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Report No. 15 (2008–2009) to the Storting
Report No. 15 (2008–2009) to the Storting Interests, Responsibilities and Opportunities The main features of Norwegian foreign policy Table of contents Introduction. 7 5 The High North will continue Norwegian interests and globalisation . 8 to be of special importance The structure of the white paper . 9 to Norway . 49 5.1 Major changes in the High North Summary. 10 since the end of the Cold War. .. 49 5.2 The High North will continue to be Part I Challenges to Norwegian a major security policy challenge . 51 interests . .15 5.3 A greater role for the EU and the Northern Dimension . 52 1 Globalisation is broadening 5.4 International law issues . 53 Norwegian interests . 17 5.5 Cross-border and innovative 1.1 Globalisation and the state . 18 cooperation in the High North . 54 1.2 Globalisation is a challenge to 5.6 Increasing interest in the polar Norway . 18 areas and the Arctic Council . 55 1.3 Norway is becoming more closely involved in the global economy. 20 6 Europeanisation and Nordic 1.4 Norway’s broader interests . 22 cooperation . 57 6.1 The importance of the EU . 57 2 The downsides and 6.2 Further development of the EU . 59 counterforces of globalisation . 24 6.3 Europeanisation defines the 2.1 Globalisation includes and excludes 24 framework . 60 2.2 The new uncertainty of globalisation 6.4 Agreements and cooperation . 60 – new security policy challenges. 26 6.5 Fisheries policy. 63 2.3 Threats to Norway from global 6.6 Broad Nordic cooperation . 63 instability . 27 6.7 The Council of Europe and the OSCE . -
Criminalization of Sex Work in Norway
THE HUMAN COST OF ‘CRUSHING’ THE MARKET CRIMINALIZATION OF SEX WORK IN NORWAY Amnesty International is a global movement of more than 7 million people who campaign for a world where human rights are enjoyed by all. Our vision is for every person to enjoy all the rights enshrined in the Universal Declaration of Human Rights and other international human rights standards. We are independent of any government, political ideology, economic interest or religion and are funded mainly by our membership and public donations. © Amnesty International 2016 Except where otherwise noted, content in this document is licensed under a Creative Commons Cover photo: Empty street in Oslo in area where sex is sold. (attribution, non-commercial, no derivatives, international 4.0) licence. © Samfoto Dagsavisen https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode For more information please visit the permissions page on our website: www.amnesty.org Where material is attributed to a copyright owner other than Amnesty International this material is not subject to the Creative Commons licence. First published in 2016 by Amnesty International Ltd Peter Benenson House, 1 Easton Street London WC1X 0DW, UK Index: EUR/36/4034/2016 Original language: English amnesty.org CONTENTS EXECUTIVE SUMMARY 7 METHODOLOGY 14 1. HUMAN RIGHTS AND COMMERCIAL SEX IN NORWAY 16 1.1 “The Nordic Model” 18 1.2 Norway’s Human Rights obligations 19 2. HOW NORWAY HARDENED ITS APPROACH TOWARDS COMMERCIAL SEX 21 2.1 Changing demographics: An increasingly internationalized context 21 2.2 Expansion and contraction: the developing indoor market and subsequent crackdowns 22 2.3 The “threat” of foreign prostitution and human trafficking concerns 23 2.4 The introduction of the ban on purchasing sex 25 2.5 Current legal framework 26 3. -
Look to Norway™ Current Norwegian Foreign Cultural Policy — Ola Kveseth Berge Ola K
University College of Southeast Norway Look to Norway™ Current Norwegian foreign cultural policy foreign cultural policy Norwegian Current Look to Norway™ Faculty of Humanities, Sports and Educational Sciences — Doctoral dissertation no. 26 2017 Ola K. Berge Look to Norway™ Current Norwegian foreign cultural policy — Ola Kveseth Berge Ola Kveseth Ola K. Berge Look to Norway™ Current Norwegian foreign cultural policy A PhD dissertation in Culture Studies © 2017 Ola K. Berge Faculty of Humanities, Sports and Educational Sciences University College of Southeast Norway Kongsberg, 2017 Doctoral dissertations at the University College of Southeast Norway no. 26 ISSN: 2464-2770 (print) ISSN: 2464-2483 (electronic) ISBN: 978-82-7206-445-6 (print) ISBN: 978-82-7206-446-3 (electronic) This publication is, except otherwise stated, licenced under Creative Commons. You may copy and redistribute the material in any medium or format. You must give appropriate credit provide a link to the license, and indicate if changes were made. http://creativecommons.org/licenses/by-nc-sa/4.0/ deed.en Print: University College of Southeast Norway Cover Photo: Ola K. Berge Berge: Look to NorwayTM Current Norwegian foreign cultural policy Preface In 2009, being the first assignment as a rookie researcher at Telemark Research institute, I conducted a small project on the international work of the performing arts organization, the Performing Arts Hub Norway (PAHN). The project aimed at finding trends and tendencies concerning what art and artists who travel where and -
A Comparison of Responses to Political Mass Shootings in the United States and Norway
Old Dominion University ODU Digital Commons Sociology & Criminal Justice Theses & Dissertations Sociology & Criminal Justice Summer 2016 What Can State Talk Tell Us About Punitiveness? A Comparison of Responses to Political Mass Shootings in The United States and Norway Kimberlee G. Waggoner Old Dominion University, [email protected] Follow this and additional works at: https://digitalcommons.odu.edu/sociology_criminaljustice_etds Part of the Criminology Commons, Scandinavian Studies Commons, and the Social Control, Law, Crime, and Deviance Commons Recommended Citation Waggoner, Kimberlee G.. "What Can State Talk Tell Us About Punitiveness? A Comparison of Responses to Political Mass Shootings in The United States and Norway" (2016). Doctor of Philosophy (PhD), Dissertation, Sociology & Criminal Justice, Old Dominion University, DOI: 10.25777/6e42-3262 https://digitalcommons.odu.edu/sociology_criminaljustice_etds/10 This Dissertation is brought to you for free and open access by the Sociology & Criminal Justice at ODU Digital Commons. It has been accepted for inclusion in Sociology & Criminal Justice Theses & Dissertations by an authorized administrator of ODU Digital Commons. For more information, please contact [email protected]. WHAT CAN STATE TALK TELL US ABOUT PUNITIVENESS? A COMPARISON OF RESPONSES TO POLITICAL MASS SHOOTINGS IN THE UNITED STATES AND NORWAY by Kimberlee G. Waggoner B.S. May 2009, Northern Arizona University M.S. May 2011, Northern Arizona University A Dissertation Submitted to the Faculty of Old Dominion University in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY CRIMINOLOGY AND CRIMINAL JUSTICE OLD DOMINION UNIVERSITY August 2016 Approved by: Randolph Myers (Director) Mona J.E. Danner (Member) Tim Goddard (Member) ABSTRACT WHAT CAN STATE TALK TELL US ABOUT PUNITIVENESS? A COMPARISON OF RESPONSES TO POLITICAL MASS SHOOTINGS IN THE UNITED STATES AND NORWAY Kimberlee G. -
Norwegian Art and Crafts Teachers' Conceptions of Creativity
Journal for Research in Arts and Sports Education Peer-reviewed article Vol. 4 | Nr. 1 | 2020 | pp. 1–18 Norwegian art and crafts teachers’ conceptions of creativity Brynjar Olafsson* University of South-Eastern Norway Abstract This study investigates Norwegian art and crafts teachers’ conceptions of creativity through the responses to a questionnaire from 791 teachers in compulsory education. The curriculum in Nor- way for compulsory education emphasizes the development of creativity in the art and crafts field more than in the other core subjects. However, the curriculum does not offer a clear definition of creativity or how creativity-related goals should be reached. According to prior research, teachers express different ideas about what creativity involves, and their conceptual understanding can affect their teaching practices. Results indicate that teachers hold beliefs that are in misalignment with recent literature, and a better conceptual understanding could support them in emphasizing cre- ativity in the classroom. This applies especially to individual creative capacity, assessment, and the role played by domain knowledge in education. Keywords: Art and crafts education; compulsory education; Norway; creativity Received: May, 2019; Accepted: November, 2019; Published: February, 2020 Introduction Creativity is recognized as a fundamental skill that is indispensable in a complex and ever-changing digital age (Craft, 2011). For this reason, the issue of creativity is receiv- ing increased attention within compulsory education in many countries (Beghetto & Kaufman, 2017). According to a recent Norwegian study, leaders of innovative production companies often identify creativity and experience as more important than formal education when seeking new employees (Svare, 2014). Despite creativity being highlighted in the national curriculum (Ministry of Education and Research, 2006), Gjærum and Gran (2016) posit that the Norwegian compulsory education system tends to depress creativity and demotivate students with significant emphasis on theoretical subjects. -
The Evolution of Scandinavian Folk Art Education Within the Contemporary Context
The Evolution of Scandinavian Folk Art Education within the Contemporary Context A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY Mary Etta Litsheim IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Dr. Shari L. Peterson, Adviser December 2010 © Mary Etta Litsheim 2010 i Acknowledgements My thanks and appreciation go to Dr. Shari L. Peterson, graduate adviser and inspiring educator; Dr. Rosemarie J. Park, Dr. James M. Brown, and Dr. Karen L. LaBat, members of my Ph.D. committee who model excellence respective of the University of Minnesota; Jan DeNoble, loyal and accomplished teacher, editor. Also to Dr. Howard Y. Williams, the initial inspiration for my interest in the field of adult education; and Dr. Gary N. McLean, my first coach in the rigors of academic research. All supported me in their teaching, research, and vigor for affecting and challenging intellectual development. Most important, my thanks and gratitude go to Jim, Mary Sara, and Scott, who supported me behind the scenes as if they too were engaged in the process. Last, but not least, Ruby and James Rorris, Esq. My gratitude to Dr. Marion Nelson, my mentor in spirit who inspired me from the day I met and heard him speak at the Revitalization of Ethnic Arts and Crafts Conference in 1996. I still have my notes. ii Abstract Folk education in Scandinavia evolved through the influences of political, social, and cultural change in 18th and 19th century Denmark. Danish high society supported the academic rigor of the German education system and expressed little interest in sustaining the rural folk and its culture. -
Con!Nui" of Norwegian Tradi!On in #E Pacific Nor#West
Con!nui" of Norwegian Tradi!on in #e Pacific Nor#west Henning K. Sehmsdorf Copyright 2020 S&S Homestead Press Printed by Applied Digital Imaging Inc, Bellingham, WA Cover: 1925 U.S. postage stamp celebrating the centennial of the 54 ft (39 ton) sloop “Restauration” arriving in New York City, carrying 52 mostly Norwegian Quakers from Stavanger, Norway to the New World. Table of Con%nts Preface: 1-41 Immigra!on, Assimila!on & Adapta!on: 5-10 S&ried Tradi!on: 11-281 1 Belief & Story 11- 16 / Ethnic Jokes, Personal Narratives & Sayings 16-21 / Fishing at Røst 21-23 / Chronicats, Memorats & Fabulats 23-28 Ma%rial Culture: 28-96 Dancing 24-37 / Hardanger Fiddle 37-39 / Choral Singing 39-42 / Husflid: Weaving, Knitting, Needlework 42-51 / Bunad 52-611 / Jewelry 62-7111 / Boat Building 71-781 / Food Ways 78-97 Con!nui": 97-10211 Informants: 103-10811 In%rview Ques!onnaire: 109-111111 End No%s: 112-1241111 Preface For the more than three decades I taught Scandinavian studies at the University of Washington in Seattle, I witnessed a lively Norwegian American community celebrating its ethnic heritage, though no more than approximately 1.5% of self-declared Norwegian Americans, a mere fraction of the approximately 280,000 Americans of Norwegian descent living in Washington State today, claim membership in ethnic organizations such as the Sons of Norway. At musical events and dances at Leikarringen and folk dance summer camps; salmon dinners and traditional Christmas celebrations at Leif Ericsson Lodge; cross-country skiing at Trollhaugen near Stampede -
Country Review Report of Norway
Country Review Report of Norway Review by Sweden and Kuwait of the implementation by Norway of articles 15 – 42 of Chapter III. “Criminalization and law enforcement” and articles 44 – 50 of Chapter IV. “International cooperation” of the United Nations Convention against Corruption for the review cycle 2010 - 2015 Page 1 of 142 Introduction 1. The Conference of the States Parties to the United Nations Convention against Corruption (hereinafter, UNCAC or the Convention) was established pursuant to article 63 of the Convention to, inter alia, promote and review the implementation of the Convention. 2. In accordance with article 63, paragraph 7, of the Convention, the Conference established at its third session, held in Doha from 9 to 13 November 2009, the Mechanism for the Review of Implementation of the Convention. The Mechanism was established also pursuant to article 4, paragraph 1, of the Convention, which states that States parties shall carry out their obligations under the Convention in a manner consistent with the principles of sovereign equality and territorial integrity of States and of non-intervention in the domestic affairs of other States. 3. The Review Mechanism is an intergovernmental process whose overall goal is to assist States parties in implementing the Convention. 4. The review process is based on the terms of reference of the Review Mechanism. II. Process 5. The following review of the implementation by Norway of the Convention is based on the completed response to the comprehensive self-assessment checklist received from Norway, and any supplementary information provided in accordance with paragraph 27 of the terms of reference of the Review Mechanism and the outcome of the constructive dialogue between Norway and the governmental experts from Kuwait and Sweden, by means of telephone conferences and e-mail exchanges and involving Dr. -
Minnesota Painters of Norwegian Background, 1870-1970 / Marion J
Minnesota Pai nters of N o An exhibition, Painting by No Minnesota painter of Norwegian background ever gained Minnesotans of Norwegian the stature of Ole Rolvaag in literature, Knute Nelson in poli - Background, 1870 –1970 , tics, or F. Melius Christiansen and his St. Olaf choir in music, opened at the James J. Hill but Norwegian Americans have contributed significantly to the House, St. Paul, on April 1. state’s visual arts. Rather than making reputations as ethnic Guest-curated by Marion artists, they have been a well -integrated part of the Minnesota Nelson and sponsored by the art scene from its beginnings. Settling in Minneapolis in the Minnesota Historical Society, 1880 s, Peter Lund, Haakon Melvold, and Herbjorn Gausta were the exhibit will remain open among the state’s first professional artists and showed their through October 14 , 2000 . work in its earliest exhibitions. 1 The following images are The affiliations of the Norwegian immigrant painters were selected from the work of largely with American art groups. In 1910 the professional 28 artists on view in this artists’ organization known as the Attic Club was founded in and lively show. Minneapolis by a visiting artist from San Francisco, who was serving as assistant director of the school of art. The watercolor- ist and stained-glass designer Andreas R. Larsen, originally from Norway, was a mainstay of this organization from its founding to its demise in about 1930 . Artists of Norwegian background were also well represented in the Minnesota Artists Association, founded in 1937 , and the somewhat more radical Artists Union, 74 rwegian Background, 187 0–1970 organized at about the same time. -
Eros and Thanatos in Norwegian Art Nouveau Tove Kristin Lande Stiftelsen Kulturkvartalet; Jugendstilsenteret and KUBE
Strand 3. Les Fleurs du Mal: Style in a Troubled Age Eros and Thanatos in Norwegian Art Nouveau Tove Kristin Lande Stiftelsen Kulturkvartalet; Jugendstilsenteret and KUBE Abstract The worship of fertile and pure youth in Art Nouveau iconography, with its frequent symbols such as rosebuds, eggs, and the shy gaze of maidenhood, is well documented. However, as the Austrian writer Stefan Zweig tells us in his autobiographical novel The World of Yesterday (1942), the Art Nouveau movement was as much a youthful revolt that explored taboos and the limits of established attitudes as it was an aesthetic movement devoted to the worship of beauty and innocence. How is this represented in Art Nouveau iconography in the visual arts? Using Sigmund Freud’s theoretical concepts of Eros and Thanatos, which address phenomena like the subconscious, morality, decadence, desire, sexual liberation and sexual identity, I will focus on the movement’s darker side, with special reference to Norwegian Art Nouveau. Keywords: Rebellious, Kristiania Bohemians, Taboos, Erotic, Death, Intoxicants, The subconscious, Femme fatal, Male seduction, Liberation 1 The worship of fertile and pure youth in Art Nouveau iconography, with its frequent symbols such as rosebuds, eggs, and the shy gaze of maidenhood, is well documented. However, as the Austrian writer Stefan Zweig tells us in his autobiographical novel The World of Yesterday (1942), the Art Nouveau movement was as much a youthful revolt that explored taboos and the limits of established attitudes as it was an aesthetic movement devoted to the worship of beauty and innocence. How is this represented in Art Nouveau iconography in the visual arts? Using Sigmund Freud’s theoretical concepts of Eros and Thanatos, which address phenomena like the subconscious, morality, decadence, desire, sexual liberation and sexual identity, I will focus on the movement’s darker side, with special reference to Norwegian Art Nouveau. -
Predictive Policing
PREDICTIVE POLICING CAN DATA ANALYSIS HELP THE POLICE TO BE IN THE RIGHT PLACE AT THE RIGHT TIME? ISBN 978-82-92447-82 – 6 (printed version) ISBN 978-82-92447-83 – 3 (electronic version) Published: Oslo, September 2015 Cover: Birgitte Blandhoel Printed by: ILAS Grafisk Published on: www.teknologiradet.no 4 FOREWORD Several recent reports have provided us with a thorough and well-documented analysis of the current state of the Norwegian police. A recurrent theme in all these reports is the need to make better use of the potential inherent in infor- mation and communication technology. A central message in the report of the 22 July Commission was the acknowledgement that we are in the middle of a technological revolution that has contributed to major changes in society, and that the Norwegian police must keep up with the developments. This leads to expectations that in the future the police will be more ambitious in their use of technology – in operational and preventive work too. An important objective for the police's operational work is that the patrols are located where they are needed, when they are needed. In recent years the police in several countries have started using new data analysis techniques that predict where and when needs are likely to be greatest. The police and the suppliers of these tools report good experience and claim that these kinds of analyses make it easier to stay ahead of the game and focus more on preemp- tive policing and prevention. In this report the Norwegian Board of Technology assesses data-driven analy- sis tools and predictive policing – and whether they should be adopted by the Norwegian police. -
Works by Norwegian-American Artists
Works by Norwegian-American Artists: During the late 19th and early 20th centuries, about three hundred individuals were considered Norwegian- American artists, "who felt they had to speak to express their feelings by creating some object," (Rolf H. Erickson, 1986). While a universally accepted definition of "Norwegian-American art" has not been determined, the definition followed by the Chicago Norske Klub of 1920 still serves us today. Norwegian- American art was then defined as "painting and sculpture produced by artists with Norwegian backgrounds." Over 180 works in the Luther College Fine Arts Collection concentration were created by Norwegian- American artists. Fifteen of these artists were born in Norway and emigrated to America while fifteen other artists are American but have a strong Norwegian background. Their works form a significant component of the Collection, especially meaningful since Luther College was founded by Norwegian immigrants. Some of the art works in the Norwegian-American Collection also are components of other Named Collections. The fifteen artists born in Norway are Sigvald Asbjørnsen (sculptor and painter from Oslo); Arne Berger (painter from Valdres); Emil Biorn (painter from Oslo); Ben Blessum (painter from Marstein, Romsdalen); Nils Saebjørn Buttedahl (actor and sculptor from Lier); Herbjørn Gausta (painter from Tinn, Telemark); Claus Hoie (print-maker and painter from Stavanger); Tarkjel Landsverk (stone artisan, painter, and carver from Seljord, Telemark); Marie Løkke, aka Mrs. Finn Mathiesen (painter from Oslo); Elizabeth Maurland (potter from Oslo); Karl Peter Andreas Ouren (painter from Halden); Gulbrand Sether (painter from Saerslovbygda, Elverum); Yngvar Sonnichsen (painter from Oslo); and Svend Rasmussen Svendsen (painter from Nittedal).