Series Three 22 - 31 After Dark - Series Four 32 - 36 After Dark - Specials 37 - 39 After Dark - BBC Series 40 - 41 The Secret Cabaret 42 - 44 Is This Your Life? 45 - 46 Opinions 47 - 48 Don’t Quote Me 49 - 51 Mossad: The Spy Machine 52 - 53 Orient: Club for a Fiver 54 Equinox series 55 - 56 Specials 57 - 58 The Greatest F***ing Show on TV John Wells and the Three Wise Men The Mediator Weird Thoughts The Great Pot Debate Natural Causes Suez: A Personal View by Andrew Roberts The Talking Show 59 © Open Media Ltd. All Rights Reserved. Last updated 30.09.2020 1 After Dark - Series One 1. SECRETS Transmission Date: 1 May 1987 Subject: Official Secrets Act Host: Tony Wilson Guests: Clive Ponting, Margaret Moore, Colin Wallace, T. E. Utley, Isaac Evans, Peter Hain, Anne-Marie Sandler Tags: Spies, Spy, Intelligence, Belgrano, Psychoanalysis, Kincora, BOSS, Secrets, Thatcher ↓ The first ever After Dark programme (1 May 1987) was described in The Listener: After Dark made a historic breakthrough by rediscovering the structure of adult conversation: the ingredients are intelligence, candour and courage, and the absence of impeding structures such as television time barriers. Seven people talked live, from midnight to the early hours of the morning, on a subject dear to our hearts – and at the moment costly to our nerves – secrets. Clive Ponting, ex MOD; Anne-Marie Sandler, French psychiatrist; Peter Hain, former anti-apartheid campaigner; Colin Wallace, former army "information officer" engaged in psychological warfare in Northern Ireland in the Seventies; Mrs Margaret Moore, widow of one of the computer scientists who have died recently in mysterious circumstances; Isaac Evans, a farmer who campaigns against bureaucratic secrecy, and T. -
Griffin May 21
Hello fellow magi! I hope you’re all keeping safe and well. Things are looking very promising and we could be back to face to face meetings in the not too distant future! For now though we have continued with our monthly online meetings and this month we had a ‘Joining The Magic Circle’ themed evening. On the night we had guest speaker Matthew Garrett. Matthew is one of the Magic Circle exam secretaries and his role is to meet and greet upcoming and potential new members and to help get them prepared for their exam. Matthew gave us a brief tour around the club website and explained the process you have to go through to become a member of the magic Circle. We also got a sneak peek of the Magic Circle apprentice and the members only Facebook pages which was intriguing to see. Of course currently clubs are not meeting in person and so interviews and exams have had to be done online via zoom. As well as Matthew Garrett we had some of our very own NWMC members talk about their journeys to becoming members of the Magic Circle. Howie Fay is one of three magicians which make up the group ‘The Magicians in Black’. Howie became a member of the magic circle on the 27th July 2000. Howie had Allie Bongo as his sponsor. For his exam he came on stage with his furry companion ‘Rocky Racoon’ and Rocky very quickly stole the limelight, to which Howie had to remind him; “This is my exam!” He then went on to perform a very comical Card in mouth, followed by Dave Williamson’s very graceful ring on rope and finally a very visual and eye popping Bill switch. -
PDF Taster Issue No.1 the MAGIC MAGAZINE for MAGICIANS & MENTALISTS
PDF Taster Issue No.1 THE MAGIC MAGAZINE FOR www.magicseen.co.uk MAGICIANS & MENTALISTS DAVID COPPERFIELD: STILL FLYING HIGH PLUS: THROWDINI GAFF COINS PART 4 REVIEWS MASTERCLASS MARC OBERON HOW TO BECOME A WORLD MAGIC CHAMPION PDF TASTER magicseen: THE MAGAZINE YOU CAN’T WAIT TO PUT IN YOUR RECYCLE BIN! CONTAININGTHE LATEST EXTRACTS ISSUE FROM AND SELECTED BACK ISSUES LETTERS Readers’ letters... If you have anything you would like to tell us, whether it’s about the magazine or anything magic related, please email: [email protected] TREVOR’S ESCAPES I watched a TV documentary recently, which featured Trevor Baylis, the man who invented the wind-up radio, and he mentioned that he was an escapologist! What exactly did he do? Liam Morton, Berwick Trevor was an accomplished swimmer in his younger days (he swam for great Britain when he was just 15!) and worked for a company called Purley Pools which developed swimming pools. He subsequently got into stunt work and worked as an entertainer/escapologist - diving into ‘clear-sided’ pools and escaping from things like handcuffs! He staged an elaborate underwater escape while working for the Berlin Circus, and make a pretty penny out of it, which bought Eel Pie Island where he lives today. BRING BACK GUY! I NEED A CHANGE! McClean, who Hi, I am looking to make a big has worked in HELP! Great to see Guy Bavli featured in change to my act. I have TV for a Hi, I have been offered a the last issue of magicseen. I performed as mainly a children’s number of couple of stand-up shows in remember seeing him around entertainer, but would love to do years writes an April, but the audience know fifteen years ago in the UK, and I a more adult act. -
Front Matter.Qxd 4/2/07 6:37 PM Page I
mangan Performing Dark Arts: A Cultural History of Conjuring By Michael Mangan PERFORMING Magic and conjuring inhabit the boundaries and the Performing borderlands of performance. The conjuror’s act of R demonstrating the apparently impossible, the uncanny, the marvellous, or the grotesque challenges the spectator’s sense of reality. Michael Mangan holds the {DARK { D A K } It brings him or her up against their own assumptions Chair in Drama at Exeter about how the world works; at its most extreme, it asks University. His main research the spectator to re-evaluate his or her sense of the limits interests lie in theatre and society – more specifically, of the human. Performing Dark Arts is an exploration of the he has published in the paradox of the conjuror, the actor who pretends to be a subjects of theatre and gender, Shakespeare and Renaissance A T S magician. It aims to illuminate the history of conjuring by R examining it in the context of performance studies, and to theatre, the cultural history of popular performance, throw light on aspects of performance studies by testing and contemporary British them against the art of conjuring. The book examines not theatre. He has also worked A only the performances of individual magicians from Dedi as a playwright, a director, a RTS} A CULTURAL HISTORY to David Blaine, but also the broader cultural contexts literary manager, a dramaturg and an actor. in which their performances were received, and the o f CONJURING meanings which they have attracted. ‘This is an erudite book which wears its scholarship lightly and is a pleasure to read. -
The Fylde Mystics Promoting the Performance of Magic
Page 1 Page 1 The Fylde Mystics Promoting the performance of Magic October 2014 Page 2 Magical Memoranda Editorial by Paul Joyce. Page 3 News, Views and comments Morgan & West Review by Page 4 George Jennings Magic Decoded By Allan Clarke Page 10 Your Club need you - Alan Page 14 Mylecraine Page 15 Magician FX Offer DVD & Book Library Page 16 Page 21 Fylde Mystics Programme Page 3 Page 3 Editorial by Paul Joyce Where there is no imagination there is no horror." Sir Arthur Conan Doyle Welcome to the October edition. I am sure you will agree that September has been a fantastic month for the Fylde Mystics and am sure October will continue in the same vein. Looking ahead, I am looking at putting together the Xmas edition (sorry, I know it sounds a while off!). Ideally, I would like to be able to do a special Xmas edition, if you have any stories that you think may be of interest please do let me have them, all articles are appreciated. See you soon Paul Page 4 Morgan and West Chorley Little Theatre Friday Sep- tember 19th “A grand adventure” By George Jennings Just under a year ago we went to the Chorley Little Theatre to see Morgan and West and they came back with a different show in the same characters they had already established as Victorian travellers. I had thought that as they had gone down really well that word of mouth would have increased the size of audience, but if anything there were slightly less than before.