Visionsplendidfilmfest.Com
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
2015 Sydney Theatre Award Nominations
2015 SYDNEY THEATRE AWARD NOMINATIONS MAINSTAGE BEST MAINSTAGE PRODUCTION Endgame (Sydney Theatre Company) Ivanov (Belvoir) The Present (Sydney Theatre Company) Suddenly Last Summer (Sydney Theatre Company) The Wizard of Oz (Belvoir) BEST DIRECTION Eamon Flack (Ivanov) Andrew Upton (Endgame) Kip Williams (Love and Information) Kip Williams (Suddenly Last Summer) BEST ACTRESS IN A LEADING ROLE Paula Arundell (The Bleeding Tree) Cate Blanchett (The Present) Jacqueline McKenzie (Orlando) Eryn Jean Norvill (Suddenly Last Summer) BEST ACTOR IN A LEADING ROLE Colin Friels (Mortido) Ewen Leslie (Ivanov) Josh McConville (Hamlet) Hugo Weaving (Endgame) BEST ACTRESS IN A SUPPORTING ROLE Blazey Best (Ivanov) Jacqueline McKenzie (The Present) Susan Prior (The Present) Helen Thomson (Ivanov) BEST ACTOR IN A SUPPORTING ROLE Matthew Backer (The Tempest) John Bell (Ivanov) John Howard (Ivanov) Barry Otto (Seventeen) BEST STAGE DESIGN Alice Babidge (Suddenly Last Summer) Marg Horwell (La Traviata) Renée Mulder (The Bleeding Tree) Nick Schlieper (Endgame) BEST COSTUME DESIGN Alice Babidge (Mother Courage and her Children) Alice Babidge (Suddenly Last Summer) Alicia Clements (After Dinner) Marg Horwell (La Traviata) BEST LIGHTING DESIGN Paul Jackson (Love and Information) Nick Schlieper (Endgame) Nick Schlieper (King Lear) Emma Valente (The Wizard of Oz) BEST SCORE OR SOUND DESIGN Stefan Gregory (Suddenly Last Summer) Max Lyandvert (Endgame) Max Lyandvert (The Wizard of Oz) The Sweats (Love and Information) INDEPENDENT BEST INDEPENDENT PRODUCTION Cock (Red -
Filmic Farewell to David Gulpilil Is 'His Last Dance, His Last
________________________________________________________________________________________________________________ Filmic farewell to David Gulpilil is ‘his last dance, his last song’ By Paul Byrnes May 26, 2021 My Name is Gulpilil ★★★★ Rated M, 101 minutes, in cinemas This one had me at hello. In the first shot, David Gulpilil, in winter coat and mittens, walks down a country road. The camera is about 50 metres behind him and his gait is slow. Then we see why: he’s following an emu, which was obscured by his body. When the actor stops and turns back up the road, the emu does too. They move in step, as if in a duet. He just smiles, as if to say ‘of course we are’. David Gulpilil in a scene from My Name is Gulpilil. “This is my film,” he says. My Name is Gulpilil is the actor’s fond farewell, his valediction, his living obituary. At about 67 − he’s not quite sure of his age − he has lung cancer, and a number of other ailments. They will take him out soon, he tells us a number of times. He seems to want to say he’s OK with that: he has had a charmed life as a dancer, actor, singer, storyteller. “My father taught me how to dance and how to sing, and how to relate to the didgeridoo and the click stick, and the rhythm of the song of culture, the song of the ceremony … I’m the greatest dancer in the world.” He pauses for effect − “Just for me, though …” The film comes from people he has worked with for more than 20 years. -
To Download the BALANDA and the BARK CANOES
The Balanda and the Bark Canoes A documentary about making Ten Canoes May, 2005 Central Arnhem Land, Australia ‘We are making a movie. The story is their story, those that live on this land, in their language, and set a long time before the coming of the Balanda, as we white people are known. For the people of the Arafura Swamp, this film is an opportunity, maybe a last chance to hold on to the old ways. For all of us, the challenges are unexpected, the task beyond anything imagined. For me, it is the most difficult film I have made, in the most foreign land I've been to...and it is Australia.’ – Rolf de Heer Directors’ Q & A Q: What was the inspiration behind this documentary? And/or how did it come about? The documentary is a companion to the feature film Ten Canoes. Ten Canoes is an in-language indigenous tragi-comedy set in the historical (pre-white settlement) and mythical past of the Ganalbingu (Yolngu) people. It is a cautionary tale of love, lust and revenge gone wrong. Although financed, the film spent three years in the development phase. There were a number of reasons why but one of them included consolidating the early rapport and trust between Rolf, his team and the community. During this time, Rolf began visiting the communities regularly and would return with new sets of working challenges and with stories full of adventure. It became apparent that a compelling documentary could be made in its own right. Rolf approached SBS Independent, investors in the feature film Ten Canoes, about documenting the already crazy yet exhilarating journey. -
The Premiere Fund Slate for MIFF 2021 Comprises the Following
The MIFF Premiere Fund provides minority co-financing to new Australian quality narrative-drama and documentary feature films that then premiere at the Melbourne International Film Festival (MIFF). Seeking out Stories That Need Telling, the the Premiere Fund deepens MIFF’s relationship with filmmaking talent and builds a pipeline of quality Australian content for MIFF. Launched at MIFF 2007, the Premiere Fund has committed to more than 70 projects. Under the charge of MIFF Chair Claire Dobbin, the Premiere Fund Executive Producer is Mark Woods, former CEO of Screen Ireland and Ausfilm and Showtime Australia Head of Content Investment & International Acquisitions. Woods has co-invested in and Executive Produced many quality films, including Rabbit Proof Fence, Japanese Story, Somersault, Breakfast on Pluto, Cannes Palme d’Or winner Wind that Shakes the Barley, and Oscar-winning Six Shooter. ➢ The Premiere Fund slate for MIFF 2021 comprises the following: • ABLAZE: A meditation on family, culture and memory, indigenous Melbourne opera singer Tiriki Onus investigates whether a 70- year old silent film was in fact made by his grandfather – civil rights leader Bill Onus. From director Alex Morgan (Hunt Angels) and producer Tom Zubrycki (Exile in Sarajevo). (Distributor: Umbrella) • ANONYMOUS CLUB: An intimate – often first-person – exploration of the successful, yet shy and introverted, 33-year-old queer Australian musician Courtney Barnett. From producers Pip Campey (Bastardy), Samantha Dinning (No Time For Quiet) & director Danny Cohen. (Dist: Film Art Media) • CHEF ANTONIO’S RECIPES FOR REVOLUTION: Continuing their series of food-related social-issue feature documentaries, director Trevor Graham (Make Hummus Not War) and producer Lisa Wang (Monsieur Mayonnaise) find a very inclusive Italian restaurant/hotel run predominately by young disabled people. -
Annual Report 2018
2018 ANNUAL REPORT CONTENTS President’s Report 4 Treasurer’s Report 6 QMusic Program Report 8 QMusic Management Committee 14 QMusic Staff 17 Income & Expenditure Statement 22 Assets & Liabilities Statement 23 Statement of Cash Flows 24 3/374 Brunswick Street PO Box 878 Notes to the Financial Statements 25 Fortitude Valley QLD 4006 Australia Statement by Members of the Committee 30 T (07) 3257 0013 E [email protected] www.qmusic.com.au Independent Audit Report 31 Queensland Music Network Incorporated ABN 14 083 014 720 Disclaimer to the Detailed Income & Expenditure Statement 33 Promoting the artistic value, cultural worth and commercial potential of Queensland music. Detailed Income and Expenditure Statement 34 QMusic - The Queensland Music Network - is a registered non-profit association dedicated to developing, servicing and representing the Queensland music industry. QMusic acknowledges that Aboriginal and Torres Strait Islanders are the custodians of the land and recognise the disadvantage caused by colonisation and dispossession. Aboriginal and Torres Strait Islander music plays a critical role in the broader Australian music context and Australian culture overall. QMusic is committed to working with community to build opportunities for Aboriginal and Torres Strait Islander artists and music businesses. QMusic acknowledges the support and funding of the Queensland Government, Australia Council for the Arts and APRA AMCOS. 2018 ANNUAL REPORT 3 PRESIDENT’S REPORT QMusic marked its 24th year of operation in 2018 – making us older than some of the many music industry participants whom we are fortunate to engage with across Queensland. Like any 24-year-old, there have been great years and some years that presented more challenges than most. -
The 66Th Sydney Film Festival Begins 05/06/2019
MEDIA RELEASE: 9:00pm WEDNESDAY 5 JUNE 2019 THE 66TH SYDNEY FILM FESTIVAL BEGINS The 66th Sydney Film Festival (5 – 16 June) opened tonight at the State Theatre with the World Premiere of Australian drama/comedy Palm Beach. Festival Director Nashen Moodley was pleased to open his eighth Festival to a packed auditorium including Palm Beach director Rachel Ward and producers Bryan Brown and Deborah Balderstone, alongside cast members Aaron Jefferies, Jacqueline McKenzie, Heather Mitchell, Sam Neill, Greta Scacchi, Claire van der Boom, and Frances Berry. Following an announcement of increased NSW Government funding by the Premier Gladys Berejiklian, Minister for the Arts Don Harwin commented, “Launching with Palm Beach is the perfect salute to great Australian filmmaking in a year that will showcase a bumper list of contemporary Australian stories, including 24 World Premieres.” “As one of the world’s longest-running film festivals, I’m delighted to build on our support for the Festival and Travelling Film Festival over the next four years with increased funding of over $5 million, and look forward to the exciting plans in store,” he said. Sydney Film Festival Board Chair, Deanne Weir said, “The Sydney Film Festival Board are thrilled and grateful to the New South Wales Government for this renewed and increased support. The government's commitment recognizes the ongoing success of the Festival as one of the great film festivals of the world; and the leading role New South Wales plays in the Australian film industry.” Lord Mayor of Sydney, Clover Moore also spoke, declaring the Festival open. “The Sydney Film Festival’s growth and evolution has reflected that of Sydney itself – giving us a window to other worlds, to enjoy new and different ways of thinking and being, and to reach a greater understanding of ourselves and our own place in the world.” “The City of Sydney is proud to continue our support for the Sydney Film Festival. -
Newsletter A3.Pmd
ÒNurungiÓRemembered OFFICIAL NEWSLETTER OF THE CONCORD HERITAGE SOCIETY email: [email protected] www.concordheritage.asn.au EDITOR LOIS MICHEL No.181 September 2011 9744-8528 PRESIDENT The McDonagh Sisters MARK DURANCE Three Young Ladies Ahead of Their Time 9743-0583 Isobel (1899-1982), Phyllis (1900-1978) and known that the palatial Drummoyne House, PUBLIC RELATIONS Paulette (1901-1978) McDonagh were the which provided the lavish interiors, was the Vacant eldest of seven children of John and Anita McDonagh family home. Paulette was the SECRETARY/TREASURER McDonagh of Drummoyne. Their father was principal writer and director, Phyllis was the LOIS MICHEL the honorary doctor to the J. C. Williamson business manager, publicist and art direc- 3 Flavelle Street theatrical empire so the girls grew up in the tor and Isobel, known professionally as Marie (P.O. Box 152) world of show business. Lorraine, was the principal actress. Concord 2137 Phone: 9744-8528 The McDonagh sisters eventually decided Fax: 9744-7591 to try their luck in film production and went ----------------- on to become an influential artistic force in MEETINGS the Australian film industry in the late 1920s. General Meetings With their independent spirit, they were 1st Saturday of month undaunted by a film industry dominated by (except January) men and by American interests. at 2:00 pm in the City of Canada Bay The sisters made four films together: Those Museum Who Love (1926), The Far Paradise (1928), 1 Bent Street, Concord The Cheaters (1930) which were all silent 9743-3034 feature films, while their final film, Two Minutes Silence (1932-1934), a strong anti- Executive Meetings war drama, included some sound. -
Beats of Your Town
BEATS OF YOUR TOWN On the eve of the release of their new album ‘Ocean’s Apart’, Grant McLennan, co-leader of watershed Brisbane pop group, The Go-Betweens, takes the time to grant Robiter an interview. Matthew ‘The Rock Lobbster’ Lobb reports The Clowns Come To Town – Film School Rejections and UQ Librarians Long before Queensland art tangled at a pretty summit with pop music (the years prior to LP wonderworks such as Before Hollywood, Liberty Belle And The Black Diamond Express and 16 Lovers Lane) , one Grant McLennan had been knocked back from film and television school on account of his 16 years. Enrolment in an arts program at the University of Queensland came, therefore, as a sort of edifying compromise. Once at St. Lucia, the undergraduate - a brainy eldest child from rural Queensland - befriended a gracefully mincing eccentric named Robert Forster who played guitar and wrote his own songs. The two bonded over shared tastes in skewered pop culture and spent a lot of time at the Humanities library reading, in import copies of The Village Voice, about emerging bands like Television and Talking Heads. Go-Betweens circa '78: Librarians Beware No doubt McLennan was more OCEAN’S APART PICKED APART Grant talks Robiter through the new studious than his pal who failed both at arts and at convincing him to album form a rock group. While a disciplined McLennan passed classes with focused endeavour, Forster was crashing heavily and channelling his ‘Here Comes A City’ (the first vigour into composing songs about would-be love interests. -
DNA Nation Press
PRESS KIT DISTRIBUTOR CONTACT PRODUCTION CONTACT SBS International Blackfella Films Lara von Ahlefeldt Darren Dale Tel: +61 2 9430 3240 Tel: +61 2 9380 4000 Email: [email protected] Email: [email protected] 10 Cecil Street Paddington NSW 2021 Tel: +612 9380 4000 Fax: +612 9252 9577 Email: [email protected] www.blackfellafilms.com.au Production Notes Producer Darren Dale Producer & Writer Jacob Hickey Series Producer Bernice Toni Director Bruce Permezel Production Company Blackfella Films Genre Documentary Series Language English Aspect Ratio 16:9 FHA Duration EP 1 00:51:53:00 EP 2 00:54:54:00 EP 3 00:52:58:00 Sound Stereo Shooting Gauges Arri Amira, F55, DJI Inspire Drone, Blackmagic & Go Pro Logline Who are we? And where do we come from? Short Synopsis Who are we? And where do we come from? Australia’s greatest Olympian Ian Thorpe, iconic Indigenous actor Ernie Dingo, and TV presenter and Queen of Eurovision Julia Zemiro set off on an epic journey of genetic time travel to find out. © 2016 Blackfella Films Pty Ltd Page 2 of 40 Long Synopsis Who are we? And where do we come from? Australia’s greatest Olympian Ian Thorpe, iconic Indigenous actor Ernie Dingo, and TV presenter and Queen of Eurovision Julia Zemiro set off on an epic journey of genetic time travel to find out. DNA is the instruction manual that helps build and run our bodies. But scientific breakthroughs have discovered another remarkable use for it. DNA contains a series of genetic route maps. It means we can trace our mother’s mother’s mother and our father’s father’s father, and so on, back through tens of millennia, revealing how our ancestors migrated out of Africa and went on to populate the rest of the world. -
Creative Industries
CREATIVE INDUSTRIES A GUIDE TO UNDERGRADUATE STUDY 2021 BACHELOR OF CREATIVE PRACTICE COMMUNICATION CREATIVE INDUSTRIES Acting Advertising and public relations Creative and Animation Digital media professional writing Creative writing Entertainment industries Drama and performance Dance Journalism Entertainment Dance performance Professional communication Fashion communication Drama Interactive and DESIGN visual design Film, screen and Architecture new media Media and communication Fashion Music Music and sound Industrial design Technical production Screen content production Interaction design Visual arts Interior architecture Landscape architecture Visual communication Today, in every field, creativity is essential. It opens the door to new discoveries. It shows the way forward. It defines and redefines a changing world. QUT is embracing the future of creativity. We give you the skills and connections you need today and the career agility you need for the future. That’s why QUT graduates are in demand. Creativity for a changing world QUT’s Creative Industries Faculty is a world leader in creative practice, communication and design teaching, and research. We create, communicate and design towards a future driven by knowledge and technology. We recognise the important contribution First Nations people make to the creative and cultural life of Australia. Read on to see how we’ll prepare you for the future. Take the quiz If you are still considering your study options, take the Match My Skills quiz to find a future that matches your interests and skills. The Queensland University of Technology (QUT) acknowledges the Turrbal and Yugara, as the First Nations owners of the lands where QUT now stands. We pay respect to their Elders, lores, customs and creation spirits. -
Inaugural Samsung AACTA Awards Attracts Star Power to Present
Media Release for immediate release: Thursday 19th January, 2012 INAUGURAL SAMSUNG AACTA AWARDS CEREMONY ATTRACTS STAR POWER TO PRESENT Australia’s most highly acclaimed acting and entertainment celebrities are confirmed to attend the inaugural Samsung AACTA Awards Ceremony on January 31st at the iconic Sydney Opera House, to present the awards recognising our finest achievements in acting, directing, producing and screenwriting across film and television in 2011. Leading the star-studded array of presenters is AACTA President (or Prez as he prefers) Geoffrey Rush and such international luminaries as Cate Blanchett, Jonathon and Anthony LaPaglia and Rachael Taylor. Local favourites joining them will include Xavier Samuel, Rob Carlton, Lincoln Lewis, Alex Dimitriades, Todd Lasance, Shane Bourne, Gigi Edgley, Blake Davis, Richard Wilkins, Callan McAuliffe, Judy Morris, Samara Weaving and Adam Elliot. The event will be held at the Sydney Opera House Concert Hall and broadcast that night on the Nine Network. Audiences will be regaled with Australia’s own sweet heart Olivia Newton-John as she takes to the stage to perform for the first time a medley from the soundtrack of her new film A Few Best Men. She will bring her special touch to the classic 1960s track ‘Daydream Believer’ made famous by the Monkeys, and her brand new song ‘Weightless’, for which she revisited her award-winning partnership with songwriter and producer John Farrar, who created such timeless classics as 'You're the One That I Want', 'Hopelessly Devoted to You' and 'Magic' amongst many. The opening of the AACTA Awards Ceremony and Olivia Newton-John's performance will be choreographed by Australia's very own Broadway Choreographer and Director Jason Gilkison. -
Fat Tony__Co Final D
A SCREENTIME production for the NINE NETWORK Production Notes Des Monaghan, Greg Haddrick Jo Rooney & Andy Ryan EXECUTIVE PRODUCERS Peter Gawler & Elisa Argenzio PRODUCERS Peter Gawler, Adam Todd, Jeff Truman & Michaeley O’Brien SERIES WRITERS Peter Andrikidis, Andrew Prowse & Karl Zwicky SERIES DIRECTORS MEDIA ENQUIRIES Michelle Stamper: NINE NETWORK T: 61 3 9420 3455 M: 61 (0)413 117 711 E: [email protected] IMPORTANT LEGAL NOTIFICATION TO MEDIA Screentime would like to remind anyone reporting on/reviewing the mini-series entitled FAT TONY & CO. that, given its subject matter, the series is complicated from a legal perspective. Potential legal issues include defamation, contempt of court and witness protection/name suppression. Accordingly there are some matters/questions that you may raise which we shall not be in a position to answer. In any event, please note that it is your responsibility to take into consideration all such legal issues in determining what is appropriate for you/the company who employs you (the “Company”) to publish or broadcast. Table of Contents Synopsis…………………………………………..………..……………………....Page 3 Key Players………….…………..…………………….…….…..……….....Pages 4 to 6 Production Facts…………………..…………………..………................Pages 7 to 8 About Screentime……………..…………………..…….………………………Page 9 Select Production & Cast Interviews……………………….…….…Pages 10 to 42 Key Crew Biographies……………………………………………...….Pages 43 to 51 Principal & Select Supporting Cast List..………………………………...….Page 52 Select Cast Biographies…………………………………………….....Pages 53 to 69 Episode Synopses………………………….………………….………..Pages 70 to 72 © 2013 Screentime Pty Ltd and Nine Films & Television Pty Ltd 2 SYNOPSIS FAT TONY & CO., the brand-new production from Screentime, tells the story of Australia’s most successful drug baron, from the day he quit cooking pizza in favour of cooking drugs, to the heyday of his $140 million dollar drug empire, all the way through to his arrest in an Athens café and his whopping 22-year sentence in Victoria’s maximum security prison.