DOCSLIB.ORG

The Enchanted Island Free

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Enchanted Island Free FREE THE ENCHANTED ISLAND PDF Ian Serraillier | 208 pages | 03 Oct 1966 | Pearson Education Limited | 9780435121006 | English | Harlow, United Kingdom The Enchanted Island ( opera) - Wikipedia Make a reservation now, dates are The Enchanted Island up fast! Our spacious private picnic grounds, surrounded by 7. We offer several options for birthday parties. For the smaller party, try our all-inclusive Birthday Bash Package. There is an inherent risk to COVID exposure in any public area where groups of people are present. Furthermore, people who show no symptoms can spread Coronavirus if they are The Enchanted Island infected, and interact with the general public. This poses an elevated risk of being exposed to Coronavirus. Guests are responsible for determining and evaluating their own risk when attending. By coming to Enchanted Island, you acknowledge and agree that you assume these inherent risks associated with attending. By entering the park you acknowledge that you have read, understand, and agree to abide by this policy. Buy Now! Enchanted Island is filled with charm and magic, offering eleven fanciful rides and attractions geared especially toward children aged 1 to The Enchanted Island the historic Encanto Carousel. Pedal-boat across fish-filled lagoons. Test your skills at our carnival game or the medieval water battle, and share The Enchanted Island memories over a fluffy ball of cotton candy. Splash Zone is staying open this weekend. Just For Fun. Book Your Party! Space is limited. Please make your reservation in advance. Learn More. See Full Calendar. Don't forget to share this special offer with your family and friends Buy Now! Per the guidelines reservation can be made for 50 people or less. Book your party today. EnchantedIsland Splash Zone is staying open this weekend. Join the Club! First Name. Last Name. Email Address. The Enchanted Island by Ian Serraillier The following month a performance of the pasticcio was broadcast live into movie theaters across the world as part of the Metropolitan Opera The Enchanted Island in HD series. The Met revived The Enchanted Island two seasons later. Daniels, de Niese, Pisaroni, and Domingo revived their roles from the premiere. Susan Graham assumed the role of Sycorax from DiDonato. The music has been drawn from the following sources: [4]. From Wikipedia, the free encyclopedia. Redirected from The Enchanted Island opera. Puck Egeus Philostrate. The Triumph of Beautymasque St. William Shakespeare 's The Enchanted Island Tempest. The Tempest Opera portal. Hidden categories: AC with 0 elements. Namespaces Article Talk. Views Read Edit View history. Help Learn to edit Community portal Recent changes Upload file. Download as PDF Printable version. David Daniels. Sycorax The Enchanted Island, vicious and powerful witch, mother of Caliban. Danielle de Niese. MirandaProspero's daughter. Neptunegod of freshwater and the sea. Ferdinandprince of Naples and the son of Alonso, the King of Naples. Anthony Roth Costanzo. HelenaHermia's friend, in love with Demetrius. HermiaHelena's friend and daughter of Egeus, in love with Lysander. Elizabeth DeShong. Demetriussuitor to Hermia, former lover of Helena. Paul Appleby. Lysanderin love with Hermia. Handel: Il trionfo del tempo e del disingannooratorio, HWV 46a, part 1, The Enchanted Island pensiero nemico di pace". Vivaldi: GriseldaRVact 3, scene 6, "Dopo un'orrida procella". You loathsome wretch, away! The Enchanted Island Battista Ferrandini attr. William ChristieMetropolitan Opera orchestra and chorus. Film Enchanted Island Enchanted Island is a Technicolor adventure film distributed by Warner Bros. It is based on Herman Melville 's novel Typeewhich was also the film's working title. Enchanted Island was also the next-to-last film directed by Dwan, whose prolific career dated back to It was the last big- screen appearance of one of the film's stars, Jane Powell. Two 19th-century sailors, Abner Dana Andrews and Tom Don Dubbinsjump ship after their captain, Vangs The Enchanted Island de Corsiarefuses them shore leave and warns them what a dangerous place this particular island is. They disobey him and soon discover their tropical paradise is a cannibal stronghold. There The Enchanted Island two tribes on the island, one friendly, but the other, the Typee, a cannibal tribe. Jimmy Dooley Arthur Shieldsa white man like themselves, befriends the newcomers and offers them a "hideout," but it turns out Dooley has been hired by Vangs to find his missing men. Abney becomes acquainted with the beautiful Fayaway Jane Powelladopted daughter of the chief, Mehevi Friedrich von Ledeburfrom a long-ago relationship between a shipwrecked sailor and a native girl. When a The Enchanted Island between tribes breaks out, Tom wants to flee but Abner likes island life and the girl. He fights with the Typee and saves Mehevi's life. Tom takes off, determined to get away from here and back to civilization. The chief approves of the love between Abner The Enchanted Island Fayaway and permits them to wed. But soon comes the discovery that Tom did not get away, and when Abner and Fayaway interrupt a cannibalistic ritual, they are sentenced to death by Mehevi. When they try to run, Abner makes it back to the boat but Fayaway does not, a The Enchanted Island piercing her with a spear. Abner carries her back to the boat and to Vangs, who once again understands why his sailors should never venture onto land. In it was announced The Enchanted Island Monogram Pictures were going to make a film of Typhee. Then producer Benedict Bogeaus announced he was going to make his own version with Ray Millandpointing out the novel was in the public domain, The Enchanted Island he had registered the title and had a script ready from James Leceister, as well The Enchanted Island footage of Fiji. Filming began 21 November in Puerto MarquesMexico. RKO agreed to distribute. From Wikipedia, the free encyclopedia. RKO Radio Pictures. Release date. Running time. American Film Institute. Retrieved June 2, Los Angeles Times 19 June Films directed by Allan Dwan. What a Widow! Most Dangerous Man Alive Hidden categories: Template film date with 1 release date Film articles using image size parameter. Namespaces Article Talk. Views Read Edit View history. Help Learn to edit Community portal Recent changes Upload file. Download as PDF Printable version. James Leicester Harold Jacob Smith. Typee novel by Herman Melville. .
Load more

Recommended publications
  • Viewees Who Donated Their Time and Knowledge to the Dissertation Research
    SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... Selling Sacred Cities: Tourism, Region, and Nation in Cusco, Peru A Dissertation Presented by Mark Charles Rice to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in History Stony Brook University May 2014 Copyright by Mark Rice 2014 Stony Brook University The Graduate School Mark Charles Rice We, the dissertation committee for the above candidate for the Doctor of Philosophy degree, hereby recommend acceptance of this dissertation. Paul Gootenberg – Dissertation Advisor SUNY Distinguished Professor, History, Stony Brook University Eric Zolov – Chairperson of Defense Associate Professor, History, Stony Brook University Brooke Larson Professor, History, Stony Brook University Deborah Poole Professor, Anthropology, Johns Hopkins University This dissertation is accepted by the Graduate School Charles Taber Dean of the Graduate School ii Abstract of the Dissertation Selling Sacred Cities: Tourism, Region, and Nation in Cusco, Peru by Mark Charles Rice Doctor of Philosophy in History Stony Brook University 2014 It is hard to imagine a more iconic representation of Peru than the Inca archeological complex of Machu Picchu located in the Cusco region. However, when US explorer, Hiram Bingham, announced that he had discovered the “lost city” in 1911, few would have predicted Machu Picchu’s rise to fame during the twentieth century. My dissertation traces the unlikely transformation of Machu Picchu into its present-day role as a modern tourism destination and a representation of Peruvian national identity.
    [Show full text]
  • Lebenslust Im Schatten Des Todes : Allan Dwans Action-Kino
    Lebenslust im Schatten des Todes : Allan Dwans Action-Kino Autor(en): Göttler, Fritz Objekttyp: Article Zeitschrift: Filmbulletin : Zeitschrift für Film und Kino Band (Jahr): 44 (2002) Heft 238 PDF erstellt am: 04.10.2021 Persistenter Link: http://doi.org/10.5169/seals-865474 Nutzungsbedingungen Die ETH-Bibliothek ist Anbieterin der digitalisierten Zeitschriften. Sie besitzt keine Urheberrechte an den Inhalten der Zeitschriften. Die Rechte liegen in der Regel bei den Herausgebern. Die auf der Plattform e-periodica veröffentlichten Dokumente stehen für nicht-kommerzielle Zwecke in Lehre und Forschung sowie für die private Nutzung frei zur Verfügung. Einzelne Dateien oder Ausdrucke aus diesem Angebot können zusammen mit diesen Nutzungsbedingungen und den korrekten Herkunftsbezeichnungen weitergegeben werden. Das Veröffentlichen von Bildern in Print- und Online-Publikationen ist nur mit vorheriger Genehmigung der Rechteinhaber erlaubt. Die systematische Speicherung von Teilen des elektronischen Angebots auf anderen Servern bedarf ebenfalls des schriftlichen Einverständnisses der Rechteinhaber. Haftungsausschluss Alle Angaben erfolgen ohne Gewähr für Vollständigkeit oder Richtigkeit. Es wird keine Haftung übernommen für Schäden durch die Verwendung von Informationen aus diesem Online-Angebot oder durch das Fehlen von Informationen. Dies gilt auch für Inhalte Dritter, die über dieses Angebot zugänglich sind. Ein Dienst der ETH-Bibliothek ETH Zürich, Rämistrasse 101, 8092 Zürich, Schweiz, www.library.ethz.ch http://www.e-periodica.ch s Lebenslust im Schatten des Todes In Dwans Allan Dwan, 1910 bis i960: fünfzig Jahre Die Dwan-Filme der letzten Jahre, nach Filmen spricht Arbeit in Hollywood, fast ausnahmslos als 1950, das ist weder Altersweisheit noch das Kino allein Regisseur, Jahrzehnte hindurch einfach Film Abgeklärtheit eines gelebten Lebens, ist weder für sich selbst, an Film gemacht, die beiden letzten Jahre Finalität noch Philosophie.
    [Show full text]
  • Convert Finding Aid To
    Morris Leopold Ernst: An Inventory of His Papers at the Harry Ransom Center Descriptive Summary Creator: Ernst, Morris Leopold, 1888-1976 Title: Morris Leopold Ernst Papers Dates: 1904-2000, undated Extent: 590 boxes (260.93 linear feet), 47 galley folders (gf), 30 oversize folders (osf) Abstract: The career and personal life of American attorney and author Morris L. Ernst are documented from 1904 to 2000 through correspondence and memoranda; research materials and notes; minutes, reports, briefs, and other legal documents; handwritten and typed manuscripts; galley proofs; clippings; scrapbooks; audio recordings; photographs; and ephemera. The papers chiefly reflect the variety of issues Ernst dealt with professionally, notably regarding literary censorship and obscenity, but also civil liberties and free speech; privacy; birth control; unions and organized labor; copyright, libel, and slander; big business and monopolies; postal rates; literacy; and many other topics. Call Number: Manuscript Collection MS-1331 Language: English Note: The Ransom Center gratefully acknowledges the assistance of the National Endowment for the Humanities, which provided funds for the preservation and cataloging of this collection. Access: Open for research Administrative Information Acquisition: Gifts and purchases, 1961-2010 (R549, R1916, R1917, R1918, R1919, R1920, R3287, R6041, G1431, 09-06-0006-G, 10-10-0008-G) Processed by: Nicole Davis, Elizabeth Garver, Jennifer Hecker, and Alex Jasinski, with assistance from Kelsey Handler and Molly Odintz, 2009-2012 Repository: The University of Texas at Austin, Harry Ransom Center Ernst, Morris Leopold, 1888-1976 Manuscript Collection MS-1331 Biographical Sketch One of the most influential civil liberties lawyers of the twentieth century, Morris Ernst championed cases that expanded Americans' rights to privacy and freedom from censorship.
    [Show full text]
  • Southeast Asia Research Centre (SEARC)
    Southeast Asia Research Centre (SEARC) Working Paper Series No. 197 COLONIAL BURMA AND POPULAR WESTERN CULTURE: AN EXPLORATORY SURVEY Andrew Selth Griffith University About the Author Andrew Selth is an Adjunct Professor at the Griffith Asia Institute, Griffith University. He has been studying international security issues and Asian affairs for 45 years, as a diplomat, strategic intelligence analyst and research scholar. Between 1973 and 1986 he was posted to the Australian missions in Rangoon, Seoul and Wellington. He later served in the Defence Intelligence Organisation and Office of National Assessments. He has been an Adjunct Associate Professor in the Coral Bell School of Asia Pacific Affairs at the Australian National University (ANU), a Visiting Fellow at the ANU’s Strategic and Defence Studies Centre, a Chevening Scholar at St Antony’s College, Oxford University, an Australian Research Council Fellow at Griffith University and a Harold White Fellow at the National Library of Australia. Dr Selth has published ten books and more than 50 peer-reviewed works, most of them about Myanmar (Burma). His latest book was Secrets and Power in Myanmar: Intelligence and the Fall of General Khin Nyunt (Singapore, 2019). COLONIAL BURMA AND POPULAR WESTERN CULTURE: AN EXPLORATORY SURVEY Abstract Over the centuries, images of Burma in the Western imagination have been remarkably consistent. At the broadest level, they have emphasised Burma’s remoteness, strangeness and harshness, or offered a much more idealised, romantic view of the country and its people. Within these two broad schools there have been a number of recurring motifs that have helped confirm the idea of Burma’s dualistic nature, and contributed to its mixed reputation.
    [Show full text]
  • Entertainment Industry, 1908-1980 Theme: Industrial Properties Associated with the Entertainment Industry, 1908-1980
    LOS ANGELES CITYWIDE HISTORIC CONTEXT STATEMENT Context: Entertainment Industry, 1908-1980 Theme: Industrial Properties Associated with the Entertainment Industry, 1908-1980 Prepared for: City of Los Angeles Department of City Planning Office of Historic Resources December 2019 SurveyLA Citywide Historic Context Statement Entertainment Industry/Industrial Properties Associated with the Entertainment Industry, 1908-1980 TABLE OF CONTENTS PREFACE 1 CONTRIBUTORS 1 INTRODUCTION 1 HISTORIC CONTEXT INDUSTRIAL PROPERTIES ASSOCIATED WITH THE ENTERTAINMENT INDUSTRY, 1908-1980 3 Origins of the Entertainment Industry in Southern California 3 Entertainment Industry Development in the 1920s and 1930s 13 Entertainment Industry Development During World War II 59 Entertainment Industry Development in the Postwar Era 63 SUB-THEME: ORIGINS OF THE MOTION PICTURE INDUSTRY, 1908-1919 72 Development of Industrial Districts and “Motion Picture Zones” 72 Development of Early Motion Picture Production Facilities 73 SUB-THEME: MOTION PICTURE INDUSTRY: MAJOR STUDIO ERA – “THE BIG EIGHT,” 1919-1949 76 Development of Major Motion Picture Production Facilities 76 SUB-THEME: MOTION PICTURE INDUSTRY: INDEPENDENT STUDIOS AND RENTAL PLANTS, 1919-1980 80 Development of Independent Motion Picture Production Facilities 80 SUB-THEME: RADIO BROADCASTING INDUSTRY, 1922-1945 84 Development of Radio Broadcasting Facilities 84 SUB-THEME: TELEVISION BROADCASTING INDUSTRY, 1931-1980 88 Development of Television Broadcasting Facilities 88 SUB-THEME: RECORDING INDUSTRY, 1925-1980
    [Show full text]
  • Motion Pictures and Juvenile Delinquency. Interim Report
    [COMMITTEE PRINT] 1*i iii [ i _ I IRMILIIII|RI I 84TH CONGRESS SENATE REo- ld Session I fENAT MOTION PICTURES AND JUVENILE DELINQUENCY INTERIM REPORT A OF THE SUBCOMMITTEE TO INVESTIGATE JUVENILE DELINQUENCY TO THE COMMITTEE ON THE JUDICIARY PURSUANT TO S. Res. 62 as extended 84tk Congress RELATIVE TO THE INVESTIGATION OF JUVENILE DELINQUENCY IN THE UNITED STATES Printed for tLe use of the Committee on the Judiciary UNITED STATES GOVERNMENT PRINTING OFFICE WASHINGTON : 1956 &4, i 70 COMMITTEE ON TIlE JUDICIARY JAMES 0. EASiTLANIP, Misalssippl, ('atrmon Et;TES4 KEFAUVER, Tennessee ALEXANDER WILEY, Wisconsin OLIN I). JOHNSTON, South Carolina WILLIAM LONGER, North Dakota THOMAS C. HENNINGS, Ja., Missouri WILLIAM E. JENNER, Indiana JOIN L. McCLELLAN, Arkansas ARTHUR V. WATKINS, Utah PRICE DANIEL, Texas EVERETT McKINLEY DIRKSEN, Illinois JOSEPH C. O'MAIONEY, Wyoming HERMAN WELKER, Idaho MATTHEW M. NEELY, West Virginia JOHN MARSHALL BUTLER, Maryland MiOmmmn-r To INVESTIGATE JUVENILE DINQ1TENCY IN THE UNITED STATES ESTES KEFAUVER, Tennessee, Chairmwan THOMAS C. HENNINGS, Ja., Missouri WILLIAM LANGER, North Dakota PRICE DANIEL,. Texas ALEXANDER WILEY, Wisconsin JAMcs H. Boso, GOferal Counsel 11 CONTENTS P... I. Introduction , Motion pictures are a trt of the media of mass communticaton investigation ------------------------------------------ I Letters express concern over excessive violence in motion picturest... .. .... ... .. .. 2 Concern exprnwA-d over objectionable motion-picture adver- tiiing ....................................... ............ 3 11. Has there beeoj an, increase in violezie and brutality in motion pictures_. ..------------------------------ 4 Motion-picture industry admits overemphasis on excessive violence . ------------------------------ 4 Foreign countries officially object to violence in American flm---------------...---------------------------- r.xanples of alleged film violations of the Productioi, Code.
    [Show full text]
  • Columbia Pictures: Portrait of a Studio
    University of Kentucky UKnowledge Film and Media Studies Arts and Humanities 1992 Columbia Pictures: Portrait of a Studio Bernard F. Dick Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Dick, Bernard F., "Columbia Pictures: Portrait of a Studio" (1992). Film and Media Studies. 8. https://uknowledge.uky.edu/upk_film_and_media_studies/8 COLUMBIA PICTURES This page intentionally left blank COLUMBIA PICTURES Portrait of a Studio BERNARD F. DICK Editor THE UNIVERSITY PRESS OF KENTUCKY Copyright © 1992 by The University Press of Kentucky Paperback edition 2010 Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 www.kentuckypress.com Cataloging-in-Publication Data for the hardcover edition is available from the Library of Congress ISBN 978-0-8131-3019-4 (pbk: alk. paper) This book is printed on acid-free recycled paper meeting the requirements of the American National Standard for Permanence in Paper for Printed Library Materials.
    [Show full text]
  • ALLAN DWAN, NOBILE PRIMITIVO Allan Dwan, the Noble Primitive
    ALLAN DWAN, NOBILE PRIMITIVO Allan Dwan, The Noble Primitive Programma a cura di / Programme curated by Peter von Bagh e Dave Kehr 190 Dopo i ritratti di Sternberg, Capra, Ford, Hawks e Walsh, rendiamo After the portraits of Sternberg, Capra, Ford, Hawks and Walsh, omaggio a un regista la cui carriera comincia nel 1911 – l’epoca we will pay tribute to a director whose career spans 1911 – the di Griffith e Ince – e si chiude nel 1961 – l’epoca delle nouvelles days of Griffith and Ince – to 1961 – the time of the new waves. vagues. In questo mezzo secolo Dwan ha realizzato almeno 400 In that half-century Allan Dwan produced 400 films (other esti- film (ma c’è chi parla addirittura di 1400), confrontandosi con mates range to 1400), covering every genre and technical nov- ogni genere e ogni innovazione tecnologica, maneggiati sempre elty, always handled with the care only a poet can provide. The con la cura che solo un poeta può garantire. I primi film sono i early films are the rarest, many of them unseen for generations più rari, invisibili per generazioni e ora restaurati, con titoli a cui and now restored, with titles few cinephiles can resist: The Ranch ben pochi cinefili potranno resistere:The Ranch Girl, Blackened Girl, Blackened Hills, The Thief’s Wife. In the 1920s Dwan made Hills, The Thief’s Wife. Negli anni Venti Dwan firmò alcuni dei più some of the finest star vehicles of the decade: with Douglas Fair- brillanti star vehicles del decennio, con Douglas Fairbanks (da A banks (ranging from A Modern Musketeer and its delicious mix of Modern Musketeer, delizioso incrocio di road-movie e ispirazione Dumas-inspired road movie to his poignant farewell in The Iron dumasiana, fino all’intenso addio diThe Iron Mask) e con Gloria Mask) and Gloria Swanson (Zaza, Manhandled) – achievements Swanson (Zaza, Manhandled) – splendidi risultati che tenevano of spectacle and comedy and everything between.
    [Show full text]
  • Rhonda Fleming Rhonda Fleming 45
    Rhonda Fleming Rhonda Fleming 45 Die programmatische Göttin Ära. Die Fleming, so stellen Ian und Elizabeth Cameron Sie gehört zur Spezies der Redheads. Vielleicht sogar in ihrem Kultbuch »Broads« fest, sei stets eine Frau ge- ist sie die schönste unter den Rothaarigen, strahlender wesen, die sich zuerst auf sich selbst verlassen habe. noch als Susan Hayward, Jeanne Crain, Arlene Dahl, Sogar wenn sie ernsthaft bedroht gewesen wäre wie in Tina Louise oder Lisa DeLecuw. Sie ist eine Redhead- CRY DANGER oder THE KILLER IS LOOSE sei sie nie Exotin, eine Eingeborene des Landes von Technicolor. hilflos erschienen. Dieser Mangel an Verletzlichkeit, so Der blütenweiße Teint, die durchdringenden grünen mutmaßen die Camerons, habe wohl dazu geführt, daß Augen und das tizianfarbene Haar scheinen gleichsam sie keine ganz große Karriere gemacht habe. herangewachsen zu sein unter den Scheinwerfern der Rhonda Fleming verbindet man nicht so sehr mit ein- Hollywood-Studios. Rhonda Fleming, sie ist ein Pop-de- zelnen Filmen, eher mit Genres und dem amerikani- luxe-Geschöpf der 50er Jahre; hätte sie ihre Karriere schen Fifties-Kino an sich. Man denkt bei ihr an den später begonnen, dann wäre sie möglicherweise als Film Noir, an Western, Technicolor-Exotica und High androgyner Superstar bei Andy Warhol gelandet. Camp-Filme, die in fernen Zeiten und fernen Ländern In manchen ihrer Filme sieht man sie mit ihrer grandio- spielen, in Babylon und am Nil, in Hongkong und am sen Figur, die sich selbst nachzupfeifen scheint, im Hin- Amazonas. Manchmal, so wage ich zu behaupten, ist tergrund stehend, das Treiben der Männer mit Inte- eine wie Rhonda Fleming das Kino selbst.
    [Show full text]
  • Montana-Belle.Pdf
    CINEMATECA PORTUGUESA-MUSEU DO CINEMA HOT BLOOD – NO CENTENÁRIO DE JANE RUSSELL 9 de Julho de 2021 MONTANA BELLE / 1952 (Flor Bravia) Um filme de Allan Dwan Realização: Allan Dwan / Argumento: Horace McCoy e Norman S. Hall, baseado numa história de M. Coates Webster e Howard Welsch / Direcção de Fotografia: Jack Marta / Direcção Artística: Frank Arrigo, John McCarthy Jr e George Milo / Guarda-Roupa: Adele Palmer / Música: Nathan Scott / Som: Earl Crain e Howard Wilson / Montagem: Arthur Roberts / Interpretação: Jane Russell (Belle Starr), George Brent (Tom Bradfield), Scott Brady (Bob Dalton), Forrest Tucker (Mac), Andy Devine (Pete Bevins), Jack Lambert (Ringo), John Litel (Matt Towner), Ray Teal (Emmett Dalton), Rory Mallinson (Grat Dalton), Mike Ragan (Ben Dalton), Roy Barcroft, Ned Davenport, Dick Elliott, Gene Roth, etc. Produção: Fidelity-Vogue Pictures, para a RKO / Produtor: Howard Welcsh / Cópia: digital, cor, falada em inglês com legendagem electrónica em português / Duração: 82 minutos / Estreia em Portugal: 28 de Abril de 1953. *** AVISO: Como acontece com muitos filmes de Allan Dwan, mesmo os da fase mais tardia da sua obra, de Montana Belle não existem, aparentemente, cópias de boa qualidade em circulação – nem mesmo em formatos digitais. A cópia que vamos ver – em formato digital – não é, por isso, perfeita, nomeadamente em termos de cor: uma das características do Trucolor (uma espécie de Technicolor para a “poverty row”) era o tom deslavado, mas vivo, das suas cores. Na cópia que vamos ver, as cores estão relativamente deslavadas (por característica) mas falta-lhes alguma vida (por defeito). Dada a raridade do filme, que aliás nunca passou na Cinemateca, e em antecipação da retrospectiva Dwan que preparamos para daqui a alguns meses, achamos que é, mesmo assim, mais útil exibi-lo do que não exibi-lo, até pela falta de garantia de que ele seja visível em melhores condições.
    [Show full text]
  • BVC M010546 Cine Y Teatro. Guía De Largometrajes Adaptados De Obras
    Guía de Largometrajes 2009 cine y teatro introducción La GUÍA DE CINE Y TEATRO es una compilación de una amplia selección de largometrajes que son adaptaciones de obras teatrales a la pantalla cinematográfica. Se encuadra en la colección Guías de Cine, editadas por la Comunidad de Madrid, presentándose ahora en formato CD, con el fin de proporcionar un formato más adecuado para una obra de referencia, ya que facilita la realización de consultas y búsquedas automáticas útiles para los interesados en el tema. La mayoría de los títulos incluidos han sido estrenados comercialmente y figuran por ello en la base de datos de películas del Ministerio de Cultura. En esta guía se ha optado por reflejar también obras que han sido estrenadas en festivales, aunque no hayan llegado a las pantallas comerciales, así como algunos títulos señalados que, por causas diversas, no han llegado a verse en proyección pública alguna en España. La GUÍA DE CINE Y TEATRO consta de dos partes: 1) Referencias fílmicas. Se relacionan los autores teatrales por orden alfabético y, en caso de que el autor tenga más de una adaptación a la pantalla, las películas se ordenan por orden alfabético de título. 2) Índices. - De autores - De películas En cada ficha se proporcionan los datos básicos de cada película (director, intérpretes principales, guión, argumento, música, director de fotografía, año de producción, nacionalidad, duración, datos técnicos, género, calificación, productora y distribuidora), así como un breve resumen. obras por autor 16 A Argumento: Basado en la obra teatral “No te ofendas, Beatriz” de Carlos ABATI Y DÍAZ, JOAQUÍN (1856-1936) Arniches y Joaquín Abati (1926) Música: Juán Durán Alemany Escritor y libretista de zarzuelas, nacido en Madrid en 1865.
    [Show full text]
  • UNIVERSITY of CALIFORNIA Los Angeles Disruptive Convergence
    UNIVERSITY OF CALIFORNIA Los Angeles Disruptive Convergence: The Struggle Over the Licensing and Sale of Hollywood’s Feature Films to Television Before 1955 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Film and Television by Jennifer Anne Porst 2014 © Copyright by Jennifer Anne Porst 2014 ABSTRACT OF THE DISSERTATION Disruptive Convergence: The Struggle Over the Licensing and Sale of Hollywood’s Feature Films to Television Before 1955 by Jennifer Anne Porst Doctor of Philosophy in Film and Television University of California, Los Angeles, 2014 Professor John T. Caldwell, Chair This project is located at the intersection of television and film studies and examines the causes and effects of disruption and convergence in the media industries through a case study of the struggle over Hollywood’s feature films on television before 1955. Since television began broadcasting in earnest in 1948, two years after Hollywood saw its box-office revenues decline precipitously from their all-time high in 1946, the important question to ask becomes: why did it take seven years for Hollywood’s features to make their way to television? Through an investigation of the efforts made by the film and television industries in the 1940s and 1950s to work towards feature films appearing on television, this project concludes that Hollywood’s feature films did not appear on television until 1956, not because of the long held assumptions that the film industry was either apathetic or hostile to the nascent television industry, but rather ii as a result of a complex combination of industrial, social, legal, and governmental forces.
    [Show full text]