Pragmatics Or Irish and Irish English
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The$Irish$Language$And$Everyday$Life$ In#Derry!
The$Irish$language$and$everyday$life$ in#Derry! ! ! ! Rosa!Siobhan!O’Neill! ! A!thesis!submitted!in!partial!fulfilment!of!the!requirements!for!the!degree!of! Doctor!of!Philosophy! The!University!of!Sheffield! Faculty!of!Social!Science! Department!of!Sociological!Studies! May!2019! ! ! i" " Abstract! This!thesis!explores!the!use!of!the!Irish!language!in!everyday!life!in!Derry!city.!I!argue!that! representations!of!the!Irish!language!in!media,!politics!and!academic!research!have! tended!to!overKidentify!it!with!social!division!and!antagonistic!cultures!or!identities,!and! have!drawn!too!heavily!on!political!rhetoric!and!a!priori!assumptions!about!language,! culture!and!groups!in!Northern!Ireland.!I!suggest!that!if!we!instead!look!at!the!mundane! and!the!everyday!moments!of!individual!lives,!and!listen!to!the!voices!of!those!who!are! rarely!heard!in!political!or!media!debate,!a!different!story!of!the!Irish!language!emerges.! Drawing!on!eighteen!months!of!ethnographic!research,!together!with!document!analysis! and!investigation!of!historical!statistics!and!other!secondary!data!sources,!I!argue!that! learning,!speaking,!using,!experiencing!and!relating!to!the!Irish!language!is!both!emotional! and!habitual.!It!is!intertwined!with!understandings!of!family,!memory,!history!and! community!that!cannot!be!reduced!to!simple!narratives!of!political!difference!and! constitutional!aspirations,!or!of!identity!as!emerging!from!conflict.!The!Irish!language!is! bound!up!in!everyday!experiences!of!fun,!interest,!achievement,!and!the!quotidian!ebbs! and!flows!of!daily!life,!of!getting!the!kids!to!school,!going!to!work,!having!a!social!life!and! -
Understanding Irish Spelling
Understanding Irish Spelling A Handbook for Teachers and Learners Nancy Stenson and Tina Hickey Understanding Irish Spelling A Handbook for Teachers and Learners Nancy Stenson and Tina Hickey i © Stenson and Hickey 2018 ii Acknowledgements The preparation of this publication was supported by a grant from An Chomhairle um Oideachas Gaeltachta agus Gaelscolaíochta, and we wish to express our sincere thanks to COGG, and to Muireann Ní Mhóráin and Pól Ó Cainín in particular. We acknowledge most gratefully the support of the Marie Skłodowska-Curie Fellowship scheme for enabling this collaboration through its funding of an Incoming International Fellowship to the first author, and to UCD School of Psychology for hosting her as an incoming fellow and later an as Adjunct Professor. We also thank the Fulbright Foundation for the Fellowship they awarded to Prof. Stenson prior to the Marie Curie fellowship. Most of all, we thank the educators at first, second and third level who shared their experience and expertise with us in the research from which we draw in this publication. We benefitted significantly from input from many sources, not all of whom can be named here. Firstly, we wish to thank most sincerely all of the participants in our qualitative study interviews, who generously shared their time and expertise with us, and those in the schools that welcomed us to their classrooms and facilitated observation and interviews. We also wish to thank the participants at many conferences, seminars and presentations, particularly those in Bangor, Berlin, Brighton, Hamilton and Ottawa, as well as those in several educational institutions in Ireland who offered comments and suggestions. -
Preservation of Original Orthography in the Construction of an Old Irish Corpus
Preservation of Original Orthography in the Construction of an Old Irish Corpus. Adrian Doyle, John P. McCrae, Clodagh Downey National University of Ireland Galway [email protected], [email protected], [email protected] Abstract Irish was one of the earliest vernacular European languages to have been written using the Latin alphabet. Furthermore, there exists a relatively large corpus of Irish language text dating to this Old Irish period (c. 700 – c 950). Beginning around the turn of the twentieth century, a large amount of study into Old Irish revealed a highly standardised language with a rich morphology, and often creative orthography. While Modern Irish enjoys recognition from the Irish state as the first official language, and from the EU as a full official and working language, Old Irish is almost incomprehensible to most modern speakers, and remains extremely under-resourced. This paper will examine considerations which must be given to aspects of orthography and palaeography before the text of a historical manuscript can be represented in digital format. Based on these considerations the argument will be presented that digitising the text of the Würzburg glosses as it appears in Thesaurus Palaeohibernicus will enable the use of computational analysis to aid in current areas of linguistic research by preserving original orthographical information. The process of compiling the digital corpus, including considerations given to preservation of orthographic information during this process, will then be detailed. Keywords: manuscripts, palaeography, orthography, digitisation, optical character recognition, Python, Unicode, morphology, Old Irish, historical languages glosses]” (2006, p.10). Before any text can be deemed 1. -
Donegal County Development Board
Dún na nGall - pobail i d’teagmháíl Donegal - community in touch ISSUE 1 NOVEMBER 2008 / EAGRÁN 1 SAMHAIN 2008 Welcome Fáilte News 2 As Tánaiste and Minister for Enterprise, Trade and Employment, Donegal Business 7 I am delighted to see Donegal County Council spearheading an Education and Learning initiative such as the “Donegal – Community In Touch” e-zine in 11 association with the Diaspora project. Social and Cultural 12 Donegal Community Links 14 I feel this concept has the potential to in Sligo and Letterkenny play a major become an effective and worthwhile part in ensuring our young people have tool in encouraging Donegal folk the opportunities to avail of third level domiciled elsewhere, and many others education and provide a skilled and Welcome by the Mayor, besides, to return to live, work and competent workforce for prospective County Donegal. invest in our county. employers. It gives me great pleasure to welcome you to this first edition of the Donegal The physical infrastructure in Donegal I compliment the Community, Culture Community In Touch e-zine. It is intended has changed utterly in the last twenty and Enterprise Directorate of Donegal through this e-zine to establish and to years and this newsletter will help County Council for coming up with the maintain contact with and between the keep our diaspora well informed of idea, subsequently compiling a very broad community of Donegal people and people with a the potential and the opportunities substantial list of recipients of this e-mail connection or interest in Donegal, wherever they may be available at home at the click of a and, most importantly, for the editorial located in the world. -
Download Prospectus
Bóthar an Chalaidh, Leitir Ceanainn PR0SPECTUS Contae Dhún na nGall, F92 FC93, Éire PR0SPECTUS Port Road, Letterkenny, County Donegal, F92 FC93, Ireland RÉAMHEOLAIRE T +353 74 918 6000 www.lyit.ie LY IT 2021/22 RÉAMHEOLAIRE 2021/ 22 Design: Big Fish Design & Advertising Photography: landscapeireland.com ghormstudio.ie PR0SPECTUS RÉAMHEOLAIRE LY IT 2021/22 Interesting facts about LYIT 5/6 students rate their entire education as good or excellent (ISSE, 2019) of students at LYIT have either returned to further study or gained 80% employment within 4 months of graduation 56% of LYIT graduates employed are working in Donegal 43% increase in student enrolment in the last seven years 50 International Partner Institutions 2 Campuses in County Donegal: Letterkenny and Killybegs 54 CAO Programmes 29 Masters Programmes 1 CONTENTS Contents Clár How to use this prospectus Part One of this LYIT prospectus gives Having selected the course or courses for you a general introduction to the college which you might like to apply, Part Four with an overview of our location, facilities, presents detailed information on application scholarships, student activities and services. procedures, as well as details of fees and Part Two presents a concise overview of the grants. undergraduate courses we offer whilst Part We also hope you’ll enjoy our LYIT stories. Three outlines the postgraduate courses we These student profiles illustrate the diversity offer. Once you have shortlisted a number of the college, a place where many paths of courses which interest you, follow up the converge. leads we give you and consult our website, www.lyit.ie, for more extensive information. -
Cultural Perspectives on Globalisation and Ireland
Technological University Dublin ARROW@TU Dublin AFIS (Association of Franco-Irish Studies) Books Publications 2011 Cultural Perspectives on Globalisation and Ireland Eamon Maher Technological University Dublin, [email protected] Follow this and additional works at: https://arrow.tudublin.ie/afisbo Part of the Arts and Humanities Commons Recommended Citation Maher, Eamon, "Cultural Perspectives on Globalisation and Ireland" (2011). Books. 6. https://arrow.tudublin.ie/afisbo/6 This Book is brought to you for free and open access by the AFIS (Association of Franco-Irish Studies) Publications at ARROW@TU Dublin. It has been accepted for inclusion in Books by an authorized administrator of ARROW@TU Dublin. For more information, please contact [email protected], [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 4.0 License Cultural Perspectives on Globalisation and Ireland Reimagining Ireland Volume 5 Edited by Dr Eamon Maher Institute of Technology, Tallaght PETER LANG Oxford • Bern • Berlin • Bruxelles • Frankfurt am Main • New York • Wien Eamon Maher (ed.) Cultural Perspectives on Globalisation and Ireland PETER LANG Oxford • Bern • Berlin • Bruxelles • Frankfurt am Main • New York • Wien Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche National- bibliografie; detailed bibliographic data is available on the Internet at ‹http://dnb.ddb.de›. A catalogue record for this book is available from The British Library. Library of Congress Cataloging-in-Publication Data: Maher, Eamon. Cultural perspectives on globalisation and Ireland / Eamon Maher. p. cm. -- (Reimagining Ireland ; 5) Includes bibliographical references and index. ISBN 978-3-03911-851-9 (alk. -
Research on Use of the Irish Language on Radio
Research on use of the Irish language on radio January 2018 Dr John Walsh, National University of Ireland, Galway Dr Rosemary Day, Mary Immaculate College, University of Limerick 1. Introduction The Irish language has had a role in broadcasting since the establishment of Ireland’s first radio station 2RN in 1926. The founders of the state imagined that radio would play a key role in the development of Irish identity in nation-building (Watson, 2003; Pine, 2002; Day, 2012). Following the consolidation of the existing Dublin and Cork stations in 1933, a national audience could hear programmes in Irish for the first time, due to the introduction of a high-powered transmitter in Athlone. Although a separate service was promised for the Gaeltacht in 1926, a distinct station did not materialise until 1972, with the establishment of Raidió na Gaeltachta (Day, 2012). Some Irish is broadcast on RTÉ’s other radio stations but as a full-time national broadcaster, RTÉ Raidió na Gaeltachta provides the majority of Irish language radio broadcasts in the country. Following the introduction of the Radio and Television Act of 1988, the pirate stations that had proliferated during the 1970s and 1980s were put off the air and new commercial broadcasters were licensed. Irish was granted only limited recognition in the schedules of these stations that came on air from 1989 onwards. As a result of a campaign by language activists in Dublin, Raidió na Life was established in 1993 as a community of interest service to serve Irish speakers in the capital (Ó Drisceoil, 2007). -
A Social Network Analysis of Irish Language Use in Social Media
A SOCIAL NETWORK ANALYSIS OF IRISH LANGUAGE USE IN SOCIAL MEDIA JOHN CAULFIELD School of Welsh Cardiff University 2013 This thesis is submitted to the School of Welsh, Cardiff University in partial fulfillment of the requirements for the degree of PhD. DECLARATION This work has not been submitted in substance for any other degree or award at this or any other university or place of learning, nor is being submitted concurrently in candidature for any degree or other award. Signed ………………………………… (candidate) Date ………………….. STATEMENT 1 This thesis is being submitted in partial fulfillment of the requirements for the degree of PhD. Signed ………………………………… (candidate) Date ………………….. STATEMENT 2 This thesis is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged by explicit references. The views expressed are my own. Signed ………………………………… (candidate) Date ………………….. STATEMENT 3 I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed ………………………………… (candidate) Date ………………….. STATEMENT 4: PREVIOUSLY APPROVED BAR ON ACCESS I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loans after expiry of a bar on access previously approved by the Academic Standards & Quality Committee. Signed ………………………………… (candidate) Date …………………. 2 ABSTRACT A Social Network Analysis of Irish Language Use in Social Media Statistics show that the world wide web is dominated by a few widely spoken languages. However, in quieter corners of the web, clusters of minority language speakers can be found interacting and sharing content. -
Irish in Dublin, the Republic of Ireland's Capital City
The First Official Language? The status of the Irish language in Dublin. Nicola Carty The University of Manchester 1. INTRODUCTION Yu Ming is ainm dom ('my name is Yu Ming') is a short Irish-language film about a Chinese man who, having studied Irish for six months, leaves China and moves to Dublin. On arrival, however, he finds that only one person can understand him. This man explains that despite the bilingual signage visible across the city, Irish is not spoken there. Unable to communicate with the majority of the people he meets, Yu Ming moves to the Gaeltacht1, where he finds employment and settles down. This film makes an important statement about the status of the Irish language. Under Article 8 of the Constitution of Ireland, Irish is the first official language (English is a second official language), and yet, even in the capital city, it is very difficult to use it as a medium of communication. Furthermore, as Irish-language films are not the norm, the very act of producing a film in Irish highlights its position as the marked, atypical language. This paper explores the status of Irish in Dublin, the Republic of Ireland's capital city. I argue that, despite over 100 years of revival attempts, English remains the dominant language and working bilingualism does not exist. Nevertheless, Irish retains an extremely important cultural value that must not be overlooked. I have focused on Dublin because it is the home of the largest concentration of the state's native and L2 Irish speakers2 (Central Statistics Office 2007). -
Lewin2020.Pdf (4.103Mb)
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Aspects of the historical phonology of Manx Christopher Lewin Tràchdas airson ceum Dotair Feallsanachd Oilthigh Dhùn Èideann Thesis presented for the degree of Doctor of Philosophy The University of Edinburgh 2019 ii Declaration Tha mi a’ dearbhadh gur mise a-mhàin ùghdar an tràchdais seo, agus nach deach an obair a tha na bhroinn fhoillseachadh roimhe no a chur a-steach airson ceum eile. I confirm that this thesis has been composed solely by myself, and that the work contained within it has neither previously been published nor submitted for another degree. Christopher Lewin iii iv Geàrr-chunntas ’S e a tha fa-near don tràchdas seo soilleireachadh a thoirt seachad air grunn chuspairean ann an cinneachadh eachdraidheil fòn-eòlas Gàidhlig Mhanainn nach robhas a’ tuigsinn gu math roimhe seo. -
LEABHAR MÓR: the Great Book of Gaelic Comes to the Center for Celtic Studies at UW-Milwaukee
triskeleA newsletter of UWM’s Center for Celtic Studies Volume 7 Issue 1 Samhain 2008 LEABHAR MÓR: The Great Book of Gaelic Comes to the Center for Celtic Studies at UW-Milwaukee The Center for Celtic Studies at UW-Milwaukee collaboratively to select 100 poems in Irish and Scots will host the only American Gaelic that best represent the tradition. The chosen exhibition of the Great Book poems were then given to teams of many artists and of Gaelic, a traveling art calligraphers, show billed as a 21st century who created illuminated manuscript. a work of art Make plans now to join us based upon in October for the exhibit each poem. openings and for other special Each artwork events related to this exhibit. contains the poem What Is the Great Book of written by a Gaelic? calligrapher The Leabhar Mór exhibit in Gaelic that is integrated into the artist’s image. consists of 100 original art works created to celebrate Many media were used by the artists: painting, the 1500 year-old unbroken tradition of Gaelic poetry. drawings, embroidery, tapestry, and photography are The Gaelic language has the oldest written literature all used to interpret the poems. Each piece includes in Western Europe, predating Anglo-Saxon, Norse, the English translation of the poem and information and French works, and remains a living literary about the poem’s date and author. When the exhibit tradition to this day. From a little poem scratched fi nishes touring, the art will be unframed and in the margin of a manuscript by a 7th century Irish bound in one large volume as a modern illuminated monk to a lament by a Scottish lass whose lover was manuscript. -
Appendixes Appendix A
APPENDIXES APPENDIX A Yeats's Notes in The Collected Poems, 1933 The Spelling of Gaelic Names In this edition of my poems I have adopted Lady Gregory's spelling of Gaelic names, with, I think, two exceptions. The 'd' of 'Edain' ran too well in my verse for me to adopt her perhaps more correct 'Etain,' and for some reason unknown to me I have always preferred 'Aengus' to her 'Angus.' In her Gods and Fighting Men and Cuchulain of Muirthemne she went as close to the Gaelic spelling as she could without making the names unpro nounceable to the average reader.'-1933. Crossways. The Rose (pages 3, 25) Many of the poems in Crossways, certainly those upon Indian subjects or upon shepherds and fauns, must have been written before I was twenty, for from the moment when I began The Wanderings of Oisin, which I did at that age, I believe, my subject-matter became Irish. Every time I have reprinted them I have considered the leaving out of most, and then remem bered an old school friend who has some of them by heart, for no better reason, as I think, than that they remind him of his own youth.' The little Indian dramatic scene was meant to be the first scene of a play about a man loved by two women, who had the one soul between them, the one woman waking when the other slept, and knowing but daylight as the other only night. It came into my head when I saw a man at Rosses Point carrying two salmon.