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The Role of Cú Chulainn in Old and Middle Irish Narrative Literature with Particular Reference to Tales Belonging to the Ulster Cycle
The role of Cú Chulainn in Old and Middle Irish narrative literature with particular reference to tales belonging to the Ulster Cycle. Mary Leenane, B.A. 2 Volumes Vol. 1 Ph.D. Degree NUI Maynooth School of Celtic Studies Faculty of Arts, Celtic Studies and Philosophy Head of School: An tOllamh Ruairí Ó hUiginn Supervisor: An tOllamh Ruairí Ó hUiginn June 2014 Table of Contents Volume 1 Abstract……………………………………………………………………………1 Chapter I: General Introduction…………………………………………………2 I.1. Ulster Cycle material………………………………………………………...…2 I.2. Modern scholarship…………………………………………………………...11 I.3. Methodologies………………………………………………………………...14 I.4. International heroic biography………………………………………………..17 Chapter II: Sources……………………………………………………………...23 II.1. Category A: Texts in which Cú Chulainn plays a significant role…………...23 II.2. Category B: Texts in which Cú Chulainn plays a more limited role………...41 II.3. Category C: Texts in which Cú Chulainn makes a very minor appearance or where reference is made to him…………………………………………………...45 II.4. Category D: The tales in which Cú Chulainn does not feature………………50 Chapter III: Cú Chulainn’s heroic biography…………………………………53 III.1. Cú Chulainn’s conception and birth………………………………………...54 III.1.1. De Vries’ schema………………...……………………………………………………54 III.1.2. Relevant research to date…………………………………………………………...…55 III.1.3. Discussion and analysis…………………………………………………………...…..58 III.2. Cú Chulainn’s youth………………………………………………………...68 III.2.1 De Vries’ schema………………………………………………………………………68 III.2.2 Relevant research to date………………………………………………………………69 III.2.3 Discussion and analysis………………………………………………………………..78 III.3. Cú Chulainn’s wins a maiden……………………………………………….90 III.3.1 De Vries’ schema………………………………………………………………………90 III.3.2 Relevant research to date………………………………………………………………91 III.3.3 Discussion and analysis………………………………………………………………..95 III.3.4 Further comment……………………………………………………………………...108 III.4. -
Celtic Solar Goddesses: from Goddess of the Sun to Queen of Heaven
CELTIC SOLAR GODDESSES: FROM GODDESS OF THE SUN TO QUEEN OF HEAVEN by Hayley J. Arrington A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in Women’s Spirituality Institute of Transpersonal Psychology Palo Alto, California June 8, 2012 I certify that I have read and approved the content and presentation of this thesis: ________________________________________________ __________________ Judy Grahn, Ph.D., Committee Chairperson Date ________________________________________________ __________________ Marguerite Rigoglioso, Ph.D., Committee Member Date Copyright © Hayley Jane Arrington 2012 All Rights Reserved Formatted according to the Publication Manual of the American Psychological Association, 6th Edition ii Abstract Celtic Solar Goddesses: From Goddess of the Sun to Queen of Heaven by Hayley J. Arrington Utilizing a feminist hermeneutical inquiry, my research through three Celtic goddesses—Aine, Grian, and Brigit—shows that the sun was revered as feminine in Celtic tradition. Additionally, I argue that through the introduction and assimilation of Christianity into the British Isles, the Virgin Mary assumed the same characteristics as the earlier Celtic solar deities. The lands generally referred to as Celtic lands include Cornwall in Britain, Scotland, Ireland, Wales, and Brittany in France; however, I will be limiting my research to the British Isles. I am examining these three goddesses in particular, in relation to their status as solar deities, using the etymologies of their names to link them to the sun and its manifestation on earth: fire. Given that they share the same attributes, I illustrate how solar goddesses can be equated with goddesses of sovereignty. Furthermore, I examine the figure of St. -
Pilgrimage Stories: the Farmer Fairy's Stone
PILGRIMAGE STORIES: THE FARMER FAIRY’S STONE By Betty Lou Chaika One of the primary intentions of our recent six-week pilgrimage, first to Scotland and then to Ireland, was to visit EarthSpirit sanctuaries in these ensouled landscapes. We hoped to find portals to the Otherworld in order to contact renewing, healing, transformative energies for us all, and especially for some friends with cancer. I wanted to learn how to enter the field of divinity, the aliveness of the EarthSpirit world’s interpenetrating energies, with awareness and respect. Interested in both geology and in our ancestors’ spiritual relationship with Rock, I knew this quest would involve a deeper meeting with rock beings in their many forms. When we arrived at a stone circle in southwest Ireland (whose Gaelic name means Edges of the Field) we were moved by the familiar experience of seeing that the circle overlooks a vast, beautiful landscape. Most stone circles seem to be in places of expansive power, part of a whole sacred landscape. To the north were the lovely Paps of Anu, the pair of breast-shaped hills, both over 2,000 feet high, named after Anu/Aine, the primary local fertility goddess of the region, or after Anu/Danu, ancient mother goddess of the supernatural beings, the Tuatha De Danann. The summits of both hills have Neolithic cairns, which look exactly like erect nipples. This c. 1500 BC stone circle would have drawn upon the power of the still-pervasive earlier mythology of the land as the Mother’s body. But today the tops of the hills were veiled in low, milky clouds, and we could only long for them to be revealed. -
Definitive Version Thesis Kruithof FAYE.Pdf
War is (not) a board-game The function of medieval Irish board games and their players Bachelor’s thesis Kruithof, F.A.Y.E. Word count: 8188 16-10-2018 Supervisor: Petrovskaia, N. Celtic Languages and Culture Utrecht University List of content Abstract ...................................................................................................................................... 2 List of abbreviations .................................................................................................................. 3 Introduction ................................................................................................................................ 4 Previous research.................................................................................................................... 5 Theoretical framework ........................................................................................................... 7 Approach and sources ............................................................................................................ 9 Chapter One: Players in the Ulster Cycle: Opponents ............................................................. 11 Eochaid Airem and Midir of Brí Leith ................................................................................. 11 Manannán mac Lir and Fand ................................................................................................ 12 Cú Chulainn and Láeg mac Riangabra ................................................................................. 13 Conchobar, -
Heroic Romances of Ireland Volume 1
Heroic Romances of Ireland Volume 1 A. H. Leahy Heroic Romances of Ireland Volume 1 Table of Contents Heroic Romances of Ireland Volume 1,..................................................................................................................1 A. H. Leahy....................................................................................................................................................1 HEROIC ROMANCES OF IRELAND.........................................................................................................2 A. H. LEAHY................................................................................................................................................2 IN TWO VOLUMES.....................................................................................................................................2 VOL. I............................................................................................................................................................2 PREFACE......................................................................................................................................................2 INTRODUCTION IN VERSE.......................................................................................................................9 PRONUNCIATION OF PROPER NAMES................................................................................................12 LIST OF NAMES........................................................................................................................................12 -
FWLLC-Sponsors-2008.Pdf
Called “mythically magical... transformational… German bands, Estampie and Qntal (who delivered a one-of-a-kind, otherworldly event,” Faerieworlds show-stopping performances at FaerieCon in 2007!) is the premiere family faerie event on the West Coast, as well as the Faerieworlds premiere of Zilla, lead by featuring international best-selling and award-winning Michael Travis, formerly of String Cheese Incident, plus artists, writers, craftspeople, storytellers, performance Telesma, the psychedelic, electro-acoustic world music artists and world renowned musicians. band from Baltimore, MD and the return of Faerieworlds perennial favorite mythic band, Woodland. Skyrocketing Attendance - Now THREE Days! Faerieworlds achieved an astonishing 98% growth Musicians featured at Faerieworlds events past & present: from 2006 to 2007, with last year’s attendance topping Brother • Kevin Burke • Karan Casey 8000. This year, Faerieworlds expands to three days with over 150 vendor’s booths and an expected Johnny Cunningham • Phil Cunningham attendance of over 10,000. Estampie • Gaia Consort Priscilla Hernandez* • Scott Huckabay Magical Artists: Kan’Nal • Susan McKeown • Casey Neill Jessica Galbreth is Guest of Honor Faerieworlds is proud to welcome internationally Omnia* • Qntal • Rasputina celebrated faerie artist Jessica Galbreth as 2008 Guest John Renbourn • Solas • Telesma* of Honor. Jessica will attend all three days and will be Trillian Green • Wake the Dead available for book and print signings. Woodland • Zilla* *appearing for the first time in -
Test Your Faerie Knowledge
Spiderwick Tes t Your Activity Sheet Faerie Knowledge It wasn’t all that long ago that faeries were regarded as the substance of the imagination. Boggarts, Elves, Dragons, Ogres . mankind scoffed at the idea that such fantastical beings could exist at all, much less inhabit the world around us. Of course, that was before Simon & Schuster published Arthur Spiderwick’s Field Guide to the Fantastical World Around You. Now, we all know that faeries truly do exist. They’re out there, occasionally helping an unwary human, but more often causing mischief and playing tricks. How much do you know about the Invisible World? Have you studied up on your faerie facts? Put your faerie knowledge to the test and see how well you do in the following activities.When you’re finished, total up your score and see how much you really know. SCORING: 1-10 POINTS: Keep studying. In the meantime, you should probably steer clear of faeries of any kind. 11-20 POINTS: Pretty good! You might be able to trick a pixie, but you couldn’t fool a phooka. 21-30 POINTS: Wow, You’re almost ready to tangle with a troll! 31-39 POINTS: Impressive! You seem to know a lot about the faerie world —perhaps you’re a changeling... 40 POINTS: Arthur Spiderwick? Is that you? MY SCORE: REPRODUCIBLE SHEET Page 1 of 4 ILLUSTRATIONS © 2003, 2004, 2005 BY TONY DITERLIZZI Spiderwick Tes t Your Activity Sheet Faerie Knowledge part 1 At any moment, you could stumble across a fantastical creature of the faerie world. -
1579181439 15725322263267.Pdf
SHARED OWNERSHIP SHARED OWNERSHIP First Class Living Relax And Unwind ISLINGTON IN YOUR BRAND NEW HOME Penny Black Apartments is found in the heart of Islington Square, an enticing mixed-use quarter located on the site of the former North London Royal Mail sorting and delivery centre. These high-spec apartments along with existing chic boutiques and buzzing culture will further enhance this part of town, featuring a tree-lined boulevard, brand-new shopping arcades, a luxury cinema and an upscale gym. Living, lifestyle, leisure – all delivered in one dream location. Everything blends seamlessly and sympathetically with the unspoilt fabric of the area. World-class contemporary architecture jostles with original Edwardian red-brick. Beautiful period features are juxtaposed with slick and innovative interiors. The Penny Black Apartments, offered through Shared Ownership, are located across two blocks. The first (17 Esther Anne Place) is a new build block that retains the redbrick façade of the old sorting office at ground level, with a striking zinc-clad frame above, and the second (5 Esther Anne Place) an entirely original build, with its sleek sinuous shape set to become a design icon. Both fully integrated into this unique development with the added convenience of a concierge service available. You’re home at last. Relax. 2 Apartment 202, 17 Esther Anne Place APARTMENTS Computer generated image indicative only Immerse Yourself IN LONDON’S COFFEE CULTURE Urban Chic BIG CITY VILLAGE Upper Street is one of London’s most sought after stretches; a thriving mile of shops, restaurants and bars connecting leafy Highbury with historic Angel. -
Genre and Identity in British and Irish National Histories, 1541-1691
“NO ROOM IN HISTORY”: GENRE AND IDENTIY IN BRITISH AND IRISH NATIONAL HISTORIES, 1541-1691 A dissertation presented by Sarah Elizabeth Connell to The Department of English In partial fulfillment of the requirements for the degree of Doctor of Philosophy in the field of English Northeastern University Boston, Massachusetts April 2014 1 “NO ROOM IN HISTORY”: GENRE AND IDENTIY IN BRITISH AND IRISH NATIONAL HISTORIES, 1541-1691 by Sarah Elizabeth Connell ABSTRACT OF DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the College of Social Sciences and Humanities of Northeastern University April 2014 2 ABSTRACT In this project, I build on the scholarship that has challenged the historiographic revolution model to question the valorization of the early modern humanist narrative history’s sophistication and historiographic advancement in direct relation to its concerted efforts to shed the purportedly pious, credulous, and naïve materials and methods of medieval history. As I demonstrate, the methodologies available to early modern historians, many of which were developed by medieval chroniclers, were extraordinary flexible, able to meet a large number of scholarly and political needs. I argue that many early modern historians worked with medieval texts and genres not because they had yet to learn more sophisticated models for representing the past, but rather because one of the most effective ways that these writers dealt with the political and religious exigencies of their times was by adapting the practices, genres, and materials of medieval history. I demonstrate that the early modern national history was capable of supporting multiple genres and reading modes; in fact, many of these histories reflect their authors’ conviction that authentic past narratives required genres with varying levels of facticity. -
Yeats and the Mask of Deirdre: "That Love Is All We Need"
Colby Quarterly Volume 37 Issue 3 September Article 6 September 2001 Yeats and the Mask of Deirdre: "That love is all we need" Maneck H. Daruwala Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Quarterly, Volume 37, no.3, September 2001, p.247-266 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Daruwala: Yeats and the Mask of Deirdre: "That love is all we need" Yeats and the Mask ofDeirdre: "That love is all we need II By MANECK H. DARUWALA The poet finds and makes his mask in disappointment, the hero in defeat. The desire that can be satisfied is not a great desire. (Yeats) Man is least himself when he talks in his own person. Give him a mask and he will tell you the truth. (Wilde) EIRDRE, written during a very painful period of Yeats's life, is a civilized D form of autobiography. What could not be put down in journals or lyric poetry and could not be ignored becomes drama. Yeats turns here from the mirror to the mask. "The poet finds and makes his mask in disappointment, the hero in defeat" ("Anima Hominis," Mythologies, 334, 337), may apply equally to Yeats and Naoise. As Yeats says, there is always a phantasmago ria. Here the phantasmagoria includes Celtic myth, politics, chess games, and the literary tradition (or intertextuality-which, like a Greek mask, combines the advantages of resonance with those of disguise). -
Nationalist Adaptations of the Cuchulain Myth Martha J
University of South Carolina Scholar Commons Theses and Dissertations Spring 2019 The aW rped One: Nationalist Adaptations of the Cuchulain Myth Martha J. Lee Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the English Language and Literature Commons Recommended Citation Lee, M. J.(2019). The Warped One: Nationalist Adaptations of the Cuchulain Myth. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/5278 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. The Warped One: Nationalist Adaptations of the Cuchulain Myth By Martha J. Lee Bachelor of Business Administration University of Georgia, 1995 Master of Arts Georgia Southern University, 2003 ________________________________________________________ Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy in English College of Arts and Sciences University of South Carolina 2019 Accepted by: Ed Madden, Major Professor Scott Gwara, Committee Member Thomas Rice, Committee Member Yvonne Ivory, Committee Member Cheryl L. Addy, Vice Provost and Dean of the Graduate School © Copyright by Martha J. Lee, 2019 All Rights Reserved ii DEDICATION This dissertation and degree belong as much or more to my family as to me. They sacrificed so much while I traveled and studied; they supported me, loved and believed in me, fed me, and made sure I had the time and energy to complete the work. My cousins Monk and Carolyn Phifer gave me a home as well as love and support, so that I could complete my course work in Columbia. -
Irish Landscape Names
Irish Landscape Names Preface to 2010 edition Stradbally on its own denotes a parish and village); there is usually no equivalent word in the Irish form, such as sliabh or cnoc; and the Ordnance The following document is extracted from the database used to prepare the list Survey forms have not gained currency locally or amongst hill-walkers. The of peaks included on the „Summits‟ section and other sections at second group of exceptions concerns hills for which there was substantial www.mountainviews.ie The document comprises the name data and key evidence from alternative authoritative sources for a name other than the one geographical data for each peak listed on the website as of May 2010, with shown on OS maps, e.g. Croaghonagh / Cruach Eoghanach in Co. Donegal, some minor changes and omissions. The geographical data on the website is marked on the Discovery map as Barnesmore, or Slievetrue in Co. Antrim, more comprehensive. marked on the Discoverer map as Carn Hill. In some of these cases, the evidence for overriding the map forms comes from other Ordnance Survey The data was collated over a number of years by a team of volunteer sources, such as the Ordnance Survey Memoirs. It should be emphasised that contributors to the website. The list in use started with the 2000ft list of Rev. these exceptions represent only a very small percentage of the names listed Vandeleur (1950s), the 600m list based on this by Joss Lynam (1970s) and the and that the forms used by the Placenames Branch and/or OSI/OSNI are 400 and 500m lists of Michael Dewey and Myrddyn Phillips.