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The History of British Women's Writing, 1830–1880, Volume
The History of British Women’s Writing, 1830–1880 The History of British Women’s Writing General Editors: Jennie Batchelor and Cora Kaplan Advisory Board: Isobel Armstrong, Rachel Bowlby, Helen Carr, Carolyn Dinshaw, Margaret Ezell, Margaret Ferguson, Isobel Grundy, and Felicity Nussbaum The History of British Women’s Writing is an innovative and ambitious monograph series that seeks both to synthesise the work of several generations of feminist schol- ars, and to advance new directions for the study of women’s writing. Volume edi- tors and contributors are leading scholars whose work collectively reflects the global excellence in this expanding field of study. It is envisaged that this series will be a key resource for specialist and non-specialist scholars and students alike. Titles include: Liz Herbert McAvoy and Diane Watt (editors) THE HISTORY OF BRITISH WOMEN’S WRITING, 700–1500 Volume One Caroline Bicks and Jennifer Summit (editors) THE HISTORY OF BRITISH WOMEN’S WRITING, 1500–1610 Volume Two Mihoko Suzuki (editor) THE HISTORY OF BRITISH WOMEN’S WRITING, 1610–1690 Volume Three Ros Ballaster (editor) THE HISTORY OF BRITISH WOMEN’S WRITING, 1690–1750 Volume Four Jacqueline M. Labbe (editor) THE HISTORY OF BRITISH WOMEN’S WRITING, 1750–1830 Volume Five Holly Laird (editor) THE HISTORY OF BRITISH WOMEN’S WRITING, 1880–1920 Volume Seven Mary Joannou (editor) THE HISTORY OF BRITISH WOMEN’S WRITING, 1920–1945 Volume Eight Claire Hanson and Susan Watkins (editors) THE HISTORY OF BRITISH WOMEN’S WRITING, 1945–1975 Volume Nine Mary Eagleton and Emma Parker (editors) THE HISTORY OF BRITISH WOMEN’S WRITING, 1880–1920 Volume Ten History of British Women’s Writing Series Standing Order ISBN 978-0-230-20079-1 hardback (outside North America only) You can receive future titles in this series as they are published by placing a standing order. -
By Her Own Hand Rare Books & Manuscripts by Women by Her Own Hand
By Her Own Hand Rare Books & Manuscripts by Women By Her Own Hand 121 E. Union St., Pasadena, Ca 91103 Phone: (626) 714-7720 www.WhitmoreRareBooks.com By Her Own Hand Rare Books & Manuscripts by Women 121 E. Union St., Pasadena, Ca 91103 · Tel. (626) 714-7720 [email protected] www.WhitmoreRareBooks.com Books Termsmay be reserved by email: [email protected] and by phone: (626) 714-7720 We welcome you to come visit our shop during normal business hours: 121 E. Union St., Pasadena, Ca 91103 For our complete inventory, including many first editions, signed books and other rare items, please visit our website at: www.WhitmoreRareBooks.com Follow us on social media! @WRareBooks @whitmorerarebooks whitmorerarebooks Archive of 10 handwritten diaries of Sarah Ann Sargent, 1882-1912. p. 24 2 Introduction “We were once fam’d in Story; Cou’d govern, nay cou’d fight. We still have Valour. So pray tell me then: Why should Women not write as well as men?” --Aphra Behn Women have had a hand in shaping history, through their roles as activists, educators, laborers, scientists, artists, and intellectuals. The writing they leave behind is a physical and lasting manifestation of their ideas. It teaches us about the diversity of their experiences and desires; and it guides us in building and improving upon their work. By Her Own Hand is a celebration of manuscript and print materials by women. The rare documents gathered here speak to women’s complex identities, and to how women infuse themselves into their efforts to improve the world. Some women, like Aphra Behn, Lydia Huntley Sigourney, and Angelina W. -
Newsletter 28
The Martineau Society Newsletter No. 28 Autumn 2010 President: Mrs. Sophia Hankinson Vice-president: Prof. R. K. Webb Chairperson: Prof. Ruth Watts Secretary: Prof. Gaby Weiner Treasurer: Mr. Rob Watts Newsletter Editor: Mr. Bruce Chilton Contents Page Editor’s Note “Trans-Atlantic Influences: James Martineau and American Religious Thought” by Willard C. Frank “„The spirited pen‟: The Ladies Treasury and Harriet Martineau” by Ruth Watts “Dorothy Wordsworth, Harriet Martineau and the Lake District” by Pamela Woof “HM‟s Translation of Auguste Comte‟s Positive Philosophy: Some Observations on the Mathematics section” by Alan Middleton Martineau Society Contact Information ********** Martineau Society Subscription Information: Yearly subscriptions are due on January 1st. 1 * UK: Individual members £15 // Concessionary rate £7.50 // Institutional membership £30. Life membership rate is £150. * Overseas: Individual members $30 // Concessionary rate $20. This may be paid in dollars to Prof. Elisabeth Arbuckle, Condo. Montebello M526 Trujillo Alto PR00976 USA. ********** Editor’s Note In this newsletter, our first article from Will Frank dives headlong into the deep oceans of the religious thoughts of James Martineau in England and William Ellery Channery in New England. Theirs were thoughts which influenced each other and together influenced, indeed, revolutionised religious thinking throughout the nineteenth century and far more widely than the Unitarianism to which both men subscribed. Theirs were thoughts which continue to echo against religious walls well beyond a century later. Speakers at the Society‟s very successful 2010 conference at Ambleside contribute our further articles. We look at Harriet Martineau‟s contribution to what became known as the „Women‟s Movement‟. -
Ernest Gambart and the Rise of the Commercial Art Gallery in Mid-Victorian London
Pamela M. Fletcher Creating the French Gallery: Ernest Gambart and the Rise of the Commercial Art Gallery in Mid-Victorian London Nineteenth-Century Art Worldwide 6, no. 1 (Spring 2007) Citation: Pamela M. Fletcher, “Creating the French Gallery: Ernest Gambart and the Rise of the Commercial Art Gallery in Mid-Victorian London ,” Nineteenth-Century Art Worldwide 6, no. 1 (Spring 2007), http://www.19thc-artworldwide.org/spring07/143-creating-the-french- gallery-ernest-gambart-and-the-rise-of-the-commercial-art-gallery-in-mid-victorian-london. Published by: Association of Historians of Nineteenth-Century Art Notes: This PDF is provided for reference purposes only and may not contain all the functionality or features of the original, online publication. ©2007 Nineteenth-Century Art Worldwide Fletcher: Creating the French Gallery Nineteenth-Century Art Worldwide 6, no. 1 (Spring 2007) Creating the French Gallery: Ernest Gambart and the Rise of the Commercial Art Gallery in Mid-Victorian London by Pamela M. Fletcher In 1840, Belgian-born Ernest Gambart arrived in London as an agent of the French print publisher Goupil, and quickly struck out on his own as a print publisher and seller.[1] He soon began purchasing paintings and mounting occasional art exhibitions, and by the mid-1850s he had established the French Gallery at 120/121 Pall Mall as a full-time space devoted to the exhibition and sale of contemporary art.[2] The Gallery was one of the first and most successful commercial galleries of contemporary art in London, and its emergence paralleled a larger transformation of the art market. -
The Other October Revolution
The other October Revolution – art and the advent of women’s tertiary education in Britain Barbara Bodichon and Helen Blackburn at Girton College, 1869 Lara Nicholls, Assistant Curator, Australian Paintings and Sculpture PhD Candidate Alfred Waterhouse, Architectural drawings of Girton College, Cambridge University (DATE, watercolour on paper, Girton College Archives Barbara Bodichon collecting foliage for her painting in Algiers Barbara Leigh Smith Elizabeth Guinness Self-portrait Helen Blackburn Drawing in pen and ink Emily Mary Osborn (1828 – 1925) Nameless and friendless: The rich man’s wealth is his strong city, London 1857, Royal Academy; Tate Britain, purchased 2009 Emily Mary Osborn Barbara Leigh Smith Bodichon, London, 1883 - 84 oil on canvas, Girton College, Cambridge, Gift of A.G. Hastings, 1963. Emily Mary Osborn Barbara Leigh Smith Bodichon, sketch for a portrait of Bodichon, ink on board, Girton College, presented by A Haley & Co., Wakefield, 1949. Whereabouts of the oil painting unknown. Barbara Bodichon Ye Newe Generation Munich, 1850 Painting trip to Europe with Anna Mary Howitt and Jane Benham Howitt writes An Art Student in Munich, the central character of Justina was based on Barbara. Ventnor, Isle of Wight, 1856 Sisters working in our fields, c. 1858 – 60, Algeria Watercolour and bodycolor 28 x 42.5 inches; signed, Watercolour and bodycolor on paper inscribed and dated 1856. Provenance: Christopher From "the villa on the green heights of Mustapha Superieur" which the Wood, London Exhibited: Royal Academy, 1856, no. -
The Woman Painter in Victorian Literature
The Woman Painter in Victorian Literature The Woman Painter in Victorian Literature A NTONI A L OS A NO The Ohio State University Press Columbus Cover: Dante Gabriel Rossetti, A Parable of Love (Love’s Mirror). Reproduced by permis- sion of the Birmingham Museums & Art Gallery. Copyright © 2008 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Losano, Antonia Jacqueline. The woman painter in Victorian literature / Antonia Losano. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-8142-1081-9 (cloth : alk. paper) ISBN-10: 0-8142-1081-3 (cloth : alk. paper) 1. English fiction—19th century—History and criticism. 2. English fiction—Women authors—History and criticism. 3. Art and literature—Great Britain—History—19th century. 4. Women artists in literature. 5. Aesthetics in literature. 6. Feminism in litera- ture. 7. Art in literature. I. Title. PR878.W6L67 2008 823.009'9287—dc22 2007028410 This book is available in the following editions: Cloth (ISBN 978-0-8142-1081-9) CD-ROM (ISBN 978-0-8142-9160-3) Cover design by Melissa Ryan Type set in Adobe Garamond Pro Type design by Juliet Williams Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. ANSI Z39.48-1992. 9 8 7 6 5 4 3 2 1 In Memoriam Sarah Louise DeRolph Wampler 1908–2000 - C ONTENTS , List of Illustrations ix Acknowledgments xiii Introduction Chapter One Prevailing -
A Study of the Women's Suffrage Movement in Nineteenth-Century English Periodical Literature
PRINT AND PROTEST: A STUDY OF THE WOMEN'S SUFFRAGE MOVEMENT IN NINETEENTH-CENTURY ENGLISH PERIODICAL LITERATURE Bonnie Ann Schmidt B.A., University College of the Fraser Valley, 2004 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREEE OF MASTER OF ARTS In the Department of History 43 Bonnie Ann Schmidt 2005 SIMON FRASER UNIVERSITY Fa11 2005 All rights reserved. This work may not be reproduced in whole or in part, by photocopy or other means, without permission of the author. APPROVAL Name: Bonnie Ann Schmidt Degree: Master of Arts Title: Print and Protest: A Study of the Women's Suffrage Movement in Nineteenth-Century English Periodical Literature Examining Committee: Dr. Ian Dyck Senior Supervisor Associate Professor of History Dr. Mary Lynn Stewart Supervisor Professor of Women's Studies Dr. Betty A. Schellenberg External Examiner Associate Professor of English Date Defended: NOV.s/15 SIMON FRASER UN~VER~~brary DECLARATION OF PARTIAL COPYRIGHT LICENCE The author, whose copyright is declared on the title page of this work, has granted to Simon Fraser University the right to lend this thesis, project or extended essay to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. The author has further granted permission to Simon Fraser University to keep or make a digital copy for use in its circulating collection, and, without changing the content, to translate the thesislproject or extended essays, if technically possible, to any medium or format for the purpose of preservation of the digital work. -
Jessie Boucherett's “Feminist Life” and the Importance of Being Wealthy
“AN UNEXPECTED RECRUIT TO FEMINISM”: JESSIE BOUCHERETT’S “FEMINIST LIFE” AND THE IMPORTANCE OF BEING WEALTHY by Ellen Jordan University of Newcastle, Australia <[email protected]> and Anne Bridger University of Gloucestershire, UK <[email protected]> Published as Ellen Jordan and Anne Bridger, ‘“An unexpected recruit to feminism”: Jessie Boucherett, the Society for Promoting the Employment of Women, and the importance of being wealthy’. Women’s History Review,15:3 (July, 2006), 385 - 412. 2 ABSTRACT In 1859 Jessie Boucherett, the daughter of a Lincolnshire landowner possessed of an independent income, was inspired by press discussions of the need to find alternative occupations for women to make contact with the women who were already spreading this message through the English Woman’s Journal. With their rather grudging support she founded a society, which still exists, to further this aim, the Society for Promoting the Employment of Women (now the Society for Promoting the Training of Women). Using the records of this Society, now housed at Girton College, Cambridge, this paper looks at the way commitment to this cause allowed a woman from a wealthy, high Tory, landed background to turn herself in six years into the feminist who put up the initial money for the women’s suffrage campaign, and went on to be a leading figure in campaigns to reform the married women’s property laws and against legislation restricting women’s work. It examines in particular the use she made of her personal wealth to direct the strategies of the activist groups to which she belonged. -
Casting Her Gentility on the Waters: Middle Class
CASTING HER GENTILITY ON THE WATERS: I MIDDLE CLASS WOMEN AND EMPLOYMENT WITH REFERENCE TO THE ENGLISHWOMAN'S JOURNAL AND ^ENGLISHWOMAN'S REVIEW ROSEMUND ROSS This thesis is presented for the honours degree of History of Murdoch University, 1987, and is an account of my own research. ACKNOWLEDGEMENTS I would like to express my thanks to Dr. Pat Jalland for her enthusiasm. encouragement and guidance during the preparation of this thesis. Professor Geoffrey Bolton and the History in Progress' seminar group made helpful comments on an early draft. Ms. Leonie Liveris provided invaluable assistance by her generous loan of many of the secondary sources. Finally my very special thanks to my mother, Paulanna, and sister, Pauline, for their support and assistance with the typing of this thesis. i # INTRODUCTION Chapter One: Industrialisation and the ’Woman Question' 1750 1850 p.9 The Industrial Revolution p.9 The ’Woman Question' p. 15 The Origins of the Women's Movement p. 20 The Plight of Middle Class Spinster p. 24 Chapter Two: The Englishwoman's Journal and Work for Women 1858 1864 p. 29 The ishWoman's Journal p. 31 Readers and Critics p. 45 Chapter Three:The Englishwoman's Review and the Response to Protective Legislation 1866 - 1910 p. 56 The Englishwoman's Review p. 58 The Feminist Response to State Intervention p. 62 The Women's Industrial Defence Committee and the Freedom of Labour Defence p. 68 Chapter Four: Theory into Practice: The Society for Promoting the Employment of Women 1859 - 1910 p. 77 Membership and Structure p. 78 'Experimental Ventures' p. -
La Educación Epistolar: Los Intercambios De Cartas Entre Mujeres Burguesas Como Fuente De Desarrollo Personal En La Inglaterra Victoriana
Revista História da Educação (Online), 2020, v. 24: e98600 DOI: http://dx.doi.org/10.1590/2236-3459/98600 Artigo LA EDUCACIÓN EPISTOLAR: LOS INTERCAMBIOS DE CARTAS ENTRE MUJERES BURGUESAS COMO FUENTE DE DESARROLLO PERSONAL EN LA INGLATERRA VICTORIANA Meritxell Simon-Martin1 RESUMEN Este artículo examina la correspondencia personal de tres mujeres inglesas burguesas, Anna Mary Howitt, Barbara Leigh Smith Bodichon y Bessie Rayner Parkes, como fuentes de desarrollo personal. A partir del concepto de ‘educación epistolar’ (SIMON-MARTIN, 2016, 2016a, 2020), este artículo explora la carta como instrumento educativo en el sentido del término neohumanista alemán Bildung (formación a lo largo de la vida), y sugiere que estas tres amigas no sólo reflexionaron sobre temas como el amor y el matrimonio a través de las cartas sino también concertaron acuerdos con sus pretendientes y familiares que respectaran sus necesidades matrimoniales y sus expectativas profesionales. Paralelamente, este articulo incluye una breve reflexión epistemológica sobre cómo abordar la cuestión del ‘silencio archivístico’, dado que se basa en gran medida en el análisis de la voz epistolar de Bessie únicamente. Palabras clave: Bildung, formación, cartas, educación epistolar, silencio archivístico. 1 University of Roehampton (UR), Londres, Reino Unido. 1 | 31 Revista História da Educação (Online), 2020, v. 24: e98600 DOI: http://dx.doi.org/10.1590/2236-3459/98600 A EDUCAÇÃO EPISTOLAR: OS INTERCÂMBIOS DE CARTAS ENTRE MULHERES BURGUESAS COMO FUENTES DE DESARROLLO PESSOAL NA INGLATERRA VITORIANA RESUMO Este artigo examina a correspondência pessoal de três mulheres burguesas inglesas, Anna Mary Howitt, Barbara Leigh Smith Bodichon e Bessie Rayner Parkes, como fontes de desenvolvimento pessoal. -
Proquest Dissertations
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI* Bell & Howell Information and Learning 300 North Zeeb Road, Ann Arbor. Ml 48106-1346 USA 800-521-0600 EDUCATING THE PROPER WOMAN READER: VICTORIAN FAMILY LITERARY MAGAZINES AND THE PROFESSIONALIZATION OF LITERARY CRITICISM Dissertation Presented in Partial Fulfillment of the Requirements for The Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Jennifer Phegley, M.A. -
In Her Own Words: Works by Exceptional Women
london Peter Harrington ININ HERHER OWN WORDS WORKS BY EXCEPTIONAL WOMEN ur first catalogue focussed on women spans the Others have been overlooked despite brilliant contributions Ocenturies from Sappho to Maya Angelou, showcasing the to their fields. Early works by Joan Robinson (122 and 123) and work of exceptional women in many different fields. Rosa Luxemburg (96) are well-known to economists, but less These were women who pushed legal, intellectual, and well-known are those by Helen Makower (97) and S. F. Porter physical boundaries. Millicent Fawcett Garrett signed our (118). Rosalind Franklin and Jocelyn Bell were both denied copy of Women’s Victory in July 1928, the same month the Equal Nobel prizes, despite playing crucial roles in the discovery of the Franchise Act gave British women electoral equality with men structure of DNA and radio pulsars respectively (70 and 22). In (item 66). Maria Gaetana Agnesi’s Analytical Institutions is the the suffrage movement, the works of Christabel (109) and Sylvia first advanced mathematics book by a woman (1). Trailblazers Pankhurst (110) sit alongside work by their exiled sister, Adela such as Fanny Parks, “characterized by remarkable physical (108), comparatively overlooked, yet no less fierce a Pankhurst stamina” (112), Amelia Edwards, who carried out the first for it. general archaeological survey of Egypt’s ruins (60), and Lady Within the catalogue, works on paper appear alongside items Hester Stanhope, “Queen of the Desert” (144), cleared the way in different media. Amelia Earhart’s Fun of It, inscribed (59), for later intrepid travellers such as Gertrude Bell (21) and Freya complements the pearl carried on the maiden voyage of the Stark (145).