Entertainment Industry, 1908-1980 Theme: Industrial Properties Associated with the Entertainment Industry, 1908-1980

Total Page:16

File Type:pdf, Size:1020Kb

Entertainment Industry, 1908-1980 Theme: Industrial Properties Associated with the Entertainment Industry, 1908-1980 LOS ANGELES CITYWIDE HISTORIC CONTEXT STATEMENT Context: Entertainment Industry, 1908-1980 Theme: Industrial Properties Associated with the Entertainment Industry, 1908-1980 Prepared for: City of Los Angeles Department of City Planning Office of Historic Resources December 2019 SurveyLA Citywide Historic Context Statement Entertainment Industry/Industrial Properties Associated with the Entertainment Industry, 1908-1980 TABLE OF CONTENTS PREFACE 1 CONTRIBUTORS 1 INTRODUCTION 1 HISTORIC CONTEXT INDUSTRIAL PROPERTIES ASSOCIATED WITH THE ENTERTAINMENT INDUSTRY, 1908-1980 3 Origins of the Entertainment Industry in Southern California 3 Entertainment Industry Development in the 1920s and 1930s 13 Entertainment Industry Development During World War II 59 Entertainment Industry Development in the Postwar Era 63 SUB-THEME: ORIGINS OF THE MOTION PICTURE INDUSTRY, 1908-1919 72 Development of Industrial Districts and “Motion Picture Zones” 72 Development of Early Motion Picture Production Facilities 73 SUB-THEME: MOTION PICTURE INDUSTRY: MAJOR STUDIO ERA – “THE BIG EIGHT,” 1919-1949 76 Development of Major Motion Picture Production Facilities 76 SUB-THEME: MOTION PICTURE INDUSTRY: INDEPENDENT STUDIOS AND RENTAL PLANTS, 1919-1980 80 Development of Independent Motion Picture Production Facilities 80 SUB-THEME: RADIO BROADCASTING INDUSTRY, 1922-1945 84 Development of Radio Broadcasting Facilities 84 SUB-THEME: TELEVISION BROADCASTING INDUSTRY, 1931-1980 88 Development of Television Broadcasting Facilities 88 SUB-THEME: RECORDING INDUSTRY, 1925-1980 92 Development of Sound Recording Facilities 92 SUB-THEME: SUPPORT SERVICES ASSOCIATED WITH THE ENTERTAINMENT INDUSTRY, 1908-1980 95 Development of Support Service Facilities 95 SELECTED BIBLIOGRAPHY 101 SurveyLA Citywide Historic Context Statement Entertainment Industry/Industrial Properties Associated with the Entertainment Industry, 1908-1980 PREFACE This theme is a component of SurveyLA’s citywide historic context statement and provides guidance to field surveyors and others in identifying and evaluating historic resources relating to industrial properties associated with the entertainment industry. Refer to www.HistoricPlacesLA.org for information on designated resources associated with this theme as well as those identified through SurveyLA and other surveys.1 CONTRIBUTORS This context was prepared by Christine Lazzaretto and Heather Goers, Historic Resources Group, with significant guidance and input from Christy Johnson McAvoy. Christy is the founding principal of Historic Resources Group, with over thirty years of experience in historic preservation in Southern California. Christine is a Principal at HRG; she earned her Master of Historic Preservation degree from the University of Southern California, and has been practicing in the field since 2007. Heather is an Architectural Historian at HRG; she earned her Master of Historic Preservation degree from the University of Southern California and has been practicing in the field since 2012. INTRODUCTION The motion picture industry played, and continues to play, a significant role in the economic and cultural development of Los Angeles, and a large part of the city’s identity is tied to its role as a center of the entertainment industry. The relationship of Hollywood, the concept, and Los Angeles, the place, can best be described as symbiotic. As such, Hollywood is more than a geographic location of industrial building and production facilities. The movie studios and their accompanying support services that make up the “industry” are significant assets to Hollywood and Los Angeles. Over the course of the 20th century, new forms of entertainment found their footing in Hollywood and flourished. Film, radio, television, and sound recording all evolved into major forms of nationwide communication and entertainment under the Southern California sun. In doing so, these mediums transformed the landscape of Los Angeles, and Hollywood in particular, from a sea of citrus groves into a bustling hub of commercial and industrial activity related to the entertainment industry. This theme examines the development of the motion picture, radio, television, and recording industries as well as associated property types located in Los Angeles2 which include: major and independent 1 See also surveys of the Hollywood Redevelopment Project Area completed by the Community Redevelopment Agency (CRA). These surveys were separate from, and not included in, SurveyLA. 2 Some resources associated with these industries are located outside of the city of Los Angeles. Locations include the cities of Burbank, Culver City, and West Hollywood. They are referenced in the context narrative where relevant, but are not evaluated as part of this context. Page | 1 SurveyLA Citywide Historic Context Statement Entertainment Industry/Industrial Properties Associated with the Entertainment Industry, 1908-1980 movie studios, radio and television broadcasting facilities, music studios, and support services. The accompanying eligibility standards provide a framework for their evaluation. Evaluation Considerations: This theme may overlap with other citywide historic contexts and themes as follows: • Properties significant for their architectural quality may also be evaluated under themes within the “Architecture and Engineering” historic context. • Industrial properties may also be evaluated under relevant sub-contexts and themes within the “Industrial Development” historic context. • Some properties may also be discussed in the ethnic/cultural contexts. In particular, see the “African Americans in Los Angeles,” “Asian Americans in Los Angeles,” “Jewish History,” and “Latino Los Angeles,” contexts. • Industrial properties may also be significant under the “Labor History” theme of the “Industrial Development” historic context. • Industrial properties significant for their association with individuals who were influential in the development of the entertainment industry may also be evaluated using the “Guidelines for Evaluating Properties Associated with Important Persons in Los Angeles.” Page | 2 SurveyLA Citywide Historic Context Statement Entertainment Industry/Industrial Properties Associated with the Entertainment Industry, 1908-1980 HISTORIC CONTEXT Industrial Properties Associated with the Entertainment Industry, 1908-1980 Origins of the Entertainment Industry in Southern California The most significant factor in the development of Hollywood in the twentieth century was the arrival of the entertainment industry. Regular motion picture production began in Hollywood in 1911, and quickly grew into a significant economic force. As the popularity of motion pictures grew, more physical facilities related to film production were constructed in Hollywood, and the industry contributed significantly to the area’s overall industrial growth. Origins of the Motion Picture Industry The origins of motion picture production in Southern California are rooted in the arrival of two men from Chicago: Francis Boggs and Thomas Persons. Boggs, an actor and director, and Persons, a cameraman, were representatives of the Selig Polyscope Company and traveled west from Chicago to Southern California in 1907 to film exterior location shots at Laguna Beach for The Count of Monte Cristo.3 As film historian Eileen Bowser notes, while Boggs was far from the first to actually make films in California – there had been films shot there in the previous decade – he may have been the first representative of a major company to travel there on location and then return to establish a studio.4 Boggs and the Selig company returned to Los Angeles in March 1909 and leased quarters behind the Sing Kee Chinese Laundry at 751 South Olive Street (not extant) in Downtown Los Angeles, constructing the first-ever movie set in the city. The first movie to be filmed at Selig’s temporary facility was The Heart of a Race Tout, which was released in 1909 and included location shots of nearby Central Park (now known as Pershing Square), and Lucky Baldwin’s Santa Anita Park racetrack recorded in the final three days before the park’s closure.5 The film, which is believed to be the first full-length picture shot entirely in the Los Angeles area, “inaugurated the Los Angeles film industry.”6 3 See also the “Filming Locations Associated with the Motion Picture and Television Industries” theme. 4 Eileen Bowser, The Transformation of Cinema, 1907-1915, vol. 2, in History of the American Cinema, ed. Charles Harpole (Berkeley, CA: University of California Press, 1990), 151. 5 Andrew A. Erish, Col. William N. Selig, The Man Who Invented Hollywood (Austin, TX: University of Texas Press, 2012), 82. While some historians claim that the first movie to be filmed in Los Angeles was Selig’s In The Sultan’s Power, Erish’s examination of William N. Selig’s correspondence reveals that The Heart of a Race Tout was filmed prior to In The Sultan’s Power, but the latter was released first. 6 Erish, Col. William N. Selig, 82. Page | 3 SurveyLA Citywide Historic Context Statement Entertainment Industry/Industrial Properties Associated with the Entertainment Industry, 1908-1980 Scene from the filming of The Heart of a Race Tout, 1909. (Bruce Torrence Hollywood Photograph Collection) At the time, the great film centers in the United States were New York and Chicago, and their associated suburbs.7 Both of these locations, as well as those of the lesser filmmaking communities along the East Coast, such as Philadelphia, presented their own difficulties. Chief among
Recommended publications
  • Campuses New York City, NY Los Angeles, CA South Beach, Miami
    132 LOCATIONS LOCATIONS 133 Campuses New York City, NY Los Angeles, CA South Beach, Miami, FL Gold Coast, Australia Satellite Locations Florence, Italy Paris, France Harvard University, MA Walt Disney World® Resort, FL Beijing, China Shanghai, China Mumbai, India Doha, Qatar Moscow, Russia Kyoto, Japan Seoul, Korea Amsterdam, Netherlands Rio De Janeiro, Brazil Locations 134 NEW YORK CITY NEW YORK CITY 135 New York City, NY The New York Film Academy’s flagship campus in New Chinatown and Spanish Harlem, the stately Museum Mile Central Location Extracurricular Activities York City places students in the heart of one of the on the Upper East Side, the neighborhood brownstones of world’s greatest metropolises. For its size, excitement, Park Slope in Brooklyn. New York City is about neon lights, The New York Film Academy’s New York City campus in “The city that never sleeps” offers as many exciting culture, and landscape, the city remains unparalleled taxi horns, street music, bookstores, landscaped parks, Manhattan’s historic Financial District is split between adventures and discoveries as there are people. For — and plays a starring role in the projects and lives of and 10 million inhabitants working together — each as premier facilities on Battery Park and Broadway, steps dining, film, nightlife, shopping, museums, and so much our students. unique as the next. from the iconic Charging Bull statue on Wall Street, more, New York ranks number one in the world. the beautiful Hudson River Park, and the Castle Clinton Dynamic, rich in diversity, and always alive, New York Our students in New York City have the opportunity National Monument in Battery Park.
    [Show full text]
  • 31 Days of Oscar® 2010 Schedule
    31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy
    [Show full text]
  • Mabel's Blunder
    Mabel’s Blunder By Brent E. Walker Mabel Normand was the first major female comedy star in American motion pictures. She was also one of the first female directors in Hollywood, and one of the original principals in Mack Sennett’s pioneering Keystone Comedies. “Mabel’s Blunder” (1914), made two years after the formation of the Keystone Film Company, captures Normand’s talents both in front of and behind the camera. Born in Staten Island, New York in 1892, a teenage Normand modeled for “Gibson Girl” creator Charles Dana Gibson before entering motion pictures with Vitagraph in 1910. In the summer of 1911, she moved over to the Biograph company, where D.W. Griffith was making his mark as a pioneering film director. Griffith had already turned actresses such as Florence Lawrence and Mary Pickford into major dramatic stars. Normand, however, was not as- signed to the dramas made by Griffith. Instead, she went to work in Biograph’s comedy unit, directed by an actor-turned-director named Mack Sennett. Normand’s first major film “The Diving Girl” (1911) brought her notice with nickelodeon audiences. A 1914 portrait of Mabel Normand looking Mabel quickly differentiated herself from the other uncharacteristically somber. Courtesy Library of Congress Biograph actresses of the period by her willingness Prints & Photographs Online Collection. to engage in slapstick antics and take pratfalls in the name of comedy. She also began a personal ro- to assign directorial control to each of his stars on mantic relationship with Mack Sennett that would their comedies, including Normand. Mabel directed have its ups and downs, and would eventually in- a number of her own films through the early months spire a Broadway musical titled “Mack and Mabel.” of 1914.
    [Show full text]
  • Summer Classic Film Series, Now in Its 43Rd Year
    Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre.
    [Show full text]
  • Leslie Caron
    COUNCIL FILE NO. t)q .~~f7:; COUNCIL DISTRICT NO. 13 APPROVAL FOR ACCELERATED PROCESSING DIRECT TO CITY COUNCIL The attached Council File may be processed directly to Council pursuant to the procedure approved June 26, 1990, (CF 83-1075-81) without being referred to the Public Works Committee because the action on the file checked below is deemed to be routine and/or administrative in nature: -} A. Future Street Acceptance. -} B. Quitclaim of Easement(s). -} C. Dedication of Easement(s). -} D. Release of Restriction(s) . ..10 E. Request for Star in Hollywood Walk of Fame. -} F. Brass Plaque(s) in San Pedro Sport Walk. -} G. Resolution to Vacate or Ordinance submitted in response to Council action. -} H. Approval of plans/specifications submitted by Los Angeles County Flood Control District. APPROVAL/DISAPPROVAL FOR ACCELERATED PROCESSING: APPROVED DISAPPROVED* Council Office of the District Public Works Committee Chairperson 'DISAPPROVED FILES WILL BE REFERRED TO THE PUBLIC WORKS COMMITTEE. Please return to Council Index Section, Room 615 City Hall City Clerk Processing: Date notice and report copy mailed to interested parties advising of Council date for this item. Date scheduled in Council. AFTER COUNCIL ACTION: ___ -f} Send copy of adopted report to the Real Estate Section, Development Services Division, Bureau of Engineering (Mail Stop No. 515) for further processing. __ ---J} Other: . .;~ ';, PLEASE DO NOT DETACH THIS APPROVAL SHEET FROM THE COUNCIL FILE ACCELERATED REVIEW PROCESS - E Office of the City Engineer Los Angeles California To the Honorable Council Of the City of Los Angeles NOV 242009 Honorable Members: C. D. No. 13 SUBJECT: Hollywood Boulevard and Vine Street - Walk of Fame Additional Name in Terrazzo Sidewalk- LESLIE CARON RECOMMENDATIONS: A.
    [Show full text]
  • Cablelabs Studio Code List 05/01/2006
    CableLabs Studio Code List 05/01/2006 Studio Name Code Last Update 05/05/2006 1 120 Degree Films 120D 2 1st National FSN 3 2 Silks Releasing 2SR 4 20th Century Fox FOX 5 21st Century 21ST 6 2nd Generation 2GN 7 4th & Broadway 4TH 8 50th Street 50TH 9 7th Planet Prods 7PP 10 8X Entertainment 8X 11 A.D.G. ADG 12 A.I.P. Studios AIPS 13 Abramorama Entertainment ABR 14 Academy ACD 15 Access Motion Picture Group ACM 16 ADV Films ADV 17 AFD Theatrical AFDT 18 Alive ALV 19 Alliance Atlantis Communications AA 20 Alliance International Pictures AIP 21 Almi ALM 22 American International Pictures AINT 23 American Vacation Production AVP 24 American World Pictures AWP 25 American Zoetrope AZO 26 Amoon AMO 27 Andora Pictures AND 28 Angelika ANG 29 A-Pix APIX 30 Apollo APO 31 Apple and Honey Film Corp. AHFC 32 Arab Films ARAB 33 Arcangelo Entertainment ARC 34 Arenaplex ARN 35 Arenas Entertainment ARNS 36 Aries ARI 37 Ariztical Entertainment ARIZ 38 Arrival Pictures ARR 39 Arrow Releasing ARW 40 Arthouse Films AHF 41 Artificial Eye ARTI 42 Artisan ARTS 43 Artist View Ent. ARV 44 Artistic License ARTL 45 Artists Releasing Corp ARP 46 ArtMattan Productions AMP 47 Artrution Productions ART 48 ASA Communications ASA 49 Ascot ASC 50 Associated Film Distribution AFD 51 Astor Pictures AST 1 CableLabs Studio Code List 05/01/2006 Studio Name Code Last Update 05/05/2006 52 Astral Films ASRL 53 At An Angle ANGL 54 Atlantic ATL 55 Atopia ATP 56 Attitude Films ATT 57 Avalanche Films AVF 58 Avatar Films AVA 59 Avco Embassy AEM 60 Avenue AVE 61 B&W Prods.
    [Show full text]
  • Signed, Sealed and Delivered: ''Big Tobacco'' in Hollywood, 1927–1951
    Tob Control: first published as 10.1136/tc.2008.025445 on 25 September 2008. Downloaded from Research paper Signed, sealed and delivered: ‘‘big tobacco’’ in Hollywood, 1927–1951 K L Lum,1 J R Polansky,2 R K Jackler,3 S A Glantz4 1 Center for Tobacco Control ABSTRACT experts call for the film industry to eliminate Research and Education, Objective: Smoking in movies is associated with smoking from future movies accessible to youth,6 University of California, San Francisco, California, USA; adolescent and young adult smoking initiation. Public defenders of the status quo argue that smoking has 10 2 Onbeyond LLC, Fairfax, health efforts to eliminate smoking from films accessible been prominent on screen since the silent film era California, USA; 3 Department of to youth have been countered by defenders of the status and that tobacco imagery is integral to the artistry Otolaryngology – Head & Neck quo, who associate tobacco imagery in ‘‘classic’’ movies of American film, citing ‘‘classic’’ smoking scenes Surgery, Stanford University with artistry and nostalgia. The present work explores the in such films as Casablanca (1942) and Now, School of Medicine, Stanford, 11–13 California, USA; 4 Center for mutually beneficial commercial collaborations between Voyager (1942). This argument does not con- Tobacco Control Research and the tobacco companies and major motion picture studios sider the possible effects of commercial relation- Education and Department of from the late 1920s through the 1940s. ships between the motion picture and tobacco Medicine,
    [Show full text]
  • Television Academy Awards
    2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D.
    [Show full text]
  • The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013
    The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 COUNCIL ON LIBRARY AND INFORMATION RESOURCES AND THE LIBRARY OF CONGRESS The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 Mr. Pierce has also created a da tabase of location information on the archival film holdings identified in the course of his research. See www.loc.gov/film. Commissioned for and sponsored by the National Film Preservation Board Council on Library and Information Resources and The Library of Congress Washington, D.C. The National Film Preservation Board The National Film Preservation Board was established at the Library of Congress by the National Film Preservation Act of 1988, and most recently reauthorized by the U.S. Congress in 2008. Among the provisions of the law is a mandate to “undertake studies and investigations of film preservation activities as needed, including the efficacy of new technologies, and recommend solutions to- im prove these practices.” More information about the National Film Preservation Board can be found at http://www.loc.gov/film/. ISBN 978-1-932326-39-0 CLIR Publication No. 158 Copublished by: Council on Library and Information Resources The Library of Congress 1707 L Street NW, Suite 650 and 101 Independence Avenue, SE Washington, DC 20036 Washington, DC 20540 Web site at http://www.clir.org Web site at http://www.loc.gov Additional copies are available for $30 each. Orders may be placed through CLIR’s Web site. This publication is also available online at no charge at http://www.clir.org/pubs/reports/pub158.
    [Show full text]
  • Final Judgment: U.S. V. Motion Picture Patents Company, Et
    THE UNITED STATES OF AMERICA, PETITIONER, vs. MOTION PICTURE PATENTS COMPANY, GENERAL FILM COM­ PANY, BIOGRAPH COMPANY, THOMAS A. EDISON (INC.), ESSANAY FILM MANUFACTURING COMPANY, THE KALEM COMPANY, (INC.), GEORGE KLEINE, LUBIN MANUFAC­ TURING COMPANY, MELIES MANUFACTURING COMPANY, PATHE FRERES, THE SELIG POLYSCOPE COMPANY, THE VITAGRAPH COMPANY OF AMERICA, ARMAT MOVING PICTURE COMPANY, FRANKL. DYER, HENRY N. MARVIN, J. J. KENNEDY, WILLIAM PELZER, SAMUEL LONG, J. A. BERST, SIEGMUND LUBIN, GASTON MELIES, ALBERT E. SMITH, GEORGE K. SPOOR, AND W. N. SELIG, DEFEN­ DANTS. Before OLIVER B. DICKINSON, United States District Judge. DECREE. This cause came on for final,, hearing upon the plead­ ings and all the evidence and was argued on behalf of the petitioner by Edwin P. Grosvenor, Special Assistant to the Attorney General, and on behalf of the defendants by Charles F. Kingsley, Melville Church and Hon. Reuben 0. Moon, and thereafter, upon consideration thereof, the Court announced and caused to be filed, on October 1, 1915, its written opinion therein. Whereupon the Court adjudged, ordered and decreed as follows: First. That the petition be and is hereby dismissed as to the defendant, Melies Manufacturing Company. Second. The death of Samuel Long occurred after the final hearing and there has been no revivor. Third. That the defendants (other than the Melies Manufacturing Company, against whom the petition is dismissed) and each of them, have attempted to monopo­ lize and have monopolized and have combined and con­ spired, among themselves
    [Show full text]
  • Nicolas Philibert
    PRESENTACIÓN Michoacán, un estado rico en arte, naturale­ El gobierno del estado de Michoacán suma za, tradiciones e historia, ofrece al mundo sus esfuerzos cada año para la realización de este cuatro Pueblos Mágicos: Pátzcuaro, Cuitzeo, festival, que hoy por hoy es un escaparate in­ Tlalpujahua y Santa Clara del Cobre. El ini­ discutible para exhibir el trabajo creativo y gualable espectáculo natural de la Mariposa la sensibilidad de hombres y mujeres que a Monarca, la eterna viajera; la mística cele­ través de imágenes y sonidos nos presentan bración de la Noche de Muertos; la fuerza de sus historias. la hermosa costa michoacana, con sus más de 200 kilómetros de litoral, y su majestuosa El gobierno que presido ha puesto especial capital: Morelia, ciudad Patrimonio Cultural interés para que, en cada lugar de nuestro es­ de la Humanidad, sede orgullosa del Festival tado, la cultura y las tradiciones se conserven Internacional de Cine de Morelia en su octava y sean accesibles para todos, tanto michoaca­ edición. nos como visitantes. Nuestro estado se enorgullece al recibir a to­ El compromiso de impulsar las expresiones dos los participantes e invitados a un evento artísticas a través del fortalecimiento de las que ya se ha convertido en tradición: en este políticas públicas se cumple cabalmente. Esto 2010, año del Bicentenario de la Independen­ nos permite consolidarnos como el destino cia y Centenario de la Revolución Mexicana, cultural de México por excelencia. el FICM cumple ocho años ininterrumpidos de ofrecer arte y creatividad a través de la magia Michoacán Trabaja para apoyar el arte en del cine.
    [Show full text]
  • INITIAL STUDY 6250 Sunset Project
    City of Los Angeles Department of City Planning Environmental Analysis Section City Hall 200 N. Spring Street, Room 750 Los Angeles, CA 90012 INITIAL STUDY HOLLYWOOD COMMUNITY PLAN AREA 6250 Sunset Project Case Number: ENV-2014-751-EIR Project Location: 6230-6254 Sunset Boulevard, and 6237-6253 Leland Way, Los Angeles, CA, 90028 Council District: 13 Project Description: The Project proposes a mixed-use development on an approximately 2.06 acre site located between Sunset Boulevard and Leland Way in the Hollywood community of the City of Los Angeles. The Project Site is currently developed with a building constructed in the late 1930’s as the Earl Carroll Theatre (ECT Building) and a surface parking lot with accessory structures. The ECT Building has been used by the Nickelodeon on Sunset Corporation (Nickelodeon) as a sound stage for television productions with associated offices since the early 1980’s. The Project would protect and retain the ECT Building and construct a new seven-story, mixed-use building on the western portion of the Project Site. The Project includes approximately 4,700 square feet of ground floor commercial space and 200 residential units. Five percent of the residential units are restricted as very-low income. The Project would also provide a pedestrian paseo between the new building and the ECT Building that would link Sunset Boulevard and Leland Way. Other amenities associated with the residential units include a lobby, fitness center, pool terrace, pool, spa area, sky deck, landscaped areas, and a club house/lounge area. Parking would be located in a four-level, 316 space parking structure with two levels of subterranean parking, an at-grade parking level, and one level above-grade.
    [Show full text]