Kool'zine (The Go-Betweens)

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Kool'zine (The Go-Betweens) Hard On For Love 38.776 caracteres alrededor de The Go- Betweens CANCIONES DE AMOR. irresponsabilidad. Todas esas cosas vienen de en - tonces; sería bonito recuperarlo, pero son otros í. Lo sé. Cuadrar al toro más lidia - tiempos…Para mi, son ideas falsas ahora. do de la música popular adolescen - Todavía creo que hay un millón de buenas razo - Ste. Conseguir que se le ericen los nes para la rebeldía…pero la gente lo esta ha - pelillos de la nuca a la puta más revisita - ciendo a partir de un esquema que existió en los da en cinco décadas de cultura musical ‘50, y la primera mitad de los ‘60. De ahí toda juvenil. Hacer CANCIONES. Punto. esa retorica y esos estúpidos sueños que la gente El Tópico entre los Tópicos, y a la vez su sigue a pesar de que están caducos desde hace propia razón de ser. treinta años…Lo veo como una trampa real, ”La fuerza que me impulsa al componer es una trampa en la que la gente joven cae, a la hacer algo totalmente inspirado y brillante, cap - que se adapta .” (RF, 2)– , y no es difícil com - turar mi vida en una canción... realmente me prender su condición de cronistas privile - gustaría escribir una canción como ‘Young Girls giados de los mil y un recorridos de la pa - Are Coming To The Canyon’ de Mamas and sión; una pasión que en un tiempo de una Papas: me gustaría escribir una realmente real - austeridad emocional espartana, obliga mente buena canción pop de tres acordes. Eso es -ineludiblemente, a cada segundo- a luchar en lo que pienso en este momento” (RF, 2). por la ‘Otra Tragedia’ –ya sabes: “ hay dos Cambia –si lo consideras necesario– la tragedias en la vida. Una no conseguir lo que se canción, y puedes escribir –de carrerilla– anhela. La otra, conseguirlo ” (Shaw)–. toda la historia de la música pop . No, no ¿Otros plomos dispuestos a encajar, con me preguntes donde radica el irresistible palanca y palanqueta si es preciso, el magnetismo de esas pequeñas estructuras ‘Cantar de los Cantares’ en el microcosmos que alguien definió como “tres minutos por de una canción?. No; que va…“ Tampoco es l panorama alternativo (¿?) donde pasa el mundo” –esto no es un tratado que pretendamos escribir poesía. Todos nuestros parece tener su vértigo parti - de psicología, ni de sociología–. Aunque, la discos desde el segundo llevan impresas las le - cular; ya sabes: cada cual pa - verdad, tampoco serviría de mucho: Ese es tras…La verdad es que nos esforzamos por escri - rece tener su propio ombligo, también mi fetiche, y lo más que podría de - bir letras que tengan algún sentido para noso - todos parecen ser redondos, y cir es que, de poder, yo también jugaría a tros…No es que yo crea en un tiempo mítico en el la actividad consistente en ob - ese juego. Quizás por eso, siempre me ha que todo estaba bien, pero en el pasado gente co - Eservar detenidamente la perfección de su parecido mágico –e irresistible– ese cuento mo Patti Smith, Dylan, o Lou Reed tenían éxito circularidad suele ser lo suficientemente en el que cuatro adolescentes airados deci - con canciones que dejaban bien claro que habían placentera en sí misma como para desesti - den jugar en el mismo campo, y con la mis - leído al menos un libro o dos; algunas canciones mar cualquier intento sólido de convencer ma pelota -dos guitarras, un bajo, y una ba - de Smokey Robinson son poesía pura. O muchas al prójimo –más alla de los afortunados que tería; además de todas las gargantas dispo - canciones de Tamla Motown... ” (GM, 3). comparten estrictamente el mismo modelo nibles-, que aquellos a quienes idolatran Sobra decir que este artículo no estaría de ombligo– de que éste o aquel grupo es, con una pasión sin límites. en tus manos si yo no estuviese completa - o fue, poco menos que imprescindible. Tampoco me preguntes por qué –si no mente convencido –esto es un fanzine , re - La cosa se complica todavía un poco lo sabes es un poco tarde para intentar ex - cuerda– de que, durante los once años de más, volviendose sintomática, si se preten - plicartelo–, pero, además, componer can - su existencia los Go añadieron colores nue - de escribir sobre grupos, como los Go- ciones siempre ha tenido su propio tópico, vos, imprescindibles, a la imagen, siempre Betweens, que no han basado su carrera en y las canciones (casi) siempre son canciones en movimiento, del sonido de nuestro las características más apreciadas , al pare - de AMOR, ponle todas las preposiciones tiempo. Como de todo en esta vida, se pue - cer, en este terreno –ya sabes declaraciones que quieras, y alguna más. Punto. Y final. de prescindir de su presencia; claro que ha - epatantes, rasgos estilísticos inéditos, bio - Pero tranquilo, no te asustes, nada de cerlo sería condenarse mil veces a descu - grafías que dejarían a la de Bela Lugosi a la ‘hoy la he visto, y me ha mirado’: Desde un brir su sonido en los pálidos destellos de altura de la mera anécdota…etc.–. Al pare - primer momento, los Go-Betweens dejaron sus epígonos; atarse voluntariamente una cer, sin algo que se fije de inmediato a la re - clara su filiación sentimental, adoptando mano a la espalda; resignarse irremediable - tina parece imposible atrapar, directamente como nombre el título de una novela del mente al blanco y negro. desde las páginas, al lector potencial. escritor británico –perteneciente a la ‘nove - Desafortunadamente el ‘Porqué’ de su Nada sorprendente, si uno advierte que la de la sensibilidad’– Leslie Poles Hartley presunta grandeza es inaccesible desde las es un problema presente en la mayor parte (1895-1972). Si sumas a ese significativo de - simples palabras; reside únicamente en sus de aquellos que acabaron definiendo el so - talle su peculiar manera de entender la canciones; exige una labor personal: Oirlas, nido de nuestro tiempo… de todos aque - Generación Beat Americana –“ …remito a la escucharlas; algo ajeno desde un principio llos que se enamoraron, ciegamente, de la generación beat de la que parten todas las ideas a las posibilidades del cronista (¿?). chica más deseada de la historia de música modernas sobre la gente joven; sobre como enlo - Afortunadamente, todavía queda la posibi - pop… Sí, porque, ellos también, soñaban quecían, se volvían salvajes, en-la-carretera, dis - lidad de refugiarse en el ‘Cómo’… con escribir...simplemente… cutían con sus padres, bebían; sus juergas y su 22 KOOL’ Zine TIEMPO DE FLORES RARAS. urgencia en la voz, y unos textos que se ins - estilo que caracterizará al grupo en sus más talan, definitivamente, en el lado más emo - inmediatas grabaciones. risbane, Australia, 1978: El Ciclón cional de la realidad cotidiana –“ diecinueve A pesar de la falta de repercusión inme - del ‘77 azota las antípodas con espe - años, deprimido, nervioso y probablemente resen - diata, esta primera estancia en Inglaterra Bcial crudeza: Las huestes de La tido. Escribí ésta, ‘Lee Remick’ y ‘8 Pictures’ en lo acabará siendo crucial en el futuro próxi - Iguana y MC5 –amén de otras barbaridades que me pareció un mes, tras tomar la decisión de mo del grupo: Además de renovar los áni - sonoras (Kiss, por ejemplo)– definen sus no escribir sobre Temas Universales, sino sobre mos, tanto la grabación con Postcard, como coordenadas. Un Tiempo para las Flores mis sentimientos en el dormitorio, Brisbane, con - las actuaciones consiguientes, conseguirán Raras: Al parecer, nada más improbable, ni ducir mi coche y cualquier cosa a partir de con - atraer la atención de la independiente más más inevitable, que el encuentro de dos tí - versaciones oídas por casualidad “(RF, 1)-. Un crucial en el desarrollo del pop mutante in - midos adolescentes – Robert Forster y single con nombre propio, y letras mayús - ternacional de finales de los ‘70 y princi - Grant McLennan –, unidos por su inconfesa - culas –y no solo porque las dos canciones pios de los ‘80: La nunca suficientemente ble adoración por el cantautor folk-rock tengan nombres de mujer– para el final de bien ponderada Rough Trade de Geoff americano por excelencia: Mr. Bob Dylan los ‘70. ¿La reacción?: La previsible: Davies. Desafortunadamente, esa posibili - –“ Entre mediados de los sesenta y mediados de los Ninguna. dad no se materializará hasta casi dos años setenta, su trabajo era sorprendente, no ha sido No importa, la adrenalina no tiene antí - después... Entre tanto todavía tendrían que mejorado por nadie ” (GM, 6)–. doto: Exactamente un año después Dylan acontecer cosas verdaderamente cruciales Aunque menos evidentes también tie - es atiborrado de golosinas pasadas de fecha en su trayectoria; entre ellas, y como res - nen otras grandes debilidades: “ El ímpetu en ‘People Say’, –“ Un clásico de 24 kilates... pondiendo definitivamente al título del sin - inicial de los Go-Betweens era un cruce entre Los Ibamos tras ese ‘sonido de mercurio salvaje’. A gle recién editado, descubrieron que… Monkees y Patti Smith. Los Monkees eran pop y veces creo que es la mejor canción que he escrito malos textos; Patti Smith textos y mal pop. nunca ” (RF, 1)–, y en ‘Don´t Let Him Come Veíamos a Micky Dolenz como la estrella definiti - Back’ –una canción burbujeante que en va de los ‘60. Siempre que pienso en los Monkees cierta forma adelanta lo que sera el sonido es una mañana soleada, los más brillantes colo - posterior de la banda; curiosamente, será la res, y los ojos de David Jones. Su música es per - única que el grupo retomara siete años des - fecta, tan perfecta como el pop pueda ser; ya se ha pués, con la colaboración de Tracey escrito ‘Last Train to Clarksville’, y nosotros nos Thorn–.
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