AACTA Announces Return to Channel Seven, New Hair and Makeup Award for Sixth Awards Season
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AACTA Announces Short Film Nominees for the 4Th AACTA Awards
MEDIA RELEASE Strictly embargoed until Wednesday 3rd September, 2014. AUSTRALIAN ACADEMY ANNOUNCES FIRST NOMINEES FOR 4TH AACTA AWARDS The countdown to Australia’s top screen Awards has officially started, with the first nominees for the 4th Australian Academy of Cinema and Television Arts (AACTA) Awards announced today. Nominees were announced in the Best Short Animation and Best Short Fiction Film categories for the 4th AACTA Awards, which will also see Australia’s best film, television and documentaries awarded in Sydney in January 2015. Feature Films in Competition and nominees for the AACTA Award for Best Feature Length Documentary for the 4th AACTA Awards will be announced in the coming weeks, and all Feature Film, Television and the remaining Documentary nominees will be announced later in 2014. NOMINEES FOR THE AACTA AWARD FOR BEST SHORT ANIMATION • GOD SQUAD. Nicholas Kempt, Troy Zafer • Grace Under Water. Anthony Lawrence • Love In The Time Of March Madness. Robertino Zambrano, Melissa Johnston • The Video Dating Tape of Desmondo Ray, Aged 33 & 3/4. Steve Baker This year’s Best Short Animation nominees arrive at the AACTA Awards with a host of Festival screenings behind them, both national and international. The Video Dating Tape of Desmondo Ray, Aged 33 & 3/4, which screened at SXSW 2014 and St Kilda Film Festival 2014, is by writer-director Steve Baker, a previous Tropfest and AFI Award winner. This darkly funny short film portrays Raymond, a loner with a penchant for peeing in the rain, as a likeable, if not likely, dating prospect. Also funny and touching is Love In The Time Of March Madness - a ‘tall short’ about a 6’4” woman whose success on the basketball court is at odds with her luck in love. -
Filmic Farewell to David Gulpilil Is 'His Last Dance, His Last
________________________________________________________________________________________________________________ Filmic farewell to David Gulpilil is ‘his last dance, his last song’ By Paul Byrnes May 26, 2021 My Name is Gulpilil ★★★★ Rated M, 101 minutes, in cinemas This one had me at hello. In the first shot, David Gulpilil, in winter coat and mittens, walks down a country road. The camera is about 50 metres behind him and his gait is slow. Then we see why: he’s following an emu, which was obscured by his body. When the actor stops and turns back up the road, the emu does too. They move in step, as if in a duet. He just smiles, as if to say ‘of course we are’. David Gulpilil in a scene from My Name is Gulpilil. “This is my film,” he says. My Name is Gulpilil is the actor’s fond farewell, his valediction, his living obituary. At about 67 − he’s not quite sure of his age − he has lung cancer, and a number of other ailments. They will take him out soon, he tells us a number of times. He seems to want to say he’s OK with that: he has had a charmed life as a dancer, actor, singer, storyteller. “My father taught me how to dance and how to sing, and how to relate to the didgeridoo and the click stick, and the rhythm of the song of culture, the song of the ceremony … I’m the greatest dancer in the world.” He pauses for effect − “Just for me, though …” The film comes from people he has worked with for more than 20 years. -
To Download the BALANDA and the BARK CANOES
The Balanda and the Bark Canoes A documentary about making Ten Canoes May, 2005 Central Arnhem Land, Australia ‘We are making a movie. The story is their story, those that live on this land, in their language, and set a long time before the coming of the Balanda, as we white people are known. For the people of the Arafura Swamp, this film is an opportunity, maybe a last chance to hold on to the old ways. For all of us, the challenges are unexpected, the task beyond anything imagined. For me, it is the most difficult film I have made, in the most foreign land I've been to...and it is Australia.’ – Rolf de Heer Directors’ Q & A Q: What was the inspiration behind this documentary? And/or how did it come about? The documentary is a companion to the feature film Ten Canoes. Ten Canoes is an in-language indigenous tragi-comedy set in the historical (pre-white settlement) and mythical past of the Ganalbingu (Yolngu) people. It is a cautionary tale of love, lust and revenge gone wrong. Although financed, the film spent three years in the development phase. There were a number of reasons why but one of them included consolidating the early rapport and trust between Rolf, his team and the community. During this time, Rolf began visiting the communities regularly and would return with new sets of working challenges and with stories full of adventure. It became apparent that a compelling documentary could be made in its own right. Rolf approached SBS Independent, investors in the feature film Ten Canoes, about documenting the already crazy yet exhilarating journey. -
10 –19 January
29TH INTERNATIONAL SHORT FILM FESTIVAL ELECTRIFYING SHORT FILMS 10 –19 JANUARY BONDI PAVILION, BONDI BEACH As Australia’s leading Academy® accredited Affairs And Trade, and Australia now ASEAN short film festival, the shorts in competition at 2019, European Union Delegation to Australia, Flickerfest are fiercely vying for a number of and Screen NSW. prestigious prizes including the Flickerfest Award I would also like to extend an enormous thanks for Best International Short Film, the Yoram to our major government partner Screen Gross Award for Best International Animation, Australia who supports both our festival, and the the Flickerfest Award for Best Australian Short national tour, and who has been a continuous Film, and for Best Documentary. Plus a host of source of encouragement as we strive to deliver other hotly contested prizes, which recognise the our vision of providing a platform that nurtures various craft areas inherent in making a great and supports Australian Filmmakers, and in turn short film. provides Australian audiences with access to 2020 will bring over 23 different short film inspirational storytelling from their own backyard programmes across the 10-day festival and beyond. season. We are proud to announce that BRONWYN KIDD To all our partners who are acknowledged in due to the outstanding home grown talent FESTIVAL DIRECTOR this programme, I am extremely grateful for the and creativity received this year, we will essential and ongoing support they provide. We Welcome to the 29th Flickerfest International be screening 7 Australian competitive thank them enormously for their belief in us, Short Film Festival. As we move forward into programmes in addition to the 5 international which assists us in maintaining Flickerfest as one another film filled and jam packed festival, I am and 2 documentary programmes, which of the best short film competitions in the world. -
The Premiere Fund Slate for MIFF 2021 Comprises the Following
The MIFF Premiere Fund provides minority co-financing to new Australian quality narrative-drama and documentary feature films that then premiere at the Melbourne International Film Festival (MIFF). Seeking out Stories That Need Telling, the the Premiere Fund deepens MIFF’s relationship with filmmaking talent and builds a pipeline of quality Australian content for MIFF. Launched at MIFF 2007, the Premiere Fund has committed to more than 70 projects. Under the charge of MIFF Chair Claire Dobbin, the Premiere Fund Executive Producer is Mark Woods, former CEO of Screen Ireland and Ausfilm and Showtime Australia Head of Content Investment & International Acquisitions. Woods has co-invested in and Executive Produced many quality films, including Rabbit Proof Fence, Japanese Story, Somersault, Breakfast on Pluto, Cannes Palme d’Or winner Wind that Shakes the Barley, and Oscar-winning Six Shooter. ➢ The Premiere Fund slate for MIFF 2021 comprises the following: • ABLAZE: A meditation on family, culture and memory, indigenous Melbourne opera singer Tiriki Onus investigates whether a 70- year old silent film was in fact made by his grandfather – civil rights leader Bill Onus. From director Alex Morgan (Hunt Angels) and producer Tom Zubrycki (Exile in Sarajevo). (Distributor: Umbrella) • ANONYMOUS CLUB: An intimate – often first-person – exploration of the successful, yet shy and introverted, 33-year-old queer Australian musician Courtney Barnett. From producers Pip Campey (Bastardy), Samantha Dinning (No Time For Quiet) & director Danny Cohen. (Dist: Film Art Media) • CHEF ANTONIO’S RECIPES FOR REVOLUTION: Continuing their series of food-related social-issue feature documentaries, director Trevor Graham (Make Hummus Not War) and producer Lisa Wang (Monsieur Mayonnaise) find a very inclusive Italian restaurant/hotel run predominately by young disabled people. -
By Network Page 1 of 2
2ND AACTA AWARDS WINNERS BY TELEVISION NETWORK ABC1 (9 Awards) Redfern Now – 2 Awards • AACTA Award for Best Screenplay in Television - Episode 6 'Pretty Boy Blue' • AACTA Award for Best Lead Actress in a Television Drama - Leah Purcell - Episode 1 'Family' A Moody Christmas – 1 Award • AACTA Award for Best Performance in a Television Comedy - Patrick Brammall Agony Aunts – 1 Award • AACTA Award for Best Light Entertainment Television Series Dr Sarmast's Music School – 1 Award • AACTA Award for Best Sound in a Documentary Jack Irish: Bad Debts – 1 Award • AACTA Award for Best Direction in Television Lowdown - Season 2 – 1 Award • AACTA Award for Best Television Comedy Series Rake - Season 2 – 1 Award • AACTA Award for Best Lead Actor in a Television Drama - Richard Roxburgh Then The Wind Changed – 1 Award • AACTA Award for Best Documentary Under One Hour ABC3 (1 Award) The Adventures of Figaro Pho – 1 Award • AACTA Award for Best Children's Television Series FOXTEL - MOVIE NETWORK (2 Awards) Fighting Fear – 2 Awards • AACTA Award for Best Direction in a Documentary • AACTA Award for Best Cinematography in a Documentary 2nd AACTA Awards_Winners By Network Page 1 of 2 NINE NETWORK (3 Awards) Howzat! Kerry Packer's War – 2 Awards • AACTA Award for Best Telefeature or Mini Series • AACTA Award for Best Guest or Supporting Actress in a Television Drama - Mandy McElhinney - Part 2 Underbelly Badness – 1 Award • Award for Best Guest or Supporting Actor in a Television Drama - Aaron Jeffery - Episode 3 'The Loaded Dog’ NETWORK TEN (1 Award) Puberty Blues – 1 Award • AACTA Award for Best Television Drama Series SBS (2 Awards) Go Back To Where You Came From • AACTA Award for Best Documentary Series – 1 Award Once Upon A Time In Cabramatta – 1 Award • AACTA Award for Best Editing in a Documentary - Episode 1 SEVEN NETWORK (1 Award) The Amazing Race Australia – 1 Award • AACTA Award for Best Reality Television Series --End-- Details subject to change at the discretion of AFI | AACTA 2nd AACTA Awards_Winners By Network Page 2 of 2 . -
Visionsplendidfilmfest.Com
Australia’s only outback film festival visionsplendidfilmfest.comFor more information visit visionsplendidfilmfest.com Vision Splendid Outback Film Festival 2017 WELCOME TO OUTBACK HOLLYWOOD Welcome to Winton’s fourth annual Vision Splendid Outback Film Festival. This year we honour and celebrate Women in Film. The program includes the latest in Australian contemporary, award winning, classic and cult films inspired by the Australian outback. I invite you to join me at this very special Australian Film Festival as we experience films under the stars each evening in the Royal Open Air Theatre and by day at the Winton Shire Hall. Festival Patron, Actor, Mr Roy Billing OAM MESSAGE FROM THE MINISTER FOR TOURISM AND MAJOR EVENTS THE HON KATE JONES MP It is my great pleasure to welcome you to Winton’s Vision Splendid Outback Film Festival, one of Queensland’s many great event experiences here in outback Queensland. Events like the Vision Splendid Outback Film Festival are vital to Queensland’s tourism prosperity, engaging visitors with the locals and the community, and creating memorable experiences. The Palaszczuk Government is proud to support this event through Tourism and Events Queensland’s Destination Events Program, which helps drive visitors to the destination, increase expenditure, support jobs and foster community pride. There is a story to tell in every Queensland event and I hope these stories help inspire you to experience more of what this great State has to offer. Congratulations to the event organisers and all those involved in delivering the outback film festival and I encourage you to take some time to explore the diverse visitor experiences in Outback Queensland. -
Seven Unveils Content Plans for 2019
SEVEN UNVEILS CONTENT PLANS FOR 2019 Slate includes new Bevan Lee drama and two supersized reality hits Geraldine Hakewill, Joel Jackson and Catherine McClements headline Miss Fisher spin-off MKR’s 10th anniversary season to launch the year “Top Gear meets food” in new Gordon Ramsay series New overseas dramas feature screen heavyweights Martin Clunes, Sheridan Smith, Kelsey Grammer and more (Sydney, Friday October 26): The Seven Network today unveiled its content plans for 2019. Four new local dramas, including the next offering from creator Bevan Lee; two supersized reality hits; a female spinoff to one of the year’s most heart-warming hits and the landmark 10th season of one of Australia’s biggest shows are just some of the programs set to take Seven into its 13th consecutive year of leadership. Commenting, Seven’s Director of Network Programming Angus Ross said: “After a close win last year, we promised to up our game in 2018, and the team has delivered in spades. We’ve broken records and dominated the ratings throughout the year. In fact, in every month we have never dropped below a 39% share, while our competitors have never been above 39%. Our worst is still better than their best. “What’s particularly pleasing is that this success is down to the strength and depth of our programming across the board. From 6am to midnight, we have the strongest spine of ratings winners, bar none. And with the AFL and Cricket locked up until 2022, Seven can guarantee those mass audiences, and certainty for our advertisers, for years to come.” NEW TO SEVEN IN 2019 BETWEEN TWO WORLDS From Australia’s most prolific creator/writer Bevan Lee (Packed to the Rafters, A Place To Call Home, All Saints, Winners & Losers, Always Greener) comes an intense, high concept contemporary drama series about two disparate and disconnected worlds, thrown together by death and a sacrifice in one and the chance for new life in the other. -
David Gulpilil, AM
David Gulpilil, AM Born 1953, Gulparil, near Ramingining, Northern Territory. Lives Darwin, N.T. David Gulpilil’s full name is David Gulpilil Ridjimiraril Dalaithngu. Gulpilil is also spelt Gulparil, which is the name of his Country near Ramingining, central Arnhem Land, N.T. When, as a seventeen year-old, David Gulpilil lit up the cinema screen in the film, Walkabout, he did more than play a role. The performance was so strong, so imbued with a new type of graceful naturalism, that it re-defined perceptions of Aboriginality, especially in the field of screen acting. Over the next decade, David became the iconic Aboriginal actor of his generation, paving the way in the resurgence of the Australian film industry for more parts to be written for Aboriginal people, for more Aboriginal stories to be told. His charismatic, engaging and unforgettable performances in films like Storm Boy (1976, dir. Henri Safran), The Last Wave (1977, dir. Peter Weir) and Crocodile Dundee (1986, dir. Peter Faiman) helped bring Aboriginality into the mainstream of the screen arts. In his later work, including Rabbit-Proof Fence (2002, dir. Philip Noyce), The Tracker (2002, dir. Rolf de Heer), Australia (2008, dir. Baz Luhrmann) and the soon to be released Charlie's Country (2013, dir. Rolf de Heer), Gulpilil has brought tremendous dignity to the depiction of what it is to be Aboriginal. Through his art he has brought an incalculable amount of self-esteem to his community. Since the early 1970s, Gulpilil has earned more than 30 film credits, and performed alongside Dennis Hopper, Jack Thompson, Miles Davis, Nicole Kidman, Hugh Jackman, Kenneth Branagh, William Hurt, Richard Chamberlain, Guy Pearce, Paul Hogan, and Ernie Dingo, under acclaimed directors such as Peter Weir, Baz Lurhman, Philip Noyce, Wim Wenders and Rolf de Heer. -
BELOW Press Kit Draft
Below / Press Kit / Page 1 of 15 Screen Australia presents a GoodThing Productions Film in association with Screenwest and Lotterywest, Seville International, Film Victoria And Melbourne International Film Festival Premiere Fund Release: 2019 Running time: 93 minutes Language: English and Farsi Country of Origin: Australia Rating: TBC Aspect Ratio: 2.39/scope Year of Production: 2019 Website: https://goodthingproductions.com.au/projects/below/ Production Company: Australian Distributor: GoodThing Productions Madman Entertainment 42 Glasshouse Road Level 2, 289 Wellington Parade South Collingwood VIC 3066 East Melbourne VIC 3002 Contact: Nick Batzias Contact: Paul Wiegard [email protected] Tel: +61 3 9261 9200 Tel: +61 413 014 446 Press: Caroline Whiteway [email protected] Tel: +61 3 9261 9200 International Sales: Seville International 455, St Antoine Ouest, Bureau 300 Montreal Quebec N2Z1J1 Contact: Anick Poirer [email protected] Tel: +1 514 878 2282 The Filmmakers acknowledge the Traditional Owners, past, present, and emerging of the unceded lands where this film was made. © 2019 GoodThing Productions Company Pty Ltd, Screenwest (Australia) Ltd. Filmfest Limited Below / Press Kit / Page 2 of 15 KEY CAST: Dougie ......................................................... Ryan Corr Terry………..... ............................................... Anthony LaPaglia Azad ............................................................ Phoenix Raei Zahra……………….………….. ............................. Lauren Campbell Cheryl -
When Stars Descend on Red Carpet
ACTRESS Jennifer Lawrence (Silver Linings Playbook) WHEN STARS Emmanuelle Riva (Amour) Naomi Watts DESCEND ON Jessica Chastain (The Impossible) (Zero Dark Thirty) RED CARPET Quvenzhané Wallis (Beasts of the Southern Wild) Nominations for the DJANGO 85th Academy Awards, UNCHAINED to be telecast at 6 am BEST PICTURE Beasts of the Southern Wild IST on Monday Amour Silver Linings Life of Pi ACTOR Playbook Argo Daniel Day-Lewis Django Unchained (Lincoln) Lincoln Les Misérables Denzel Washington (Flight) Zero Dark Thirty Hugh Jackman (Les Misérables) DIRECTION Bradley Cooper (Silver Linings Playbook) Benh Zeitlin (Beasts of Joaquin Phoenix (The Master) QUVENZHANÉ the Southern Wild) WALLIS Michael Haneke (Amour) ORIGINAL SCREENPLAY ADAPTED SCREENPLAY Steven Spielberg (Lincoln) Michael Haneke (Amour) Chris Terrio (Argo) Ang Lee (Life of Pi) MICHAEL HANEKE Quentin Tarantino (Django Lucy Alibar & Benh Zeitlin David O Russell Unchained) (Beasts of the Southern Wild) (Silver Linings Playbook) John Gatins (Flight) David Magee (Life of Pi) ParaNorman Wes Anderson & Roman Tony Kushner (Lincoln) ANIMATED FEATURE FILM The Pirates! Band Coppola (Moonrise Kingdom) David O. Russell of Misfits DANIEL DAY-LEWIS Mark Boal (Zero Dark Thirty) (Silver Linings Playbook) Brave Frankenweenie Wreck-It Ralph BEST ACTOR IN SUPPORTING ROLE BEST ACTRESS IN SUPPORTING ROLE FOREIGN FILM BRAVE Alan Arkin (Argo) Amy Adams (The Master) Amour (Austria) Robert De Niro (Silver Linings Playbook) Sally Field (Lincoln) Kon-Tiki (Norway) Philip Seymour Hoffman (The Master) Anne Hathaway (Les Misérables) No (Chile) Tommy Lee Jones (Lincoln) Helen Hunt (The Sessions) A Royal Affair (Denmark) Christoph Waltz (Django Unchained) Jacki Weaver (Silver Linings Playbook) War Witch (Canada) PHOTOS: REUTERS, OSCAR.GO.COM. -
Leading Actor Cinematography Foreign Language Film Sound Editing
LEADING ACTOR CINEMATOGRAPHY FOREIGN LANGUAGE FILM SOUND EDITING { Javier Bardem in “Biutiful” { “Black Swan” { “Biutiful” { “Inception” { Jeff Bridges in “True Grit” { “Inception” { “Dogtooth” { “Toy Story 3” { Jesse Eisenberg in “The Social Network” { “The King’s Speech” { “In a Better World” { “Tron: Legacy” { Colin Firth in “The King’s Speech” { “The Social Network” { “Incendies” { “True Grit” { James Franco in “127 Hours” { “True Grit” { “Outside the Law (Hors-la-loi)” { “Unstoppable” SUPPORTING ACTOR COSTUME DESIGN MAKEUP SOUND MIXING { Christian Bale in “The Fighter” { “Alice in Wonderland” { “Barney’s Version” { “Inception” { John Hawkes in “Winter’s Bone” { “I Am Love” { “The Way Back” { “The King’s Speech” { Jeremy Renner in “The Town” { “The King’s Speech” { “The Wolfman” { “Salt” { Mark Ruffalo in “The Kids Are All Right” { “The Tempest” { “The Social Network” { Geoffrey Rush in “The King’s Speech” { “True Grit” { “True Grit” LEADING ACTRESS DIRECTING ORIGINAL SCORE VISUAL EFFECTS { Annette Bening in “The Kids Are All Right” { “Black Swan” { “How to Train Your Dragon” { “Alice in Wonderland” { Nicole Kidman in “Rabbit Hole” { “The Fighter” { “Inception” { “ Harry Potter and the Deathly Hallows Part 1” { Jennifer Lawrence in “Winter’s Bone” { “The King’s Speech” { “The King’s Speech” { “Hereafter” { Natalie Portman in “Black Swan” { “The Social Network” { “127 Hours” { “Inception” { Michelle Williams in “Blue Valentine” { “True Grit” { “The Social Network” { “Iron Man 2” SUPPORTING ACTRESS DOCUMENTARY FEATURE ORIGINAL SONG ADAPTED