DOCSLIB.ORG

The Other October Revolution

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

The other October Revolution – art and the advent of women’s tertiary education in Britain Barbara Bodichon and Helen Blackburn at Girton College, 1869 Lara Nicholls, Assistant Curator, Australian Paintings and Sculpture PhD Candidate Alfred Waterhouse, Architectural drawings of Girton College, Cambridge University (DATE, watercolour on paper, Girton College Archives Barbara Bodichon collecting foliage for her painting in Algiers Barbara Leigh Smith Elizabeth Guinness Self-portrait Helen Blackburn Drawing in pen and ink Emily Mary Osborn (1828 – 1925) Nameless and friendless: The rich man’s wealth is his strong city, London 1857, Royal Academy; Tate Britain, purchased 2009 Emily Mary Osborn Barbara Leigh Smith Bodichon, London, 1883 - 84 oil on canvas, Girton College, Cambridge, Gift of A.G. Hastings, 1963. Emily Mary Osborn Barbara Leigh Smith Bodichon, sketch for a portrait of Bodichon, ink on board, Girton College, presented by A Haley & Co., Wakefield, 1949. Whereabouts of the oil painting unknown. Barbara Bodichon Ye Newe Generation Munich, 1850 Painting trip to Europe with Anna Mary Howitt and Jane Benham Howitt writes An Art Student in Munich, the central character of Justina was based on Barbara. Ventnor, Isle of Wight, 1856 Sisters working in our fields, c. 1858 – 60, Algeria Watercolour and bodycolor 28 x 42.5 inches; signed, Watercolour and bodycolor on paper inscribed and dated 1856. Provenance: Christopher From "the villa on the green heights of Mustapha Superieur" which the Wood, London Exhibited: Royal Academy, 1856, no. Bodichons bought on their marriage in 1858. 913; Manchester City Art Gallery, November 1997: 'Pre-Raphaelite Women Artists.’, Delaware Art Museum Barbara Bodichon Elizabeth Southerden Thompson, Lady Butler (1846 – Ireland 1846 1933) Watercolour and body colour with varnish Evicted, 1890 23 x 35 cm Oil on canvas 121 x 184 cm Whitworth Art Gallery, University of Manchester National Folklore Collection, University College Dublin Anna Blunden (1829 – 1915) Emily Mary Osborn (1828 – 1925) The Seamstress or For Only One Short Hour, 1854, based on Nameless and friendless: The rich man’s wealth is his strong city, the poem by Thomas Hood, The Song of the Shirt, Yale Centre London 1857, Royal Academy; Tate Britain, purchased 2009 for British Art. Girton College Fire Brigade 1878 featuring Hertha Ayrton The mistresses and fellows of Girton College Georges du Maurier from Punch, 8 December 1887 Girton College archive GPCH 10/2/41 Young man in railway carriage offers graduate of Girton College some light reading for the journey and she replies that she has her Pensées by Pascal. Bertha Newcombe 1857 – 1947 Training – Slade School of Fine Art, 1976, member of the New English Art Club from 1888. Studio – Chyne Walk, Chelsea First women's suffrage petition hidden under an apple stall London 1910 oil on canvas Signed and dated lower right London School of Economics Emily Mary Osborn William Holman Hunt The governess The awakening conscience London 1860 London 1853 Yale Centre for British Art, Paul Mellon Fund Tate Britain William Quiller Orchardson (1832 – 1910) Le marriage de convenance London 1883 Purchased 1926, Kelvingrove Art Gallery and Museum Arthur Hacker The Cloister or the world Vae Victis! The Sack of Morrocco by the Almohades, Woe to the Vanquished London 1896; oil on canvas; Cartwright Hall Art Gallery, London 1890; oil on canvas; Broken Hill Regional Art Gallery (formerly collection Bradford of George McCulloch, gift of his widow Mrs J Coutts Michie) Annie Louisa Swynnerton (first woman to be Milly Childers (1866 – 1922) Margaret Thomas (1842 – 1929; arrived Australia elected Associate of the Royal Academy in 1922 Self-portrait 1889 1852) Millicent Fawcett, G.B.E., LL.D Leeds Art Gallery, Gift of Miss E. Deane, 1937 The artist Tate, Presented by the Trustees of the Chantrey North Hertfordshire Museum Bequest 1930 Helena Arsene Darmesteter (1854 – 1923) Henrietta Rae (1859 - 1928 ) Hertha Ayrton (1854 – 1923) Miss Nightingale at Scutari, 1854 (The lady with the Girton College, Cambridge lamp), commissioned by the publishers Casell & Co for reproduction chromolithograph in their Yueltide Christmas annual – whereabouts of the original unknown [Emily Davies Court] Girton College, University of Cambridge. c. 1890-1900. Photochrome print published by the Detroit Publishing Company, 1905 [Source: Library of Congress LC-DIG-ppmsc-08082v.]. Emily Mary Osborn Rudolf Lehmann M. Hawkins (after William Blake Richmond) Barbara Leigh Smith Bodichon (dates) Emily Davies, 1888 Henrietta Maria, Lady Stanley of Alderley, oil on canvas, Girton College, Cambridge Commissioned and gift from students, Girton 1880 College Cambridge Gift from the sitter's son, E. Lyulph Stanley, Girton College Cambridge Gillian Wearing Elizabeth Guinness Statue of Millicent Fawcett Portrait of Helen Blackburn London, Parliament Square, 2018 Elizabeth Sarah Guinness (1850 – 1934) Portrait of Caroline Ashurst Biggs (top); and Lydia Becker (bottom) Mahogany bookcase designed by Helen Blackburn and given to Girton College, Cambridge. Women’s Industries, Bristol 1885 Women’s Pavilion, World’s Columbian Fair, Chicago 1893 Example work included in the collection of Portraits of Eminent British Women Marie de St Pol, Countess of Pembroke, who retired to her estate in Cambridgeshire and founded Pembroke College upon the death of her husband Pen and ink drawing by Miss Guinness, after the picture in the College; A drawing from the book of hours showing her giving a golden book to the Abbey of St Alban’s Victorian Era Exhibition, Earl’s Court London, 1887 35, 36, 37 19 Overall map of Exhibition 19. General Fine Art Division 35 – 37. Women’s Work Section (Fine Art Sub-Division) Colonial legacies – Dunedin, New Zealand Caroline Freeman, BA 1885 – First woman to enrol at the University of Otago (1878) and Otago’s first woman graduate, established Girton College, Dunedin for girls in 1886, which she began with four students before moving to more salubrious environs of a tuck pointed gabled brick residence on Dowling Street. She then branched out to Christchurch where she opened a second Girton College in Latimer Square. The Dunedin establishment merged with Braemar and is now the current-day Columba College..
Recommended publications
  • The Women's Suffrage Movement

    The Women's Suffrage Movement

    The Women’s Suffrage Movement Today, all citizens, living in Northern Ireland, over the age of eighteen share a fundamental human right: the right to vote and to have a voice in the democratic process. One hundred years ago, women in Great Britain and Ireland were not allowed to vote. The Suffrage Movement fought for the right for women to vote and to run for office. This Movement united women from all social, economic, political and religious backgrounds who shared the same goal. The Representation of the People Act in 1832 was led through Parliament by Lord Grey. This legislation, known as the Great Reform Act excluded women from voting because it used the word ‘male’ instead of ‘people’. The first leaflet promoting the Suffrage Movement was published in 1847 and Suffrage societies began to emerge across the country. In 1867, Isabella Tod, who lived in Belfast established the Ladies’ Institute to promote women’s education. She travelled throughout Ireland addressing meetings about Women’s Suffrage. Frustrated by their social and economic situation, Lydia Becker led the formation of the Manchester National Society for Women’s Suffrage (NSWS) in 1867. In 1868, Richard Pankhurst, an MP and lawyer from Manchester, made a new attempt to win voting rights for women. While he was unsuccessful, his wife and daughter, Emmeline and Christabel, go on to become two of the most important figures in the movement. In 1897 the National Union of Women’s Suffrage Societies (NUWSS) was established and Millicent Garrett Fawcett was elected as its President. Between 1866 and1902 peaceful activities by NUWSS and others societies led to numerous petitions, bills and resolutions going before the House of Commons.
  • Thesis June 2019

    Thesis June 2019

    UNIVERSITEIT VAN AMSTERDAM The Medium is the Messenger: An Exploration into Ethel Le Rossignol’s Visionary Art with Studies of Anna Howitt’s and Hilma af Klint’s works Kathryn Branch-Channer Department of History, European Studies and Religious Studies History of Hermetic Philosophy and Related Currents M.A. Thesis in Religious Studies Supervisor: Dr. Marco Pasi Second Reader: Dr. Peter Forshaw Universiteit van Amsterdam Submitted August 2019 !1 UNIVERSITEIT VAN AMSTERDAM Table of Contents Introduction 3 1. Spiritualism, Mediumship and Art 4 1.1. The Origins of Spiritualism 4 1.2. Women and Spiritualism in Post-World War I 6 1.3. Female Mediumship 6 1.4. Theosophy 8 1.5. Modernism 9 2. Ethel Le Rossignol in Historical Context 11 2.1. Spiritualism in England During and After World War I 11 2.2. Correspondences 11 2.3. Context 12 3. Ethel Le Rossignol: The Holy Sphere 14 3.1. A Goodly Company 14 3.2. Healing 17 3.3. Gender and Sexuality 18 3.4. Exhibition and Audience 18 4. Anna Mary Howitt: A Glorious Fruition 20 4.1. Spirit Drawing Methods 21 4.2. Symbolism 22 4.3. Anna Mary Howitt and Ethel Le Rossignol 23 5. Hilma af Klint: Freedom and Opposition 26 5.1. Theosophy and Feminist Politics 27 5.2. Hilma af Klint: Background 27 5.3. Evolution and Gender 29 5.4. Automatism 29 5.5. Exhibitions and Intentions 29 5.6. Hilma af Klint and Ethel Le Rossignol 30 Final Conclusion 32 Image Appendix 34 Bibliography 53 !2 UNIVERSITEIT VAN AMSTERDAM Introduction Intuition is a practice, but can it make you a master of art? The interest in this thesis comes from the number of female artists active in mediumship at the turn of the century and what motivated them to create their radical spirit art.
  • The History of British Women's Writing, 1830–1880, Volume

    The History of British Women's Writing, 1830–1880, Volume

    The History of British Women’s Writing, 1830–1880 The History of British Women’s Writing General Editors: Jennie Batchelor and Cora Kaplan Advisory Board: Isobel Armstrong, Rachel Bowlby, Helen Carr, Carolyn Dinshaw, Margaret Ezell, Margaret Ferguson, Isobel Grundy, and Felicity Nussbaum The History of British Women’s Writing is an innovative and ambitious monograph series that seeks both to synthesise the work of several generations of feminist schol- ars, and to advance new directions for the study of women’s writing. Volume edi- tors and contributors are leading scholars whose work collectively reflects the global excellence in this expanding field of study. It is envisaged that this series will be a key resource for specialist and non-specialist scholars and students alike. Titles include: Liz Herbert McAvoy and Diane Watt (editors) THE HISTORY OF BRITISH WOMEN’S WRITING, 700–1500 Volume One Caroline Bicks and Jennifer Summit (editors) THE HISTORY OF BRITISH WOMEN’S WRITING, 1500–1610 Volume Two Mihoko Suzuki (editor) THE HISTORY OF BRITISH WOMEN’S WRITING, 1610–1690 Volume Three Ros Ballaster (editor) THE HISTORY OF BRITISH WOMEN’S WRITING, 1690–1750 Volume Four Jacqueline M. Labbe (editor) THE HISTORY OF BRITISH WOMEN’S WRITING, 1750–1830 Volume Five Holly Laird (editor) THE HISTORY OF BRITISH WOMEN’S WRITING, 1880–1920 Volume Seven Mary Joannou (editor) THE HISTORY OF BRITISH WOMEN’S WRITING, 1920–1945 Volume Eight Claire Hanson and Susan Watkins (editors) THE HISTORY OF BRITISH WOMEN’S WRITING, 1945–1975 Volume Nine Mary Eagleton and Emma Parker (editors) THE HISTORY OF BRITISH WOMEN’S WRITING, 1880–1920 Volume Ten History of British Women’s Writing Series Standing Order ISBN 978-0-230-20079-1 hardback (outside North America only) You can receive future titles in this series as they are published by placing a standing order.
  • Chapter 1 Victorian Feminism and the Periodical Press

    Chapter 1 Victorian Feminism and the Periodical Press

    Notes Chapter 1 Victorian Feminism and the Periodical Press 1 F.P. Cobbe, Life, p. 535. 2 For further discussion, see B. Caine, ‘Feminism, Journalism and Public Debate.’ Another central suffrage figure, the Mancunian Lydia Becker, was also involved in the British Association for the Advancement of Science, advocated for girls’ science education, and had aspired herself to a profession in science. She printed Botany for Novices privately, though Star Gazing for Novices remained unpublished. See J.E. Parker, ‘Lydia Becker’s “School for Science”.’ See also A. Kelly, Lydia Becker and the Cause. 3 S. Collini, Public Moralists, p. 53. 4 S. Collini, Public Moralists, p. 55. 5 S. Peacock, Theological and Ethical Writings, notes that Froude, editor of Fraser’s Magazine during Cobbe’s time there, tells her that they risk courting controversy over her theist pieces for the magazine, a salutory reminder that what constitutes risk taking has shifted considerably from 1862 to now. See also J.L. Larsen, ‘Where is the Woman in this Text?,’ who analyses Cobbe’s rhetorical style in Broken Lights as a form of feminist activism. 6 B. Caine, ‘Feminism, Journalism and Public Debate,’ 110. The three volumes of E.K. Helsinger, R. Sheets Lauterbach and W. Veeder (eds), The Woman Question gives a very full sense of how thoroughly the question of ‘woman’ infused Victorian books, papers, and periodicals. 7 For an overview of these points, see W. Houghton, ‘Periodical Literature and the Articulate Classes’ and L. Brake, Subjugated Knowledges. For a discussion of the rise of a professional intellectual class see T.W.
  • The Woman Painter in Victorian Literature

    The Woman Painter in Victorian Literature

    The Woman Painter in Victorian Literature The Woman Painter in Victorian Literature A NTONI A L OS A NO The Ohio State University Press Columbus Cover: Dante Gabriel Rossetti, A Parable of Love (Love’s Mirror). Reproduced by permis- sion of the Birmingham Museums & Art Gallery. Copyright © 2008 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Losano, Antonia Jacqueline. The woman painter in Victorian literature / Antonia Losano. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-8142-1081-9 (cloth : alk. paper) ISBN-10: 0-8142-1081-3 (cloth : alk. paper) 1. English fiction—19th century—History and criticism. 2. English fiction—Women authors—History and criticism. 3. Art and literature—Great Britain—History—19th century. 4. Women artists in literature. 5. Aesthetics in literature. 6. Feminism in litera- ture. 7. Art in literature. I. Title. PR878.W6L67 2008 823.009'9287—dc22 2007028410 This book is available in the following editions: Cloth (ISBN 978-0-8142-1081-9) CD-ROM (ISBN 978-0-8142-9160-3) Cover design by Melissa Ryan Type set in Adobe Garamond Pro Type design by Juliet Williams Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. ANSI Z39.48-1992. 9 8 7 6 5 4 3 2 1 In Memoriam Sarah Louise DeRolph Wampler 1908–2000 - C ONTENTS , List of Illustrations ix Acknowledgments xiii Introduction Chapter One Prevailing
  • A Study of the Women's Suffrage Movement in Nineteenth-Century English Periodical Literature

    A Study of the Women's Suffrage Movement in Nineteenth-Century English Periodical Literature

    PRINT AND PROTEST: A STUDY OF THE WOMEN'S SUFFRAGE MOVEMENT IN NINETEENTH-CENTURY ENGLISH PERIODICAL LITERATURE Bonnie Ann Schmidt B.A., University College of the Fraser Valley, 2004 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREEE OF MASTER OF ARTS In the Department of History 43 Bonnie Ann Schmidt 2005 SIMON FRASER UNIVERSITY Fa11 2005 All rights reserved. This work may not be reproduced in whole or in part, by photocopy or other means, without permission of the author. APPROVAL Name: Bonnie Ann Schmidt Degree: Master of Arts Title: Print and Protest: A Study of the Women's Suffrage Movement in Nineteenth-Century English Periodical Literature Examining Committee: Dr. Ian Dyck Senior Supervisor Associate Professor of History Dr. Mary Lynn Stewart Supervisor Professor of Women's Studies Dr. Betty A. Schellenberg External Examiner Associate Professor of English Date Defended: NOV.s/15 SIMON FRASER UN~VER~~brary DECLARATION OF PARTIAL COPYRIGHT LICENCE The author, whose copyright is declared on the title page of this work, has granted to Simon Fraser University the right to lend this thesis, project or extended essay to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. The author has further granted permission to Simon Fraser University to keep or make a digital copy for use in its circulating collection, and, without changing the content, to translate the thesislproject or extended essays, if technically possible, to any medium or format for the purpose of preservation of the digital work.
  • Jessie Boucherett's “Feminist Life” and the Importance of Being Wealthy

    Jessie Boucherett's “Feminist Life” and the Importance of Being Wealthy

    “AN UNEXPECTED RECRUIT TO FEMINISM”: JESSIE BOUCHERETT’S “FEMINIST LIFE” AND THE IMPORTANCE OF BEING WEALTHY by Ellen Jordan University of Newcastle, Australia <[email protected]> and Anne Bridger University of Gloucestershire, UK <[email protected]> Published as Ellen Jordan and Anne Bridger, ‘“An unexpected recruit to feminism”: Jessie Boucherett, the Society for Promoting the Employment of Women, and the importance of being wealthy’. Women’s History Review,15:3 (July, 2006), 385 - 412. 2 ABSTRACT In 1859 Jessie Boucherett, the daughter of a Lincolnshire landowner possessed of an independent income, was inspired by press discussions of the need to find alternative occupations for women to make contact with the women who were already spreading this message through the English Woman’s Journal. With their rather grudging support she founded a society, which still exists, to further this aim, the Society for Promoting the Employment of Women (now the Society for Promoting the Training of Women). Using the records of this Society, now housed at Girton College, Cambridge, this paper looks at the way commitment to this cause allowed a woman from a wealthy, high Tory, landed background to turn herself in six years into the feminist who put up the initial money for the women’s suffrage campaign, and went on to be a leading figure in campaigns to reform the married women’s property laws and against legislation restricting women’s work. It examines in particular the use she made of her personal wealth to direct the strategies of the activist groups to which she belonged.
  • Casting Her Gentility on the Waters: Middle Class

    Casting Her Gentility on the Waters: Middle Class

    CASTING HER GENTILITY ON THE WATERS: I MIDDLE CLASS WOMEN AND EMPLOYMENT WITH REFERENCE TO THE ENGLISHWOMAN'S JOURNAL AND ^ENGLISHWOMAN'S REVIEW ROSEMUND ROSS This thesis is presented for the honours degree of History of Murdoch University, 1987, and is an account of my own research. ACKNOWLEDGEMENTS I would like to express my thanks to Dr. Pat Jalland for her enthusiasm. encouragement and guidance during the preparation of this thesis. Professor Geoffrey Bolton and the History in Progress' seminar group made helpful comments on an early draft. Ms. Leonie Liveris provided invaluable assistance by her generous loan of many of the secondary sources. Finally my very special thanks to my mother, Paulanna, and sister, Pauline, for their support and assistance with the typing of this thesis. i # INTRODUCTION Chapter One: Industrialisation and the ’Woman Question' 1750 1850 p.9 The Industrial Revolution p.9 The ’Woman Question' p. 15 The Origins of the Women's Movement p. 20 The Plight of Middle Class Spinster p. 24 Chapter Two: The Englishwoman's Journal and Work for Women 1858 1864 p. 29 The ishWoman's Journal p. 31 Readers and Critics p. 45 Chapter Three:The Englishwoman's Review and the Response to Protective Legislation 1866 - 1910 p. 56 The Englishwoman's Review p. 58 The Feminist Response to State Intervention p. 62 The Women's Industrial Defence Committee and the Freedom of Labour Defence p. 68 Chapter Four: Theory into Practice: The Society for Promoting the Employment of Women 1859 - 1910 p. 77 Membership and Structure p. 78 'Experimental Ventures' p.
  • A Virtual Museum by Amelie Wiltshire 7Z Welcome to My Virtual Museum!

    A Virtual Museum by Amelie Wiltshire 7Z Welcome to My Virtual Museum!

    TheThe extensionextension ofof suffragesuffrage A virtual museum by Amelie Wiltshire 7z Welcome to my virtual museum! This museum is about the extension of suffrage, women’s rights and empowerment, I hope you enjoy it! The Langham place group and Barbara Bodichon Barbara Bodichon was the founder of the Langham place group, which she started in 1857 to campaign on issues that affected women , like their non-existent rights to do anything a man could. This group would try and find ‘mens work’ for women and made the issues known to all women through the ‘English Woman's Journal’, some of them being how women could not divorce and how quite a few laws included women being harmed. Selina Cooper From the age of 11, Selina had worked in a cotton mill and she had joined the NUWSS near her. She also previously worked in the Co-operative Guilds, and helped with the 1901 petition for women’s suffrage. A very talented speaker and active in local politics, she quickly got invited to speak at rallies for NUWSS, and in 1910, was one of four woman to present the women's suffrage case to the Prime Minister, and in time became the first ever woman elected to the Boards of Guardians! Harriet Taylor Mill Harriet Taylor Mill was an amazing writer, she wrote an anonymous essay called ‘The enfranchisement of women’.(Her husband, John Stuart Mill,thought her ideas were phenomenal and wrote a similar pamphlet named ‘The Subjection of Women’) The main aim of this was to help women to get the power of voting, but mostly for women just to have equality in all of life, to prove that women are just as good as men.
  • Feminist Journals and Peace Questions1

    Feminist Journals and Peace Questions1

    ‘the truest form of patriotism’ 2 ‘The women of the whole world form . a unity’: feminist journals and peace questions1 hrough the debates on physical force, many women active in the feminist movement were drawn to consider wider issues of T military conflict and war. Such well-known feminists as Josephine Butler, Millicent Garrett Fawcett, Lydia Becker, Caroline Ashurst Biggs (editor of the Englishwoman’s Review from 1871 to 1889) and Henrietta Müller (editor of the Women’s Penny Paper from 1888 to 1892) inter- vened in debates about the role of the armed forces and the utility of warfare. These women held widely differing perspectives, and Fawcett in particular emerged as a supporter of imperialism and armed inter- vention. But Butler, Becker and many other feminists opposed war in principle and in practice. Rather than selecting individuals to study here, this chapter discusses the approaches which four feminist journals – the Englishwoman’s Review, the Women’s Suffrage Journal, the Women’s Penny Paper and the Woman’s Signal – took towards pacifism and inter- nationalism. The journals provide a history of feminist debates and disagreements over the role of force in this period: debates on peace and war occurred in relation to a number of different campaigns, including for example the movement for the repeal of the Contagious Diseases Acts, and within a range of organisations, such as the Women’s Liberal Federation (WLF), the British Women’s Temperance Association (BWTA), the Moral Reform Union (MRU) and the International Council of Women. The journals used here provided media within which the peace question could be discussed in relation to these diverse campaigns and societies.
  • La Educación Epistolar: Los Intercambios De Cartas Entre Mujeres Burguesas Como Fuente De Desarrollo Personal En La Inglaterra Victoriana

    La Educación Epistolar: Los Intercambios De Cartas Entre Mujeres Burguesas Como Fuente De Desarrollo Personal En La Inglaterra Victoriana

    Revista História da Educação (Online), 2020, v. 24: e98600 DOI: http://dx.doi.org/10.1590/2236-3459/98600 Artigo LA EDUCACIÓN EPISTOLAR: LOS INTERCAMBIOS DE CARTAS ENTRE MUJERES BURGUESAS COMO FUENTE DE DESARROLLO PERSONAL EN LA INGLATERRA VICTORIANA Meritxell Simon-Martin1 RESUMEN Este artículo examina la correspondencia personal de tres mujeres inglesas burguesas, Anna Mary Howitt, Barbara Leigh Smith Bodichon y Bessie Rayner Parkes, como fuentes de desarrollo personal. A partir del concepto de ‘educación epistolar’ (SIMON-MARTIN, 2016, 2016a, 2020), este artículo explora la carta como instrumento educativo en el sentido del término neohumanista alemán Bildung (formación a lo largo de la vida), y sugiere que estas tres amigas no sólo reflexionaron sobre temas como el amor y el matrimonio a través de las cartas sino también concertaron acuerdos con sus pretendientes y familiares que respectaran sus necesidades matrimoniales y sus expectativas profesionales. Paralelamente, este articulo incluye una breve reflexión epistemológica sobre cómo abordar la cuestión del ‘silencio archivístico’, dado que se basa en gran medida en el análisis de la voz epistolar de Bessie únicamente. Palabras clave: Bildung, formación, cartas, educación epistolar, silencio archivístico. 1 University of Roehampton (UR), Londres, Reino Unido. 1 | 31 Revista História da Educação (Online), 2020, v. 24: e98600 DOI: http://dx.doi.org/10.1590/2236-3459/98600 A EDUCAÇÃO EPISTOLAR: OS INTERCÂMBIOS DE CARTAS ENTRE MULHERES BURGUESAS COMO FUENTES DE DESARROLLO PESSOAL NA INGLATERRA VITORIANA RESUMO Este artigo examina a correspondência pessoal de três mulheres burguesas inglesas, Anna Mary Howitt, Barbara Leigh Smith Bodichon e Bessie Rayner Parkes, como fontes de desenvolvimento pessoal.
  • Baaaaaaaaaaaaaaaaaaaaaaaa

    Baaaaaaaaaaaaaaaaaaaaaaaa

    BATTLE & DISTRICT HISTORICAL SOCIETY baaaaaaaaaaaaaaaaaaaaaaaaaaac AUNT BARBARA AND HER FIREPLACE Charlotte Moore 11th February 2011 harlotte Moore, a local author, introduced the audience to her great, great, great- aunt Barbara with a picture of her aunt that had always hung in her family home. CAunt Barbara was one of those Victorian women who truly deserved the epithet “larger than life”. Her full name was Barbara Leigh Smith and after she married, Barbara Leigh Smith Bodichon. Aunt Barbara had many diverse interests and enthusiasms and was very influential in raising the status of women. A radical Victorian feminist, she was instrumental in campaigning for women’s rights to go to university, to vote, and to own their own money and property. She was a prime mover in all these campaigns and in many others, and was a co-founder of Girton College Cambridge, the first university to admit women. Aunt Barbara was a vibrant and interesting character with a wide circle of friends. She was also an artist and had many friends who were artists and writers. When visitors came to stay at Scalands Gate, her home near Robertsbridge that she designed and had built herself, they were asked to paint their names around the brick fireplace in the house. These inscriptions still survive to-day and reflect the huge range of her interests, providing a fascinating picture of Barbara and her social circle. Barbara’s background was very mixed. Her father Benjamin Smith, a powerful character, came from a large extended family of radical Unitarians amongst whom was Florence Nightingale (Barbara’s first cousin).