DAFTAR REFERENSI

Ali, Samsjiah.Teladan Kehidupan. , 2012. Anas, Biranul (et.al). Refleksi Seni Rupa . Jakarta: Balai Pustaka, 2000. “Arti Kelenteng”. Kelenteng.Com. 2013. 31 Januari 2013. Azwar, Saifuddin. Metode Penelitian. Yogyakarta: Pustaka Pelajar, 1998. Chai, Chin Fern. “Chinese Gods, Ghosts, Ancestors and their Neighbours: An observation through fieldwork”. researchgate.net Publication (17 April 2013): 1-17. Chen Dawei. Illustrate Ancient Chinese Armour. Shanghai: Shanghai Booksotre Publishing House, 2009. Ching, Francis D.K. Ilustrasi Desain Interior. Penerbit Erlangga, 1996. Chung, Robert. “Chinese Design: A Myth? A Wherefrom? A Whereto?”. Warrane College Monograph No.20 (April 2010): 1-57. Fernie, Eric. Art history and Its Methods.London: Phaidon, 1995. Indonesian Heritage: Agama dan Upacara Vol.9. Jakarta: Buku Anak Bangsa- Grolier International, 2002. Indonesian Heritage: Seni Rupa Vol.7. Jakarta: Buku Anak Bangsa-Grolier International, 2002. Johnston, Reginald Fleming. Buddhist China. London: John Murray, Albemarle Street, W, 1913. “Kajian Ikonografis Ornamen pada Interior Klenteng Sanggar Agung Surabaya”. Petra Christian University Library. 2013. 31 Januari 2013. “Kajian Ikonografis Ornamen pada Klenteng Kwan Sing Bio Tuban”. Petra Christian University Library. 2013. 31 Januari 2013. Kleinsteuber, Asti dan Maharadjo, Syafri M. Kelenteng-Kelenteng Kuno di Indonesia. Genta Kreasi Nusantara, 2010. Langley, Myrtle. Religion. London: Dorling Kindersley Limited, 2012.

149

Universitas Kristen Petra

McCreery, John L. “Why do the gods look like that?: Material Embodiment of Shifting Meanings”. Open Anthropology Cooperative Press www.openanthcoop.net/press (2010): 1-22. Margolis, Eric. The Handbook of Visual Research. Sage, 2011. Moleong, Lexy J. Metode Penelitian Kualitatif Edisi Revisi. Bandung: Remaja Rosdakarya, 2006. Nazir, Mohammad. Metode Penelitian. Jakarta: Ghalia Indonesia, 1988. Pelajaran Kedewaan Klenteng. Surabaya, 1997. Ratnawaty, Lianny. Arsitektur Kelenteng di Surabaya. Surabaya: Universitas Kristen Petra, 1989. Ruitenbeek, Klaas. , The Patroness of Sailors, in Chinese Pictorial Art. Artibus Asiae Vol. 58, No. 3/4 (1999): 281-329. Rumah Abu: Sebuah Kenangan.Surabaya: Rumah Sembayang “The Goan Tjing”, 2001. Sachari, Agus. Metodologi Penelitian Budaya Rupa. Jakarta: Penerbit Erlangga, 2005. Salmon, C.I. & D. Lombard. Klenteng-klenteng dan Masyarakat Tionghoa di Jakarta. Jakarta : Yayasan Cipta Loka Caraka, 2003. Shang, Chiou. Computational Considerations of Historical Architectural Analysis: A Case Study of Chinese Traditional Architecture. Ph.D. Dissertation, Dept. of Architecture, Carnegie Mellon University, Pittsburgh, Pa. 1996. http://old.arch.ethz.ch/prog/ws97/notes/chapter6/grammar.html Setiawan, E.. Dewa – Dewi Kelenteng. Semarang: Yayasan Kelenteng Sampookong, 1990. Tan, Szan. “The Cult and Festival of the Goddess of the Sea — A Maiden Encounter with Mazu”. The Heritage Journal, vol. 1, no. 1 (2004): 13-20. Tanuwidjaja, Hendrick. Sangharama. Surabaya: Buddhist Education Center Surabaya, 2010. Tulistyantoro, Lintu. “Memahami Tok Wi pada Altar Sembahyangan Masyarakat Tionghoa di Indonesia”. Dimensi Interior 4.2 (Desember 2006): 64-71. Van Leeuwen, Theo & Carey Jewitt. The Handbook of Visual Analysis. Sage, 2001.

150

Universitas Kristen Petra

Walker, John A. Desain, Sejarah, Budaya; Sebuah Pengantar Komprehensif. Yogyakarta: Jalasutra, 2010. Wang, Yi’e. Daoism in China. China: China Intercontinental Press, 2004. Widagdo. Desain dan Kebudayaan. Bandung: Penerbit ITB, 2005. Williams, C.A.S. Chinese Symbolism and Art Motifs. Singapore: Tuttle, 2006. Wojowasito, Prof. Dr. S.. Kamus Bahasa Indonesia. Malang, 1980. http://hoktekcengsinbio.blogspot.com/2011/12/pengertian-tentang-tuhan-dalam- pemujaan.html http://jindeyuan.org/asal-mula-sembahyang-tuhan-allah/index.htm http://www.patheos.com/Library/Taoism/Ritual-Worship-Devotion- Symbolism/Symbolism?offset=1&max=1 http://tionghua.org/index.php/item/2171-kelenteng-tay-kak-sie-selayang-pandang

151

Universitas Kristen Petra