Casting Her Gentility on the Waters: Middle Class
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Gender, Knowledge and Power in Radical Culture
POETESSES AND POLITICIANS: GENDER, KNOWLEDGE AND POWER IN RADICAL CULTURE, 1830-1870 HELEN ROGERS submitted for the degree of D.Phil University of York History Department and Centre for Women's Studies September 1994 CONTENTS PAGE Acknowledgements Abstract Introduction - Poetesses and Politicians: Rethinking Women and Radicalism, 1830-1870 1 I Poetesses and Politicians 2 II Rethinking Women and Radicalism, 1830-1870 12 Chapter One - The Politics of Knowledge in Radical Culture, 1790-1834 25 I Reason, Virtue and Knowledge: Political and Moral Science in the 1790s 27 II "Union is Knowledge": Political and Moral Economy in the 1820s and 1830s 37 Chapter Two - "The Prayer, The Passion and the Reason" of Eliza Sharples: Freethought, Women's Rights and Republicanism, 1832-1852 51 I The Making of a Republican, 1827-1832 i The Conversion 54 ii "Moral Marriage": A Philosophical Partnership? 59 iii The Forbidden Fruit of Knowledge 64 II "The Lady of the Rotunda" 72 III "Proper Help Meets for Men": Eliza Sharpies and Female Association in Metropolitan Radical Culture, in the Early 1830s 81 IV "The Poverty of Philosophy": Marriage, Widowhood, and Politics, 1833-1852 94 Chapter Three - "A Thinking and Strictly Moral People": Education and Citizenship in the Chartist Movement 102 I Chartist Debates on Education as Politics 111 II "Sound Political Wisdom from the Lips of Women": Chartist Women's Political Education 120 III Chartist Women and Moral and Physical Force 130 IV Conclusion "What Power has Woman...?" 138 Chapter Four - "The Good Are Not Always -
Elizabeth Garrett Anderson in Context: the Origins of the Women’S Movement in Mid- Victorian Britain
Elizabeth Garrett Anderson in context: the origins of the women’s movement in mid- Victorian Britain By Professor Lawrence Goldman In 1840 in London at the first World Anti-Slavery Convention, a woman rose to speak from the separate enclosure where all women attendees at the meeting had been corralled. There was consternation and uproar and she was silenced. The following day The Times carried an editorial on the meeting and made unkind remarks on the manners of our American cousins because the woman in question was from the United States. Her name was Elizabeth Cady Stanton and she is often compared with Millicent Garrett Fawcett, the equally famous sister of Elizabeth Garrett Anderson. Elizabeth Cady Stanton led the movement for women’s enfranchisement in America in the late-19th century and often attested that it was her treatment in London in 1840 which made her the leading American feminist of her generation. In Britain in 1840 no respectable woman would speak in public; that was the privilege of men only. Yet fast-forward to Birmingham in October 1857 and the opening congress of an organisation called the Social Science Association, and here, for the first time, 17 years later, a middle-class woman spoke in open and mixed company. Her name was Mary Carpenter and she spoke about her work rescuing street children in Bristol and educating them in so-called ragged schools. Miss Carpenter was already a famous female philanthropist and the audience for this landmark speech was so large that the meeting was delayed while everyone moved to a bigger venue. -
The Old New Journalism?
ORBIT-OnlineRepository ofBirkbeckInstitutionalTheses Enabling Open Access to Birkbeck’s Research Degree output The development and impact of campaigning journal- ism in Britain, 1840-1875 : the old new journalism? https://eprints.bbk.ac.uk/id/eprint/40128/ Version: Full Version Citation: Score, Melissa Jean (2015) The development and impact of campaigning journalism in Britain, 1840-1875 : the old new journalism? [Thesis] (Unpublished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email Birkbeck, University of London The Development and Impact of Campaigning Journalism in Britain, 1840–1875: The Old New Journalism? Melissa Jean Score Submitted for the degree of Doctor of Philosophy November 2014 2 Declaration I, Melissa Jean Score, declare that this thesis is all my own work. Signed declaration_________________________________________ Date_____________________ 3 Abstract This thesis examines the development of campaigning writing in newspapers and periodicals between 1840 and 1875 and its relationship to concepts of Old and New Journalism. Campaigning is often regarded as characteristic of the New Journalism of the fin de siècle, particularly in the form associated with W. T. Stead at the Pall Mall Gazette in the 1880s. New Journalism was persuasive, opinionated, and sensational. It displayed characteristics of the American mass-circulation press, including eye-catching headlines on newspaper front pages. The period covered by this thesis begins in 1840, with the Chartist Northern Star as the hub of a campaign on behalf of the leaders of the Newport rising of November 1839. -
The Rise of Leagues and Their Impact on the Governance of Women's Hockey in England
‘Will you walk into our parlour?’: The rise of leagues and their impact on the governance of women's hockey in England 1895-1939 Joanne Halpin BA, MA A thesis submitted in partial fulfilment of the requirements of the University of Wolverhampton for the degree of Doctor of Philosophy Submission date: May 2019 This work or any part thereof has not previously been presented in any form to the University or to any other body for the purposes of assessment, publication or for any other purpose (unless otherwise indicated). Save for any express acknowledgements, references and/or bibliographies cited in the work, I confirm that the intellectual content of the work is the result of my own efforts and of no other person. The right of Jo Halpin to be identified as author of this work is asserted in accordance with ss.77 and 78 of the Copyright, Designs and Patents Act 1988. At this date copyright is owned by the author. Signature: …………………………………….. Date: ………………………………………….. Jo Halpin ‘Will you walk into our parlour?’ Doctoral thesis Contents Abstract i List of abbreviations iii Acknowledgements v Introduction: ‘Happily without a history’ 1 • Hockey and amateurism 3 • Hockey and other team games 8 • The AEWHA, leagues and men 12 • Literature review 15 • Thesis aims and structure 22 • Methodology 28 • Summary 32 Chapter One: The formation and evolution of the AEWHA 1895-1910 – and the women who made it happen 34 • The beginnings 36 • Gathering support for a governing body 40 • The genesis of the AEWHA 43 • Approaching the HA 45 • Genesis of the HA -
The History of British Women's Writing, 1830–1880, Volume
The History of British Women’s Writing, 1830–1880 The History of British Women’s Writing General Editors: Jennie Batchelor and Cora Kaplan Advisory Board: Isobel Armstrong, Rachel Bowlby, Helen Carr, Carolyn Dinshaw, Margaret Ezell, Margaret Ferguson, Isobel Grundy, and Felicity Nussbaum The History of British Women’s Writing is an innovative and ambitious monograph series that seeks both to synthesise the work of several generations of feminist schol- ars, and to advance new directions for the study of women’s writing. Volume edi- tors and contributors are leading scholars whose work collectively reflects the global excellence in this expanding field of study. It is envisaged that this series will be a key resource for specialist and non-specialist scholars and students alike. Titles include: Liz Herbert McAvoy and Diane Watt (editors) THE HISTORY OF BRITISH WOMEN’S WRITING, 700–1500 Volume One Caroline Bicks and Jennifer Summit (editors) THE HISTORY OF BRITISH WOMEN’S WRITING, 1500–1610 Volume Two Mihoko Suzuki (editor) THE HISTORY OF BRITISH WOMEN’S WRITING, 1610–1690 Volume Three Ros Ballaster (editor) THE HISTORY OF BRITISH WOMEN’S WRITING, 1690–1750 Volume Four Jacqueline M. Labbe (editor) THE HISTORY OF BRITISH WOMEN’S WRITING, 1750–1830 Volume Five Holly Laird (editor) THE HISTORY OF BRITISH WOMEN’S WRITING, 1880–1920 Volume Seven Mary Joannou (editor) THE HISTORY OF BRITISH WOMEN’S WRITING, 1920–1945 Volume Eight Claire Hanson and Susan Watkins (editors) THE HISTORY OF BRITISH WOMEN’S WRITING, 1945–1975 Volume Nine Mary Eagleton and Emma Parker (editors) THE HISTORY OF BRITISH WOMEN’S WRITING, 1880–1920 Volume Ten History of British Women’s Writing Series Standing Order ISBN 978-0-230-20079-1 hardback (outside North America only) You can receive future titles in this series as they are published by placing a standing order. -
Chapter 1 Victorian Feminism and the Periodical Press
Notes Chapter 1 Victorian Feminism and the Periodical Press 1 F.P. Cobbe, Life, p. 535. 2 For further discussion, see B. Caine, ‘Feminism, Journalism and Public Debate.’ Another central suffrage figure, the Mancunian Lydia Becker, was also involved in the British Association for the Advancement of Science, advocated for girls’ science education, and had aspired herself to a profession in science. She printed Botany for Novices privately, though Star Gazing for Novices remained unpublished. See J.E. Parker, ‘Lydia Becker’s “School for Science”.’ See also A. Kelly, Lydia Becker and the Cause. 3 S. Collini, Public Moralists, p. 53. 4 S. Collini, Public Moralists, p. 55. 5 S. Peacock, Theological and Ethical Writings, notes that Froude, editor of Fraser’s Magazine during Cobbe’s time there, tells her that they risk courting controversy over her theist pieces for the magazine, a salutory reminder that what constitutes risk taking has shifted considerably from 1862 to now. See also J.L. Larsen, ‘Where is the Woman in this Text?,’ who analyses Cobbe’s rhetorical style in Broken Lights as a form of feminist activism. 6 B. Caine, ‘Feminism, Journalism and Public Debate,’ 110. The three volumes of E.K. Helsinger, R. Sheets Lauterbach and W. Veeder (eds), The Woman Question gives a very full sense of how thoroughly the question of ‘woman’ infused Victorian books, papers, and periodicals. 7 For an overview of these points, see W. Houghton, ‘Periodical Literature and the Articulate Classes’ and L. Brake, Subjugated Knowledges. For a discussion of the rise of a professional intellectual class see T.W. -
The Other October Revolution
The other October Revolution – art and the advent of women’s tertiary education in Britain Barbara Bodichon and Helen Blackburn at Girton College, 1869 Lara Nicholls, Assistant Curator, Australian Paintings and Sculpture PhD Candidate Alfred Waterhouse, Architectural drawings of Girton College, Cambridge University (DATE, watercolour on paper, Girton College Archives Barbara Bodichon collecting foliage for her painting in Algiers Barbara Leigh Smith Elizabeth Guinness Self-portrait Helen Blackburn Drawing in pen and ink Emily Mary Osborn (1828 – 1925) Nameless and friendless: The rich man’s wealth is his strong city, London 1857, Royal Academy; Tate Britain, purchased 2009 Emily Mary Osborn Barbara Leigh Smith Bodichon, London, 1883 - 84 oil on canvas, Girton College, Cambridge, Gift of A.G. Hastings, 1963. Emily Mary Osborn Barbara Leigh Smith Bodichon, sketch for a portrait of Bodichon, ink on board, Girton College, presented by A Haley & Co., Wakefield, 1949. Whereabouts of the oil painting unknown. Barbara Bodichon Ye Newe Generation Munich, 1850 Painting trip to Europe with Anna Mary Howitt and Jane Benham Howitt writes An Art Student in Munich, the central character of Justina was based on Barbara. Ventnor, Isle of Wight, 1856 Sisters working in our fields, c. 1858 – 60, Algeria Watercolour and bodycolor 28 x 42.5 inches; signed, Watercolour and bodycolor on paper inscribed and dated 1856. Provenance: Christopher From "the villa on the green heights of Mustapha Superieur" which the Wood, London Exhibited: Royal Academy, 1856, no. -
The Woman Painter in Victorian Literature
The Woman Painter in Victorian Literature The Woman Painter in Victorian Literature A NTONI A L OS A NO The Ohio State University Press Columbus Cover: Dante Gabriel Rossetti, A Parable of Love (Love’s Mirror). Reproduced by permis- sion of the Birmingham Museums & Art Gallery. Copyright © 2008 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Losano, Antonia Jacqueline. The woman painter in Victorian literature / Antonia Losano. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-8142-1081-9 (cloth : alk. paper) ISBN-10: 0-8142-1081-3 (cloth : alk. paper) 1. English fiction—19th century—History and criticism. 2. English fiction—Women authors—History and criticism. 3. Art and literature—Great Britain—History—19th century. 4. Women artists in literature. 5. Aesthetics in literature. 6. Feminism in litera- ture. 7. Art in literature. I. Title. PR878.W6L67 2008 823.009'9287—dc22 2007028410 This book is available in the following editions: Cloth (ISBN 978-0-8142-1081-9) CD-ROM (ISBN 978-0-8142-9160-3) Cover design by Melissa Ryan Type set in Adobe Garamond Pro Type design by Juliet Williams Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. ANSI Z39.48-1992. 9 8 7 6 5 4 3 2 1 In Memoriam Sarah Louise DeRolph Wampler 1908–2000 - C ONTENTS , List of Illustrations ix Acknowledgments xiii Introduction Chapter One Prevailing -
A Study of the Women's Suffrage Movement in Nineteenth-Century English Periodical Literature
PRINT AND PROTEST: A STUDY OF THE WOMEN'S SUFFRAGE MOVEMENT IN NINETEENTH-CENTURY ENGLISH PERIODICAL LITERATURE Bonnie Ann Schmidt B.A., University College of the Fraser Valley, 2004 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREEE OF MASTER OF ARTS In the Department of History 43 Bonnie Ann Schmidt 2005 SIMON FRASER UNIVERSITY Fa11 2005 All rights reserved. This work may not be reproduced in whole or in part, by photocopy or other means, without permission of the author. APPROVAL Name: Bonnie Ann Schmidt Degree: Master of Arts Title: Print and Protest: A Study of the Women's Suffrage Movement in Nineteenth-Century English Periodical Literature Examining Committee: Dr. Ian Dyck Senior Supervisor Associate Professor of History Dr. Mary Lynn Stewart Supervisor Professor of Women's Studies Dr. Betty A. Schellenberg External Examiner Associate Professor of English Date Defended: NOV.s/15 SIMON FRASER UN~VER~~brary DECLARATION OF PARTIAL COPYRIGHT LICENCE The author, whose copyright is declared on the title page of this work, has granted to Simon Fraser University the right to lend this thesis, project or extended essay to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. The author has further granted permission to Simon Fraser University to keep or make a digital copy for use in its circulating collection, and, without changing the content, to translate the thesislproject or extended essays, if technically possible, to any medium or format for the purpose of preservation of the digital work. -
Jessie Boucherett's “Feminist Life” and the Importance of Being Wealthy
“AN UNEXPECTED RECRUIT TO FEMINISM”: JESSIE BOUCHERETT’S “FEMINIST LIFE” AND THE IMPORTANCE OF BEING WEALTHY by Ellen Jordan University of Newcastle, Australia <[email protected]> and Anne Bridger University of Gloucestershire, UK <[email protected]> Published as Ellen Jordan and Anne Bridger, ‘“An unexpected recruit to feminism”: Jessie Boucherett, the Society for Promoting the Employment of Women, and the importance of being wealthy’. Women’s History Review,15:3 (July, 2006), 385 - 412. 2 ABSTRACT In 1859 Jessie Boucherett, the daughter of a Lincolnshire landowner possessed of an independent income, was inspired by press discussions of the need to find alternative occupations for women to make contact with the women who were already spreading this message through the English Woman’s Journal. With their rather grudging support she founded a society, which still exists, to further this aim, the Society for Promoting the Employment of Women (now the Society for Promoting the Training of Women). Using the records of this Society, now housed at Girton College, Cambridge, this paper looks at the way commitment to this cause allowed a woman from a wealthy, high Tory, landed background to turn herself in six years into the feminist who put up the initial money for the women’s suffrage campaign, and went on to be a leading figure in campaigns to reform the married women’s property laws and against legislation restricting women’s work. It examines in particular the use she made of her personal wealth to direct the strategies of the activist groups to which she belonged. -
Women's Periodicals Came Become Good Wives
Gale Primary Sources Start at the source. Women’s Periodicals Solveig Robinson Pacific Lutheran University Various source media, 19th Century UK Periodicals EMPOWER™ RESEARCH Although periodicals expressly for women appeared as articles and stories offered in these magazines early as 1693 (with The Ladies Mercury) and increased in addressed such concerns as how to manage household number throughout the eighteenth century, it was in servants and the best ways to educate daughters to the nineteenth century that women's periodicals came become good wives. The fashion features and of age. Increased literacy and the many technological accompanying illustrations kept readers up-to-date advances that lowered publication costs contributed to about styles in both London and Paris, and the an explosion of periodicals targeted to expanding new magazines vied to present the most elegant and readerships, especially women. Publishers offered an attractive layouts and plates. increasing number of magazines, reviews, newspapers and journals that catered to women's tastes and interests. And as the realities and possibilities of By mid-century, as the costs of periodical production women's lives changed throughout the century, so did began to drop, domestic women's magazines the publications marketed to them. increasingly sought a broader readership by lowering their prices, publishing more frequently and expanding their content. For example, the weekly Lady's Domesticity and Fashion Newspaper and Pictorial Times offered women a fairly traditional domestic-oriented content, but it also At the beginning of the century, women's periodicals included 'Striking Events' and other news, all for only were largely devoted to domestic concerns and fashion. -
Books By, For, and About Women 2021
BOOKS BY, FOR, AND ABOUT WOMEN 2021 +44 (0)7921 151496 | [email protected] | www.antiquates.co.uk Antiquates Limited Telephone: +44 (0)1929 556656 12A West Street Mobile: +44 (0)7921 151496 Wareham Dorset [email protected] BH20 4JX www.antiquates.co.uk United Kingdom Payment to be made by cheque, bank transfer, credit card, or Paypal; institutions can be billed. Alternative currencies and deferred shipping can of course be accommodated during these difficult times. Postage and packaging costs will be added to orders. All items offered subject to prior sale. E. & O.E. Antiquates Limited is Registered in England and Wales No: 6290905 VAT Registration Number: GB 942 4835 11 Registered Office: The Conifers | Valley Road | Corfe Castle | BH20 5HU | United Kingdom LITTLE WOMEN, ABRIDGED 1) ALCOTT, Louisa M. Little women. London. The Masterpiece Library, "Review of Review's" Office, [s.d., c.1900]. 60pp, iv. With two final advertisement leaves. [Together with:] ALCOTT, Louisa M. Little women married. London. The Masterpiece Library, "Review of Review's" Office, [s.d., c.1900]. 60pp, iv. With two final advertisement leaves. 8vo. Original publisher's printed blue wrappers. Extremities spotted, chipping to upper corner of text-block of first mentioned work, small hole to upper panel of second. Leaves browned. An abridged edition, in two parts, of Louisa May Alcott's seminal coming-of-age novel, edited by journalist William Thomas Stead (1849-1912); numbers 30 and 62 respectively in the "Review of Review's" Masterpiece Library, Penny Popular Novels series. Rare, with OCLC and COPAC together locating just three copies of the first part (Newcastle, NLS and Texas) and only two of the second (Newcastle and Oxford).