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Editors' Introduction: New Dimensions in the Scholarship and Practice Of
Editors’ Introduction 1 Editors’ Introduction: New Dimensions in the Scholarship and Practice of Mexican and Chicanx Social Movements Maylei Blackwell & Edward J. McCaughan* HIS SPECIAL ISSUE OF SOCIAL JUSTICE BRINGS TOGETHER THE WORK OF SCHOLARS and activists from Mexico and the United States, representing a variety of disciplines and movements, to discuss current trends in the scholarship Tand practices of Mexican and Chicanx1 social movements. The idea to organize a forum to share and critically assess new developments in the social movements of “Greater Mexico” came to the editors in the summer of 2010. Maylei Blackwell, Ed McCaughan, and Devra Weber crossed paths in Oaxaca, Mexico, that summer. Blackwell was helping to lead a workshop on issues of gender and sexuality with an indigenous community affiliated with the Frente Indígena de Organizaciones Binacionales. McCaughan was there completing his manuscript on art and Mexican/ Chicanx social movements, and Weber had been invited to present her research on the Partido Liberal Mexicano for a symposium commemorating the centennial of the Mexican Revolution. As we shared our work and observations about significant political and cultural developments in the social activism of Mexican communities on both sides of the border, we felt compelled to organize a forum in which activists and scholars could reflect on these changes. A great deal has changed—economically, politically, culturally, and intellectu- ally—in the decades since the watershed 1968 Mexican student movement, the historic Chicanx mobilizations of the 1960s and 1970s, and the internationally celebrated EZLN uprising of 1994. Moreover, 25 years have passed since publica- tion of the last English-language anthology to bring together research on a wide variety of Mexican social movements (Foweraker and Craig 1990). -
Popmusik Musikgruppe & Musisk Kunstner Listen
Popmusik Musikgruppe & Musisk kunstner Listen Stacy https://da.listvote.com/lists/music/artists/stacy-3503566/albums The Idan Raichel Project https://da.listvote.com/lists/music/artists/the-idan-raichel-project-12406906/albums Mig 21 https://da.listvote.com/lists/music/artists/mig-21-3062747/albums Donna Weiss https://da.listvote.com/lists/music/artists/donna-weiss-17385849/albums Ben Perowsky https://da.listvote.com/lists/music/artists/ben-perowsky-4886285/albums Ainbusk https://da.listvote.com/lists/music/artists/ainbusk-4356543/albums Ratata https://da.listvote.com/lists/music/artists/ratata-3930459/albums Labvēlīgais Tips https://da.listvote.com/lists/music/artists/labv%C4%93l%C4%ABgais-tips-16360974/albums Deane Waretini https://da.listvote.com/lists/music/artists/deane-waretini-5246719/albums Johnny Ruffo https://da.listvote.com/lists/music/artists/johnny-ruffo-23942/albums Tony Scherr https://da.listvote.com/lists/music/artists/tony-scherr-7823360/albums Camille Camille https://da.listvote.com/lists/music/artists/camille-camille-509887/albums Idolerna https://da.listvote.com/lists/music/artists/idolerna-3358323/albums Place on Earth https://da.listvote.com/lists/music/artists/place-on-earth-51568818/albums In-Joy https://da.listvote.com/lists/music/artists/in-joy-6008580/albums Gary Chester https://da.listvote.com/lists/music/artists/gary-chester-5524837/albums Hilde Marie Kjersem https://da.listvote.com/lists/music/artists/hilde-marie-kjersem-15882072/albums Hilde Marie Kjersem https://da.listvote.com/lists/music/artists/hilde-marie-kjersem-15882072/albums -
Estrella Morente Lead Guitarist: José Carbonell "Montoyita"
Dossier de prensa ESTRELLA MORENTE Vocalist: Estrella Morente Lead Guitarist: José Carbonell "Montoyita" Second Guitarist: José Carbonell "Monty" Palmas and Back Up Vocals: Antonio Carbonell, Ángel Gabarre, Enrique Morente Carbonell "Kiki" Percussion: Pedro Gabarre "Popo" Song MADRID TEATROS DEL CANAL – SALA ROJA THURSDAY, JUNE 9TH AT 20:30 MORENTE EN CONCIERTO After her recent appearance at the Palau de la Música in Barcelona following the death of Enrique Morente, Estrella is reappearing in Madrid with a concert that is even more laden with sensitivity if that is possible. She knows she is the worthy heir to her father’s art so now it is no longer Estrella Morente in concert but Morente in Concert. Her voice, difficult to classify, has the gift of deifying any musical register she proposes. Although strongly influenced by her father’s art, Estrella likes to include her own things: fados, coplas, sevillanas, blues, jazz… ESTRELLA can’t be described described with words. Looking at her, listening to her and feeling her is the only way to experience her art in an intimate way. Her voice vibrates between the ethereal and the earthly like a presence that mutates between reality and the beyond. All those who have the chance to spend a while in her company will never forget it for they know they have been part of an inexplicable phenomenon. Tonight she offers us the best of her art. From the subtle simplicity of the festive songs of her childhood to the depths of a yearned-for love. The full panorama of feelings, the entire range of sensations and colours – all the experiences of the woman of today, as well as the woman of long ago, are found in Estrella’s voice. -
Omega Auctions Ltd Catalogue 28 Apr 2020
Omega Auctions Ltd Catalogue 28 Apr 2020 1 REGA PLANAR 3 TURNTABLE. A Rega Planar 3 8 ASSORTED INDIE/PUNK MEMORABILIA. turntable with Pro-Ject Phono box. £200.00 - Approximately 140 items to include: a Morrissey £300.00 Suedehead cassette tape (TCPOP 1618), a ticket 2 TECHNICS. Five items to include a Technics for Joe Strummer & Mescaleros at M.E.N. in Graphic Equalizer SH-8038, a Technics Stereo 2000, The Beta Band The Three E.P.'s set of 3 Cassette Deck RS-BX707, a Technics CD Player symbol window stickers, Lou Reed Fan Club SL-PG500A CD Player, a Columbia phonograph promotional sticker, Rock 'N' Roll Comics: R.E.M., player and a Sharp CP-304 speaker. £50.00 - Freak Brothers comic, a Mercenary Skank 1982 £80.00 A4 poster, a set of Kevin Cummins Archive 1: Liverpool postcards, some promo photographs to 3 ROKSAN XERXES TURNTABLE. A Roksan include: The Wedding Present, Teenage Fanclub, Xerxes turntable with Artemis tonearm. Includes The Grids, Flaming Lips, Lemonheads, all composite parts as issued, in original Therapy?The Wildhearts, The Playn Jayn, Ween, packaging and box. £500.00 - £800.00 72 repro Stone Roses/Inspiral Carpets 4 TECHNICS SU-8099K. A Technics Stereo photographs, a Global Underground promo pack Integrated Amplifier with cables. From the (luggage tag, sweets, soap, keyring bottle opener collection of former 10CC manager and music etc.), a Michael Jackson standee, a Universal industry veteran Ric Dixon - this is possibly a Studios Bates Motel promo shower cap, a prototype or one off model, with no information on Radiohead 'Meeting People Is Easy 10 Min Clip this specific serial number available. -
O Teatro Adulto Na Cidade De São Paulo Na Década De 1980 / Alexandre Mate
Alexandre Alexandre Mate A seleção do que é exposto no livro é bastante Este livro é resultado de pesquisa e reflexão prodigiosas sobre Conheci Alexandre Mate em 1985, quando estáva- feliz, pois apresenta um aspecto geral do teatro durante mos envolvidos na realização de um trabalho extrema- os anos de 1980, em que cabem tanto as experiências o teatro em São Paulo nos anos de 1980. A elaboração analítica mente difícil e desafiador: apresentar novas propostas radicais de um Gerald Thomas, como os trabalhos mais de um panorama exaustivo da produção comercial produz os curriculares para professores da rede estadual de escolas singelos do chamado “besteirol”. Na amplitude que dis- critérios necessários ao exame da trajetória de dois grupos – do estado de São Paulo, dentro de um órgão pertencen- tancia vivências teatrais quase antagônicas, um ponto em te à Secretaria de Educação denominado Coordenadoria comum: a incompreensão apressada da crítica que reage Teatro União e Olho Vivo e Apoena/Engenho Teatral –, que, por de Estudos e Normas Pedagógicas (Cenp). Ele fazia parte segundo o senso comum, negando-se a reconhecer “o opções ética, política e estética, atuaram à margem do circuito, da equipe de Educação Artística que tentava construir a que não é espelho”. A acertada preocupação do autor proposta para essa disciplina, e eu compunha a equipe de está na questão tanto da acessibilidade do teatro, ou pagando o preço da incompreensão crítica e da invisibilidade História com o mesmo propósito. Estávamos, portanto, seja, a quem ele consegue atingir, bem como daquilo social. Em reviravolta histórica, esses mesmos grupos se torna- em meio àquela que não foi uma “década perdida”. -
THANH INGLE-LAI Artiste Interprète - Réalisatrice
THANH INGLE-LAI Artiste Interprète - Réalisatrice 2 RUE DE SABLONVILLE 75017 PARIS | TÉL : 07.69.19.54.80 – EMAIL : [email protected] SB TALENTS - SASU AU CAPITAL DE 1000€ | RCS PARIS 824 536 957 |APE 7490B ARTISTE INTERPRÈTE CINÉMA 2018 LES PARQUÉS – Charlotte DAUPHIN 2012 ARTICLE 23 – Jean-Pierre DELÉPINE TÉLÉVISION 2016 HÉROÏNES – Audrey ESTROUGO MOYENS MÉTRAGES 2014 SUBORDINATE – Clara LEAC BFI London Film Festival, International Shortfilm Festival Leuven, Palm Springs Festival, Newport Beach Film Festival, Winner of the National Board of Review Student Grant COURTS MÉTRAGES 2017 FAUX CONTACT – Colette BOISIVON 2017 PAUL ET LENA – Vincent RODELLA 2017 HERZOG – Carla CAPLIN 2016 AN ORDINARY STORY – Jing LI Prix de la meilleure actrice (Festival EICAR à la cinémathèque française) – Présidente du jury : Danièle THOMPSON 2016 ÉCLIPSE – Aymeric BAGIC / Lola SAUVAGEOT 2015 EL NINO – Federica GIANNI 2015 PARIS ROUGE – Jordan DURAND 2014 LIMBO – Eléa CLAIR / Olivia GOTANEGRE 2014 MAMAN – Julie COLLY 2014 REPLAY – Morgane DERRIENNIC-LONG 2013 L’HEURE ZÉRO – Ho LAM 2012 L’AUDITION – Mary GILLEN 2012 3 POUR 2 – Colia VRANICI 2012 MON BEAU MIROIR – Flavien LARDERET 2012 RENCARDS – Cyrus ATORY 2012 WALKING – Joel ANDERSON 48hours film project WEB SÉRIES 2014 XIIIème ARRONDISSEMENT – Aliya GRANGE / Fabien QUANG (pilote) 2012 LE PROTOCOLE CHINOIS – Julien FERRAND (pilote) 2 RUE DE SABLONVILLE 75017 PARIS | TÉL : 07.69.19.54.80 – EMAIL : [email protected] SB TALENTS - SASU AU CAPITAL DE 1000€ | RCS PARIS 824 536 957 |APE 7490B THÉÂTRE 2013 -
Ha Mam: Concerns Will Be Heard'
VOLUME Llll, NUMBER 38 DREXEL UNIVERSITY, PHILADELPHIA, PA. FRIDAY, MAY 26. 1978 Coming next fall: More PM classes by Mary McGuiness have their schedules adjusted when The plan was developed after a b’aced with the largest sections are balanced. three year study by Dr. M. Jerry enrollment in Drexel’s historv, the Neal feels that this plan will Kenig. Assistant to the President, administration will institute a new relieve overcrowding without in the Registrar's office and by the scheduling plan designed to better creasing costs and still give up- Academic Deans. It has also been utilize available classroom space. fKTclass students the perrogative of discussed with Student Congress Starting with the Fall Quarter of section selection. He appealed to the faculty, and the Board of next year, each academic depart the students for their coop>eration to Trustees ment will offer more classes during "help us hold the line on tuition and A number of ideas were con the aftern<x»n and at 8:00 AM. avoid Saturday classes ” sidered before this solution was Students will be asked to schedule The plan also includes shifting the advanced. A new classroom at least half their classes during traditional 3:30 activities period building was rejected because the these non-peak hours. According to from Wednesday to Tueaday. This cost of land, construction, debt John W. Neal, Registrar, students adjustment will allow better use of service, and maintenance would who do not observe these the three hour Monday-Wcdnesday- increase tuition The feasibility of requirements will be the first to Friday scheduling block Saturday and even Sunday classes was al.so considered and rejected. -
Frente Liberal Tenta Impugnar a Fidelidade
" /*?*.. ÍV>-. >"-*JfÍ! BIBLIOTECA NÁ-.IOHAL AVV RIO BRANCO 219-39 CENTRO ' ' .-»,.- it Idéias Õ Festival de Nas páginas 2 e 3 do Caderno H, Cinema está no as idéias de Eduardo Portella, An- tonio Carlos Porto Gonçalves, Raul Celso Lins e Silva, José Au- _&s\ Caderno H gusto Assumpção Brito, Luís Pin- guelli Rosa, José Alberto Gueiros e Antônio Carlos Peixoto. E um de- sabafo de Oscar Niemeyer. O Dito (ou escrito) há um ano está na Umma Htfia> página 3. Rio de Janeiro, quinta-feira, 22 de novembro de 1984 Ano 34n? 11.446Cr$W) ^y/ Tempo — O tempo hoje no Rio e em Niterói será nublado ainda sujeito a pancadas de chuvas e Estado trovoadas, com período de melho- rias. Temperatura estável. Ventos de Norte a Frente atrai novas Noroeste fracos a mo- Liberal tenta derados com rajadas ocasionais. Visibilidade moderada. A máxima indústrias de ontem foi de 32.0 graus em Realengo, enquanto a mínima re- Três novos grupos industriais gistrou 17.8 graus no Alto da Boa acertaram ontem a sua instala- Vista. ção em municípios fluminenses impugnar Magé e Nova Igua- a fidelidade (Petrópolis, Vendaval - Moradores da Zo- çu), deslocando seus centros de na operações de outros Estados, Sul foram surpreendidos ontem A Frente "um por forte vendaval, atingiu Liberal já tomou Tribunal Superior Eleitoral. A abrir uma guerra contra par- Neves constitui ultraje" beneficiados incentivos que impugnar lamentares. Vão tentar expul- pelos velocidade de 72 quilômetros/ho- providências para Frente Liberal espera entre- ao Judiciário. Tançredo disse concedidos pelo Governo. Re- ra. Apesar do susto, não houve na Justiça a decisão do Dire- tanto que o TSE se negue a sar apenas pedessistas que que Paulo Maluf está tão per- presentam investimentos de problemas sérios e os bombeiros só tório Nacional do PDS, que registrar o fechamento de não têm mandato, como os dido que não conseguirá lide- Cr$ 11,2 bilhões, recolhimentos foram acionados uma vez, aprovou o fechamento de ex-governadores Antônio para questão. -
On Est Responsable À Jamais De Notre Rose Élyséenne... SOMMAIRE
On est responsable à jamais de notre rose élyséenne... SOMMAIRE Editorial 7 Les professeurs à l’Élysée 8 Honneur à M. Bruno Foucher 13 Portes ouvertes à la maternelle 18 Célébrons l’Indépendance! 19 Une Sainte Barbe riche en variétés 22 Noël 24 Charité et bienveillance 28 On est responsable à jamais Le livre, un ami éternel 32 de ce qu’on apprivoise, Notre univers: Histoire, sciences, culture et exploration 34 chaque élyséen est responsable Bonne fête maman 42 Un voyage hors pair 44 de sa rose éternelle, de ses étoiles qui rient, Recueillement 45 des ses soucis qui pleurent, Pâques 47 de ses épines qui se défendent contre l’injustice Eveil et sensibilisation 48 Apprendre grâce aux jeux 56 et des valeurs qu’elles tentent de pourchasser Records artistiques et culturels 69 dans les étoiles. Compétitions sportives 74 Théâtre et cinéma 80 Former et orienter 82 Les scouts Carmel / Elysée 89 Célébrations, danses et chansons 94 L’école est finie! 99 Bizutage 101 Promo 2019 103 Major de Promotion 2019 116 Photos de classe 117 1 «De toutes vos forces, de toute votre vigueur et de toute votre détermination, écrivez l’histoire nouvelle du nouveau Liban! La nouvelle histoire du Liban, c’est à vous Conception et Réalisation qu’il incombe de l’écrire parce que les ratés, Mme Graziella Chidiac Ikbal Mlle Sahar Moussallem les lâches et les marginaux n’ont pas leur Comité de Rédaction place dans les pages de l’Histoire; parce que Mme Elham Abdelnour Mme Joelle Feghali Kmeid l’Histoire ne retient que les noms des héros, Mlle May Daou Mme Samar Saadeh des savants et des pionniers!» Mme Eliane Khoury Mme Rima Bouhairie Mme Gina Nakhlé Elie Moussallem Comité de Relecture Mme Elham Abdelnour Fondateur du Collège M. -
Ralph Maradiaga Collection CEMA 35
http://oac.cdlib.org/findaid/ark:/13030/c8639rd9 No online items Guide to the Ralph Maradiaga collection CEMA 35 Finding aid prepared by Mari Khasmanyan, 2015. UC Santa Barbara Library, Department of Special Collections University of California, Santa Barbara Santa Barbara, California, 93106-9010 Phone: (805) 893-3062 Email: [email protected]; URL: http://www.library.ucsb.edu/special-collections 2015 October 26 Guide to the Ralph Maradiaga CEMA 35 1 collection CEMA 35 Title: Ralph Maradiaga collection Identifier/Call Number: CEMA 35 Contributing Institution: UC Santa Barbara Library, Department of Special Collections Language of Material: English Physical Description: 22.1 linear feet(4 document boxes, 3 binder boxes, 2 oversized boxes, 165 posters, 41 audio recordings, and 150 video recordings). Date (bulk): Bulk, 1973-1983 Date (inclusive): 1963-1993 Abstract: The Ralph Maradiaga Collection covers Maradiaga's educational, professional and creative accomplishments. They are recorded in exhibit materials, poetry, posters and other papers. Many slides and photos are part of this collection as well. The photos cover much of his personal and professional life as an artist. Included are also numerous audio and video recordings. These recordings cover his extensive involvement in filmmaking as a producer and director. Physical Location: Del Norte (Boxes 1-7), Del Norte Oversized (Boxes 8-9), Del Norte map case (posters). There are some videos from this collection that are available for streaming online, links are provided in the video section. Language of Materials: The collection is predominantly in English, with some Spanish materials. creator: Maradiaga, Ralph Access Restrictions Collection is open for research. -
“They Tried to Bury Us, but They Didn't Know We Were Seeds.” “Trataron De Enterrarnos, Pero No Sabían Que Éramos Semil
"They Tried to Bury Us, But They Didn't Know We Were Seeds." "Trataron de Enterrarnos, Pero No Sabían Que Éramos Semillas" - The Mexican American/Raza Studies Political and Legal Struggle: A Content Analysis Item Type text; Electronic Dissertation Authors Arce, Martin Sean Citation Arce, Martin Sean. (2020). "They Tried to Bury Us, But They Didn't Know We Were Seeds." "Trataron de Enterrarnos, Pero No Sabían Que Éramos Semillas" - The Mexican American/Raza Studies Political and Legal Struggle: A Content Analysis (Doctoral dissertation, University of Arizona, Tucson, USA). Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction, presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 24/09/2021 20:52:15 Link to Item http://hdl.handle.net/10150/656744 “THEY TRIED TO BURY US, BUT THEY DIDN’T KNOW WE WERE SEEDS.” “TRATARON DE ENTERRARNOS, PERO NO SABÍAN QUE ÉRAMOS SEMILLAS.” - THE MEXICAN AMERICAN/RAZA STUDIES POLITICAL AND LEGAL STRUGGLE: A CONTENT ANALYSIS by Martín Arce ______________________________ Copyright © Martín Arce 2020 A Dissertation Submitted to the Faculty of the DEPARTMENT OF TEACHING, LEARNING & SOCIOCULTURAL STUDIES In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2020 3 ACKNOWLEDGEMENTS Without the love and support of my familia, the completion of this dissertation would not have been possible. My brothers Tom Arce, Gil Arce, and Troy Arce are foundational to my upbringing and to who I am today. -
Jerry Garcia from Wikipedia, the Free Encyclopedia
Jerry Garcia From Wikipedia, the free encyclopedia Background information Birth name Jerome John Garcia Born August 1, 1942, San Francisco, California, United States Died August 9, 1995 (aged 53), Forest Knolls, California, United States Genres Folk rock, bluegrass, progressive rock Occupation(s) Musician, songwriter Instruments Guitar, vocals, pedal steel guitar, banjo Years active 1960–1995 Labels Rhino, Arista, Warner Bros., Acoustic Disc, Grateful Dead Associated acts Grateful Dead, Legion of Mary, Reconstruction, Jerry Garcia Band, Old and in the Way, Jerry Garcia Acoustic Band, New Riders of the Purple Sage͵ Garcia Grisman Band Notable instruments Fender Stratocaster "Alligator" Doug Irwin-modified Alembic "Wolf" Gibson SGs Guild Starfire 1957 Gibson Les Paul Gold-top Les Paul with P-90 Doug Irwin Custom "Tiger" Doug Irwin Custom "Rosebud" Stephen Cripe Custom "Lightning Bolt," Martin D-28, Takamine acoustic-electric guitars Travis Bean TB1000S, TB500[1] Jerome John "Jerry" Garcia (August 1, 1942 – August 9, 1995) was an American musician best known for his lead guitar work, singing and songwriting with the band the Grateful Dead, which came to prominence during the counterculture era. Though he disavowed the role, Garcia was viewed by many as the leader or "spokesman" of the group. One of its founders, Garcia performed with the Grateful Dead for their entire thirty-year career (1965–1995). Garcia also founded and participated in a variety of side projects, including the Saunders-Garcia Band (with longtime friend Merl Saunders), the Jerry Garcia Band, Old and in the Way, the Garcia/Grisman acoustic duo, Legion of Mary, and the New Riders of the Purple Sage (which Garcia co-founded with John Dawson and David Nelson).